Emo Court, County Laois – Office of Public Works

Emo Court, County Laois:

Emo, County Laois, June 2021. Unfortunately the stone lions which flank the front steps, carved by Richard Carter of Cork in 1854, were in boxes on the day we visited. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: 057 862 6573, emocourt@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/emo-court/:

Emo Court is a quintessential neo-classical mansion, set in the midst of the ancient Slieve Bloom Mountains. The famous architect James Gandon, fresh from his work on the Custom House and the Four Courts in Dublin, set to work on Emo Court in 1790. However, the building that stands now was not completed until some 70 years later [with work by Lewis Vulliamy, a fashionable London architect, who had worked on the Dorchester Hotel in London and Arthur & John Williamson, from Dublin, and later, William Caldbeck].

The estate was home to the earls of Portarlington until the War of Independence forced them to abandon Ireland for good. The Jesuits moved in some years later [1920] and, as the Novitiate of the Irish Province, the mansion played host to some 500 of the order’s trainees.

Major Cholmeley-Harrison took over Emo Court in the 1960s and fully restored it [to designs by Sir Albert Richardson]. He opened the beautiful gardens and parkland to the public before finally presenting the entire estate to the people of Ireland in 1994.

You can now enjoy a tour of the house before relaxing in its charming tearoom. The gardens are a model of neo-classical landscape design, with formal lawns, a lake and woodland walks just waiting to be explored.” [2]

The entrance front has seven bay centre with a giant pedimented Ionic portico. Andrew Tierney tells us that the portico was changed in 1822 from Gandon’s Doric order to a pedimented tetrastyle Ionic portico by the Dublin architects Arthur and John Williamson. [see 1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the front of the house. The 3rd Earl of Portarlington planted the long avenue of Wellingtonia trees. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Emo during Heritage Week 2024 as some rooms were open to the public – finally! Despite the episode on television several years ago of “Great Irish Interiors” where the house was prepared to be open to the public, it is still not open to the public. And it is still not. Just a few rooms were open for Heritage Week. Major Cholmeley-Harrison will be tearing his hair out, if he has any left, in his grave – imagine giving the house to the state, and the state accepts it and then closes it for thirty years!

It was so exciting to go inside. My great uncle Father Tony Baggot was a novitiate there when the Jesuits owned the property.

Unfortunately I was not allowed to take photographs. I was not impressed by the reason given: it’s not finished yet. For goodness sake, who do the OPW think owns the house? We do! Apparently they had left it arranged as when owned Major Cholmeley-Harrison, opened it for a short while, and now they are removing traces of him from several areas. Poor Mr. Cholmeley-Harrison.

At Emo Park house, we had to wear these over our shoes, August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones tells us that the 1st Earl of Portarlington was interested in architecture and was instrumental in bringing James Gandon to Ireland, in order to build the new Custom House. The name Emo is an Italianised version of the original Irish name of the estate, Imoe. [3]

The Emo Court website tells us of the history:

John Dawson, 1st Earl of Portarlington [1744-1798] commissioned the building of Emo Court in 1790 although the house was not finally completed until 1870, eighty years later. Emo Court is one of only a few private country houses designed by the architect James Gandon. Others were Abbeyville, north Co. Dublin for Sir James Beresford [or is it John Beresford (1738-1805)? later famous for being the home of politician Charles Haughey] and Sandymount Park, Dublin for William Ashford. In addition, Gandon built himself a house at Canonbrook, Lucan, Co. Dublin.” [4]

Many of Gandon’s original drawings, plus those of his successors, are in the Irish Architectural Archive, 45 Merrion Square, Dublin. [5] The Emo Court website continues:

James Gandon was born in London of Huguenot descent. He studied classics, mathematics and drawing, attending evening classes at Shipley’s Academy in London. At the age of fifteen, James was apprenticed to the architect Sir William Chambers and about eight years later, set up in business on his own. His first connection with Ireland was in 1769 when he won the second prize of £60 in a competition to design the Royal Exchange in Dublin, now the City Hall. He was invited to build in St Petersburg, Russia, by Princess Dashkov, and offered an official post with military rank. However, he chose instead to accept an offer from Sir John Beresford and John Dawson, Lord Carlow, later 1st Earl of Portarlington, to come to Dublin to build a new Custom House. This was begun in 1781. The following year, Gandon was commissioned to make extensions to the Parliament House, originally designed by Sir Edward Lovett Pearce. Here he added a Corinthian portico as entrance to the Lords’ Chamber. After the Act of Union in 1801, the building became the Bank of Ireland. In 1785, Gandon was commissioned to design the new Four Courts. The third of his great Dublin buildings was the King’s Inns, begun in 1795. His few private houses were designed for patrons and friends.” [see 4]

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “In the early 18th century, Ephraim Dawson [1683-1746], a wealthy banker, after whom Dawson Street in Dublin is named, purchased the land of the Emo Estate and other estates in the Queen’s County (Co. Laois). He married Anne Preston, heiress to the Emo Park Estate and fixed his residence in a house known as Dawson Court, which was in close proximity to the present Emo Court. His grandson, John Dawson, was created 1st Earl of Portarlington in 1785. Three years later, he married Lady Caroline Stuart, daughter of the [3rd] Earl of Bute, who was later Prime Minister of England. John Dawson commissioned Gandon to design Emo Court in 1790.

Stephen’s ancestor Earl George Macartney married another daughter of the 3rd Earl of Bute! Their mother was the wonderful Lady Mary Wortley-Montague whose husband was a diplomat and she wrote memoires of their travels. She even visited a harem.

