Newpark House and Demesne, Newpark, Ballymote, Co. Sligo F56 X985 – section 482

Open dates in 2025: Jan 20-24, 27-31, Feb 10-14, 17-21, May 6-10, 12-23, June 9-13, 23-29, Aug 16-24, 29-30, 9.30am-1.30pm

Fee: adult €7, OAP/student €5, child free

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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Newpark House during Heritage Week, when we went on holidays to Sligo. We were delighted to discover that the owner, Christopher, is a cousin of Durcan O’Hara, with whom we were staying at Annaghmore in nearby Collooney.

Burke’s A Genealogical and Heraldic History of the Landed Gentry of Ireland tells us that Newpark was built for Robert King Duke (1770-1836), Justice of the Peace and Deputy Governor of Sligo, but the Historic Houses of Ireland website points out that he was only a boy of ten in 1780 when the house was built, so it was probably built for his father Robert (1732-1792). The Duke family descends from John Duke, who came to Sligo at the time of Oliver Cromwell and was granted land in Sligo in 1662. One can still see traces of their presence in the decorative plasterwork in the house. [1]

In 1910, the In 1910, the Duke family left Newpark, and it was purchased by Richard O’Hara, a younger son from nearby Annaghmore and Coopershill.

The house may have been designed by John Roberts of Waterford, who also may have designed Enniscoe in County Mayo, another house we visited during Heritage Week [2].

Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house has a main rectangular block of three bays and two storeys, with a basement and dormer attic, built in 1780. The house was extended in the 1870s and lost some of its original features, but the original staircase remains.

A two-bay two-storey over basement wing was added around 1920.

The house is lime rendered with a tripartite entrance: a round-headed door-case flanked by narrow rectangular sidelights. There is another door in the front in the newer section of the house.

Two storey addition to the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The round-headed doorcase with side windows and fanlight. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eaved roof rests on corbels, i.e. blocks projecting from the walls supporting the roof. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Kitchens have recently received a grant to fix their gabled windows, which are on both sides of the house, and have decorative wooden bargeboards. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gabled windows with decorative bargeboards, seen here above the later two storey addition. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Historic Houses of Ireland website tells us that architect and writer Jeremy Williams observed of Newtown: “What strikes one is the harmony of the whole ensemble. Entrance gates and lodge, lime avenue, house, carriage-house, farm yard and partly walled demesne are all proportionate to each other and reveal the unpretentious lifestyle of a typical west of Ireland squireen, a rare survival today.” 

The gate lodge is available for hired accommodation. [3]

The entrance gates to Newpark. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
My photograph of the picturesque gate lodge of Newpark – I did not realise it is much bigger than it looks from the side facing the driveway. You can see the lower storey in my photograph below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph taken from National Inventory of Architectural Heritage, since I did not like to walk around the gate lodge, unsure if it had residents! In this photograph you can see the lovely arched window at the front.
The gate lodge is much larger than it looks from the photographs I took, since I did not walk around it. This photograph taken from National Inventory of Architectural Heritage shows that the side of the lodge away from the driveway has another storey, lower than that facing the driveway. This extension was built in about 1960 onto the original c. 1840 cottage. [4]
Entrance drive to Newpark. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert Duke (1732-1792) of Newtown married Lucinda Parke, daughter of William Parke of Dunally, County Sligo. The Parkes of Dunally were a branch of the Parkes who owned Parkes Castle in County Leitrim, which we also visited during Heritage Week.

Parkes Castle, County Leitrim, built in the early seventeenth century by Captain Robert Parke on the foundations on an old O’Rourke castle built by Brian O’Rourke, Prince of Breffne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert King Duke (1770-1836) also married a Parke from Dunally, Anne. Newpark passed down through the family and it must have been his great-grandson, Roger Philip Duke (1874-1944), who sold Newpark.

Richard Edward O’Hara (1863-1948) who purchased Newpark in 1913 was the son of Charles William Cooper (1817-1898) of Coopershill, who took the name O’Hara when he inherited Annaghmore from his uncle, Charles King O’Hara (1784-1860) (the “King” may have been from Charles King O’Hara’s mother’s mother, whose maiden name was King). Charles William Cooper O’Hara married Anne Charlotte Streatfield, a wealthy heiress, and they lived in Annaghmore. They had many children, one of whom, Richard Edward O’Hara (1863-1948), purchased Newpark. He moved to Queensland, Australia, where he farmed, and married Ethel Fisken in 1911. They returned to live in Ireland and he purchased Newpark.

They had a daughter, Sheela, who married Finlay Kitchin, grandfather of the current owner, Christopher. Christopher’s parents moved out of Newpark only a few years ago to a house built on the property, yielding the house to their son and his wife, Dorothy-Ellen. Our week took a serendipitous turn when we learned that Dorothy-Ellen is the daughter of Mary White of The Old Rectory, Killedmond in Carlow, where we were going to be staying later that week! [5]

Dorothy and Christopher had arranged for a special event for Heritage Week, so Stephen and I purchased tickets for this: a nature talk and walk by Michael Bell of Naturelearn [6]. Christopher told us that the house would be open to visitors during the event.

Dorothy-Ellen in front of her home. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The gardens in front of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Christopher greeted us and was kind enough to take time from his busy preparations for the Heritage Week event to give us a tour of the house. He pointed out that the geometrical plan is most unusual, and reminded the architectural historian Maurice Craig of a swastika, with four principal rooms of unequal size arranged around a small central hall. Another Section 482 property, Oakfield Park in County Donegal, also has this arrangement.

Front hall of Newpark, with “cobweb” fanlight. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The front hall of Newpark, with lovely plasterwork on ceiling: a decorative cornice and central ceiling rose feature. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The plasterwork on the front hall ceiling, of acanthus leaves and floral swags and a geometrical design. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Isaac Nicholson, b. 1840, a Kitchin ancestor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The drawing room also has fine stucco work, with garlands and flowers and urns.

Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Above the fireplace the frieze of plasterwork has a shield with the arms of the Duke family, a chevron between three terns. The frieze also features the crest of the Dukes, a sword plunged in a plume of nine ostrich feathers. Robert O’Byrne points out that there is a cornet with plumes rising from it, and that this may represent the coat of arms of Lucinda Parke, wife of Robert Duke. [7]

The crest of the Dukes features in the cornice frieze, a sword plunged in a plume of nine ostrich feathers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The other main reception room is the dining room.

Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Dorothy-Ellen took us downstairs to show us the basement, and the room in which she is creating a museum of the old things from the house.

Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
All the heating is supplied by this passat boiler which Dorothy-Ellen showed us. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Dorothy and Christopher have converted their barns into a beautiful event space which they call the Juniper Barn. [8] They run it according to eco-conscious principals very like those of Dorothy-Ellen’s mother, a former Green party TD. We headed over to the barns to attend the nature talk.

Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The names of Christopher and Dorothy-Ellen’s children are carved in the swing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I asked Christopher about the “S” shapes on the barns – they are part of the construction of the barn. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Barn with bellcote. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful interior of the barn, which is available for hire. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I was very impressed by the hanging plume pampas grass decorations, created by Dorothy-Ellen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was even impressed by the “decor” of the bathroom in the outbuildings, and especially like the stirrup incorporated into the chain of the cistern.

Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The animals and skulls brought by Michael Bell, including a huge vertebrae, and a dolphin skull. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A “death’s head” hawkmoth with what looks like a skull on its head. Michael Bell set up a moth catcher, and showed us the typical types of moths of the area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Michael and his daughter brought us down to the lake to see what wildlife we could find. We saw different types of dragonflies, and he told us about the lonely swan, whose mate had died. I hope it won’t be lonely for long! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We then headed back to see the gardens around the house, including the herb garden and walled garden.

Newpark, County Sligo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The herb garden, created by Christopher’s parents. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden contains a polytunnel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] http://www.ihh.ie/index.cfm/houses/house/name/Newpark

[2] http://www.ihh.ie/index.cfm/houses/house/name/Newpark and see my entry about Enniscoe, County Mayo, https://irishhistorichouses.com/2021/11/25/enniscoe-house-gardens-castlehill-ballina-co-mayo/

[3] https://www.juniperbarn.ie/accommodation

[4] https://www.buildingsofireland.ie/buildings-search/building/32403317/newpark-house-newpark-sligo

[5] https://irishhistorichouses.com/2020/07/16/the-old-rectory-killedmond-borris-co-carlow/

[6] https://www.naturelearn.com

[7] https://theirishaesthete.com/2019/01/30/frieze-it/

[8] https://www.juniperbarn.ie/venue

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Enniscoe House & Gardens, Castlehill, Ballina, Co. Mayo F26 EA24 – section 482 accommodation

www.enniscoe.com

Tourist Accommodation Facility

Open for accommodation: April 1-Oct 31 2025

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Enniscoe House, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Enniscoe House in August, during Heritage Week. I was delighted that the owner, Susan Kellett, had heard of and likes my website! She gave us a lovely tour of her home, which she also runs as an upmarket guest house. One can stay in the beautiful bedrooms in the house where breakfast is provided and dinner is also an option, or in self-catering accommodation in converted stables.

Enniscoe house is a two storey house with a five bay entrance front, with a central window in the upper storey above the pedimented tripartite doorway. The doorway has Doric columns and pilasters, and sidelights. The side elevation has five bays. [1]

Side of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Susan’s father inherited the property from his cousin, Mervyn Pratt (1873-1950). Mervyn’s grandfather, another Mervyn Pratt (1807-1890) married Madeline Eglantine Jackson, heiress, from Enniscoe. We came across Mervyn Pratt before, when we visited Cabra Castle. [2]

Mervyn and Madeline Eglantine’s daughter Louisa Catherine Hannah Pratt, the sister of Joseph, the second Mervyn’s father, married Thomas Rothwell from Rockfield, County Meath (which is currently for sale for €1.75 million [3]), and Susan’s father was their descendant. [4]

The view from Enniscoe House. The house is on the shore of Lough Conn. The horses are Connemara ponies – the land is leased to the National Parks and Wildlife, and they are keeping rare breeds such as Connemara ponies on the property. President Erskine Childers gave a herd of Connemara ponies to the state, and these ponies are related to them. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An informative booklet about Enniscoe which Susan gave me tells us that in ancient times, there was a castle at “Inniscoe,” one of the chief residences of the Kings of Hy-Fiachrach (who claimed descent from Fiachrae, brother of Niall of the Nine Hostages). The booklet tells us that traces of early earthworks can still be found. “Innis Cua” means the island of the hound. The O’Dowda, a Hy-Fiachrach family, ruled in the area and were famous for their greyhounds, which probably led to the Anglicised name Enniscoe. From the time of the Normans coming to Ireland, the land was fought over by the Bourkes, Barretts, Lynotts and Cusacks, and eventually owned by the Bourkes. At one stage Theobald Bourke, “Tibbot ne Long” (Theobald of the Ships), 1st Viscount of Mayo (1567-1629) owned the land around Enniscoe.

The information booklet tells us that the Patent Rolls of James I state that Enniscoe was possessed by the sons of John McOliverus Bourke in 1603 (this Patent Roll sounds like a great source of information! Copies are available in the National Library, and the information is gathered from 1603-1619). In the Strafford Inquisition of 1625, which gathered information about the landowners of County Mayo for Thomas Wentworth, the Earl of Strafford (who had plans for a Plantation), Richard Roe Bourke was recorded as having one third of the castle, town and lands of Enniscoe, and Thomas Roe Bourke had the other two thirds.

By 1641, the Bourkes no longer lived at Enniscoe. Susan’s booklet tells us that a Roger William Palmer owned the lands at one point – perhaps related to Roger Palmer, 1st Earl of Castlemaine (1634-1705), who was married to Barbara Villiers, who later became a favourite of King Charles II.

In the 1660s, a soldier in Cromwell’s army, Francis Jackson, was granted the lands at Enniscoe. This was confirmed by Charles II in 1669. He settled down to live in Ireland and to farm the land.

In the mid-eighteenth century George Jackson (1717-1789), great grandson of Francis, built a large farmhouse, using stones of the old castle of “Inniscoe” and oak trees recovered from nearby bogland. This house was a tall single gabled building of five bays, and it has been incorporated into the current house – Susan pointed out to us where the newer house joins to the old. George married Jane Cuffe, daughter of James Cuffe of Ballinrobe, County Mayo, and sister of James, the 1st and last Baron Tyrawley of County Mayo [of the second creation – the first creation of Baron Tyrawley was for Charles O’Hara in 1706].

A portrait of Jane Cuffe, daughter of James Cuffe of Ballinrobe, County Mayo, wife of George Jackson (1717-1789). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George Jackson’s son, George “Two” (as he is called by the family) (1761-1805), became a Member of Parliament for County Mayo in the Irish House of Commons, with the aid of Baron Tyrawley.

Colonel George Jackson (1761-1805) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George Two expanded the house into what it is today. The old house was three storey but the new front was two storey. He built on two large reception rooms and a grand staircase. The architect Jeremy Williams attributes the design of the enlargement of the house to John Roberts (1712-1796) of Waterford, who also designed Christ Church Cathedral in Waterford, and may have built Moore Hall in County Mayo. [5] The stucco work in the Stairway Hall is similar to some in Deel Castle done in the 1790s, which is situated across the lake from Enniscoe, for James Cuffe, Baron Tyrawley.

James Cuffe bought the life interest of Deel Castle, which had also originally been a Bourke castle, from his uncle (the brother of his mother, Elizabeth Gore) Arthur Gore, 1st Earl of Arran. James Cuffe built a new house a short distance from the castle. Deel Castle reverted to the Earls of Arran after James Cuffe’s death, but is now a ruin, and the house was burnt in 1921 and not rebuilt. David Hicks has written about Deel Castle and the neighbouring house, Castle Gore, on his website. [6]

The large entrance hall of Enniscoe has a frieze of foliage, and Adamesque decoration in the centre of the ceiling.

