Thomas Fitzmaurice (1668-1741) 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris was the father of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who added Petty to his name after his mother, Anne Petty (d. 1737). Another son of the 1st Earl of Kerry was his heir William FitzMaurice (1694-1747) who succeeded as 2nd Earl of Kerry.
William Petty (1737-1805) 1st Marquess of Lansdowne Lord Shelburne, Prime Minister, after Sir Joshua Reynolds based on a work of 1766, National Portrait Gallery of London 43.He was the son of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who was the son of Thomas Fitzmaurice 1st Earl of Kerry (21st Baron of Kerry), Viscount ClanmorrisLouisa Lansdowne née Fitzpatrick, wife of William Petty 1st Marquess of Lansdowne by Joshua Reynolds from Catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, Grafton Galleries, London. She was a daughter of John FitzPatrick 1st Earl of Upper Ossory.John Henry Petty (1765-1809) 2nd Marquess of Lansdowne National Portrait Gallery of London ref. D37171.John Henry Petty (1765-1809), 2nd Marquis of Lansdowne by Francois-Xavier Fabre, 1795.Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, Trustee of the National Portrait Gallery, by Henry Walton circa 1805 courtesy of National Portrait Gallery, NPG 178.Henry Thomas Petty-Fitzmaurice (1816-1866) 4th Marquess of Lansdowne, Politician and railway company chairman, photograph by by John & Charles Watkins circa early 1860s, courtesy of National Portrait Gallery NPG Ax16422.Henry Charles Keith Petty-Fitzmaurice 5th Marquess of Lansdowne by Philip Alexius de László.Beatrix Frances Duchess of St Albans, Maud Evelyn Petty-Fitzmaurice, Marchioness of Lansdowne (wife of 5th Marquess), Theresa Susey Helen Vane-Tempest-Stewart, Marchioness of Londonderry and Evelyn Emily Mary Cavendish, Duchess of Devonshire, by Frederick & Richard Speaight.Mrs Letitia Pilkington (née Van Lewen), (1712-1750), “Adventuress” and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.Oliver Plunket, by Edward Luttrell courtesy of National Portrait Gallery London.Called Frances Hales, Countess of Fingall, possibly Margaret MacCarty later Countess of Fingall, wife of Luke Plunkett (1639-1685) 3rd Earl of Fingall, by Simon Pietersz Verelst courtesy of National Trust Hatchlands. Margaret was daughter of Donough MacCarty (or MacCarthy) 1st Earl of Clancarty; 2nd Viscount Muskerry. Frances Hales married Peter Plunkett (1678-1717) 4th Earl of Fingall.Arthur James Plunkett (1759-1836) 8th Earl of Fingall by Charles Turner after Joseph Del Vechio NPG D36923.Horace Plunkett by photographer Bassano Ltd, 1923, courtesy of National Portrait Gallery of London, reference NPGx12783.William Conyngham Plunket, 1st Baron Plunket, (1764-1854), Orator and former Lord Chancellor of Ireland Engraver David Lucas, British, 1802-1881 After Richard Rothwell, Irish, 1800-1868.Marble bust of William Plunket, 1st Baron Plunket (1764-1854), Lord Chancellor of Ireland, by CHRISTOPHER MOORE RHA (1790 – 1863), courtesy of Adams auction 19 Oct 2021.William Pole of Ballyfin (d. 1781), English school of 18th century, pastel, courtesy of Christies auction, wikimedia commons. He married Sarah Moore, daughter of the 5th Earl of Drogheda.
Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford married Sarah Margetson. Their daughter Sarah (d. 1736/37) married Edward Moore, 5th Earl of Drogheda. Their daughter Anne married Benjamin Burton of Burton Hall, County Carlow. Their daughter Letitia (d. 1754) married Hervey Morres, 1st Viscount Mountmorres. Their son William Ponsonby (1704-1793) succeeded as 2nd Earl of Bessborough and a younger son, John (1713-1787) married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.
It was built built 1798-1812 for Charles William Bury (1764-1835), later 1st Earl of Charleville, and was designed by Francis Johnston. The castle took 14 years to build, partly because Johnston was busy with other commissions as he was appointed to the Board of Works in 1805. From his work on the castle, Francis Johnston gained many more commissions, and he worked simultaneously on Killeen Castle in County Meath (1802-1812), Markree Castle in County Sligo (1802-1805, see my entry) and Glanmore, County Wicklow (1803-04).
Mark Bence-Jones writes (1988, p. 82) that Charleville Castle is the “finest and most spectacularearly nineteenth century castle in Ireland, Francis Johnston’s Gothic masterpiece, just as Townley Hall, County Louth, is his Classical masterpiece.” [1]
In Irish Houses and Gardens. From the Archives of Country Life, Sean O’Reilly tells us that Charles William Bury and his wife, Catherine Maria née Dawson, had some hand in drawing plans for the building. He tells us: “Bury’s intention, as he wrote in his own unfinished account of the work, was to ‘exhibit specimens of Gothic architecture’ adapted to ‘chimneypieces, ceilings, windows, balustrades, etc.’ but without excluding ‘convenience and modern refinements in luxury.’ This recipe for the Georgian gothic villa had already been used at Horace Walpole’s Strawberry Hill in London, and Bury’s cultivated lifestyle in England certainly would have made him aware of that house and its long line of descendants.” [2]
Charles William Bury was President of the Royal Irish Academy between 1812 and 1822. He saw himself as the castle’s architect.