Lady Mary Wortley Montagu (1718-1794), Wife of John Patrick Crichton Stuart 3rd Earl of Bute, print after Christian Friedrich Zincke, 1830s, courtesy of National Portrait Gallery of London, NPG D34619.
George, 1st Earl Macartney wearing the Order of the Bath by Thomas Hickey courtesy Christie’s China Trade Paintings selections from the Kelton Collection.

After Gandon died in 1823, to be buried in Drumcondra churchyard, the 2nd Earl of Portarlington, also John Dawson, engaged Lewis Vulliamy, a fashionable London architect, who had worked on the Dorchester Hotel in London and A. & J. Williamson, Dublin architects, to finish the house. In the period, 1824-36, the dining room and garden front portico with giant Ionic columns were built, but on the death of the 2nd Earl in 1845, the house still remained unfinished. It was not until 1860 that the 3rd Earl, Henry Ruben John Dawson [or Dawson-Damer, the son of the 2nd Earl’s brother Henry Dawson-Damer, who had the name Damer added to his name after the family of his grandmother, Mary Damer, who married William Henry Dawson, 1st Viscount Carlow] commissioned William Caldbeck, a Dublin architect, and Thomas Connolly, his contractor, to finish the double height rotunda, drawing room and library.” [see 4] Caldbeck also added a detached bachelor wing, joined to the main block by a curving corridor.

Emo Court, Photograph by Liam Murphy 2016 for Fáilte Ireland, Ireland’s Content Pool [6]. The windows in the single bay pavilions are pedimented and set in relieving arches.
Mary Seymour, who according to Mealy’s sales catalogue married John Dawson 1st Earl of Portarlington of Emo Court, by Thomas Heaphey, courtesy of Fonsie Mealy auction; I think she married George Lionel Dawson-Damer, son of 1st Earl.

Although it was not built during Gandon’s time, most of the house is as it was designed by Gandon, wiht some additions or changes. Mark Bence-Jones describes the house:

Of two storeys over a basement, the sides of the house being surmounted by attics so as to form end towers or pavilions on each of the two principal fronts. The entrance front has seven bay centre with a giant pedimented Ionic portico; the end pavilions being of a single storey, with a pedimented window in an arched recess, behind a blind attic with a panel containing a Coade stone relief of putti; on one side representing the Arts, on the other, a pastoral scene. The roof parapet in the centre, on either side of the portico, is balustraded. The side elevation, which is of three storeys including the attic, is of one bay on either side of a curved central bow.” [see 3]

The end pavilions are a single storey with a blind attic with a panel containing a Coade stone relief of putti; on one side representing the Arts, on the other, a pastoral scene. In the photograph is the Arts side, with an Irish harp and two figures unfurling the plans for the house. [see 1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Coade stone relief of putti in a pastoral scene, representing Agriculture. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The side and garden front of the house. The side elevation, which is of three storeys including the attic, is of one bay on either side of a curved central bow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the way these balusters go droopy-bellied to match the angle of the stairs! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Bence-Jones continues: “The house was not completed when the 1st Earl died on campaign during 1798 rebellion; 2nd Earl, who was very short of money, did not do any more to it until 1834-36, when he employed the fashionable English architect, Lewis Vulliamy; who completed the garden front, giving it its portico of four giant Ionic columns with a straight balustraded entablature, and also worked on the interior, being assisted by Dublin architects named Williamson. It was not until ca 1860, in the time of 3rd Earl – after the house had come near to being sold up by the Encumbered Estates Court – that the great rotunda, its copper dome rising from behind the garden front portico and also prominent on the entrance front, was completed; the architect this time being William Caldbeck, of Dublin, who completed the other unfinished parts of the house and added a detached bachelor wing, joined to the main block by a curving corridor.” [see 3]

Photograph from the National Library of Ireland, around 1900-1920, showing the garden front of the house. The 2nd Earl of Portarlington engaged Lewis Vulliamy (who designed the portico) and A. & J. Williamson, Dublin architects (who did the interior), to finish the house. In the period 1824-36 the dining room and garden front portico with giant Ionic columns were built, but on the death of the 2nd Earl in 1845, the house still remained unfinished. The rotunda was only finished in 1860.
The garden front of Emo with its pillared portico by Lewis Vulliamy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Pillared portico by Lewis Vulliamy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The garden front portico, probably part of the 1850s work by William Caldbeck, has portico and entablature of grey limestone and doorcase and window surrounds of yellow sandstone. This is set against a cement render. [see 1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Under the portico in the garden facing facade is a Coade stone frieze of a Dionysian procession. [see 1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “Emo court remained the seat of the Earls of Portarlington until 1920, when the house and its vast demesne of over 4500 ha, (11,150 acres), was sold to the Irish Land Commission. After the Phoenix Park in Dublin, Emo Court was the largest enclosed estate in Ireland. The house remained empty until 1930 when 150 ha., including the garden, pleasure grounds, woodland and lake were sold to the Society of Jesus for a novitiate. The Jesuits made several structural changes to the building to suit their purposes, including the conversion of the rotunda and library as a chapel. The distinguished Jesuit photographer, Fr Frank Browne lived at Emo Court from 1930-57. [7] A notable novitiate was the Irish author, Benedict Kiely.

The Jesuits remained at Emo until 1969 and the property was eventually sold to Major Cholmeley Dering Cholmeley-Harrison. He embarked upon a long and enlightened restoration, commissioning the London architectural firm of Sir Albert Richardson & Partners to effect the restoration.

In 1994, President Mary Robinson officially received Emo Court & Parklands from Major Cholmeley-Harrison on behalf of the Nation.” [see 4]

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unfortunately Emo Park house has been closed to the public for renovation for several years, and was closed on the day we visited in July 2021. I am looking forward to seeing the interior, which from photographs and descriptions I have seen, look spectacular. From the outside we gain little appreciation of the splendid copper dome.