The inside of the front door with its old locks. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front Hall of Enniscoe, with beautiful stuccowork, and fishing rods on the walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The portrait in the Front Hall of the man in wonderful frilled pantaloons is an ancestor, Sir Audley Mervyn (about 1603-1675), Speaker in the Irish House of Commons. His parents Henry Mervyn and Christian Touchet purchased lands in County County Tyrone from Mervyn Touchet, the 2nd Earl of Castlehaven, which Audley Mervyn (who was named after the Touchet estate in Staffordshire, Audley) inherited. [7] The heads of Indian deer were shot by the brothers Audley and Mervyn Pratt while fighting with the British army in the early 1900s. The carved hall chairs picture the Bourke family crest of a chained cat; Susan’s mother was a Bourke from Heathfield House, Ballycastle, County Mayo. [8] The pike was caught in Lough Conn in 1896 and weighs 37 lbs!

Delicate stucco work in the ceiling rose in the front hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fireplace in front hallway. The crest in the fireplace is the Nicholson crest, painted by a family member. Above the crest is a white horse, the crest of the Jackson family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The front hall leads into the staircase hall, which is built on the exterior wall of the old house. The staircase hall has a frieze of urns and foliage and a glazed dome surrounded by foliage and oval medallions of classical figures.

The stairs, part of the newer build for George Jackson Two, nips across the doorway of the drawing room. Susan pointed out how one door – see in the photograph below, has a blocked off section in its height, as a result – compare it to the other door in the photograph below it. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The doorway height is lowered due to the way the staircase nips across it in the hallway. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door on the other side of the drawing room, without the lowered height of the other door. The decorative overdoors were added later than the original carved timber surround, probably in the 1870s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
It’s hard to capture the wonderful curving sweep of the top-lit staircase in a photograph, with its lantern roof lined with beautiful neoclassical stucco work. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The plasterwork and staircase are captured beautifully by Geraldine O’Riordan in her painting that was exhibited in the Irish Georgian Society in November 2022.
Enfilade at Enniscoe House by Geraldine O’Riordan.
Cross Pollination by Geraldine O’Riordan.

One can see the division between older original house and the newer part clearly. Behind the staircase hall is a lobby with a delicate interior fanlight opening onto the staircase of the earlier house.

The fanlight of the original doorcase to the older house, at the foot of the older staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Rising of 1798, which had been inspired by the French Revolution, came to Enniscoe, in the form of French soldiers under General Jean Joseph Amable Humbert, who landed at Killala in County Mayo on August 23, 1798. George Jackson was a Colonel in the North Mayo Militia and so would have opposed the 1798 Rebellion and the incoming French troops – although he was stationed further south as militia regiments were never stationed in their own county. The French soldiers stopped at the house at Enniscoe and Susan told us that the troops drank his wine, later declaring that it was “the only good wine in Ireland”! The scaffolding from the enlargement of the house was still lying in front of the house when the troops arrived and they used it for firewood for their campfire. George’s regiment were summoned back from the south, and Colonel Jackson was made Military Governor of the Crossmolina area. He was responsible for killing or imprisoning many of the defeated rebels in the surrounding countryside, and it is said that he lined the road from Crossmolina to Gortnor Abbey with severed heads on pikes. General Humbert and his troops were defeated by the British Army in the Battle of Ballinamuck. [9]

Susan’s mother, an artist, Patita Bourke, painted a scene famous from the 1798 Rebellion, when the French troops billeted themselves in the home of the Church of Ireland Bishop Joseph Stock of Killala (who wrote a memoir of the incident). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

One result of the 1798 Rebellion was that the Irish Parliament was abolished by the Act of Union in 1800, which was supported by George Jackson. George was promoted to Colonel of the Carabineers, a dragoon in the British Army, and the position was inherited by his son, William.

William married Jane Louise Blair, daughter of Colonel William Blair of Scotland, and moved to England, and died young. He died in 1822 and his wife predeceased him in 1817 so their only daughter, Madeline Eglantine Jackson, was left an orphan at the age of six. She was raised by her aunt at Stephenstown in County Louth. Her mother’s sister was Catherine Eglantine Blair, who married Matthew Fortescue, whose father had built Stephenstown. They arranged a good marriage for Madeline when she turned 18, to a cousin of the family, Mervyn Pratt of Cabra Castle. They married in 1834.

Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Madeline and Mervyn settled in Enniscoe and Mervyn had the estate surveyed in order to set to work on an enormous scheme of draining land and building roads. The booklet Susan gave me tells us that during the famine, the Pratts did their best for those in the area and they gained a reputation for good management and fairness.

Patita painted a portrait of Madeline Jackson, based on the picture below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Madeline Jackson. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mervyn Pratt, husband of Madeline Jackson. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room has the original silk Adam design wallpaper, which has faded over the years from pale blue to mushroom pink. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are two large reception rooms on the ground floor, as well as the dining room.

The intricately carved mirror over the fireplace in the drawing room is made of wood and was never gilded. Rosette-detailed cut-white marble Classical-style chimneypiece. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A beautiful dollhouse which Susan used to admire as a child; her mother made the furniture and even installed the electric light. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We liked this “conversation sofa.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Madeline and Mervyn had five children. Their only son Joseph joined the army and served in India, and when he came home, took over the running of Enniscoe. He married his cousin Ina Hamilton of Cornacassa, County Monaghan (this house has been partly demolished. It was built around 1800 for Dacre Hamilton). [10]

Joseph Pratt was one of the first landlords to start selling his land to his tenants under the Wyndham Land Acts of 1903. Joseph and Ina did much to improve their estate, farming and creating the garden within the old walled garden. The Heritage Centre gives us an idea of what life on the farm was like for both the home owners and the many people employed on the estate. 

Joseph’s elder son Mervyn was injured in the wars and the younger Audley was killed in the First World War. The Heritage Centre located in the walled garden at Enniscoe displays a hippo skull which Audley brought home from Africa when he fought in the Boer War (1899-1902).

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Major Mervyn lived all his life in Enniscoe, and was particularly interested in gardening and fishing. His rock garden and greenhouses were well-known. He never married, and left Enniscoe to his cousin Jack Nicholson, Susan’s father (Jack was a great-grandson of Madeline Jackson). Mervyn did not spend much time in Cabra Castle in County Cavan which he also inherited, and he left it to another cousin, Mervyn Sheppard.

Jack Nicholson married Patita Bourke, daughter of Captain Bertrim Bourke of Heathfield, County Mayo. In his blog, David Hicks tells us that Heathfield was purchased by the Land Commission and the family were allocated a farm at Beauparc, County Meath. He adds that former President of Ireland Mary Robinson was from the Bourke family of Heathfield.

The second drawing room of Enniscoe, with George “Two” over the fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jack was a Professor of Veterinary Medicine, so I felt a bond with Susan, as my father, Desmond Baggot, was also a Professor of Veterinary Medicine! Jack was head of the Veterinary College of Ireland, so perhaps their paths crossed as my father was studying there at the time of my birth, before we moved to the United States where my father did his PhD in Ohio State University. Jack died in 1972 and Enniscoe house and lands passed to his children. In 1984 Susan Kellett took over the property from her brother.

The house is full of Patita’s creative and sometimes cheeky paintings.

This is an example of Patita’s creativity – she thought the original painting of the seascape was rather dull, so she painted the foreground of the girls on the balcony onto the original painting! The wallpaper in this bedroom is by David Skinner, who reproduces wallpaper from historic houses using scraps from the original. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The dining room was originally the library. The side nook was created by Susan’s parents. It has a simple early nineteenth century cornice of reeding and acanthus leaves.

Stephen and Susan in the dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cut-veined white marble Classical-style chimneypiece, and to the left, the dining nook added by Susan’s parents. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A painting by Patita of Heathfield House, her childhood home, of herself with her mother and sister Binki. Her father Bertrim Bourke was killed in the First World War and she paints him as a ghost in his military uniform. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A painting by Patita of Enniscoe and her family, painted in the 1950s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Next we went up to the bedrooms. Susan’s son DJ and his wife Colette help to run the guest house. The main bedrooms open off the oval top-lit landing. They are classically proportioned large rooms with canopy or four poster beds, all with en suite bathrooms.

One of the bedrooms available for Bed & Breakfast. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This unusual piece of Victorian style furniture is original to the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The bedrooms are on slightly different levels, since the newer part is of two storeys built on to the original three storey.

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The doorcase in one of the bedrooms of the older section of the house. The shouldered doorcase is distinct from the doorcases of the newer rooms. Not pictured here is an unusual latch on the door. The latch could be opened from the bed. Susan had never seen such a contraption before until she came across one in Hampton Court in London! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This staircase in the older section of the house leads to the attic. The maids would have slept upstairs and the butlers downstairs, to keep them apart. In the past, the Pratts would have employed many people in the house, in the gardens, in the stables, where there was a forge, and on the farm. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view on to the stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After our wonderful tour, we headed over to the walled garden and the North Mayo Heritage Centre, which also provides a genealogy service. [11] It is a member of the Irish Family History Foundation, which provides a country wide service through the website RootsIreland. North Mayo Heritage Centre covers the northern half of County Mayo, and the Centre in Ballinrobe covers the southern half.

Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is mature woodland around Enniscoe that supports a diversity of plant, insect and animal species.

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door to the walled garden has this lovely horse carving, the crest of the Jackson family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The walled garden was restored in 1996-9 under the Great Gardens of Ireland Restoration Programme. The head gardener at Enniscoe from 1872 to 1912 was William Gray, who moved to Enniscoe from St. Anne’s in Clontarf, where he had worked on Benjamin Lee Guinness’s estate. Much of the present ornamental garden is much as it was in William’s day.

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo, by Maria Levinge, oil on board. Part of the exhibition of paintings of walled gardens in 2021 in the Irish Georgian Society [12].
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Storyboards from the Heritage Centre, including a picture of the booklet which Susan gave me which gave me much of my information.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/31303803/enniscoe-house-originally-inishcoe-house-prospect-co-mayo

[2] https://irishhistorichouses.com/2021/03/28/cabra-castle-kingscourt-county-cavan/

[3] https://www.irishtimes.com/life-and-style/homes-and-property/new-to-market/restored-1-75m-georgian-estate-in-co-meath-brought-into-the-21st-century-1.4630736

[4] http://thepeerage.com/

[5] https://www.dia.ie/architects/view/4559/ROBERTS%2C+JOHN+%5B1%5D#tab_works

Moore Hall, County Mayo, also attributed to John Roberts of Waterford. Photograph from National Inventory of Architectural Heritage.

[6] http://davidhicksbook.blogspot.com/

[7] Dictionary of Irish Biography, which contains an informative piece on Audley Mervyn. https://www.dib.ie/biography/mervyn-sir-audley-a5803

[8] p. 151. Great Irish Houses. Forward by Desmond FitzGerald and Desmond Guinness. IMAGE Publications, 2008.

[9] Guy Beiner’s book entitled Remembering the Year of the French (University of Wisconsin Press, 2007) discusses folk history and how this French incursion and the 1798 Rebellion in Mayo is remembered.

[10] https://www.buildingsofireland.ie/buildings-search/building/41400944/cornecassa-house-cornecassa-demesne-co-monaghan

[11] email: northmayo@gmail.com

www.northmayogenealogy.com

[12] https://irishhistorichouses.com/2021/09/24/an-exhibition-in-the-irish-georgian-society/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Markree Castle, Collooney, Co Sligo F91 AE81 (hotel) – section 482

www.markreecastle.ie
Open in 2025, but check in advance due to events and weddings: July, Aug, Sept 12 noon-4pm 
Fee: Free to visit.

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castellated three-bay ashlar stone gate lodge, built around 1835 to the designs of Francis Goodwin (who also designed Lissadell in County Sligo). Central two-storey tower with integral carriage arch flanked by single-storey wings. Arched windows in the wings, and hood mouldings. [1] Unfortunately we did not find the other gate lodge entrance, reputed to be even more impressive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

During Heritage Week in 2021, Stephen and I went to County Sligo. We stayed in wonderful B&B accommodation in a historic house, Annaghmore, near Collooney, owned by the O’Haras, who have owned the estate in County Sligo for centuries.

Annaghmore, Colooney, County Sligo, where we stayed during Heritage Week 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We learned that the O’Haras and the Coopers, who own Coopershill, another section 482 property which we visited during Heritage Week, are related, and Coopers also owned Markree Castle until very recently. In 1989, Charles Cooper, having worked in the hotel business all his life, came back to Markree to renovate the castle and run it as a hotel. In 2015, the Corscadden family purchased the castle and undertook further renovations. This is the same Corscadden family who own Cabra Castle in County Cavan, who so generously upgraded Stephen and me to the honeymoon suite when we stayed! The Corscaddens also own Ballyseede Castle hotel in Tralee, County Kerry (also section 482) and Bellingham Castle in County Louth, which is available as a venue for weddings and events, with accommodation. Unfortunately Markree Castle is too expensive for us to stay in, except perhaps as a very luxurious treat, but I contacted the hotel and we made a date for my visit. When we arrived, however, we were told that they were in the middle of an event and we were asked to return in an hour or two. We took the time to explore the outside, although we were unable to access the gardens, which seem to be only accessible through the castle.

The west side of the castle, which overlooks the car park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We wandered across the Unsin River to the stable complex, which has also been renovated for rental accommodation. We learned later that this accommodation is not part of Markree Castle hotel. In Mark Bence-Jones’s entry in his A Guide to Irish Country Houses (published in 1988), he writes in the supplement that Edward Cooper and his wife moved into a new Georgian style house in the yard. The stables are now called Markree Homefarm Apartments and are available for rental accommodation. [2]

The Unshin River, which served in the past to partially moat the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to stone stable yard, built 1771. Two storey house added in about 1990. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Homefarm accommodation. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle replaced an earlier residence, which the Landed Estates website of National University of Ireland Galway tells us was called Mercury. [3] The first Cooper to own the property was Edward Cooper (died 1676), an officer in Lord Collooney Richard Coote’s regiment in Oliver Cromwell’s army. He was given the land at Markree, previously owned by the McDonaghs, as payment for his soldiering. He married the widow of an O’Brien killed by Cromwell’s army. She was called Mary “Rua” (Red Mary), and she probably married Cooper in order to protect her sons from the Cromwellians. According to the history board outside the castle, Red Mary and Edward Cooper lived first in Luimneach Castle (Luimneach is the Irish for Limerick), which one of her sons inherited, while the other inherited Markree. In his online blog, Patrick Comerford identifies Mary Rua’s husband as Conor O’Brien, and writes that it was Dromoland Castle that Mary Rua’s son inherited. [4] In the family tree on the information boards, Edward Cooper also married Margaret Mahon, from County Roscommon. This accords with The Peerage website, but according to that website, Arthur, Edward’s son who inherited Markree, was Margaret Mahon’s son and not the son of Red Mary. According to The Peerage, Edward’s son Richard lived in Knocklong, County Limerick. [5]

During the Williamite wars at the end of the 17th century, Markree Castle was occupied by the army of James II. The Coopers returned after William III’s victory at the Battle of the Boyne in 1690.