O’Reilly continues: “It may be that Bury himself – possibly with the assistance of his wife – outlined some of the more dramatic features in his new house, as is suggested by a number of drawings relating to the final design which still survive, now in the Irish Architectural Archive in Dublin. These all show the crude hand of an amateur, but equally betray a total freedom of imagination unshackled by the discipline of architectural training. In particular, a drawing of the exterior shows the smaller tower rising up out of the ground like a tree, with its base spreading and separating as it grows into the ground like roots.” [2]
Charleville Forest was written up by Mark Girouard for Country Life in 1962. Just over fifty-three years later Country Life published another article (October 2016), this time by Dr Judith Hill, awarded a doctorate for her work on the Gothic in Ireland.
Hill researched the role that Charles William Bury’s wife Catherine played in the design of Charleville, and shared her findings in a lecture given to the Offaly History Society and published on the Offaly History blog. She tells us:
“…it was time to look more closely at the collection of Charleville drawings which had been auctioned in the 1980s. Many of these are in the Irish architectural Archive, and those that were not bought were photographed. Here I found two pages of designs for windows that were signed by Catherine (‘CMC’: Catherine Maria Charleville). There is a sketch of a door annotated in her hand writing. There is a drawing showing a section through the castle depicting the wall decoration and furniture that had been attributed to Catherine. Rolf Loeber had a perspective drawing of the castle which showed the building, not quite as it was built, in a clearing in a wood. The architecture was quite confidently drawn and the trees were excellent. It was labelled ‘Countess Charleville’. I looked again at some of the sketches of early ideas for the castle in the Irish Architectural Archive. In one, the building design was hesitant while the trees were detailed; an architect wouldn’t bother with such good trees for an early design sketch. There was another that had an architect’s stamp; the massing of the building quickly drawn, the surrounding trees extremely shadowy. I could see Catherine and [Francis] Johnston talking about the design in these drawings.” [3]
One of the Countesses of Charleville, though I don’t know which one.PossiblyHarriet Charlotte Beaujolois, the third daughter of Col. John Campbell of Shawfield in Scotland and Lady Charlotte Susan Maria Campbell.She was the second countess of Charleville and mother of Beaujolois or Little Beau.
Bence-Jones describes Charleville Forest castle as “a high square battlemented block with, at one corner, a heavily machicolated octagon tower, and at the other, a slender round tower rising to a height of 125 feet, which has been compared to a castellated lighthouse. From the centre of the block rises a tower-like lantern. The entrance door, and the window over it, are beneath a massive corbelled arch. The entire building is cut-stone, of beautiful quality.” [see 1]
Beginning in 1912, with the departure of Lady Emily, the last surviving daughter of the 4th Earl of Charleville, the house was left empty for 68 years.
In 1970 David Hutton-Bury (who owned and lived on the estate adjacent to the castle) granted a 35-year lease for the castle and surrounding 200 acres to Michael McMullen. McMullen lived in the castle and began its restoration in the early 1980s, during which time he restored the six main public rooms. In 1987 Bridget Vance and her mother, Constance Vance-Heavey, took over the leasehold from McMullen and continued the restoration. [4] It is now owned by the Charleville Castle Heritage Trust.
The land of Charleville Forest was inherited by Charles William’s father, John Bury (1725-1764) of Shannongrove, County Limerick. He succeeded to the estates of his maternal uncle, Charles Moore (1712-1764) 1st Earl of Charleville, in February 1764.
Shannongrove, County Limerick, the home of Charles William Bury’s father, courtesy of Archiseek. [5]
The oak forest and lands were gifted by Queen Elizabeth I to John Moore of Croghan Castle in 1577. Moore leased the land to Robert Forth, who built a house he called Redwood next to the river Clodiagh. In the 1740s Charles Moore 2nd Baron Moore and later 1st Earl of Charleville bought out the lease and made the house the family seat and named it Charleville, after himself.
Due to the lack of male heirs in the Moore family after Charles Moore’s death in 1764, and the fact that John Moore died later that year in 1764, the land was inherited by Charles William Bury who was the grand nephew of the last Earl, at just six months old.
Charles William Bury’s mother Catherine Sadleir was from Sopwell Hall County Tipperary. After her husband John Bury died, she married Henry Prittie (1743-1801) 1st Baron Dunally of Kilboy, which whom she went on to have several more children. The family probably moved to the house he had built called Kilboy House in County Tipperary.
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie. It was built in 1745 to a design attributed to Francis Bindon.The sale site tells us that in 1745 Francis Sadlier (1709-1797) built Sopwell Hall. The Sopwell Estate ownership passed to the Trench family in 1797 through the marriage of his daughter, Mary. The Trench family remained in ownership until 1985.See more photos in footnotes [6]Henry Prittie, 1st Baron Dunalley (1743-1801), Irish school, courtesy of Christie’s.He was the stepfather of Charles William Bury.