In the meantime, you can read more about Emo and see photographs of its interiors on the wonderful blog of the Irish Aesthete Robert O’Byrne. [8]

There are beautiful grounds to explore, however, on a day out at Emo, including picturesquely placed sculptures, an arboretum, lake, and walled garden. Here is a link to a beautiful short film by poet Pat Boran, about the statues at Emo Park, County Laois. https://bit.ly/35uXPO1

Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Emo Court. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Emo Court. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] p. 336. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[2] https://heritageireland.ie/visit/places-to-visit/emo-court/

[3] p. 119. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.

[4] https://emocourt.ie/history/

For information on Gandon’s house in Lucan, see https://www.buildingsofireland.ie/buildings-search/building/11201034/canonbrook-house-lucan-newlands-road-lucan-and-pettycanon-lucan-dublin

Canonbrook, Lucan: “Detached multiple-bay two-storey over basement house, c.1800, on an L-plan. A handsome, substantial rural Georgian house which, though altered, retains its imposing form and feel, and is situated in mature grounds. Historically important as the former home of James Gandon.” Gandon is also said to have designed Primrose Hill House in Lucan, which is a section 482 property.

[5] https://theirishaesthete.com/2019/02/27/emo-court/

[6] https://www.irelandscontentpool.com/en/media-assets/media/81101

[7] http://www.fatherbrowne.com

[8] https://theirishaesthete.com/2016/03/14/of-changes-in-taste/

and https://theirishaesthete.com/2016/02/01/seen-in-the-round/

For photographs of the stuccowork, see https://theirishaesthete.com/2016/03/21/forgotten-virtuosi/

Damer House and Roscrea Castle, County Tipperary, Office of Public Works properties

General information: 0505 21850, roscreaheritage@opw.ie

Damer House Roscrea County Tipperary, photographer creator Kerry Kissane All around Ireland 2021 courtesy Tipperary tourism, Ireland’s Content Pool [1]

Finding ourselves with some spare time this Heritage Week (2024) after visiting Emo in County Laois, we drove over to Roscrea, to visit Damer House and Roscrea Castle.

From the OPW website https://heritageireland.ie/visit/places-to-visit/roscrea-heritage-centre-roscrea-castle-and-damer-house/:

In the heart of Roscrea in County Tipperary, one of the oldest towns in Ireland, you will find a magnificent stone motte castle dating from the 1280s. It was used as a barracks from 1798, housing 350 soldiers, and later served as a school, a library and even a sanatorium. 

Sharing the castle grounds is Damer House, named for local merchant John Damer [d. 1768], who came into possession of the castle in the eighteenth century. The house is a handsome example of pre-Palladian architecture. It has nine beautiful bay windows. One of the rooms has been furnished in period style.

The grounds also include an impressive garden with a fountain, which makes Roscrea Castle a very pleasant destination for a day out. There is also a restored mill displaying St Crónán’s high cross and pillar stone.

Damer House, Roscrea, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle and Damer house both sit inside bawn walls. Parts of the walls and outbuildings are in good condition, considering their age!

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Damer House and Roscrea Castle sit within bawn walls, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A reconstruction of what the castle would have looked like, in an exhibition in the Annex to Damer House.
Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Parts of the walls and outbuildings at Roscrea Castle are in good condition, considering their age! 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bawn of Roscrea Castle with “Ormond tower,” August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This was originally the site of a motte and bailey fortification known as King John’s Castle. The original wooden castle was destroyed in the late 13th century and was replaced with a stone structure built in 1274-1295 by John de Lydyard. The castle was originally surrounded by a river to the east and a moat on the other sides. [2] It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332.

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Damer House and Roscrea Castle sit within bawn walls, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Roscrea Castle was sold to the Royal Hospital, Kilmainham, by James Butler, 2nd Duke of Ormond in 1703. It was bought by the Damers, who built an elegant  three-storey nine bay pre-Palladian house in the courtyard in c. 1730.

The Dictionary of Irish Biography tells us:

The Damer of folklore tradition is a conflation of the first Joseph [c.1630–1720] with his nephew John [1674-1768]. Thus, while Damer built himself a house in County Tipperary in the seventeenth century, the traditional stories about Damer’s Court (or Damerville) relate to a house built by John after his uncle’s death. John’s brother Joseph [1676–1737] built the Damer House in Roscrea, which was saved from demolition in the 1970s and subsequently restored. The Guildhall Library, London, has Damer correspondence among its Erasmus Smith papers.” [3]

In their book The Tipperary Gentry, Hayes and Kavanagh tell us that Joseph Damer (c.1630–1720) was born in Dorset in England in 1630. [4] He came to Ireland after the restoration of Charles II when land was being sold cheaply by Cromwellian soldiers who were given land instead of pay but did not want to remain in Ireland. Joseph Damer bought land in Tipperary, settling at Shronell, and established himself as a moneylender, lending to other landowners on mortgages. He also became involved in banking in Dublin. His nephew John (1674-1768) acted as his agent in Tipperary.

Joseph had no children and left his vast fortune when he died in 1720 to his nephews John (1674-1768) and Joseph (1676–1737), sons of his brother George Damer. He was so wealthy that he entered folklore with tales of how he gained his wealth, and he was compared to King Midas, as if everything he touched turned to gold.

Jonathan Swift wrote a ditty mocking Joseph Damer’s parsimony:

He walked the streets and wore a threadbare cloak

He dined and supped at charge of other folk

And – by his look – had he held out his palms

He might be thought an object fit for alms.