The Coopers intermarried with other prominent local families, including the Cootes, Wynnes and Synges, and by the 1720s, Joshua Cooper (1694-1757) was one of the largest landowners in Co Sligo, with over 40,000 acres.

Arthur Cooper, who inherited Markree from his father Edward who fought in Cromwell’s army, had a daughter named Anne who married John Perceval (1700-1743) of Temple House in County Sligo, another Section 482 property, which unfortunately we did not get to visit this year. I hope to be able to visit next year! In 1881 Alexander Perceval of Temple House married Charlotte Jane O’Hara of Annaghmore, so the owners of our accommodation are cousins of the owners of Temple House. Furthermore, we visited two other Section 482 properties in Sligo during Heritage Week: Coopershill and Newpark, both of which are also owned by cousins of the O’Haras of Annaghmore!

An information board outside the hotel gives a history of Markree Castle.
According to this family tree on the information board outside Markree Castle, Edward Cooper married Maire Rua O’Brien and also Margaret Mahon.
Markree Castle hotel, 2021.
Máire Rua O’Brien née McMahon (1615/1616 – 1686) daughter of Turlough Roe McMahon Baronet, wearing Felemish bobbin lace with O’Brien coat of arms. She married first Colonel Neylan, then in 1639, Colonel Conor O’Brien of Lemeneagh, ancestor of Barons Inchiquin, but he was slain in battle in 1651. The Markree Castle information board says she married Edward Cooper then, but Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, published by the Paul Mellon Foundation for British Art 1969, say she then married, to keep the family property, Captain John Cooper of Ireton’s army, whom she is said to have murdered! It’s a rare example of a portrait almost certainly painted in Ireland in the first half of the seventeenth century – see Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, published by the Paul Mellon Foundation for British Art 1969.

It was Arthur’s great-great-grandson Joshua Edward Cooper (about 1759-1837) who built the castle in 1802 around an earlier structure. Arthur’s son Joshua (1694-1757) married Mary Bingham from Newbrook, County Mayo. His son, another Joshua (1730-1800), was MP for County Sligo and opposed the Act of Union, which abolished the Irish Parliament, so that Ireland was run by the Parliament in London. He married Alicia Synge, daughter and heiress of Edward Synge, Bishop of Elphin, and she brought him a large fortune. [6]

His son Joshua Edward Cooper (about 1759-1837) was also MP for County Sligo in the Irish House of Commons, and after the Act of Union he sat in the House of Commons in London until 1806. According to the Dictionary of Irish Biography, he replaced Catholic leaseholders with Protestants to acquire more voting power, which caused considerable resentment and which may have been the reason that his house was sacked in 1798 during the Rebellion. This may be why he commissioned Francis Johnston to enlarge Markree in 1802, to make it into a castle – it may have needed repair. We came across the work of Francis Johnston (1760-1829) when we visited Rokeby in County Louth. Johnston had been a pupil of the architect Thomas Cooley. At the time when he was commissioned by Joshua Edward Cooper, Johnston had been working on Townley Hall in County Louth, which I was lucky enough to visit recently during the annual Adams auction viewing that is held in the house. It has an amazing staircase and domed rotunda.

The impressive elegant staircase by Francis Johnston in Townley Hall, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The impressive elegant staircase by Francis Johnston in Townley Hall, County Louth. My photographs could not capture the extent of its full sweep, captured in the photographs from Country Life magazine, below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Image from Country Life. The spiral of the staircase in the central domed rotunda at Townley Hall. Pub Orig CL 23/07/1948 
Image Number: 
 535673  
Publication Date: 
 23/07/1948  

Johnston also Gothicized Tullynally Castle in County Westmeath, 1801-1806, and enlarged Killeen Castle in County Meath 1802-1813. He also designed Ballynegall House (1808-1816) in County Westmeath, sadly now just a ruin, and Ballycurry House, County Wicklow (1807), along with many ecclesiastical and civic buildings, including the General Post Office on O’Connell Street in Dublin, in 1814.

The castle is a stone twelve-bay, three-storey over raised basement mansion which contains parts of earlier houses. [7] The bays are easier to count at the back (i.e. the garden front) of the castle. According to Mark Bence-Jones, the original seventeenth century house was rebuilt in the eighteenth century as a three storey block, with a five bay front and a three bay breakfront, and a garden front of one bay on either side of a curved bow. The castle was enlarged in 1802 to a design by Francis Johnston, and then in 1866 enlarged again, to a design by James Maitland Wardrop of Edinburgh. I found it impossible to work out what part of the castle was built when, so I defer to Mark Bence-Jones:

In 1802, Joshua Cooper commissioned Francis Johnston to enlarge this house and transform it into a castle of the early, symmetrical kind. Johnston extended the front of the house to more than twice its original length to form a new garden front with a central curved and Irish battlemented tower; the end bay of the original front and the corresponding bay at the end of Johnston’s addition being raised to give the impression of square corner-towers. The entrance was in the adjoining front, where Johnston added a porch; the garden front, with its bow, was not altered as far as its plan went; but an office wing was built at one side of it, joined to it by a canted link. In 1866, the castle was further enlarged and remodelled by Lt-Col. E.H. Cooper, MP, to the design of Wardrop, of Edinburgh. The garden front bow was replaced by a massive battlemented and machiocolated square tower, increasing the side of the dining room; a new entrance was made at this side of the castle, under a porte-cochere at the end of a 2 storey wing with Gothic windows which was built jutting out from this front. Johnston’s porch was replaced by a 2 storey battlemented oriel, and mullioned windows to match were put in on this and the new entrance front. A Gothic chapel was built where Johnston’s office wing had been. [8]

The large square tower with two-storey square-profile oriel window, and on the west front, the two-storey canted bay window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The garden front of Markree Castle, with its central curved bow. The ornamental doorway was added in 1896. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An old photograph on display inside the castle of the garden front.
Another old photograph of Markree (I assume) that is on display inside – I can’t work out what part of the old castle this is.
I think this photograph is of Cabra Castle, also owned by the Corscaddens.
I think this photograph is also of Cabra Castle, also owned by the Corscaddens.
Markree Castle hotel, 2021.
The 1870 addition, “a new entrance was made at this side of the castle, under a porte-cochere at the end of a 2 storey wing with Gothic windows which was built jutting out from this front.This is next to another addition from this period, the large square tower with two-storey square-profile oriel window. To the side, or west front, is two-storey canted bay window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance door under the porte-cochere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

One enters through the arched doorway in the battlemented vaulted stone portico. The doorway leads to a straight flight of stone stairs leading up to the main floor, under an impressive vaulted ceiling.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The two storey wing with Gothic windows that was added by the architect Wardrop, leading to the porte-cochere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The two storey wing with Gothic windows that was added by the architect Wardrop, leading to the porte-cochere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Joshua Edward Cooper (1761-1837) became unwell and his brother Edward Synge Cooper (1762-1830) took over the running of the estate in Sligo and became MP for County Sligo in 1806. Joshua Edward Cooper and his wife Elizabeth Lindsay, daughter of Robert Lindsay, MP, from County Tyrone, had no children, so Edward Synge Cooper’s son, Edward Joshua Cooper (1798-1863), inherited Markree when Joshua Edward Cooper died in 1837. As well as serving in the House of Commons in the UK, Edward Joshua Cooper was an astronomer, who created Markree Observatory. He was influenced by childhood visits to the Armagh Observatory.

Remnant of the Observatory at Markree. Photograph from the National Inventory of Architectural Heritage.

Edward Joshua Cooper (1798-1863) had no son, only daughters, so his nephew Edward Henry Cooper (1827-1902), son of his brother Richard Wordsworth Cooper (1801-1850), inherited Markree. When he inherited, he then put his stamp on the castle by having it further enlarged (the Wardrop enlargement).

The large square tower with two-storey square-profile oriel window, next to the porte-cochere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The mullioned arched window in the porte-cochere with Gothic tracery and hood moulding, and the glass ceiling in the upper storey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The top-lit drawing room inside the porte-cochere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
On the west front, the two-storey canted bay window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The garden, past the two storey canted bay window on the west front. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Wardrop also added the Gothic chapel.

The stained glass window of the Gothic chapel added by Wardrop, and beyond that, the two storey porte-cochere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Gothic chapel has a lovely external stone staircase up to it. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

At the top of the vaulted entrance staircase one can go through to the main reception, or to the left, to the chapel.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The east side of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Edward Henry Cooper (1827-1902) was an Irish officer in the British Army, and a Conservative politician in the House of Commons in the UK. He was defeated in the 1868 election by the Liberal candidate Denis Maurice O’Conor from Clonalis in County Roscommon (another section 482 property still owned by its original family). When he died, Markree was inherited by his grandson Bryan Ricco Cooper (1884-1930), who was born in Simla in India. He was an MP for South Country Dublin (1910) at Westminster, and was involved in the Gallipoli landings during World War I. During the Irish Civil War in the 1920s, Markree Castle was occupied briefly by the Irish Free State army. Bryan Ricco Cooper was elected to Dail Eireann after Independence. He sold much of the estate’s land but continued to live at Markree.

The Castle stood empty and derelict for several years after World War II, and featured on the front cover of The Vanishing Country Houses of Ireland in 1988, illustrating the decay of many great houses at the time. Charles Philip Cooper, a grandson of Bryan Ricco, who had worked in the hotel industry, converted Markree into a hotel in 1989.

The reception hall is surrounded by a carved wooden gallery and contains a Victorian double staircase of oak, lit by a heraldic stained glass window illustrating the family tree with portraits of ancestors and monarchs.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hotel reception, in the corner under the heavy wooden gallery. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Top left, King John, middle top, King Henry VIII, top right, Queen Elizabeth I. Bottom left, Bryan Cooper, middle, William Cooper, and Sir Richard of Bingham on bottom right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

According to Mark Bence-Jones, the great top-lit galleried hall with a timbered roof is located where Johnston’s staircase used to be.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was hard to capture it all in photographs, there were so many details!

A long library divided by pairs of grey marble Ionic columns has been formed out of Johnston’s entrance.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The large drawing room in Johnston’s round-faced tower in the middle of the garden front, and the ante-room adjoining it, which are now the dining room, were redecorated between 1837 and 1863 by Edward Joshua Cooper, MP, in an ornate Louis Quatorze style, with much gilding and “well-fed” putti in high relief supporting cartouches and trailing swags of flowers and fruits.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We were prevented from fully entering the dining room as staff were preparing it for the next event so I took a photograph from a booklet displaying the room.

Unfortunately nobody could explain the fabric of the building and its stages of renovation and enlargement and the manager was unable to identify the portraits on the walls. However, we asked to see inside a bedroom, and were taken down to the basement to see the honeymoon suite. The basement is the oldest part of the castle.

Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The honeymoon or bridal suite. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The honeymoon or bridal suite. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The honeymoon or bridal suite. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle hotel, 2021.

[1] https://www.buildingsofireland.ie/buildings-search/building/32402632/markree-castle-markree-demesne-sligo

[2] http://www.markreehomefarm.ie

[3] http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=M

[4] http://www.patrickcomerford.com/search/label/castles

[5] http://thepeerage.com/p37382.htm#i373817

[6] Dictionary of Irish Biography, https://www.dib.ie/biography/cooper-joshua-a2017

[7] https://www.buildingsofireland.ie/buildings-search/building/32402620/markree-castle-markree-demesne-sligo

[8] p. 201. Mark Bence-Jones. A Guide to Irish Country Houses. Originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978; Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Stradbally Hall, Stradbally, Co. Laois – section 482

Open dates in 2025: May 1-31, June 1-9, Aug 16-24, Oct 1-14, 9am-1pm

Fee: adult €10, OAP/student €5, child free

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas Cosby kindly agreed to show us his home, Stradbally Hall, in June, despite ongoing Covid restrictions. This year (2021) Section 482 houses are not required to be open to the public due to the dangers of the Covid virus.

Many people have heard of Stradbally nowadays as it is the venue for Electric Picnic. Being the venue for a festival brings in much-needed finances for some of the big houses in Ireland. Stradbally is owned by the same family for whom it was built, and it is magnificent. I can only imagine how hard it is to maintain. Like many of the owners who inherit their big houses, Thomas farms his land.

Mark Bence-Jones tells us in his  A Guide to Irish Country Houses that a house was built at Stradbally in 1699 for Lt-Col Dudley Cosby (1662-1729). [1] This house, however, was demolished by the grandson of Lt-Col. Dudley, another Dudley (Alexander Sydney) Cosby, 1stand last Lord Sydney of Leix and Baron of Stradbally, in 1768, and a new house was built in 1772, on what was regarded to be a healthier site. It is a nine bay, two storey over basement house. The stone walls of the original house gardens are now the walled garden.

The 1740s painting of Stradbally with the previous (1699) house in the centre. This hangs in the Billiard Room where Thomas brought us first, and used the painting to illustrate the history of his family.
The Archers John Dyke Acland and Dudley Alexander Sydney Cosby Baron Sydney, by James Scott, after Sir Joshua Reynolds, mezzotint, late 19th century (1769). Photograph from the National Portrait Gallery, London.