On Charles Moore’s death the title became extinct until Charles William Bury was created 1st Earl of Charleville of the second creation in 1806. Before this, in 1797 he was created Baron Tullamore and in 1800, Viscount Charleville. Bury was returned to the Irish Parliament for Kilmallock in January 1790, but lost the seat in May of that year. He was once again elected for Kilmallock in 1792, and retained the seat until 1797. In 1801 he was elected as an Irish representative to sit in the British House of Lords in England.
Charles William Bury’s wife Catherine was daughter of Thomas Townley Dawson and widow of James Tisdall. From that marriage she had a daughter named Catherine.
Andrew Tierney describes Charleville Forest Castle in The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly:
“The castle comprises a tall castellated block of snecked [snecked masonry has a mixture of roughly squared stones of different sizes] limestone rubble with ashlar trim, with a great muscular octagonal tower to the northwest and a narrow round tower with soaring tourelle [small tower] to the NE…The composition breaks out more fully in the collective irregular massing of the towers, the chapel and the stable block, which rambles off to the west.” [7]
Tierney continues: “The positioning of a great window over the doorway bears comparison with the earlier group of Pale castles, such as Castle Browne (now Clongowes Woods school), attributed to Thomas Wogan Browne. It appears as a portcullis descending from a Gothic arch with a drawbridge in Lord Charleville’s original drawing (which also had a Radcliffean damsel in distress screaming from the battlements). He spent a lot of time drawing a sevenlight panelled window in its stead – the effect is much the same from afar – although the executed window is a more complex Perp design, probably by Johnston. The Tudor arch is employed three times in succession: over the door, in the recess of the great window and in the tripartite window above, which is subdivided into three further arches. This use of the same detailing at varying scales is also seen in the corbelling – a sort pair of intersecting hemispheres. The battlements are simple crenels on the main block but on the towers are rendered in a distinctly Irish fashion (a distinction Johnston would make at Tullynally and Markree), and here the corbelling is also more elaborate, sprouting upwards like cauliflower on the NE tower.“
To the right of the entrance front, and giving picturesque variety to the composition, is a long, low range of battlemented offices and a chapel, including a tower with pinnacles and a gateway.
The Stableyard lies beyond the chapel but is not open to the public, which is unfortunate as Tierney describes it as the finest castellated stableyard in Ireland, although now derelict. It is also by Francis Johnston.
“The interior is as dramatic and well-finished as the exterior. In the hall, with its plaster groined ceiling carried on graceful shafts, a straight flight of stairs rises between galleries to piano nobile level, where a great double door, carved in florid Decorated style, leads to a vast saloon or gallery running the whole length of the garden front.”
The heavy oak stairs run from the basement to piano nobile. This imitates a similar configuration by James Wyatt at Fonthill and Windsor, which Lord Charleville knew. The upper stage, Tierney describes, has a plaster-panelled dado with ogee-headed niches in the style of Batty Langley, conceived for a parade of suits of armour in drawings by Lady Charleville.
Through the double doors is the most splendid room, the south facing Gallery. Unfortunately this was closed on our Heritage Week visit in 2024 due to filming of the Addams family movie, “Wednesday.” Mark Bence-Jones continues:“This is one of the most splendid Gothic Revival interiors in Ireland; it has a ceiling of plaster fan vaulting with a row of gigantic pendants down the middle; two lavishly carved fireplaces of grained wood, Gothic decoration in the frames of the windows opposite and Gothic bookcases and side-tables to match.“
Charleville Castle Tullamore by Alex Johnson June 2017, courtesy of flickr constant commons.Photograph of Charleville Forest Castle that appeared in 1962 in Country Life. The castle was uninhabited at this time and the furniture was borrowed from Belvedere, County Westmeath.
The fan-vaulted ceiling is inspired by Horace Walpole’s Strawberry Hill, which the Burys visited, which is in turn based on Henry VII’s Chapel at Westminster Abbey, Tierney tells us. The ceiling is thought to have been executed by George Stapleton, who is also responsible for the fan-vaulting in Johnston’s Chapel Royal in Dublin Castle. The ceiling is anchored with clustered shafts along the walls, with bays framing the two Gothic chimneypieces, the doorcase on the north wall, and the Gothic casings of the windows.
The drawing room and dining room are on either side of the entrance hall. The dining room on the west side has a coffered ceiling and a fireplace which is a copy of the west door of Magdalen College chapel, Oxford.
The dining room has, Tierney points out, a Dado of double-cusped panelling derived from the staircase balustrade of Strawberry Hill. The ceiling has crests of the family in the panel, supported by a Gothic frieze in the form of miniature fan vaults. The Moores are represented by a silhouette of a Moorish person, and the Burys by a boar’s head with an arrow through its neck. There are also “C”s for “Charleville.” The volunteers during Heritage Week told us that the ceiling is by William Morris, but Tierney tells us that he redecorated the room in 1875, but the scheme no longer survives. The decoration on the miniature fan vault frieze does look rather William Morris-esque to me, as well as the painting between the crests.
The Drawing Room is on the east side of the house. It has a fretwork ceiling with circular heraldic panels, a panelled dado and quatrefoil cornice. The room connects through a great arch with the rib-vaulted music room to its north. Unfortunately none of the furniture is original to the house but was brought it by the current owners.