The Dictionary of Irish Biography tells us:

Despite his reputation for miserliness, Damer was a benefactor of presbyterianism and, by some accounts, unitarianism. He and his nephew John (1673?–1768) were among the trustees and managers of the General Fund established in 1710 to support the protestant dissenting interest; another fund was established in 1718 to support the congregation in New Row in Dublin.” [see 3]

The nephew John had no children and his brother Joseph (1676–1737) inherited. Joseph sat in the British parliament for Dorchester (1722–27) and became MP for Tipperary in 1735. He died two years later. He married Mary Churchill, daughter of John Churchill of Henbury, Dorset.

Robert O’Byrne tells us that his son Joseph (1717-1798) inherited the house and castle was later created the Earl of Dorchester. [5] He was an absentee landlord and his brother managed his Irish properties. He built a mansion named Damerville which was very grand, but was demolished in 1775. Their sister Mary married William Henry Dawson, 1st Viscount Carlow, who lived at Emo in Laois. It was her offspring who later inherited the Damer properties.

Joseph’s son John (1744-1776) married Ann Seymour, a sculptress. He spent all of his inheritance and killed himself. Subsequently it was his younger brother George who inherited the title to become 2nd Earl of Dorchester. None of Joseph’s offspring had children, however, so the properties passed to the 2nd Earl of Portarlington, a second cousin, who assumed the name Dawson-Damer.

Mary Seymour, who according to Mealy’s sales catalogue married John Dawson 1st Earl of Portarlington of Emo Court, by Thomas Heaphey, courtesy of Fonsie Mealy auction; I think she married George Lionel Dawson-Damer, son of 1st Earl.

Mary who had married the 1st Viscount Carlow had a son John Dawson (1744-1798) who became 1st Earl of Portarlington, Queen’s County. He married Caroline Stuart, daughter of the 3rd Earl of Bute and his writer wife, Mary Wortley Montagu. He commissioned James Gandon to built Emo Court in Queen’s County (Laois). It was his son John Dawson (1781-1845), 2nd Earl of Portarlington, who inherited the Damer fortune and lands, and added Damer to his surname.

John Dawson 2nd Earl of Portarlington by Count D’Orsay courtesy of National Portrait Gallery in London NPG D5547
Lady Mary Wortley Montagu (1718-1794), Wife of John Patrick Crichton Stuart 3rd Earl of Bute, print after Christian Friedrich Zincke, 1830s, courtesy of National Portrait Gallery of London, NPG D34619.

Damer House has a scroll pediment doorway and inside, a magnificent carved staircase. The Irish Georgian Society was involved in saving it from demolition in the 1960s. [for more photographs, see https://theirishaesthete.com/tag/damer-house/ ] The stairs and floor in the front hall are original to the house. The stairs are similar to ones in Cashel Palace, which was the Archbishop’s Palace, and is now an upmarket hotel. See the website of the Irish Aesthete for photographs of this staircase: https://theirishaesthete.com/tag/cashel-palace/

Unfortunately we were not allowed to take photos inside Damer House! I took this one before the tour guide told us we can’t take them – I think it’s a shame and cannot see the sense in it so am publishing this. Damer House, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Damers didn’t live in the house and it was rented out to various tenants.

Robert O’Byrne tells us about the history of the house:

In 1798 the house was leased as a barracks and then the whole site sold to the British military in 1858. At the start of the last century the Damer House became ‘Mr. French’s Academy’, a school for boys, reverting to a barracks for the National Army during the Civil War, then being used as a sanatorium, before once again in 1932 serving as a school until 1956, then a library. By 1970 it was empty and unused, and the local authority, Tipperary County Council, announced plans to demolish the house and replace it with an amenity centre comprising a swimming pool, car park, playground and civic centre (it had been nurturing this scheme since as far back as 1957). The council’s chairman wanted the demolition to go ahead, declaring that ‘as long as it stands it reminds the Irish people of their enslavement to British rule,’ and dismissing objectors to the scheme as ‘a crowd of local cranks.’ In fact, most of the so-called ‘crowd’ were members of the Old Roscrea Society and in December 1970 this organisation was offered help by the Irish Georgian Society in the campaign to save the Damer House.

Robert O’Byrne suggests that the large annex to one side of Damer House was probably added during its time as use as a military barracks. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The side of Damer House, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photographs from an exhibition of the restoration of Damer House in the Annex.
Photographs from an exhibition of the restoration of Damer House in the Annex.
Photographs from an exhibition in the Annex.

Upstairs in Damer House there’s also Exhibition space, but we did not have much time to browse.

Exhibition in Damer House.
“Angel” by Paula Rego.
“Kelp Cailleagh” after “Angel” by Paula Rego, by Rachel Parry. Archival print of Rachel Parry in a dress made of dried seaweed, photographed in Allihies by Thomasz Madajczak.
Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After our tour of Damer House we crossed the yard for a tour of the castle.

Roscrea Castle fell into disrepair in the 19th century, and when the roof collapsed extensive repairs were needed in the 1850s. It was named a national monument in 1892, and is now under the care of the OPW. 

A reconstruction of what the castle would have looked like, in an exhibition in the Annex to Damer House.
A reconstruction of what Roscrea Castle would have looked like, in an exhibition in the Annex to Damer House.
Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The original entrance to the castle is to one side of where we enter today – you can see the drawbridge in the photograph above.

Information board inside the Roscrea Castle.
The original entrance to Roscrea Castle had a drawbridge over a moat. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to Roscrea Castle would have had a portcullis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to Roscrea Castle would have had a portcullis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This is the door from inside Roscrea Castle, which leads to the drawbridge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Castle was located on one of the five main roads in ancient Ireland, and it was essential for the Normans to control this route. In 1315 King Edward II handed the castle over to James Butler, 1st Earl of Ormond.

Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle had many defensive features. The curtain wall is approximately three metres thick, which allowed for a wall-walk from which soldiers had a view of the surrounding area. The River Barrow formed a moat around the east face of the castle, and the Normans constructed a dry moat on the west side. The river was diverted in the 19th century.

Inside the castle reception area there’s a grille on the floor, which is the “oubliette” (from the French, meaning “to forget.”). However, in this case, people were imprisoned here between court dates, the guide told us.

Above the drawbridge is a machicolation from which boiling substances could be dropped, and there are also arrow loop windows for defence. The stairs, called “trip steps” were deliberately built of different heights and widths to impede the intruder. The spiral clockwise to make it more difficult for the enemy to fight his way up the steps.

Silver from nearby silvermines would have been stored in the castle.

Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Eoin Roe O’Neill (d. 1649), at the head of 1,200 men, stormed Roscrea in 1646 and reportedly killed every man, woman and child. The only survivor was the governor’s wife, Lady Mary Hamilton (1605-1680), who was a sister to the Earl of Ormond [married to George Hamilton, 1st Baronet of Donalong County Tyrone and of Nenagh, County Tipperary]. She was again forced to play host in the castle to O’Neill three years later which again ended by the guests looting everything in sight. [7]

Owen Roe O’Neill By Unknown, Van Brugens – Ulster Journal of Archaeology Volume 4, Public Domain, https://commons.wikimedia.org/w/index.php?curid=17552770.jpg
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Larger windows were a later addition. Originally there would be only small loopholes. Before glass, the larger windows would be covered with skins to keep out the draught. The inside would have been limewashed, the white walls would then brighten the interior. The fireplace would also provide light.

Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The floor above the banquet room has three fireplaces. The large room was probably partitioned.

Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There’s a minstrils’ gallery. Minstrils were of the lower class and were kept away from aristocratic guests to prevent spreading any infection.

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Exhibition panel at Damer House.
Exhibition panel at Damer House about excavation.

After our tour of the castle we had a little time to explore the gardens.

Roscrea Castle, photograph from Ireland’s Content pool, by Chris Hill 2014 for Failte Ireland.
Gardens at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Exhibition panel at Damer House.
The back of buildings at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The back of buildings at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] See the blog of Patrick Comerford, http://www.patrickcomerford.com/search/label/castles?updated-max=2019-03-03T14:30:00Z&max-results=20&start=27&by-date=false

[3] https://www.dib.ie/biography/damer-joseph-a2390

[4] Hayes, William and Art Kavanagh, The Tipperary Gentry volume 1 published by Irish Family Names, c/o Eneclann, Unit 1, The Trinity Enterprise Centre, Pearse Street, Dublin 2, 2003.

[5] https://theirishaesthete.com/2013/09/23/bon-anniversaire/ and see my write-up about Emo Court, in OPW properties in Leinster: Laois.

[6] https://theirishaesthete.com/tag/damer-house/

[7] http://www.cahirhistoricalsociety.com/articles/cahirhistory.html

Portraits S

S

Richard Saint George of Woodsgift, County Kilkenny (d. 1755), (Brigadier General ), 1744 After Francis Bindon, Irish, 1690-1765 engraver John Brooks, Irish.
Hugh Douglas Hamilton portrait of Emilia Olivia née St. George, 2nd Duchess of Leinster courtesy of Bonhams Old Master Paintings 2018.
Emilia Olivia Ussher-St. George, the Duchess of Leinster by Hugh Douglas Hamilton courtesy of Old Master Paintings Part II by Christie’s 2012.
Emilia Olivia née Usher St. George (1759-1798), Duchess of Leinster, wife of 2nd Duke, 1780 engraver William Dickinson after Joshua Reynolds, courtesy of National Gallery of Ireland.
Anne St. George née Stepney of Durrow Abbey County Offaly, and Child, 1971, by George Romney courtesy of August Heckscher Collection 1959.147
Harriet St. Lawrence (d. 1830), daughter of William 2nd Earl of Howth. She married Arthur French St. George (1780-1844). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Aldworth née St. Leger (1693-1773), the first female Freemason. https://commons.wikimedia.org/wiki/File:MrsAldworth.jpg#/media/File:MrsAldworth.jpg
John Hayes St. Leger (1756-1799) courtesy of National Trust Waddesdon Manor.
Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Patrick Sarsfield 1st Earl of Lucan (1620-1693) attributed to Hyacinthe Rigaud, French, 1659-1743.
John Scott (1739-1798) 1st Earl of Clonmel, engraver Pierre Conde French after Richard Cosway, courtesy of National Gallery of Ireland.
Dorothy Scott (1765-1837) second wife of John Keane, 1st Baronet, by George Romney courtesy of Philadelphia Museum of Art.
Mary Seymour, who according to Mealy’s sales catalogue married John Dawson 1st Earl of Portarlington of Emo Court, by Thomas Heaphey, courtesy of Fonsie Mealy auction; I think she married George Lionel Dawson-Damer, son of 1st Earl. She was the daughter of Hugh Seymour Conway 1st Marquess of Hertford.
Sarah Eliza Conolly née Shaw (1845-1921), wife of Thomas of Castletown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Shaw, 1774-1849, first baronet of Bushy Park Co. Dublin attributed to Hugh Douglas Hamilton courtesy of Mealys Autumn Sale 2015.
Maria Shaw (1838-1875), Daughter of Sir Frederick Shaw 3rd Bt of Bushy Park, Dublin, by William Brocas, courtesy of Adam’s auction 23 March 2016.
Helena Selina Blackwood née Sheridan (1807-1867), Writer, Wife of 4th Baron Dufferin and Clandeboye, later Countess of Gifford Date 1849, Engraver John Henry Robinson, English, 1796 – 1871 After Frank Stone, English, 1800-1859.
Sir Henry Sidney (1529-1586), Lord Deputy of Ireland, after painter Arnold Van Brounkhorst, courtesy of National Gallery of Ireland.
Philip Sidney in a painted oval Provenance Estate of The Late Basil Collins courtesy Adam’s 8 March 2006.
John Smith-Barry (1725-1784) of Fota, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Barry (1725-1784), who added the name Smith to his surname after his marriage to a wealthy heiress, was the son of James Barry, 4th Earl of Barrymore, of Castlelyons, County Cork, and Barry’s third wife, Anne Chichester, daughter of Arthur Chichester, 3rd Earl of Donegall (it was spelled with two ‘l’s in the title, unlike the county). He married Dorothy Smith, daughter of Hugh Smith of Weald Hall, Essex, and John added Smith to his surname.