The second (1772) house was enlarged in 1866-69, designed by Sir Charles Lanyon, of Lanyon, Lynn & Lanyon, to form the house which we see today. Lanyon, Lynn & Lanyon also designed Castle Leslie, which we visited – another Section 482 property which is now a hotel. [2]

The entrance gates to Stradbally Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lt-Col. Dudley Cosby was not the first Cosby to live in Ireland. The Cosby, or Cosbie, family, came to Ireland around 1538, during the reign of Queen Mary (i.e. “Bloody Mary,” the eldest daughter of King Henry VIII, called “Bloody” as she used bloody means to defend the Catholic faith). General Francis Cosby (1510-1580) was an active defender of the Pale in Ireland, the area around Dublin controlled by the British crown,  and in 1562 he was granted the site of the Abbey of Stradbally. [3] Francis Cosby married the daughter of the Lord Protector of England, Edward Seymour, the 1st Duke of Somerset. Lord Seymour was the brother of Jane Seymour, wife of Henry VIII. Due to the struggles for power within the court of Henry VIII, Lord Seymour was executed. Francis Cosby came to Ireland at this time. The Abbey, which had been disestablished in Henry VIII’s time (i.e. was taken from the Catholic church and no longer served as an Abbey) became Francis Cosby’s residence, and part of it still exist in the town of Stradbally in a building still called “the Abbey.”

General Francis Cosby died in battle, at the age of seventy, in the battle of Glenmalure in Wicklow, in 1580. He was succeeded by his son, Alexander. Alexander and his son, Francis, continued to fight, engaged in perpetual battle, Major E.A.S. Cosby tells us, with the O’Moores, who had originally controlled the land in the area. In 1596 Anthony O’Moore sent to demand a passage over Stradbally Bridge. Alexander understood this to be a challenge, so he refused passage, and prepared to fight once again, along with his son Francis. That day both Alexander and Francis Cosby were killed, leaving Francis’s nine week old son, William, to inherit. Parts of Stradbally Bridge still exist.

Along the drive to the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

William died at a young age and so his uncle, Richard (d. 1631), inherited the Stradbally estate. Richard challenged the O’Moores to a further fight to avenge his father, and this time he won. Having won one battle each, the fighting seems to have subsided. Richard married Elizabeth Pigott, daughter of the neighbour Robert Pigott of Dysart.

It was Richard’s great-grandson, Lt-Col. Dudley Cosby (1662-1729) who built the house at Stradbally pictured in the 1740 painting. He married Sarah Pole, daughter of Periam Pole (1625-1704) of Ballyfin in County Laois, now a luxury hotel. Her dowry helped pay for the work on the Stradbally estate.

Ballyfin hotel, Photo by Tony Pleavin, 2018. [9]

Dudley Cosby created gardens and kept racehorses. His father-in-law did not like this extravagance and gave Dudley £100 not to keep them, which Lt-Col Dudley did not strictly observe!

Dudley and Sarah Cosby had a son whom they named Pole (1703-1766).

Pole Cosby wrote an autobiography. [8] His return from a Grand Tour of Europe is pictured in the 1740 painting in the Billiard Room.

As foreseen by his father-in-law, Dudley Cosby overstretched his finances and he purchased a Captain’s Commission in a military regiment. He leased out Stradbally, and his wife returned to Ballyfin while he was fighting abroad. Her father died but she continued to live with her brother in Ballyfin in the winter and in his house in Queens Street, Dublin, in the summer, for five years. The children were sent to board with a family for schooling and to learn French. 

After five years, Dudley and his wife Sarah moved to London “for cheapness” (Pole writes in his autobiography) and then to York. They returned to Stradbally in 1714 in better financial circumstances and Dudley continued to do up the house and garden.

Pole Cosby’s autobiography is very detailed and he writes of the places in which he lived and of his father’s battles in the military, then of his own schooling, listing all of his schoolmates. He also discusses family finances in detail. He writes that his father financed himself at first by marrying Miss Ann Owens daughter of Sir Andrew Owens of the City of Dublin and “with her he got £1500,” then in 1699 he married Sarah Pole and “got with her £2000.” He paid £300 for his Captain Commission and had to pay £100 for his brother Alexander for not finishing his apprenticeship (this Alexander moved to the U.S. along with his brother William). 

Pole Cosby went to university in Leyden in Holland, as did several of his Irish cousins. There he was studious and abstemious, he tells us. He travelled while in Europe and was introduced by Lord Townsend to King George I and his son Frederick Prince of Wales. He visited a monastery of Irish priests in Prague and argued with them about religion – they told him he was a heretic and would be damned, but when not talking of religion he says they got along very well!

Pole Cosby and his Daughter Sarah, by James Latham, portrait courtesy of Gallery of the Masters website. Sarah (b. 1730) married, first, Arthur Upton (1715-1768) of Castle Upton in County Antrim, after his first wife Sophia Ward had died, and secondly, Robert Maxwell (d. 1779) 1st and last Earl of Farnham. https://www.galleryofthemasters.com/l-folder/latham-james-pole-cosby.html

Pole Cosby married Mary Dodwell and they had a son named Dudley Alexander Sydney Cosby (1732-1774), who served as Ambassador to the Court of Denmark, and for his services, was created Lord Sydney of Leix and Baron of Stradbally, in 1768. When serving as Ambassador to Denmark he helped to arrange the marriage of King George III’s sister to the son of the King of Denmark. It was an unsuccessful marriage and she left her husband for the Prime Minister of Denmark! Despite the lack of success of the marriage he helped to arrange, Dudley Cosby was elevated to the peerage. He married Lady Isabella St Lawrence, daughter of Thomas St Lawrence, 1st Earl of Howth (who lived in Howth Castle – the castle only recently passed out of ownership of the St. Lawrence family). 

I was lucky to be able to see Howth Castle (pictured here) this year when I went to the preview for the sale of the books in its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Pole’s son Dudley, Lord Sydney, built the new (current) house, in 1772.

The overseer  for the building of the new house was Arthur Roberts, which is stated on a plaque which reads: “Built by Dudley, Lord Sydney, 1772, Arthur Roberts, overseer.” 

Dudley Lord Sydney died in 1774, soon after his marriage, and did not have any children. The estate passed to his nephew, son of his brother Alexander, Admiral Phillips Cosby (1729-1808).

The Historic Houses of Ireland website tells us that Dudley died before the house was finished, and his successor Admiral Phillips had to sell 5000 acres to finance the completion. [4]

Phillips’s father, Alexander (d. 1742), was Lieutenant Governor of Annapolis Royal in the United States, and Alexander’s brother William (c.1690-1736) was Governor of New York between 1732-1736.

General William Cosby (c.1690-1736), Date 1710 by Charles Jervas, Irish, c.1675-1739, photograph courtesy of National Gallery of Ireland. William Cosby became Governor of New York.

William’s daughter Elizabeth Cosby married Lord Augustus Fitzroy (1716-1741) and her son, Augustus Henry Fitzroy, 3rd Duke of Grafton, became Prime Minister of England in 1767. After her first husband died Elizabeth née Cosby married James St. John Jefferyes of Blarney Castle in County Cork.

Admiral Phillips Cosby (1729-1808) was born in the United States and was active in the Navy, in which he continued to serve after inheriting Stradbally Hall. He served on the British side in the American War of Independence. He collected many paintings. 

View from the front of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Admiral Phillips had no children, so the estate passed to Thomas Cosby (d. 1798). Thomas was a descendant of Richard Cosby and Elizabeth Pigott. Their son Francis (b. 1612) married Ann Loftus (d. 1673). Francis and Ann née Loftus’s son Alexander (d. 1694) married Elizabeth L’Estrange and their son was Lt-Col. Dudley Cosby (1662-1729) who built the house at Stradbally.

When the Cosby line died out with Admiral Phillips Cosby (1729-1808), it was a descendant of Francis and Ann née Loftus’s Thomas (d. 1713) rather than their son Alexander, who inherited. Thomas Cosby (d. 1713) lived at Vicarstown, Stradbally, County Laois. He married Elizabeth Smith, and they had a son, Francis (d. 1783). Francis married Ann Pigott and they had several children. The Thomas who inherited was a son of their son Thomas (b. 1742), and Frances Bowker.

Thomas Cosby (1765-1798) married Grace Johnstone, daughter of George of Glaslough, County Monaghan.

Stradbally passed to his son Thomas (d. 1832). Thomas (d. 1832) was High Sheriff of Queen’s County in 1809 and also Governor of Queen’s County. He married Charlotte Elizabeth Kelly of Kellyville, County Laois. The property passed via their son Thomas Phillips, who died in 1851. He served as High Sheriff, Deputy Lieutenant and Justice of the Peace for Queen’s County.

The property passed on down to via Thomas Phillips Cosby’s brother Sydney Cosby (who had died in 1840) to Sydney’s son, Colonel Robert Cosby (1837-1920). Sydney Cosby had married Emily, the daughter and co-heir of Robert Ashworth of Shirley House, Twickenham (his brother Wellesley Pole Cosby had married the other daughter and co-heiress, Marie). 

Emily Ashworth, Mrs. Sydney Cosby, by Camille Silvy, albumen print, 21 April 1861, photograph from the National Portrait Gallery, London.

Colonel Robert Cosby employed Charles Lanyon in 1866 to enlarge the house, remodelling it in an Italianate style. He inherited a fortune, and built houses in the nearby village of Stradbally, following in the footsteps of his forebears who had also sought to develop the village.

Stradbally passed to his son, also in the military, Captain Dudley Cosby (1862-1923), and to his son, Major Ashworth Cosby (1898-1984). Major Ashworth married Enid Elizabeth Hamilton from nearby Roundwood, County Laois. 

Roundwood House, County Laois, photograph from the National Inventory of Architectural Heritage.

It was Major Ashworth’s grandson, Thomas, who showed us around the house. Thomas’s young son joined us in the Billiard room to look at the old painting of Stradbally, and asked a few intelligent questions, so he is learning the history of his home also!

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones tells us that Lanyon added a new entrance front, which was advanced from the old front wall so that the house became three rooms deep instead of two. This front has an impressive single-storey balustraded Doric portico leading up a flight of stone steps to the front door. On either side of the portico are a group of three round-headed windows, and beyond those on either side, a two-bay block projecting forward. 

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The upper storey windows are what Bence-Jones describes as “camber-headed” (he defines camber-headed windows as a window of which the head is in the form of a shallow convex curve). [5]

The house was given a high-pitched eaved roof on a bracket cornice. 

After our tour of the house, we walked around to the back of the house as I wanted to see what Bence-Jones had described: “On the garden front, Lanyon left the two three sided bows, but filled in the recessed centre with a giant pedimented three arch loggia.” It is impressive! According to the National Inventory of Architectural Heritage, this was originally the front of the house, but when the three arches were added, so was the Doric portico on what is now the entrance front, so this impressive two storey over basement treble arch was never intended, it seems, as an entry to a front door! [6]

The impressive garden front of the house with its “giant pedimented three arch loggia.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The arches extend into shallow barrel-vaults with well-executed coffering. The door into the garden has an arched pediment over it on brackets. [7]

The side of the house has a bow in the centre, and rectangular windows with entablatures on console-brackets over them. 

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The other end of the house is a slightly lower two storey over basement “bachelor’s wing” (this may have been used for visiting single gentlemen.)

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “bachelor’s wing” viewed from the garden front. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

But let us go around to the front again. The sides of the Doric portico hold niches.

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I love the little doors at either side of the Doric portico.

Two small doors either side of the portico, with segmental pediments surmounted by urns. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the Doric portico is a round-headed door opening and timber panelled double door with overpanel.

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The door leads into an entrance hall with a vaulted ceiling and a flight of steps up to the level of the principal storey. 

This figure is in the front hall, and looks like something from the prow of a ship. Perhaps she is from one of Admiral Phillips Cosby’s ships. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We went first to the billiard room on our right (the newer, Lanyon designed part of the house) to see the large painting of old Stradbally. From the billiard room you have a good view of the beautiful cut-stone farm buildings.

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
 The dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The three reception rooms on the garden front, the dining room, saloon and drawing room, remain much as they were before the Lanyon renovation, with late-Georgian plasterwork. 

I admired the beautiful lamp shade over the dining table, and the plasterwork ceiling, which the National Inventory describes as “Adamesque” (ie. like the work of William Adams and his sons, most famous of whom are Robert and James). Andrew Tierney in his Buildings of Ireland describes the frieze of swags “framing calyxes and paterae”, and a “guttae cornice.” Patera is a round or oval ornament in shallow relief, and calyxes are the whorls of a plant that encloses the petals and forms a protective layer around a bud. A guttae is one part of a post-and-lintel structure.

The ceiling centrepiece is of acanthus, anthemion and circles of laurel interweaving around a ribbon-and-reed moulding.

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the dining room are several portraits. There is one of William Wellesley-Pole, 3rd Earl of Mornington. He inherited from William Pole of Ballyfin and added Pole to his surname. He was the elder brother of the Duke of Wellington. Their grandfather, the 1st Baron of Mornington, was born Richard Colley, and he inherited from his cousin and took the name Wesley, which was later changed to Wellesley. His sister Anne Colley married William Pole, of the Poles of Ballyfin. Another portrait is of Captain Thomas Cosby of the Royal Horse Guards; and another of Emily and Marie Ashworth by Sir Thomas Laurence. Elsewhere in the house, are portraits of Dudley Cosby Lord Sydney; the Prime Minister Augustus Henry Fitzroy, 3rd Duke of Grafton; and George Earl of Halifax (William Cosby who was the Governor of New York married Grace Montagu, sister of the 1st Earl of Halifax).

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ceiling centrepiece is of acanthus, anthemion (i.e. honeysuckle flower) and circles of laurel interweaving around a ribbon-and-reed moulding. [10] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
William Wellesley-Pole, later 1st Baron Maryborough and 3rd Earl of Mornington (1763-1845) by Thomas Lawrence courtesy of wikipedia and Bonhams.

From the Dining Room we went into the Saloon. 

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stuccowork is carefully coloured with pale blue and salmon red, and there is paintwork on the ceiling:

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The next room had a ceiling that took my breath away. It has a delicate band of acanthus fronds and an outer band of husks. Andrew Tierney describes also the gilded rinceau freize, in his Buildings of Ireland: Central Leinster. This is a frieze of leafy scrolls branching alternately to left and right. The walls have a Victorian paper in a gilt diamond pattern.