The Music Room connects via a curved short corridor to the Boudoir in the northeast tower, a homage to Walpole’s Tribune in Strawberry Hill, Tierney tells us. This used to be my friend Howard Fox’s bedroom when he was staying as a guest, leading mushroom foraging walks in Charleville Woods! It is a star-vaulted circular room, with bays alternating between four wide round niches and smaller openings for windows, door and fireplace. Above was Lord Charleville’s dressing room, but we did not get to go there.
The stairs is tucked away in an odd place, behind a door off the northwest corner of the entrance hall. It is an intricate tightly curved staircase of Gothic joinery leading to the upper storeys, with Gothic mouldings on walls. The wall panelling is plaster painted and grained to look like oak. It rises through three storeys.
Tierney tells us that at the top of each flight, there is a great cavetto-moulded doorcase enriched with quatrefoil fretwork in plaster. The cavetto is a concave molding with a profile approximately a quarter-circle, quarter-ellipse, or similar curve. I find the staircase thrilling. Tierney writes: “Its dark colouring is in tune with the “gloomth” of its north facing aspect, and no Gothic room in Ireland rivals its Hmmer Horror atmosphere“!
A tragic accident occurred in 1861 when the 5th Earl’s young sister Harriet was sliding down the balustrade of the Gothic staircase from the nursery on the third floor and fell. She is said to haunt the staircase and to be heard singing.
I’m not sure if this is a photograph of Harriet who died falling from the staircase.
Beyond the staircase on the primary level is a small library with rib vaulted ceiling and Gothic bookcases.
The panelling by each bookcase can be opened to reveal more space, and behind one secret door is a small room which leads out to the chapel, the guide told us.
O’Reilly tells us: “Charleville Forest’s patron, Charles William Bury, from 1800 Viscount and from 1806 Earl of Charleville, was a man well versed in contemporary English taste and style. He inherited lands in Limerick, through his father’s maternal line, and in Offaly. His great wealth, lavish lifestyle and generous nature allowed him simultaneously to distribute largesse in Ireland, live grandly in London and travel widely on the continent…[p. 139] Charleville’s lack of success in his search for a sinecure proved ill for the future of the family fortunes for, continuing to live extravagantly above their means, they advanced speedily towards bankruptcy. On Charleville’s death in 1835, the estate was ‘embarrassed’ and by 1844, the Limerick estates had to be sold and the castle shut up, while his son and heir, ‘the greatest bore the world can produce’ according to one contemporary, retired to Berlin.“
“The greatest bore the world can produce,” Charles William Bury (1801-1851), 2nd Earl of Charleville by Alfred, Count D’Orsay 1844, courtesy of National Portrait Gallery NPG 4026(12).
The 2nd Earl held the office of Representative Peer [Ireland] between 1838 and 1851.
Charles William Bury, 2nd Earl of Charleville, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.
The 3rd Earl, Charles William George Bury (1822-1859), returned to the house in 1851, but with a much reduced fortune. He died young, at the age of 37, and his son, also named Charles William (1852-1874), succeeded as the 4th Earl at the age of just seven years old. His mother had died two years earlier. It seems that many of the Bury family were fated to die young.
The 4th Earl died at the age of 22 in 1874, unmarried, so the property passed to his uncle, Alfred, who succeeded as 5th Earl of Charleville but died the following year in 1875, without issue. The young 4th Earl had quarrelled with his sister who was next in line, so the property passed to a younger sister Emily.
In 1881 Emily married Kenneth Howard (1845-1885), son of the 16th Earl of Suffolk and of Louisa Petty-FitzMaurice, daughter of Henry Petty-FitzMaurice, 3rd Marquess of Lansdowne. On 14 December 1881 his name was legally changed to Kenneth Howard-Bury by Royal Licence, after his wife inherited the Charleville estate. He held the office of High Sheriff of King’s County in 1884.
After Emily’s death in 1931 the castle remained unoccupied. Her son Charles Kenneth Howard-Bury (1883-1963) preferred to live at another property he had inherited, Belvedere in County Westmeath (see my entry), which he inherited from Charles Brinsley Marlay. He auctioned the contents in 1948.
The house stood almost empty, with a caretaker, for years. When Charles Kenneth died in 1963, the property passed to a cousin, the grandson of the 3rd Earl’s sister with whom he had quarrelled. She had married Edmund Bacon Hutton and her grandson William Bacon Hutton legally changed his surname to Hutton-Bury when he inherited in 1964. The castle remained empty, until it was leased for 35 years to Michael McMullen in 1971. It had been badly vandalised at this stage. He immediately set to restore the castle.
More repairs were carried out by the next occupants, Bridget “Bonnie” Vance and her parents, who planned to run a B&B and wedding venue. Today the castle is run by Charleville Castle Heritage Trust.
[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
[2] p. 136. O’Reilly, Sean. Irish Houses and Gardens. From the Archives of Country Life. Aurum Press Ltd, London, 1998.
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ieSopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ieSopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ieSopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ieSopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ieSopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie
[7] p. 232-8. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.