Hugh Smith (1673-1745) of Weald Hall, father of Dorothy Smith who married John Barry (1725-1784), of Fota House, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dorothy Smith née Barrett, wife of Hugh Smith (1673-1745) of Weald Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dorothy Smith-Barry née Smith (1727-1756) wife of John Hugh Smith Barry (1725-1784). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John and Dorothy’s oldest son and heir was James Hugh Smith-Barry (1746-1801). He never married, but had several children.

James Hugh Smith-Barry (1746-1801). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait Of A Lady traditionally identified as Caroline Courtenay Née Smith-Barry, courtesy of Whyte’s Sept 2007, daughter of James Smith-Barry (1746-1801) of Fota House, County Cork, she married George Courtenay of Ballyedmond House, County Cork (no longer exists).

John Smith-Barry (1783-1837), son of James Hugh Smith-Barry (1746-1801) settled in Fota, County Cork, after his marriage to Eliza Courtenay of Ballyedmond, Midleton, County Cork.

John Smith-Barry (1783-1837), who hired the Morrisons to enlarge Fota house, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Smith-Barry (1783-1837), who hired the Morrisons to enlarge Fota house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this is probably Eliza Mary née Courtenay (1797-1828) who married John Smith-Barry, Fota House, County Cork, August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eliza Mary née Courtenay (1797-1828) who married John Smith-Barry. She was the daughter of Robert Courteney of Ballyedmond in County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Hugh Smith-Barry (1816-1856) inherited Fota and also Marbury Hall in Cheshire. He served as Deputy Lieutenant, Justice of the Peace and High Sheriff of County Cork. He married Elizabeth Jacson of Cheshire. After her husband died, she married George Fleming Warren, 2nd Baron de Tabley of Tabley House, County Chester.

James Hugh Smith-Barry by William Orpen 1904, courtesy of Fonsie Mealy auction 2022.

Arthur Hugh Smith-Barry (1843-1925), the oldest son of James and Elizabeth, inherited Fota and also Marbury Hall. He too served as Deputy Lieutenant, Justice of the Peace and High Sheriff of County Cork as well as Member of Parliament (M.P.) (Conservative) for County Cork between 1867 and 1874. He held the office of Member of Parliament (M.P.) (Conservative) for South Huntingdonshire in England between 1886 and 1900. In 1902 he was created 1st (and last) Baron Barrymore of County Cork.

Arthur Hugh Smith-Barry (1843-1925) of Fota House, 1st Viscount Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Captain Richard Hugh Smith-Barry (1823-1894) of Fota House, County Cork.
Charlotte Mary Smyth with a Landscape View of Ballynatray by James Butler Brenan courtesy of Adam’s 6 Oct 2009, provenance Ballynatray House. She married Charles William Moore 5th Earl of Mountcashell.
Richard Smyth of Ballynatray (1796-1858) who married in 1821 Harriet St. Leger of Doneraile, Irish school, courtesy of Adam’s auction 6 Oct 2009.
Percy Ellen Frederick William Smythe (1825-1869) 8th Viscount Strangford and Philippa Eliza Sydney Smythe (d. 1854) daughter of 6th Viscount Strangford, wife of Henry J. Baillie (d. 1885) of Scotland by William Fisher, 1817 – 1895.
Mary Somerset (1665-1733), Duchess of Ormond, wife of James Butler 2nd Duke of Ormond (1665-1745), painted by Michael Dahl. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lady Mary Somerset, Duchess of Ormonde (1665-1733) by Michael Dahl (Stockholm 1656/9 ? London 1743), 1690s. Three-quarter-length portrait, of a young woman, seated, full front, her head three-quarters left. She is wearing a deep brown-gold dress, blue lined and is holding a rose in her right hand. A bottle green curtain is to the right and an arcade in the left background.
Mary Butler née Somerset (1665-1733) Duchess of Ormonde, Engraver John Smith, After Godfrey Kneller.
Henry Somerset (1629-1700) 1st Duke of Beaufort by Robert White, after Sir Godfrey Kneller, Bt, NPG D28194.
Mary Isabella Manners née Somerset, Duchess of Rutland, daughter of Charles Somerset 4th Duke of Beaufort and Elizabeth Berkeley, wife of Charles Manners, 4th Duke of Beaufort, Vice Regent of Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Sackville (1637-1678) Countess of Orrery later Viscountess Shannon (d.1714) by Godfrey Kneller courtesy of National Trust Knole. She was the wife of Roger Boyle, 2nd Earl of Orrery.
Charlotte née Seymour (1835-1903) Countess Spencer, wife of John Poyntz Spencer 5th Earl Spencer, by John Leslie, 1860. She was the daughter of Frederick Charles William Seymour. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Spring-Rice (1760-1866), Chancellor of the Exchequer and later 1st Baron Monteagle, photograph courtesy of National Gallery of Ireland.
Thomas Spring-Rice (1849-1926) 2nd Baron Monteagle by Charles Wellington Furse, photograph courtesy of National Gallery of Ireland.
Mary Spring Rice (1880-1924) and Molly Childers aboard the Asgard during the Howth gun-running.
Elizabeth Stanhope née Butler (1640-1665), daughter of the 1st Duke of Ormonde and 2nd wife of Philip Stanhope 2nd Earl of Chesterfield Date: 1681/1688 Engraver: Isaac Beckett, English, c.1653-c.1715/19 After Peter Lely, Dutch, 1618-1680, courtesy of National Gallery of Ireland.
John Staples (1736-1820), of Lissan, County Tyrone, courtesy of National Trust. Springhill, County Derry.
Portrait called The Honourable Harriet Molesworth (1745-1812), wife of John Staples (1736-1820) (probably Harriet Conolly, d. 1771), by Francis Cotes, courtesy of National Trust. Springhill, County Derry.
Grace Louisa Staples (1779-1860) Marchioness of Ormonde by John Saunders. She was the wife of James Wandesford Butler, 1st Marquess of Ormonde, and daughter of John Staples (1736-1820) of Lissan, County Tyrone.
Chalotte Melosina Staples (1786-1847), wife of William Lenox-Conyngham (1792-1858), daughter of John Staples (1736-1820) of Lissan, County Tyrone, courtesy of National Trust. Springhill, County Derry.
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Staples (1772-1832) 8th Baronet, of Springhill, County Derry and Lissan, County Tyrone, courtesy of National Trust. Springhill, County Derry.
Charles Stewart Parnell’s mother Delia. She was an American, daughter of the famous “Old Ironsides,” Admiral Charles Stewart.
William Stewart of Killymoon (1710-1797), British (Irish) School, mid 18th century, inscribed. Oil painting on canvas, A half-length portrait, wearing a gold trimmed blue coat.
James Stewart (1741-1821) of Killymoon, County Tyrone, by Pompeo Batoni, courtesy of Ulster Museum. He was a son of William Stewart of Killymoon (1710-1797).
Alexander Stewart (1699/1700-1781) of Ballylawn, by Andrea Soldi, courtesy of National Trust, Mount Stewart.