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The late eighteenth century doorways of the original 1770s house remain. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ballroom, as Bence-Jones calls it, now the library, one of the additional rooms formed 1866-69, extends into the bow at the end of the house. It has a ceiling decorated with panels of early C19 pictorial paper in grissaille, i.e. painting using a palette of greys, or “gris” in French. There is a pink egg and dart and dentil cornice around the ceiling, and patterning similarly painted in the ceiling rose.

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Above and below, grissaille painting on the library ceiling. The paintings are of French origin and depict the story of Cupid and Psyche. [11] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The library extends into the bow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Back to the front of the house, is the study, on the other side of the front hall from the billiards room.

In his book The Lost Houses of Ireland, Randal MacDonnell identifies the portrait over the fireplace as that of Colonel Cosby. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Amazing as the house is so far, the best is yet to come: the front hall leads to the stairwell. The former entrance hall, which keeps its eighteenth century chimneypiece, was made by Lanyon into a central top-lit staircase hall. The staircase is of Victorian oak joinery and leads up to a long picture gallery. This occupies the centre of the house, and is sixty feet in length and twenty in breadth, and is surmounted by an elaborate coffered and ornamented barrel-vaulted ceiling with glass roof  of panels set in steel frame. 

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The gallery is flanked by narrow passages from which open the bedrooms. At the western end is a small lobby separated from the main portion by two pink marble Corinthian pillars, above which is an architrave decorated with a bold design in stucco.

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After seeing the house, we went outside to wander around the gardens. The garden front looks on to Italianate gardens, laid out in 1867 by Maurice Armour.

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are also lovely walks around, of which we didn’t properly avail – we must have been tired!

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There’s a lake on the property, and tennis court. 

Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stable complex matches the house, and was also designed by Lanyon, Lynn & Lanyon. 

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Inside the stable courtyard is a pretty little building, a well house with blind recessed arches and raised ornamental panels:

Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View of the bachelor’s wing from the stable courtyard, and below, the farmyard bell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] p. 265. Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/

[3] see the Stradbally Hall website, and the history of the house, written by Major E.A.S. Cosby in 1951. https://www.stradballyhall.ie/history/

[4] https://www.ihh.ie/index.cfm/houses/house/name/Stradbally%20Hall

[5] https://irishhistorichouses.com/2020/04/18/architectural-definitions/

[6] https://www.buildingsofireland.ie/buildings-search/building/12900432/stradbally-hall-stradbally-demesne-stradbally-stradbally-co-laois

[7] p. 598. Tierney, Andrew. The Buildings of Ireland: Central Leinster. Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[8] Autobiography of Pole-Cosby of Stradbally, Queen’s County  (1703-1766) originally published in the Journal of the Co Kildare Archæological Society and Surrounding Districts, Vol V, 1906-1908. 
https://www.ornaverum.org/reference/pdf/183.pdf

[9] https://www.irelandscontentpool.com/en/media-assets/media/52026  

[10] p. 600. Tierney, Andrew. The Buildings of Ireland: Central Leinster. Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[11] see https://theirishaesthete.com/2020/02/22/dancing-on-the-ceiling/

for more information about these pictures.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Salthill Garden, Salthill House, Mountcharles, County Donegal F94 H524 – section 482 gardens

www.donegalgardens.com
Open dates in 2025: May 2-3, 9-10, 16-17, 23-24, 30-31, June 5-6, 13-14, 20-21, 27-28, July 2-5, 9-12, 16-19, 23-26, 30-31 Aug 1-2, 6-9, 13-24, 27-30, Sept 4-5, 11-12, 18-19, 25-26,

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Views of the garden – on the right hand picture, you can see the garden behind the outbuildings, with just grass and the greenhouse. On the left hand side, you can see the garden developing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In July 2021, Stephen and I dropped in to Salthill Garden on our way up to visit his mum in Donegal. Salthill Garden is just outside Donegal town. The gardens are listed in the Revenue Section 482 list, but the house is not, although the house was built in approximately 1770 and might have been designed by Thomas Ivory (1732 – 1786), who built the beautiful Blackhall Place in Dublin, which now houses the Law Society.

Blackhall Place, Dublin, designed by Thomas Ivory, who may have designed Salthill House in Donegal. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Salthill House was the house for Agent to Conyngham family of The Hall, Mountcharles. The Conynghams of Slane Castle are descendants of the Conynghams of Mountcharles. [1]

Salthill House, image from National Inventory of Architectural Heritage.
The view of the back of Salthill House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Hall, Mountcharles, built for the Conynghams in approximately 1750, photograph from National Inventory of Architectural Heritage.

The Conynghams lived in Donegal possibly as early as 1660, when Albert Conyngham purchased land there. [2] The first Conyngham to move to Ireland was Alexander (1610-1660), who joined the clergy and was appointed in 1611 to be the first Protestant minister of Enver and Killymard, County Donegal. [3] He was appointed to the deanery of Raphoe in Donegal in 1630. His son Albert lived at Mountcharles.

The impressive ruins of the Bishops Palace, Raphoe, County Donegal, built in ca. 1636 by John Leslie, Bishop of Raphoe, who married Catherine, the daughter of Alexander Conyngham, Dean of Raphoe. Bishop John Leslie is the ancestor of the Leslies of Castle Leslie in County Monaghan, another Section 482 property that we have visited. [4] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Albert Cunningham (d. 1691) first colonel of the 6th (Inniskilling) Dragoons, by Willem Wissing c. 1690, courtesy of British Cavalry Regiments website.

It was Albert’s son Henry (1664-1705), a military man who also served as MP for County Donegal, who moved to Slane Castle in County Meath. I thought the Mountcharles was named after a Charles Conyngham, but since there are no Charles’s in the early Conynghams of Mountcharles, I believe Mountcharles may have been named in honour of King Charles of England.

The gardens are a great achievement, recreating a flourishing walled garden. It is a good example of a walled garden that has been brought back to life to provide fruits and vegetables for the home owners, as well as flowers, and a place of beauty and tranquility for any visitor. There is an information centre but it and the toilet facilities were closed due to the Covid pandemic. There is a cafe nearby at the nearby Salthill Pier, the Salthill Cabin.

Salthill Garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Russian kale, chard, courgettes, black kale and peas thriving. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Slane Castle was originally owned by the Flemings, who became Lords of Slane. The Fleming estates were forfeited in 1641 (after a rebellious uprising), from William 14th Baron Slane and his son Charles, 15th Baron Slane, but restored to them in 1663 (after the Restoration of Charles II to the throne, who restored land to those who were loyal to the monarchy through the time of Cromwell and the Parliamentarians). The 15th Baron had left Ireland after his land was confiscated and fought in Louis XIVth’s French army, and died in 1661. It was his brother Randall Fleming the 16th Baron Slane who was restored to his estate under the Act of Settlement and Distribution. [5] However, the Flemings’ land was forfeited again, in 1688, with the coming to the throne of William III. It was in 1703 that Henry Conyngham purchased land in Slane.

The Greenhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Henry Conyngham’s son Henry (1705-1781) was created 1st Earl Conyngham of Mountcharles, County Donegal but he died without issue. His sister Mary married Francis Burton and their son William Burton took the name of Conyngham to inherit his uncle’s estates. William Burton Conyngham (1733-1796) was a member of the Irish parliament and did much to create employment in County Donegal.

Conyngham planned a settlement on the previously unpopulated island of Rutland, and installed, from 1784, a street of residences and business premises, post office, school house and a fish landing and processing facility. The island remained inhabited into the 1960s. The village which developed around the mainland pier which served Rutland, Burtonport, still bears his name.

William Burton Conyngham (1733–1796) by Anton Raphael Mengs c. 1754-58, courtesy of wikipedia.

The Conynghams were one of the largest landowners in Donegal: by 1876 the third Marquess Conyngham (George Henry, 1825-1882; the 3rd Baron became the 1st Marquess) and the wider family owned four separate estates in the county amounting to over 122,300 acres of land, as well as extensive landholdings in Clare (centred around Kilkee) and Meath (centred around Slane), and in Kent in the south-east of England.

Salthill Garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Conyngham’s agent’s house was called Salthill because the area was known in Irish as Tamhnach an tSalainn (‘the Field of Salt’). The anglicization of this is “Tawnyfallon,” as Salthill was also known. The fields along the coast flooded and when they dried, the salt could be collected. This provided an income for the locals and for the Conynghams.

Salthill House was the residence for Hugh Montgomery, Esq. according to the 1777 – 83 Taylor and Skinner map of the area [6]. There is a record of the renewal of a lease on ‘Tawnyfallon, otherwise Salthill’ from Henry Conyngham (1st Marquess) to a Francis Montgomery in 1824 (Conyngham Papers). The National Inventory adds that Salthill was the home of a Leonard Cornwall, Esq., in 1838 (marriage record) and 1846 (Slater’s Directory), and a Robert Russell in 1857 – c. 1881 (latter date in Slater’s Directory). The Hall, belonging to the Conynghams, was sold after World War II by the 6th Marquess.

The walled garden of Salthill House was built around 1800. [7] The National Inventory of Architectural Heritage tells us that the walls are constructed of coursed rubble and random rubble stone masonry, and that the South-east wall abuts main outbuilding to the rear of the house.

Salthill Garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

More recently, the house was the home of John and Nancy McCaffrey until the early 1980s, when it was purchased by Lynn Temple of Magees, the manufacturers and promoters of Donegal Tweed, and his wife Elizabeth. The Irish Historic Houses website describes the work that the current owner, Elizabeth Temple, has carried out in the garden:

During the last thirty years Elizabeth has re-created the walled garden, which is sheltered by the house and yards, slowly and patiently. She complimented the original gravel paths with hedges and grass paths to provide additional structure, and concentrated on plants that thrive in this northernly environment. The result is an authentic country house walled garden, skilfully planted with a combination of perennials and shrubs, interspersed with vegetables, herbs and fruit trees…the gravel avenue, curved sweep and yards are skilfully raked into swirling curvilinear patterns that recall the abstract la Tène ornamentation that influenced Irish early Christian art.” [see 6]

Salthill Garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were greeted at the gate by Elizabeth Temple. I asked her about the curvilinear patterns mentioned in the Historic Houses of Ireland website, but instead she explained that she likes to plant in such a way that there are several layers to see, of graduated heights, in each direction you look. There were several visitors that day so we did not get to chat as much as I may have wished but the day was a little rainy also, so we did not linger for as long as the gardens deserve. We shall have to visit again!

Salthill garden, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] See my entry about Slane Castle, County Meath: https://irishhistorichouses.com/2019/07/19/slane-castle-county-meath/

[2] https://www.buildingsofireland.ie/buildings-search/building/40847025/the-hall-hall-demesne-mountcharles-co-donegal

[3] http://lordbelmontinnorthernireland.blogspot.com/2017/11/slane-castle.html

[4] https://www.buildingsofireland.ie/buildings-search/building/40833005/church-of-ireland-bishops-palace-raphoe-demesne-raphoe-donegal

and see my entry on Castle Leslie, https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/

[5] http://slanehistoryandarchaeologysociety.com/index.php/famous-people/13-the-flemings-and-the-conynghams by Terry Tench, ‘Fleming and Conyngham of Slane’ in Ríocht na Midhe, vol. VII, no.2, 1982-83.

[6] https://www.ihh.ie/index.cfm/houses/house/name/Salthill%20House

[7] https://www.buildingsofireland.ie/buildings-search/building/40909939/salthill-house-salthill-demesne-donegal

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

An exhibition in the Irish Georgian Society

High Summer, Burtown House and Gardens, County Kildare, oil on canvas, by Lesley Fennell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Today an exhibition opened in the City Assemby House in South William Street in Dublin, the home of the Irish Georgian Society, of paintings of walled gardens of Ireland. The exhibition coincides with a television documentary about walled gardens airing this Sunday on RTE. There will also be a conference in May 2022 about the Irish country house garden, along with another exhibition, and a book edited by Finola O’Kane-Crimmins on the same subject.

https://www.igs.ie/updates/article/igs-year-of-the-country-house-garden

Burtown Gardens, which I visited this summer with Stephen and our friend Gary – the house is listed in Section 482 so we’ll be visiting it again at some point. It is the home of the artist Lesley Fennell.

The exhibition features the work of four artists, all owners of big houses: Lesley Fennell of Burtown, County Kildare; Andrea Jameson of Tourin, County Waterford; Alison Rosse of Birr Castle, County Offaly; and Maria Levinge of Clohamon, County Wexford. All of the houses but the last are on the Section 482 listing this year.

Many walled gardens are pictured, and I was delighted to recognise some.

Enniscoe, County Mayo, by Maria Levinge. Oil on board. We visited Enniscoe this year and had a wonderful tour with owner Susan Kellett, who brought history to life as if she had been present, such as when she told us of the 1798 visit of French soldiers to the house.
Maria Levinge’s painting captures the pink Enniscoe House in the background of her painting. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden of Enniscoe House, which contains a museum. As the house is also on the Section 482 list, I’ll be writing about it soon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I will be invigilating the exhibition on Wednesday 29th September 10:00 – 1:30, along with some other dates, and was there today. The launch was last night, and I was delighted that some of the artists dropped in today while I was there.

Robert O’Byrne curated the exhibition and introduced the invigilators to the work. During the year the Georgian Society ran a programme of interviews with the artists, by Robert O’Byrne, and these are available to watch at the exhibition.

My photographs, taken on my phone rather than with my Canon camera, do not do justice to the paintings.

The Formal Gardens, Birr Castle, by Alison Rosse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Birr Castle in 2019 and I took the same view as that painted above!

The Formal Gardens were designed by Anne, Countess of Rosse, on her marriage in 1935, in the form of a monastic cloister, complete with windows, cut into the hornbeam hedge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

According to the small catalogue, which is available for purchase, there are about 8,000 walled gardens in Ireland! The exhibition features about thirty different walled gardens, some public and some private.

Lissadell, County Sligo, by Maria Levinge. Oil on board. We drove right up to the gates of Lissadell last month but unfortunately it is not open to the public this year due to Covid, so we will have to visit another time! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Many Section 482 houses featured in this blog have walled gardens. Most recently, I wrote about Killineer in County Louth, which is not in this exhibition. Barmeath, also in Louth, and Cappoquin in County Waterford, are included, as well as Lodge Park and Larchill in Kildare, both of which are listed in Section 482 and which I have yet to visit.