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We visited County Kerry at the end of March 2023, when few other Revenue Section 482 properties are open. I didn’t stop to think, however, that it might not be the best time to see the gardens of Kerry in their best state! However, some trees were in bloom, while others had dropped their blossoms.
Derreen is famous for its collection of rhododendrons and some of the Arboretum rhododendrons planted in the 1870s by the 5th Marquess of Lansdowne have grown to a size rarely seen elsewhere.
The house at Derreen is not on the Section 482 scheme, just the surrounding gardens. Derreen takes its name from the woods around it, as it means “little oak wood” in Gaelic. The gardens cover an area of 60 acres and include nearly eight miles of paths, which wind through mature and varied woodland, a garden laid out 150 years ago with subtropical plants from around the world and views of the sea and mountains.
In 1657 the area was granted to William Petty (1623-1687), physician of Oliver Cromwell. In 1664, Petty undertook the survey of Ireland and by 1666 he had completed the measurement of 2,008,000 acres of forfeited land, for which, by contract, he was to receive one penny per acre. He also acquired an estate of £6,000 a year. [1] He received the baronies of Iveragh, Glanarought and Dunkerron in County Kerry as well as land in Counties Meath, Cork, Limerick and Offaly. These Kerry lands contained resources such as pearls in the river, silver in the mountains, and forest. He experimented, unsuccessfully, with iron making. There was already an iron-work in nearby Kenmare.
William Petty (1623-1687) by Isaac Fuller circa 1651, National Portrait Gallery of London ref. 2924.Down Survey of Ireland information board in Ardgillan Castle, Dublin.Down Survey of Ireland information board in Ardgillan Castle, Dublin.
He married Elizabeth Waller (1636-1708), who had been previously married to Michael Fenton of Mitchellstown in County Cork.
The Dictionary of Irish Biography tells us that from 1659 Petty divided his time between London and Dublin and that, despite some London properties, Ireland supplied the bulk of his wealth.
In 1684 the Dublin Philosophical Society was founded and Petty was elected as its first president.
William Petty died of gangrene in his foot in 1687. He had refused a peerage, but after he died, Elizabeth née Waller was created Baroness Shelburne in her own right by King James II, in 1688. On the same day her eldest son by William Petty, Charles Petty (1672-1696), became Baron Shelburne.
Charles Baron Shelburne married Mary Williams (d.1710) but they had no children. After he died, she married Lt.-Gen. Henry Conyngham (d. 1705/6) of Mountcharles County Donegal and of Slane Castle in County Meath (another Section 482 property and the first one we visited when I undertook this project! See my entry).
William Petty and Elizabeth née Waller’s second son, Henry (1675-1751) was created Viscount Dunkerrin and Earl of Shelburne in the Irish Peerage. He married Arabella Boyle (d. 1740) daughter of Charles Boyle, 2nd Baron Clifford of Lanesborough, County York in England and 3rd Viscount Dungarvan, County Waterford. They had no sons but a daughter, Anne Fitzmaurice Petty. She married Francis Bernard (1698-1793) of Castle Bernard, County Cork (now an impressive ruin).
Castle Bernard ruins in County Cork, photograph courtesy of National Inventory of Architectural Heritage.
Since Henry Petty 1st Earl of Shelburne had a daughter but no sons his estates passed to his nephew John Fitzmaurice who changed his surname to Petty. The earldom of Shelburne was revived for John in 1753.
A sketch of Henry Petty (1675-1751) Earl of Shelburne by George Townshend, 4th Viscount and 1st Marquess Townshend National Portrait Gallery of London ref. 4855(15)
William Petty and Elizabeth née Waller’s daughter Anne (1671-1737) married Thomas Fitzmaurice (1668-1741), 21st Baron of Kerry, who became 1st Earl of Kerry. He was MP for County Kerry and a Privy Counsellor in Ireland. At the same time as being created Earl of Kerry in January 1722/23, he was created 1st Viscount Clanmaurice.
His grandson, the Marquess of Lansdowne, wrote of him, “my grandfather did not want the manners of the country nor the habits of his family to make him a tyrant. He was so by nature. He was the most severe character which can be imagined, obstinate and inflexible; he had not much understanding, but strong nerves and great perseverance, and no education, except what he had in the army, where he served in his youth, with a good degree of reputation for personal bravery and activity. He was a handsome man and, luckily for me and mine, married a very ugly woman, who brought into his family whatever degree of sense may have appeared in it, or whatever wealth is likely to remain in it, the daughter of Sir William Petty… With all this he had high principles of honour and a strict love of justice, which made him govern the country better than he did his own family… His children did not love him, but dreaded him; his servants the same.” [2]
The Landed Estates Database tells us the 1st Earl of Kerry had two younger brothers, William of Gallane, County Kerry, ancestor of the Fitzmaurices of Springfield Castle, County Limerick and John who had an only child Anne who married her cousin of Springfield Castle (you can rent the castle, see my Places to Visit and Stay in County Limerick entry. [3]
The property passed through the family of the Marquesses of Lansdowne. Timothy William Ferres tells us that the Marquesses of Lansdowne owned the greatest amount of land in Kerry, more than any other landowners in Kerry, with 94,983 acres. [see 1]
The 1st Earl’s daughter Elizabeth Anne (d. 1757) married Maurice Crosbie, 1st Baron Branden (circa 1689-1762). His daughter Arabella married Colonel Arthur Denny (d. 1742), MP and High Sheriff of County Kerry. Another daughter, Charlotte (d. 1774), married John Conway Colthurst (1722-1775) 1st Bt. of Ardrum, County Cork.