Alexander Stewart (1699/1700-1781) and his wife, Mary Cowan, bought a large area of land in County Down in 1744, part of which became Mount Stewart demesne.

Oil painting on canvas, Alexander Stewart of Mount Stewart (1700-1781), school of Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A half-length portrait of Alexander Stewart, father of the 1st Marquess of Londonderry, facing the viewer, with his head turned slightly to the right, wearing a red coat and a cravat over a gold-embroidered jacket. By Unknown author – https://www.artuk.org/discover/artworks/alexander-stewart-of-ballylawn-17001781-132900, Public Domain, https://commons.wikimedia.org/w/index.php?curid=72556779
Mary Cowan (1713-1788) who married Alexander Stewart, by Andrea Soldi, courtesy of National Trust, Mount Stewart.
Robert Stewart (1739-1821) later 1st Marquess Londonderry, by Anton Raphael Mengs, courtesy of National Trust, Mount Stewart. He was the son of Alexander Stewart (1700-1781) of Ballylawn and Mary née Cowan.
Oil painting on paper laid down on canvas, A Conversation Piece with Robert, 1st Marquess of Londonderry (1739-1821), his Second Wife, Frances (1750-1833), their Son Charles William (1778-1854), and their Four Younger Daughters, Selina, Matilda, Emily Jane and Octavia by Thomas Robinson (Windermere before 1770 – Dublin 1810), 1803-08. The daughters shown are Lady Selina Stewart, later Lady Selina Kerr (d.1871), Lady Emily Jane Stewart, Viscountess Hardinge (1789-1865), Lady Octavia Catherine Stewart, later Baroness Ellenborough (d.1819) and Lady Matilda Stewart, later Lady Matilda Ward (d.1842). Their elder three daughters Georgiana (d. 1804), Caroline (1865) and France Anne (1777 – 1810) are not present.
Alexander Stewart of Ards, brother of 1st Marquess Londonderry, by Pompeo Batoni, courtesy of National Trust, Mount Stewart. He was the son of Alexander Stewart (1700-1781) of Ballylawn and Mary née Cowan.
Robert Stewart (1769-1822) Viscount Castlereagh, later 2nd Marquess of Londonderry, by Hugh Douglas Hamilton, courtesy of National Trust, Mount Stewart.
Amelia Anne Hobart (1772-1829) wife of Robert Stewart, 1st Viscount Castlereagh, by Thomas Lawrence, courtesy of National Trust Mount Stewart.
Charles William Stewart (later Vane) (1778-1854), later 3rd Marquess of Londonderry, in Garter Robes, by James Godsell Middleton, courtesy of National Trust, Mount Stewart. He was the half-brother of Robert Stewart (1769-1822) Viscount Castlereagh.
Painting by Thomas Lawrence of Catherine Bligh, daughter of 3rd Lord Darnley, with her son Frederick Wililam Robert, who became 4th Marquess of Londonderry. Mount Stewart, County Down, June 2023. She married Charles William Stewart (later Vane) (1778-1854), later 3rd Marquess of Londonderry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Frances Anne (1800-1865) Marchioness of Londonderry, and her son George Henry (1827-1828) Viscount Seaham, by Thomas Lawrence, courtesy of National Trust, Mount Stewart. She married Charles Stewart later Vane, 3rd Marquess of Londonderry.
Elizabeth Jocelyn (1813-1884), Marchioness of Londonderry, formerly Viscountess Powerscourt, by James Rannie Swinton, courtesy of Mount Stewart National Trust. She was married to the 6th Viscount Powerscourt. She was the daughter of Robert Jocelyn 3rd Earl of Roden. After her husband’s death she married Frederick William Robert Stewart, 4th Marquess of Londonderry, of Mount Stewart, County Down.
Anna Stewart (née Garner), of Lisburn Co. Down, Second Wife of William Stewart of Wilmont, by Nathaniel Hone, courtesy of Shepphards auctions.
William Stewart (c. 1650-1692) 3rd Bt and 1st Viscount Mountjoy courtesy of National Trust Mount Stewart.
William Stewart (c. 1650-1692) 3rd Bt and 1st Viscount Mountjoy.
Anne Boyle (1700-1742) 2nd Lady Mountjoy, wife of William Stewart 2nd Viscount Mountjoy by Garrett Morphy Adams auction 19 Oct 2021. She was the daughter of Murrough Boyle, 1st Viscount of Blessington.
William Stewart (1709-1769) 1st Earl of Blesington by Stephen Slaughter courtesy of Museum of Freemasonry. He was the son of William Stewart 2nd Earl of Mountjoy and Anne née Boyle.