I like this one by Maria Levinge of the garden at IMMA, the Royal Hospital Kilmainham, as it also pictures the relatively newly built apartments in the background, which I often pass on my way to the Memorial Gardens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I think Robert Wilson-Wright was digging the pond featured in Lesley Fennell’s painting of Coolcarrigan, on the day that we visited!

The Pond at Coolcarrigan, County Kildare, by Lesley Fennell. Oil on canvas. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Coolcarrigan, County Kildare, September 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I didn’t realise that the splendid greenhouse at Woodstock, County Kilkenny, which we visited last month, is not the original Turner-built one, but a reproduction of it.

The greenhouse at Woodstock, County Kilkenny.
The Turner conservatory at Woodstock, County Kilkenny by Lesley Fennell. Oil on canvas. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I particularly liked the painting that Andrea Jameson did of herself struggling to paint “en pleine aire” in the wind in her garden in Tourin.

Andrea Jameson painting in her garden at Tourin, self-portrait. Oil on canvas. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The painters paint their own gardens, and each others’. Gardens featured which are open to the public include Lismore Castle in Waterford, Altamont in Carlow, Kilmacurragh in County Wicklow, Heywood in County Laois (my father remembers seeing the fire which burnt down the house!), Doneraile in County Cork, and Russborough, which I didn’t know has a walled garden.

Adamnan Lodge, Birr, County Offaly by Alison Rosse. Oil on board. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Red Geranium, Greenhouse, Tourin, by Andrea Jameson. Oil on canvas. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Some of the gardens are in Northern Ireland, such as at Glenarm and Crom Castle.

Stephen and I have been lucky enough to visit many walled gardens in our explorations of Section 482 properties, and have many more still to visit. We toured rather extensively around Ireland during Heritage Week this year and I have lots to write that I hope to publish soon!

Killineer House, Drogheda, County Louth A92 P8K7 – section 482

www.killineerhouse.ie
Open dates in 2025: Feb 1-20, May 1-31, Aug 16-24, 9am-1pm

Fee: house and garden, adult/OAP/child/student, €12, house €5, garden €7

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Stephen and I visited Killineer on Saturday June 9th, one of our first houses to visit once Covid restrictions eased. I like the drive up along the M1 motorway, over the Mary McAleese bridge. The house has entrance gates.

My trusty little car leaving Killineer after our visit. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The gate lodge, also built in 1836. It has the same Majolica style medallion as on the farm buildings behind the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house is a Regency house, that is, of the Classical style built shortly after the period in England when George IV was Prince Regent (1811-1820, when King George III was ill). Like many Regency houses, it has a stucco facade and columns framing the front door, with a Doric single-storey portico.

Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house was built for a local businessman, George Harpur, who made his fortune in trade, dealing in salt and timber. He would have availed of the nearby port to bring in his salt, and timber from Canada. Salt was used to preserve meats and was a precious commodity. Harper married Louisa Ball in 1835, daughter of George Ball (1755-1842) of Ballsgrove, County Louth, and his wife Sarah Webber. 

Ballsgrove, County Louth, built in 1734, photograph from the National Inventory of Architectural Heritage.
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Killineer house was completed in 1836. The front, of two storeys, has six bays on top and a Doric single-storey portico flanked by two bays on either side. The corners have double-height pilasters. The house has a basement and the back is of three storeys. The sides are of three bays, with entablatures over the ground floor windows.

Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of the house, with the original French door, and the farm buildings in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Harpur surrounded the house with seventeen acres of garden, creating terraces and a lake which on the site of an earlier rough pond. A house already stood on the property, the remains of which are in the walled garden behind the current house.

The remains of the previous house built at Killineer, now in use as a tool shed. One can still see remains of the panelled walls and dentil cornice inside. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The earlier house, now located in the walled garden behind the house, may have been built by George Pentland (1770-1834), who owned the property before Harpur, before he moved to Blackhall in 1815, which was begun in approximately 1790 by a fellow solicitor, Philip Pendleton. [2] Before that, the land was owned by Thomas Taylour of Headfort House, County Meath.

Black Hall, County Louth. Picture from the National Inventory of Architectural Heritage. Casey and Rowan (1993) suggest that the house is in a ‘style greatly reminiscent of Francis Johnston.’ 
Headfort House, County Meath, photograph by A.E. Henson, from Country Life, volume LXXIX, published 21/03/1936The house was built in the early 1770s by Irish architect George Semple with the interiors designed by Robert Adam. [3]

The Harpurs had no children and the house was sold, probably after George Harpur died in 1888. Unfortunately, any record of the plans for the house or garden have been lost, so neither the architect nor the creator of the garden has been identified.

The house passed through several owners until the present family, including Robert Ussher, and the Montgomery family of Beaulieu, County Louth. Richard Thomas Montgomery (1813-1890) of Beaulieu had a son, Richard Johnston Montgomery, who lived in Killineer house when he was High Sheriff of County Louth in 1910. Perhaps he lived at Killineer until he inherited Beaulieu. He married Maud Helena Collingwood Robinson of Rokeby Hall, another Section 482 property in Louth. 

Beaulieu, County Louth [see my blog entry]. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rokeby, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Carroll, ancestor of the current owner, purchased the house in 1938. He was the grandson of Patrick James Carroll, a tobacco manufacturer from Dundalk. James’s daughter Grace lived in Killineer all of her life and never married. She died in 1999, and the house passed to her cousin, the current owner. 

According to her obituary in the Irish Times, Grace became involved with the Order of Malta, of which her father had been president. She was the first woman in this country to be appointed Dame Grand Cross of Honour and Devotion, Sovereign Military Hospitaller, Order of Malta. This was in recognition of her work and fundraising for those with disabilities in Drogheda. She was instrumental in helping fund The Village, a training centre for those with special needs, built in the former Presentation Convent. [4]

She maintained the gardens laid out by George Harpur, and they were featured in Country Life in 1998. We enjoyed a wander in the lovely gardens after the owner Charles Carroll gave us a tour inside.

The view of the gardens from the front of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house has an impressive octagonal entry hall, with niches and busts on plinths. It has four doors that look as if they lead off the hall, but two are only for symmetry and do not open. The house itself has a classical layout of four rooms plus the hall on the ground floor, a basement, and the bedrooms above. It has an “imperial” staircase – a staircase which bifurcates into two. A lovely stained glass window of browns, blues and yellows, made by Edward Lowe  of Dublin who also did the windows in Collon’s Church of Ireland, has the Carroll coat of arms in the middle. [5] Below the stairs, in a door, is another stained glass window, with a knight with a lion, which might also have been installed by the Carrolls.

The back of the house, with the stained glass window that lights the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Carrolls are an ancient Irish family that can be traced back to the Carrolls of Oriel. Oriel was an area of Ireland. Donogh O’Carroll, King of Oriel, died in 1168 AD and the Carrolls of Oriel are his descendants. Patrick Carroll of Culcredan, County Louth, was born in 1600. The Carrolls of Killineer branch off from the main line of “the O’Carroll Oriel” after this Patrick Carroll. [6] [7]

We entered the dining room first and sat down under a portrait of Grace to hear a little about the history of the house. The windows are French doors, and the room is panelled. It originally had a ceiling with a seascape of Neptune, but unfortunately the house was left empty for two years before the Carrolls purchased it and the ceiling was ruined. The ceiling now features a “very attractive bold circle of plasterwork in the centre of the ceiling,” as Mark Bence-Jones describes it. [8]

The plasterwork in the house is impressive. There are about five layers of cornice patterns around the ceiling in the study, such as ovals and egg-and-dart, and the rooms have wood-like plaster panelled walls. The rooms are decorated in a French empire style of gilt and a deep rose colour. Charles pointed out that some of the plasterwork over the doors may have been added later, as it is a little too ornate and does not quite fit with the rest of the plasterwork. 

The fourth room on the ground floor has been divided in two, probably after the house was built. The pattern around the ceiling continues in both rooms, and features griffons and centaurs and is coloured wine red, pale blue and pink. An unusual sculpted ceiling depicts the figure of Justice, doves, and a figure with a lyre. 

A summer-house in the garden is designed to mirror the architecture of the house, and was probably also built by George Harpur.

Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It has windows and French doors on each side, and inside, it has plaster coving and niches.

Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The reeded doorcases with corner blocks carved with rosettes match the doorcases inside the main house.

Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The wrought iron bridge onto an island in the man-made lake is also contemporary with the house. [9]

Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Stretching from the house, the garden is terraced. It leads down through a canopy to a laurel maze and lawn laid out in an astragal pattern, to the lake, where a swan was guarding a nest. The lakes, created by George Harpur, are lined with a special yellow clay, which is very fine and hard, so it holds in the water particularly well. Yellow clay is impermeable and can be used to prevent damp in houses.

The astragal shaped lawn. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth.
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Woodland walk, below the lake, and the wild garden nearby. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eighteenth century gates which were originally located on an estate belonging to the Jocelyn family, Earls of Roden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com. It may have been part of Dundalk House, a house which was purchased by the Carrolls. The house had been owned by James Hamilton (1729-1798) 2nd Earl of Clanbrassill and Viscount Limerick, who died childless, so his properties passed through his sister Anne Countess of Roden, who was married to Robert Jocelyn, Earl of Roden.
Dundalk House, County Louth, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
James Hamilton (1730-1798) 2nd Earl of Clanbrassill by Jean Etienne Liotard 1773.
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The lily pond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Behind the house lies the walled garden from the original house at Killineer. It is still in active use today producing fruits and vegetables. It has a glasshouse in which apricot, peach and nectarine trees grow, and an apiary that houses bees who pollinate the plants. 

Entrance to the walled garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The attractive farm buildings are off-limits to visitors due to dangerous farm machinery.

Killineer, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer, June 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The lush gardens were a treat after months of lockdown in Dublin. They were so peaceful, such an oasis from the everyday bustle. They remind us to stop, linger, and appreciate.

[1] https://theirishaesthete.com/2016/06/13/in-the-good-old-summertime/

Robert O’Byrne notes that: A century earlier the land here had been granted by the local corporation on a 999-year lease to Sir Thomas Taylor, whose family lived at Headfort, County Meath. It then passed to the Pentlands whose main residence was to the immediate east at Blackhall. At some date in the 18th century a house was built on the property: it appears on early maps but little now remains other than one room which still retains sections of plaster panelling. Located to the rear of the walled garden, this space now serves as a toolshed. 

[2] See https://www.buildingsofireland.ie/buildings-search/building/13902207/black-hall-co-louth 

and the Killineer House & Gardens website.

It’s interesting that George Pentland’s son, George Henry Pentland (1800-1882), married Sophia Mabella Montgomery, of Beaulieu, since after George Harpur died, Killineer was owned by one of the Montgomery family from Beaulieu.

See:

http://www.termonfeckinhistory.ie/pentlands_of_blackhall_34.html 

George Henry Pentland (1800-1882) married twice, once to Rebecca Brabazon and secondly to Sophia Mabella Montgomery, daughter of Rev. Alexander and Margaret Johnston. George Henry Pentland lived at Black Hall, Co Louth, as did his father George Pentland (1770-1834).  

[3] https://www.countrylifeimages.co.uk/Image.aspx?id=e3bd0c95-193a-4aad-8e06-f9d2165c4e5b&rd=2|headfort||1|20|18|150 

[4] https://www.irishtimes.com/news/grand-generous-lady-of-the-old-school-1.252377 

[5] https://www.buildingsofireland.ie/building-of-the-month/collon-church-collon-church-street-collon-td-collon-county-louth/

The church was erected thanks to the Foster family of Collon, County Louth and of Glyde Court, whom we came across in their association with Cabra Castle in County Cavan.

[6] http://www.carrolloforiel.com/the-ocarroll-oriel/

[7] http://www.thepeerage.com/p36339.htm#i363390

[8] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[9] https://www.ihh.ie/index.cfm/houses/house/name/Killineer%20House

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Too busy!

I have four hats: my pharmacist/vaccinator “hat,” my blogger hat, my farmer hat (see the photo of my harvest from yesterday) and my landlady hat! I am so busy at the moment, as my tenants left the apartment so I have been doing that up before renting out again (see my first ever tiling work). I only manage a terraced house and a two bedroom flat, but it keeps me so busy, I can only imagine what it is like to have to maintain a Big House! So my blogger hat has taken a back seat for awhile, despite having managed to visit a few Section 482 properties since lockdown lifted. Here is a taster of what is to come, when I finally get the time to write my blogs…the beautiful gardens of Killineer House in County Louth, and the astounding upper gallery of Stradbally Hall in County Laois.

Stradbally Hall, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Killineer House, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
My abundant allotment harvest from 7th July 2021: broad beans, broccoli, red currants, strawberries, a courgette, rhubarb, Toscana de Nero kale, grand big beetroot, and not pictured, a few peas and about six lovely large onions! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’ve been doing up the flat, and tried my hand at tiling! Here is the result. If you know anyone who’d like to rent a two bedroom flat in Donnybrook, send me a message! It’s on the pricey side at €2100 per month, but it has two double bedrooms (one with a king size bed, other has a regular double bed), a back patio that gets the sun, and a parking space. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mount Usher Gardens, Ashford, Co. Wicklow A67 VW22 – section 482 gardens

www.mountushergardens.ie

www.avoca.com/en
Open in 2025: all year, except Christmas Day and St. Stephen’s Day, Jan-Mar, Nov-Dec,

10am-5pm, Apr-Oct, 10am-5.30pm

Fee: adult €10, student/OAP €8, child over 4 years €5, under 4 years free, group rate (10 or more people) €8 per person

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Facilities:
Avoca Cafe, Food Hall, Shopping Courtyard, Toilets, Parking, Wheelchair access (limited). No dogs and no picnics.

Guided Tours:
€60.00 (Advance booking required).

Before we were allowed to visit Section 482 houses, due to Covid 19 restrictions, we were allowed to visit gardens. Accompanied by our friends Owenroe, Deirdre, Dario and Niamh, Stephen and I headed to Wicklow one sunny Sunday in May. We had wonderful weather for the day, as you can see from my photographs. Before entering the gardens, there are some shops and a cafe.

Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mount Usher is open all year to visitors. There is a house, but that is not part of the Section 482 listing, unfortunately! It looks idyllic, set in its lush gardens. Mark Bence-Jones calls it a “simple double bow-fronted house,” [1] and the National Inventory tells us it was built in 1922, and that there is a long two-storey house built in the 1990s to the rear of the house. [2] The gardens cover 23 acres, along the Vartry River.

Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

One enters through the gift shop, a branch of Avoca. Inside, there is a small museum which tells the story of the gardens and its creators. Everything looked so beautiful that we could not resist picking up a hand cream for Stephen’s mother.

Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The area was named after the Ussher family. John Ussher (1646-1745) is mentioned in The Peerage website as living in Mount Ussher, County Wicklow. His father William Ussher is listed as living in Portrane, Dublin and “Castle of Grange, County Wicklow.” John’s son Christopher, born around 1690, was Secretary of the Linen Board – the later occupants of Mount Ussher, or Mount Usher, as it is now spelled, the Walpoles, were also in the Linen trade. Christopher Ussher inherited land in Galway which he passed to his heirs, and in Ussher Memoirs, compiled by Reverend William Ball Wright in 1889, there is no further mention of Mount Ussher. [3]

The museum tells us that Edward Walpole (1798-1878), a successful Dublin businessman, enjoyed walking in Wicklow, and he stayed in a hotel on weekends to indulge his passion. The Walpole family was involved in linen manufacturing. Thomas Simmons started a linen business in Bride Street in Dublin in 1766, and through mergers and a marriage it grew into Walpole Brothers Limited by 1866. Coincidentally, in 1816 the business moved to Suffolk Street in Dublin and occupied what is now Avoca Shop and Cafe on that street.

Mount Usher had originally been a “tuck mill” where local people brought their home spun and woven cloth to be finished. This may be how Edward Walpole came across this location. He took over the lease of Mount Usher in 1868 and began to develop his garden, with the help of his sons. Seven years later, in 1875, he transferred the land to his sons: Thomas, George, William White and Edward. William White and George also continued in the Linen business, and developed their shop into a Gentlemen’s Outfitters. Their younger brother Edward joined the business and expanded to London.

Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Walpoles were Quakers. They came originally from the settlement in Mountrath, County Laois – the National Library of Ireland contains documents relating to the Walpoles and their business [4]. The Quakers in Ireland website tells us why Quakers were successful in business:

Why were Friends successful in this way? Modern business has become so competitive, and the profit motive so pervasive, that it is hard to imagine the strong influence their religious convictions exerted on them. They simply believed it was right to offer a good product for a fixed, and reasonable, price. They believed in honesty and integrity in all their dealings. A simple life-style, and not over-extending themselves financially, allowed them to build up their resources. Strict rules governing business methods for members meant that they were increasingly trusted with money, and some became bankers. Various laws, including those related to swearing oaths, prevented Friends from attending university and joining the professions for a couple of centuries, so they put their energies into business instead. Friends were good employers, and this led to a loyal workforce.

Also, and importantly, the structure of The Society of Friends from its earliest days, with a system of representatives from Meetings regularly visiting other Meetings, often in other parts of the country, created a network of relationships between like minded individuals and families. It was natural, therefore, that they would hear about, support, participate in and emulate each other’s ventures. [5]

The brothers acquired more land to add to their garden, and Thomas, an engineer, added weirs and bridges. Edward and George were influenced by William Robinson, who has been called “the father of English gardening.”

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

William Robinson (1838-1935) was born in Ireland. His first job was in Curraghmore, County Waterford. He progressed to become the foreman gardener in Ballykilcavan, County Laois, employed by Sir Hunt Johnson-Walsh. In 1862 Robinson found employment at the Royal Botanic Society’s garden at Regent’s Park in England. He resigned four years later in order to further his knowledge of gardening, and to write. He travelled in France and later more widely in Europe and the United States, and published books on horticulture. His most important work is The English Flower Garden (1883). [6] The Robinsonian style of gardening is to work with nature, as opposed to imposing order.

Information board from “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
William Robinson, from “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Walks and woods were added to the property as more land was acquired. The family also owned a house called Windsor Lodge in Monkstown in Dublin. Mount Usher passed to Edward Horace Walpole, the son of Edward Walpole (1837-1917) and Elizabeth Harvey Pim [perhaps his parents were fans of the writer, Horace, or Horatio, Walpole (1717-1797), who most famously wrote the Gothic novel The Castle of Otranto and who also embraced the Gothic style in his home, Strawberry Hill in southwest London – or perhaps they were related]. For over fifty years, Edward Horace enlarged and improved the garden, with the help of his head gardener, Charles Fox. Rare varieties of plants from China, Japan, the Himalayas, Chile, New Zealand and North America were added.

Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Edward Horace Walpole married Alice Dorothy Scanlan from Nottingham in 1912 in the Friends Meeting House (Quaker) in Nottingham. [7] His son Robert Basil Walpole sold Mount Usher.

In 1980 Madelaine Jay purchased the property, and she continued the garden following organic methods. The garden now covers twenty acres and has over 5000 plant species. It is now leased to Avoca.

Mount Usher, County Wicklow.
Mount Usher, County Wicklow.
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Former gate lodge, now in use as a house, built in about 1905. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Usher, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

What a great discovery it is to find this amazing garden! I can’t wait to return.

In the meantime, we have been able to begin to visit houses again listed for the Revenue 482. We visited another Quaker home, that of the Fennells of Burtown, County Kildare. More on that soon!

[1] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.

[2] https://www.buildingsofireland.ie/buildings-search/building/16402510/mountusher-house-mountusher-ashford-co-wicklow

[3] https://archive.org/stream/usshermemoirsorg00wrig/usshermemoirsorg00wrig_djvu.txt

[4] http://catalogue.nli.ie/Record/vtls000834470 and http://catalogue.nli.ie/Record/vtls000829943

[5] https://quakers-in-ireland.ie/history/quaker-businesses/

[6] Oxford Dictionary of National Biography.

[7] https://www.youwho.ie/walpole.html 

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Cabra Castle, Kingscourt, County Cavan A82EC64 (hotel) – section 482

www.cabracastle.com
Open in 2025: all year, except Dec 24, 25, 26, 11am-4pm
Fee: Free to visit

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen and the Knight have a heart to heart. We attended a wedding in Cabra Castle in 2011 and I took this photograph. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Stephen and I visited Cabra Castle in December 2020. I contacted the owner, Howard Corscadden, in advance, to request a tour of the castle. The Corscadden family own several beautiful Irish properties which provide unique castle accommodation. As well as Cabra Castle, they own Markree Castle in County Sligo and Ballyseede Castle in County Kerry, both of which are on the Section 482 list, as well as Bellingham Castle in County Louth. They are all hotels except the latter which is available as a four star venue for weddings and events, with accommodation. Howard’s parents and grandparents were also in the hotel business in Ireland, as are his siblings – Ballyseede is run by his sister Marnie, Castle Bellingham by his brother Patrick and Markree Castle by his sister Patricia. Howard worked in the Waldorf hotel in Switzerland and in Dromoland Castle in Ireland before purchasing Cabra Castle in 1991. [1] It had been converted to a hotel in 1964 by the local Brennan family. In 1986 it was sold to become a private house once more, but with a change in fortune the family sold to Howard Corscadden.

Cabra Castle, December 2020.

The early history of the castle is the history of two land-owning families, the Fosters and the Pratts. The building now known as Cabra Castle was originally known as Cormy Castle. At that time, an adjacent property was called “Cabra.” Cormy Castle was named after the townland of Cormy.

In 1795 the land, which contained an old round tower castle called Cormy Castle, belonged to John Thomas Foster (1747-1796), who had been MP for Dunleer, County Louth, and for Ennis, County Clare. The main building of Cormy Castle was in ruins, destroyed during the Cromwellian War, but its adjacent courtyard remained in good repair.

The Foster family owned large amounts of land in County Louth and their family seat was in Dunleer. The family produced many members of the Irish Parliament. John Thomas’s grandfather John Foster (1665-1747) had been MP for Dunleer. His father, Reverend Thomas Foster (1709-1784) was Rector at Dunleer. His uncle Anthony Foster (1705-1778) had also been MP for Dunleer and for County Louth, and was Chief Baron of the Exchequer, and lived at Collon, County Louth. [2] Anthony’s son John Foster (1740-1828) was Speaker of the Irish House of Commons, created 1st Baron Oriel of Ferrard, and also owned property which is now part of University College Dublin and the adjacent road Foster Avenue is named after him.

John Foster, 1st Baron Oriel, by Francesco Bartolozzi, after Unknown artist, stipple engraving, late 18th century. Photograph from National Portrait Gallery, London.

Turtle Bunbury tells us that John Thomas Foster’s father Reverend Thomas, the rector of Dunleer, acquired land in County Louth in the 1750s and 1760. He then acquired the 700 acre manor of Killany, County Louth, from 1763 on a series of long leases from the Provost and Fellows of Trinity College Dublin. He purchased Stonehouse, Dunleer, around 1787. [3]

Stone House, County Louth, built around 1760 and purchased by Reverend Thomas Foster in around 1787. Photograph from National Archive of Architectural Heritage.

In 1776 John Thomas Foster married Elizabeth Christina Hervey, daughter of the 4th Earl of Bristol. After the marriage they lived with her father in Suffolk. They had two sons: Frederick Thomas (1777-1853) and Augustus John (1780-1848). [4] 

The marriage of John Thomas and Elizabeth Christina was not a success, and they separated after five years. Foster took the sons, and she did not see them for fourteen years. [5]

Elizabeth Christina Hervey, Lady Foster, painted by Thomas Lawrence in around 1805, as the Tiburtine Sybil, the Roman prophetess who foretold the coming of Christ. In 1782 she became the lover of the 5th Duke of Devonshire, and they lived together at Chatworth, Derbyshire, with his wife Georgiana. Following the birth of a number if illegitimate children, she married the Duke in 1809. Portait in the National Gallery of Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1783 John Thomas Foster inherited a property named Rosy Park in Louth from his uncle, John William Foster. In 1820 it was renamed Glyde Park by his son, Augustus. [6] It is unfortunately now a ruin.

The ruin of Glyde Court, County Louth, built around 1780. Photograph from National Inventory of Architectural Heritage.

John Thomas died in 1796, when his sons were still minors. They moved back to England to live with their mother, who by this time was living with William Cavendish, the 5th Duke of Devonshire, along with his wife, Georgiana, and had born him two children. A film starring Keira Knightly, “The Duchess,” is based on their story. [7] She married him in 1809 when his wife died.

Meanwhile, a cousin of John Thomas Foster, Henry Foster (c. 1747-1838), was appointed Trustee and Executor of the property of Cormy. He lived at Cormy Castle while acting as Trustee for his wards. According to Turtle Bunbury, he was a magistrate for Meath, Cavan and Louth. There is a record in the National Library of Ireland of a Grant of Arms to Henry Foster of Cormy Castle from March 13th 1806, when he was about to be created a baronet, but “the creation did not eventuate” (i.e. he was not made baronet). The National Library also has a map of the demesne of Cormy Castle from 1810, named as the seat of Henry Foster. In 1808 he began to rebuild and enlarge the castle. However, he exhausted the personal estate of his wards in doing so, and incurred debts, and the castle and land had to be sold. In about 1813 his wards sold the estate to Colonel Joseph Pratt, who lived on the adjacent property. [8]

John Thomas Foster’s son Frederick Thomas Foster may have remained in England, as he served as MP for Bury St. Edwards between 1812 and 1818. His brother Augustus John Foster became a politician and diplomat. Between roughly 1802 and 1804 he was Secretary to the British Legion in Naples. He held the office of Envoy Extraordinary and Minister Plenipotentiary to the U.S.A. in 1812. He wrote about his American experiences in Notes on the United States of America.

From 1814-1824 he held the office of Minister Plenipotentiary to Denmark. He was created 1st Baronet Foster of Glyde Court in 1831, and was appointed Privy Counsellor. His final posting was to Turin, in the Kingdom of Sardinia. 

Colonel Joseph Pratt, who owned the adjacent Cabra estate, continued the enlargement of Cormy Castle, and the work was completed in 1837. In 1820 he renamed it Cabra Castle. [9]

Before we examine the development of Cabra Castle, let’s look at the history of the property of Cabra across the road from the current Cabra Castle. 

Old Cabra, in Dun Na Ri Forest Park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Old Cabra, in Dun Na Ri Forest Park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The former stable block of Old Cabra, popularly known as “The Barracks,” in Dun Na Ri Forest Park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

According to the Cabra Castle website, this area belonged to the O’Reilly family. In 1607 Gerald Fleming, who had been granted territory by King James I, built a castle on the property. He lost his lands, however, when he supported James II against William III, and Colonel Thomas Cooch (1632-1699) acquired the property. [10]

Colonel Thomas Cooch married Elizabeth Mervyn, (sister of Audley Mervyn, Speaker of the Irish House of Commons), and they had an only daughter and heiress, Elizabeth. 

Elizabeth’s first husband (Nathaniel Pole, who lived in County Meath) died in 1685, before they had any children, and Elizabeth then married Joseph Pratt, who lived not far off at Garadice, Co. Meath, a property which his father received for his support of Oliver Cromwell. [11] This marriage (which was also Joseph Pratt’s second) took place in 1686 and a son, Mervyn Pratt, was born in 1687. Joseph Pratt held the office of High Sheriff of County Meath in 1698. He and Elizabeth had several other children.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Colonel Thomas Cooch left his Cabra property to his grandson Mervyn. 

Mervyn Pratt was only 12 years old when his grandfather died. He graduated from Trinity College, Dublin and married Elizabeth Coote, daughter of Sir Thomas Coote, Judge, of Bellamont, Coote Hill, County Cavan. Mervyn and Elizabeth lived at Cabra near the Wishing Well. He followed in his father’s footsteps and held the office of High Sheriff, but of County Cavan rather than Meath. He was also an MP for County Cavan.