The 1st Earl’s eldest son, William Fitzmaurice (1694-1747) held the offices of Lord-Lieutenant of County Kerry and Custos Rotulorum of County Kerry, Governor for the county and Privy Counsellor. He married Elizabeth Moss but they had no children and she died and he subsequently married Gertrude Lambart in 1738, daughter of Richard Lambart (d. 1741) 4th Earl of County Cavan and 4th Viscount Kilcoursie, in the King’s County.
Their daughter Anna Maria FitzMaurice (d. 1808) married Maurice Fitzgerald (d. 1780) 16th Knight of Kerry.
William and Gertrude’s son Francis Thomas FitzMaurice became 3rd Earl of Kerry after his father died in 1747. Horace Walpole described him as “a simple young Irish Peer, who had married an elderly Irishwoman that had been divorced on his account, and had wasted a vast estate in the idlest ostentation.” [see 2] This elderly Irishwoman was Anastasia Daly (d. 1799 and buried in Westminster Abbey!), she was daughter of Peter Daly and had been married to Charles Daly of County Galway and she obtained a divorce from him in 1768 by an Act of Parliament.
The Marquess of Lansdowne wrote that “the present Lord Kerry, after being educated under the direction of the Chancellor of Ireland, and being left a good deal to himself, fell in love with a married lady twenty years older than himself, the daughter of an eminent Roman Catholic lawyer, and, obtaining a divorce, married her—an extraordinary vain woman. Having their way to fight up to get into good company, and having no posterity, they sold every acre of land which had been in our family since Henry the Second’s time.” [see 1]
The Landed Estates Database tells us:
“Francis, the 3rd Earl of Kerry was mostly an absentee landlord, his estates being administered by agents including Christopher Julian. Dickson writes that he sold much of his Kerry estates to Richard Hare in the 1780s. With his death in 1818 the connection between the Earls of Kerry and Lixnaw came to an end. The title was inherited by the Marquis of Lansdowne of Derreen, county Kerry who owned 1,526 acres in county Limerick in the 1870s.”
The 3rd Earl of Kerry and his wife had no son. The 1st Earl of Kerry and his wife Anne née Petty had a second son, John (1706-1761). It was this son who is mentioned above, who became the heir of his uncle Henry Petty 1st Earl of Shelburne, and he changed his surname to Petty in 1751. That year, he was created 1st Baron Dunkeron and 1st Viscount FitzMaurice.He held the office of Sheriff of County Kerry in 1732 and was a Whig MP for County Kerry from 1743-1751. He was created 1st Earl of Shelburne, County Wexford in 1753. He was Governor of County Kerry and a Privy Counsellor. Between 1754 and 1760 he was MP in England for Chipping Wycombe, County Buckinghamshire and in 1760 he was created was created 1st Lord Wycombe, Baron of Chipping Wycombe [Great Britain].
In 1734 he married his first cousin Mary Fitzmaurice, granddaughter of William Fitzmaurice, 18th Baron of Kerry and Lixnaw, daughter of William of Gullane, a brother of the 1st Earl of Kerry.
John Petty and his wife Mary née Fitzmaurice had two sons. The eldest, William (1737-1805), was born under his father’s original surname of Fitzmaurice but changed his name to Petty when his father changed his name. He rose to the position of Prime Minister of England.
William Petty (1737-1805) 1st Marquess of Lansdowne, Lord Shelburne, Prime Minister, after Sir Joshua Reynolds based on a work of 1766, National Portrait Gallery of London ref. 43.
William was called Viscount FitzMaurice between 1753 and 1761. He served in the British army and then had an illustrious political career. He held the office of First Lord of Trade April-December 1763 and like his forebears, served as a Privy Counsellor. He held the office of “Secretary of State for the South” between July 1766 and October 1768, and was Foreign Secretary March-July 1782 and was made Knight, Order of the Garter.
He held the office of Prime Minister and First Lord of the Treasury between 13 July 1782 and 5 April 1783. He was nominated Prime Minister in 1782 after the death of the Marquess of Rockingham, under whom he had been Secretary of State for Foreign Affairs. He was created 1st Marquess of Lansdowne, County Somerset [Great Britain] on 6 December 1784.
The Shelbourne hotel in Dubiln is named after him.
First William Petty married Sophia Carteret, daughter of John Carteret, 2nd Earl Granville of England. Their son John Henry Petty (1765-1809), succeeded as 2nd Marquess of Lansdowne. He married but had no children.
John Henry Petty (1765-1809) 2nd Marquess of Lansdowne National Portrait Gallery of London ref. D37171.
After his wife Sophia died in 1771, William married Louisa Fitzpatrick (1755-1789) in 1779, daughter of John Fitzpatrick, 1st Earl of Upper Ossory. Their son Henry (1778-1863) succeeded his brother as 3rd Marquess of Lansdowne in 1809.
Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, Trustee of the National Portrait Gallery, by Henry Walton circa 1805 courtesy of National Portrait Gallery of London, NPG 178
In 1808 Henry (afterwards 3rd Marquess Lansdowne) married Louisa Emma Fox-Strangways (1785-1851), daughter of Henry Thomas Fox-Strangways, 2nd Earl of Ilchester. She held the office of Lady of the Bedchamber for Queen Victoria between August 1837 and September 1838.
In 1818 Henry changed his surname from Petty to Petty-Fitzmaurice, when he succeeded as 4th Earl of Kerry, after the death of Francis Thomas Fitzmaurice, 3rd Earl of Kerry (the one who had married “elderly” Anastasia). Henry followed in the footsteps of his forebears as MP and Privy Counsellor, and he also served as a Cabinet Minister and was appointed Knight, Order of the Garter in 1836.
Henry and Louisa had several children. Their daughter Louisa (d. 1906) married James Kenneth Howard, son of the 16th Earl of Suffolk. Henry 3rd Marquess’s oldest son, William Thomas Petty-FitzMaurice, who was called Earl of Kerry from 1818, predeceased him. William Thomas had married Augusta Lavinia Priscilla Ponsonby, daughter of John William Ponsonby, 4th Earl of Bessborough, and they had a daughter Mary Caroline Louisa Thomas Petty-FitzMaurice who married the son of the 2nd Earl of Powis. After the young Earl of Kerry died in 1836 at the age of just 25, his widow remarried, this time to Charles Alexander Gore (1811-1897).
It was therefore the next son of Henry and Louisa, Henry (1816-1866) who became the 4th Marquess of Lansdowne. The youngest son, Bentinck Yelverton Petty-FitzMaurice, died in 1892.
Henry (1816-1866) was styled as Earl of Shelburne from August 1836 until January 1863 when his father died. He was a Liberal MP for Calne in England between 1837 and 1856, and held the office of Under-Secretary for Foreign Affairs between 1856 and 1858. He was appointed Knight, Order of the Garter in 1864.
The Landed Estates database tells us that before the Petty-Fitzmaurices built the house, at the time of Griffith’s Valuation the property was leased from the Lansdowne estate by Peter McSweeney. Griffith’s Valuation was the first full-scale valuation of property in Ireland and details of property with valuations were published between 1847 and 1864.
The Landed Estates database adds that Derreen House was originally built by a branch of the O’Sullivans, from whom the lease passed to Peter McSweeney, who was married to a member of the O’Sullivan family.
Mark Bence-Jones tells us in his A Guide to Irish Country Houses (1988) that Henry Thomas Petty-Fitzmaurice 4th Marquess enlarged the house at Derreen between 1863 and 1866. [4] The National Inventory tells us that the version of the house built c. 1865 was designed by James Franklin Fuller. [5]
Henry the 4th Marquess married Georgina Herbert (1817-1841), daughter of General George Augustus Herbert, 11th Earl of Pembroke in 1840, but she died the following year. He then married the grandly named Emily Jane Mercer-Elphinstone-de Flahault (1819-1895), daughter of French army genearl Auguste Charles Joseph de Flahault, Comte de Flahault de la Billardrie and of Margaret Mercer Elphinstone, 2nd Baroness Keith and 7th Lady Nairne (a Scottish barony). They married in 1843 at the British Embassy in Vienna. Emily Jane succeeded her mother as 8th Lady Nairne in 1874.
Henry and Emily Jane had several children. Their daughter Emily Louisa Anne married Everard Charles Digby (1852-1915), son of 9th Baron Digby of Dorset.
Henry’s son Henry Charles Keith Petty-Fitzmaurice (1845-1927) succeeded as the 5th Marquess when his father died in 1866. A younger son, Edmond George Petty Petty-FitzMaurice, was created 1st (and last) Baron FitzMaurice ofLeigh, Co. Wiltshire, England in 1906 and also played a role in Foreign Affairs of state.
Henry Charles Keith Petty-Fitzmaurice (1845-1927) married Maud Evelyn Hamilton (1850-1932), daughter of James Hamilton (1811-1885), 1st Duke of Abercorn and Louisa Jane née Russell. Henry Charles Keither was styled as Earl Clanmaurice between 1845 and 1863 and Earl of Kerry between 1863 and 1866, and in 1866 he succeeded to the many other titles passed down through his family.
Henry Charles Keith Petty-Fitzmaurice.
The 5th Marquess held the office of Lord of the Treasury between 1868 and 1872 and Under-Secretary for War between 1872 and 1874. He was Under-Secretary for India between April and July 1880, Governor-General of Canada between 1883 and 1888, and Viceroy of India between 1888 and 1893. He held the office of Secretary of State for War between 1895 and 1900. He succeeded as the 9th Lord Nairne in 1895 when his mother died. He held the office of Lord-Lieutenant of Wiltshire between 1896 and 1920, and Secretary of State for Foreign Affairs between 1900 and 1905.
The 5th Marquess’s wife held the office of Lady of the Bedchamber to Queen Alexandria between 1905 and 1909 and “Extra” Lady of the Bedchamber between 1910 and 1925.
The Marquesses of Lansdowne made Derreen their summer residence. The garden was originally planted by the 5th Marquess. The website tells us that in 1870 Lord Lansdowne began an ambitious project to transform the countryside around the house from bare rock and scrub oak into a luxurious woodland garden. He planted 400 acres of woodland to shelter a collection of shrubs and specimen trees which were then being brought back from plant hunting expeditions in the Himalayas and elsewhere.
Robert O’Byrne quotes from Extracts from Glanerought and the Petty-FitzMaurices by the sixth Marquis of Lansdowne (1937):
‘The year 1903 was made memorable at Derreen by a visit from King Edward VII and Queen Alexandra. Their Majesties made in that summer a tour of Ireland, partly in the Royal Yacht and partly overland. The original intention had been that they should come to Derreen by water from County Clare, but weather conditions made this inadvisable, and the journey was eventually made by motor-car. They arrived on the afternoon of July 31. A Union Jack had been floated on the top of Knockatee and a triumphal arch was erected outside the Derryconnery Gate, where an address of welcome was presented by the assembled tenantry. On the lawn in front of the house the children of Lauragh school had been marshalled and they presented a bouquet to the Queen. Then there was a walk around the gardens where two commemorative bamboos were duly planted in the glade now called “the King’s Oozy”. After tea in the new dining room, which had been added to the house that year, the party went down to the pier, where Queen Alexandra was initiated into the mysteries of prawn fishing. The ground had been lavishly baited in advance and the fishing was such a success, that in spite of the obvious impatience of His Majesty, she could scarcely be persuaded to relinquish her net when the hour came for departure.’
Robert O’Byrne tells us that during the 5th Marquess’s absence in India (1888-1893), Derreen was let to the Duke of Leeds. [6]
The house at Derreen was burnt and plundered in 1922 and rebuilt by 5th Marquess in a similar style 1924; it underwent further reconstruction, having been attacked by dry-rot, 1925-26.
The 5th Marquess and his wife Maud Evelyn had several children. Their daughter Evelyn Emily Mary Petty-FitzMaurice (1870-1960) married Victor Christian William Cavendish (1868-1938) 9th Duke of Devonshire.
Their younger daughter Beatrix Frances Petty-FitzMaurice (1877-1953) married first Henry de la Poer Beresford (1875-1911) 6th Marquess of Waterford of Curraghmore (see my entry about Curraghmore). He died at the young age of 36, and after having six children with her first husband, Beatrix married Osbourne de Vere Beauclerk, 12th Duke of Saint Albans.
Beatrix Frances Duchess of St Albans [(1877-1953), Daughter of 5th Marquess of Lansdowne; former wife of 6th Marquess of Waterford, and later wife of 12th Duke of St Albans], Maud Evelyn Petty-Fitzmaurice, Marchioness of Lansdowne [mother of Beatrix, née Hamilton], Theresa Susey Helen Vane-Tempest-Stewart, Marchioness of Londonderry and Evelyn Emily Mary Cavendish, Duchess of Devonshire [(1870-1960), sister of Beatrix] by Frederick & Richard Speaight, National Portrait Gallery of London ref. x76669
Their younger son, Charles George Francis (1874-1914) added Mercer Nairne to his surname in 1914 to become the mouthful “Mercer Nairne Petty-FitzMaurice.” His wife’s surname was equally impressive, as he married Violet Mary Elliot-Murray-Kynynmound, daughter of the Earl of Minto, County Roxborough in England.
The elder son, Henry William Edmund Petty-Fitzmaurice (1872-1936), became 6th Marquess of Lansdowne. He married Elizabeth Caroline Hope, whose mother was Constance Christina Leslie, daughter of John Leslie, 1st Baronet of Glaslough, County Monaghan, of Castle Leslie, another Section 482 property (see my entry).
Mark Bence-Jones describes the property in his A Guide to Irish Country Houses (1988):
“Derreen is famous for its garden, which extends over the greater part of the peninsula on which the house is built. It was originally planted by 5th Marquess; but the collection of trees and shrubs has been constantly added to by his successors. In the moist and mild climate, tender and exotic species flourish; while the older trees have grown to an incredible height and girth. The garden is particularly noted for its rhododendrons and tree ferns. As a foil to the luxuriant plantings, there are great natural outcrops of rock. After WWII, Derreen passed to Lady Nairne, now Viscountess Mersey, sister of 7th Marquess, who was killed in action 1944. It is now the property of her son, Honourable David Bigham; the garden is open to the public.” [see 4]
The 6th Marquess’s sons all died young, tragically, so the estate passed to their sister, Katherine Evelyn Constance Petty-FitzMaurice (1912-1995), who succeeded as the 12th Lady Nairne in 1944. She married Edward Clive Bigham, later 3rd Viscount Mersey, in 1933. They have several children.
There is a chapter about the family in Jane O’Hea O’Keeffe’s Voices from the Great Houses: Cork and Kerry (Mercier Press, Cork, 2013).
[2] G.E. Cokayne; with Vicary Gibbs, H.A. Doubleday, Geoffrey H. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910-1959; reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume VII, page 213.
[4] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.
Irish Historic Houses 