The Fleming castle was modernised by Mervyn Pratt. The new villa may have been designed by Edward Lovett Pearce, who was a cousin of Elizabeth Coote. The Irish Aesthete quotes a visitor to Mervyn Pratt in Cabra:

On August 25th 1732, the future Mrs Delany (then the merrily widowed Mrs Pendarves) embarked on a journey from Navan, County Meath to Cootehill, County Cavan. She wrote in her journal, ‘travelled through bad roads and a dull, uninhabited country, till we came to Cabaragh, Mr Prat’s house, an old castle modernized, and made very pretty: the master of it is a virtuoso, and discovers whim in all his improvements. The house stands on the side of a high hill; has some tall old trees about it; the gardens are small but neat; there are two little terrace walks, and down in a hollow is a little commodious lodge where Mr Prat lived whilst his house was repairing. But the thing that most pleased me, was a rivulet that tumbles down from rocks in a little glen, full of shrub-wood and trees; here a fine spring joins the river, of the sweetest water in the world.’” [12]

Cabra Castle by Robert French, Lawrence Photograph Collection NLI flickr constant commons.

Mervyn and Elizabeth Pratt had three daughters and one son. Their son Joseph joined the clergy. Reverend Joseph married Elizabeth Chetwood and had five children.

Of the five children of Reverend Joseph Pratt, a daughter Anne married her neighbour Henry Foster the trustee for Cormy Castle. [13] A son, James Butler Pratt, married a sibling of Henry Foster, Margaret. Another son entered the clergy, Reverend Joseph Pratt (1738-1831).

This second Reverend Joseph Pratt married Sarah Morres, daughter of the 1st Viscount Mountmorres, of Castle Morres, County Kilkenny (which has been demolished). Their son, Colonel Joseph Pratt (1775-1863), purchased Cormy Castle from Henry Foster. Their other son, Hervey Randall Saville Pratt inherited the property of Castle Morres through his mother.

The house at Cabra was destroyed by fire in the 1950s, and is now part of Dun na Ri Forest Park, a lovely place to explore, owned by Coillte. After Joseph Pratt moved to Cormy Castle and created a new seat for his family, his former property became known as Old Cabra. [14] 

Now let us travel back across the road to the former Cormy Castle, now Cabra Castle. Cabra Castle is a mixture of Norman and Gothic styles.

The entrance is in a Norman-style “donjon” or square tower house, with corner turret. The door is in a deeply recessed pointed arch.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The building has two, three and four story sections over a basement. The building, including outbuildings, is castellated, and has several round and square towers.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The windows are of various shape, some with hood mouldings. 

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A recent creation to one side of the tower is “Mitzi’s garden,” a formal garden with fountain, tribute to the mother of the current generation of Corscaddens, who is nicknamed Mitzi. This area used to be used for parking. 

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View of Mitzi’s Garden from the balcony above. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are statue-filled niches, and a side entrance, up a flight of steps, leads to the recently refurbished ballroom.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The steps leading to the entry to the Ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The other side of the building has a terrace which contains a seating area outside the bar, which also serves food.

This is a photograph of the terrace from 2011, which has been altered slightly, as you can see in the photograph below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bar on the ground floor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ogee arched shaped windows and doors mirror those of the entrance. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This courtyard looks out to a lawn area that has a giant chess set and places to sit.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This path leads out to a golf course. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The castle is permanently inhabited by some beautiful Irish wolf hounds, who make a picturesque and atmospheric addition to wedding photographs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This is the area beyond the courtyard and bar, and is the outer walls of the courtyard to the rear of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This arial photograph was taken before Mitzi’s Garden was developed. The square turret in the inside corner of the L bend of the castle contains our en suite. The courtyard with further accommodation, of one square within a larger square, is at the rear.

The oldest part of the castle can be pinpointed in the aerial view. According to the National Inventory of Architectural Heritage the “earlier house of c.1750 [is] embedded within northern section of south-east side concealed behind extension of c.1990, junction marked by square-plan rendered turret corresponding to north-west side in simplified form.” This square plan turret actually contains our bathroom!

Beyond Mitzi’s Garden a path leads to the car park and further self-catering accommodation, beyond the tennis court. A branch of this path and driveway curves around to the courtyard at the back of the castle. One can also enter this courtyard through the castle. The courtyard originally contained the stables, but these have been converted into more hotel accommodation. There are about sixty rooms in the courtyard.

The outside of the courtyard buildings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Some of the buildings in the courtyard have been newly constructed. My amateur eye cannot distinguish the new from the old.

In the middle of the courtyard is Karl’s Garden, named after a former groundsman. 

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Cabra Castle website tells us:

“Colonel Joseph Pratt had married Jamima, daughter of Sir James Tynte [of Tynte Park, County Wicklow – the beautiful house that stands there today wasn’t built until around 1820; Jamima married in 1806], and had ten children. The eldest – Mervyn, born in 1807 – married Madeline Jackson, only daughter and heiress of Colonel Jackson of Enniscoe, Co. Mayo. They inherited this property when Colonel Pratt died. 

“He succeeded his father, Col. Joseph Pratt, as owner of Cabra in 1863, but from this time onwards, the interests of the Pratt Family were divided between Cabra in Co. Cavan and Enniscoe in Co. Mayo. Mervyn Pratt died in 1890 and was succeeded on his death by his eldest son – Major Mervyn Pratt, in 1927.”

Enniscoe, by the way, is another Section 482 property which I look forward to visiting, which also provides accommodation. The house was completed in 1798. [15] 

Mervyn Pratt (1807-1890) who married into Enniscoe had several brothers. Joseph Pratt took the name of Tynte in 1836 from his mother and lived in Tynte Park. Mervyn held the offices of High Sheriff of County Cavan in 1841 and High Sheriff of County Mayo in 1843. He was also Justice of the Peace for County Cavan and High Sheriff for County Meath in 1875. His son Joseph Pratt (1843-1929) inherited Enniscoe and Cabra Castle, and then Joseph’s son Mervyn (1873-1950) lived at Enniscoe and left Cabra Castle unoccupied. He served in the military, and was a Justice of the Peace, and never married. He bequeathed Cabra to his nearest male relative, Mervyn Sheppard (1905-1994), a Malayan Civil Servant. [16] According to the Cabra Castle website, death duties and taxes, rates, the cost of repairs, and farm losses, meant he could not afford to live there, and he had to sell it. It was sold in 1964 to the Brennans and turned into a 22 bedroom hotel.

The manager of the hotel, Johnny, took us on a tour. While we waited for him we sat by an open fire in a small sitting room off the reception hall.

Reception area within the front entrance. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Small room off the reception area, where we waited for the Manager for our tour. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Beyond the reception area is the staircase hall with a bifurcating staircase with metalwork balustrade ascending to the first floor. Two statues very similar to the ones that were recently removed from outside the Shelbourne Hotel in Dublin while the owners determined whether they represented slave girls or not (they do not) adorn the staircase. [17]

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the second floor the staircase hall is surrounded by a gallery, and has ceiling work of thin fretting.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

At the top of the stairs on the first floor is a Victorian drawing room with an original gilt wallpaper.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ceiling has matching gilt decoration. Next to this room, facing the staircase, is the dining area – a suite of several rooms. The arches between the rooms reflect the entrance arch to the castle and the arched windows.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This is the bay window we can see as the canted three storey tower outside. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020.

The historic elegance of the rooms is maintained with original fireplace, antique mirrors, portraits and chandeliers.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the second floor is more cosy sitting room, decorated in dark green William Morris style wallpaper, making it more like a den or library.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This den overlooks an outdoor seating area. This is the seating area overlooking Mitzi’s Garden.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Beautiful antiques adorn the rooms. I love these porcelain cranes on the  fine desk. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I can’t find this Cecil Pratt in the family tree. I would love to identify all the sitters in the portraits. Most, however, were bought after the Pratts’ belongings went elsewhere.
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The manager then took us through to the most recent piece de resistance, the Ballroom. It has been sensitively built and decorated to reflect the style of the older parts of the castle, and I loved the ceiling, which is quite amazing and looks like heavy medieval carved wood but is actually manufactured using a modern technique. In the hallway leading to the ballroom, our guide pointed out that the original round stone tower of the castle has been incorporated.

The original round stone tower of the castle has been incorporated into the newer wing. A pair of ogee arched doorways lead to the bar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A tripartite stone window is also incorporated into the newer area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I asked our guide whether this door was a genuine old one, and he told me it is not, but was carefully crafted. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
 

The ballroom includes a large “minstrels’ gallery.”

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tipperary crystal chandelier. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The tower has been incorporated to form a little nook for a wedding cake. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The cake tower room comes complete with a sword to cut the cake! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Off the ballroom is a small kitchen, called Josephine’s Kitchen after one of the staff who worked here for thirty years.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Josephine’s kitchen, guests can help themselves to tea and coffee. A painting of Cormy Bridge, near where Old Cabra was located, is by Josephine herself!

Cabra Castle, December 2020.

Our guide told us that Howard Corscadden likes to pick up antiques to add to the décor. I love these additions, making me feel like I was a visitor in the days of the Pratts when the castle must have boasted its full glory. After our tour, I explored the nooks and crannies, enjoying the irregularity of the stairways and corridors.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There was a great photograph of Michael Collins and Kitty Kiernan on the way up to our bedroom.

Cabra Castle, December 2020: Michael Collins and Kitty Kiernan.
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Even the back corridors have wonderful artworks. I love this series of portraits. I wonder who they are?

Cabra Castle, December 2020.
Cabra Castle, December 2020.
Cabra Castle, December 2020.

I also really like these Arabic scenes:

Cabra Castle, December 2020.
Cabra Castle, December 2020.
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Our guide showed us to one of his favourite bedrooms, which has a ceiling recently adorned with plasterwork. He particularly loves the use of the round tower, renovated into a gorgeous bathroom.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. The bathroom is round as it is in a round tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He then took us outside to the courtyard, and showed us the Bridal Suite in the courtyard area.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I loved the detail of the fish tank built into the wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The room has its own jacuzzi.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is another Bridal Suite, inside the castle. I have saved the best until last, because this was our room! It used to be three bedrooms, a hallway and an office, all now incorporated into a luxurious suite. It has a canopied four poster bed, a comfortable seating area with fireplace, and a beautiful clawfoot bath.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the antique desk.
Cabra Castle, December 2020.
I wonder who is in the portraits?  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ensuite bathroom has the largest walk-in shower that I’ve ever seen, and the muted lighting feels particularly luxurious.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The bathroom has a door to a large private patio, with stunning views over Mitzi’s Garden and the landscape beyond. And best of all, we had our own private outdoor jacuzzi!

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from our balcony. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen prepares to soak in the jacuzzi, under the tower which is attached to the oldest part of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are self-catering cottages where one can also stay. It is a beautiful part of the country. Before heading home, we availed of the opportunity to visit the impressive remnants nearby of Castle Saunderson.

Cabra Castle, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castle Saunderson, County Cavan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] http://audrey.ie/wp-content/uploads/2018/07/cabra-castle.pdf

See also Ballyseede Castle: https://www.ballyseedecastle.com

Markree Castle: https://www.markreecastle.ie

Castle Bellingham: https://www.bellinghamcastle.ie

[2] Collon House now runs a B&B and you can also request a tour. www.collonhouse.com

[3] http://www.turtlebunbury.com/family/bunburyfamily_related/bunbury_family_related_foster.html

It is interesting to note that his neighbour, Dr. Benjamin Pratt, son of Joseph Pratt and Elizabeth Cooch, was a Provost of Trinity College Dublin in 1710.

[4] http://www.thepeerage.com/p957.htm#i9561

[5] Chapman, Caroline & Jane Dormer, Elizabeth and Georgiana: The Duke of Devonshire and his Two Duchesses, John Wiley & Sons Inc., 2002

[6] https://theirishaesthete.com/2015/04/20/the-scattering/

[7] Hicks, David. Irish Country Houses, Portraits and Painters. The Collins Press, Cork, 2014.

[8] https://archiseek.com/2020/1808-cabra-castle-kingscourt-co-cavan/

[9] https://www.buildingsofireland.ie/buildings-search/building/40403506/cabra-castle-cormey-co-cavan

Also http://www.dunari.ie/history.html

[10] www.cabracastle.com

[11] http://www.bomford.net/IrishBomfords/Chapters/Chapter20/Chapter20.htm

[12] https://theirishaesthete.com/2020/04/20/cabra-demesne/

[13] http://www.thepeerage.com/p38140.htm#i381397

[14] Mark Bence-Jones. A Guide to Irish Country Houses. Originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978; Revised edition 1988 Constable and Company Ltd, London.

[15] https://www.buildingsofireland.ie/buildings-search/building/31303803/enniscoe-house-originally-inishcoe-house-prospect-co-mayo

and https://www.enniscoe.com

[16] Imagine inheriting a castle from a distant relative! Mervyn Pratt died in 1950 and his siblings had predeceased him and had no children. Louisa Catherine Hannah Pratt was his aunt. It was through her line that Mervyn Sheppard inherited.

Louisa Pratt was the sister of Joseph Pratt (1843-1929), who lived at Enniscoe, the father of Mervyn Pratt. Louisa Pratt married Thomas Rothwell. Thomas Rothwell served in County Meath militia, and was High Sheriff of County Meath in 1867, and also served as Justice of the Peace for County Meath. He lived at Rockfield, County Meath. 

Louisa and Thomas had four daughters. Louisa Frances Rothwell must have been the oldest of the daughters, as it was through her son that Mervyn Sheppard inherited. Mervyn Sheppard was the son of Canon James William ffrank Sheppard and Louisa Frances Rothwell. Mervyn probably grew up in England where father was rector. He had a twin, Frank Baden ffrank Sheppard, who served in the military, and a younger brother. 

[17] An Irish Times article by Ronan McGreevy from Thursday Sept 24th 2020  explains the origin of the Shelbourne hotel statues. They were designed and sculpted by Mathurin Moreau (1822-1912) and were cast in a foundry in Paris. The statues represent Egyptian and Nubian women.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Donation towards accommodation

I receive no funding nor aid to create and maintain this website, it is a labour of love. I travel all over Ireland to visit Section 482 properties and sometimes this entails an overnight stay. A donation would help to fund my accommodation.

€150.00