James Stopford (1794-1858) 4th Earl of Courtown, attributed to Joseph Slater, courtesy of Fonsie Mealy auction. He married Charlotte Albina Montagu Scott.
Col. E. Stratford” attributed to Charles Jervas, courtesy Fonsie Mealy Fortgranite auction. It could be Edward Stratford (1663-1740) father of John Stratford (d. 1777) 1st Earl of Aldborough. He lived at Belan, County Kildare.
John Stratford (d. 1777) 1st Earl of Aldborough courtesy of Fonsie Mealy Fortgranite auction. He lived at Belan in County Kildare. He married Martha O’Neale, daughter of Benjamin, Archdeacon of Leighlin and Ferns.
Martha O’Neale, daughter of Benjamin, Archdeacon of Leighlin and Ferns, 1st Countess Aldborough, courtesy of Fonsie Mealy Fortgranite auction.
Martha, Countess of Aldborough courtesy of Fonsie Mealy Fortgranite auction.
Edward Stratford (1736-1801) 2nd Earl of Aldborough in ceremonial robes, and with painted coat of arms, by Philip Hussey courtesy of Fonsie Mealy Fortgranite. He lived in Belan House, County Kildare.
Elizabeth Countess of Aldborough (1759-1811) by Hugh Douglas Hamilton, as Hebe. Elizabeth Hamilton was wife of John Stratford 3rd Earl of Aldborough. She was the daughter of Frederick Hamilton, Dean of Raphoe, County Donegal.
Maria Stratford, daughter of 1st Earl of Aldborough, standing by a tree, landscape in background, wearing full length white silk dress, Attributed to James Latham (1696 – 1747) courtesy Fonsie Mealy Fortgranite.
Archbishop George Stone (1708-1754), Primate of Ireland by Alan Ramsay.
James Stuart (1612-1655) 1st Duke of Richmond and 4th Duke of Lennox, son of King Charles II.
Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. Elizabeth was the daughter of Philip Yorke 3rd Earl of Hardwicke; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford; Charlotte married Charles John Canning 1st Viceroy of India , 2nd Viscount Canning, 1st Earl Canning.
Louisa Anne Beresford née Stuart (1818-1891) by Sir Francis Grant 1859-1860, NPG 3176. The National Portrait Gallery tells us: “Louisa Stuart was brought up mostly in Paris, where her father was British Ambassador to the French court. She was taught to draw from an early age and art, along with religion and philanthropy, was one of her main interests throughout her life. A gifted amateur watercolourist, she did not exhibit at professional galleries until the 1870s. With a strong interest in the welfare of the tenants on her Northumberland estate, she rebuilt the village of Ford. She provided a school and started a temperance society in the village. Her greatest artistic achievement was the decoration of the new school with life sized scenes from the Old and New testaments that used children and adults from the village as models.”
John Stuart (1744-1814), Lord Mountstuart, later 4th Earl and 1st Marquess of Bute by Jean Etienne Liotard, 1763.
Lady Mary Wortley Montagu (1718-1794), Wife of John Patrick Crichton Stuart 3rd Earl of Bute, print after Christian Friedrich Zincke, 1830s, courtesy of National Portrait Gallery of London, NPG D34619.
Caroline née Sutherland Leveson Gower (1827-1887), wife of 4th Duke of Leinster, courtesy of National Gallery of Ireland.
Late 16th / Early 17th Century English School “Mrs. William Swifte” courtesy Fonsie Mealy Fortgranite auction.

Burke’s Landed Gentry of Ireland tells us that Francis Swifte, son of Henry of Sheffield, County York, was knighted in 1616 and died in 1642. Henry of Sheffield’s other son was Thomas, who was buried in Canterbury Cathedral, who married Margaret, daughter and heir of the Right Rev. Thomas Godwin, Bishop of Bath & Wells. Many generations of Swift after him had the forename “Godwin.” Thomas and Margaret had a son William, born in 1566, who was Rector of Herbaldown and who married Mary Philpott.

17th Century English School “Portrait of a Gentleman in Armour, Sir Francis Swifte,” courtesy Fonsie Mealy Fortgranite auction. Probably Francis Swifte, son of Henry of Sheffield, County York, was knighted in 1616 and died in 1642.
Reverend Thomas Swifte, 17th Century Irish School. He was born in Canterbury in 1561, and married Margaret, daughter and heir of the Right Rev. Thomas Godwin, Bishop of Bath & Wells. He was the son of Henry Swifte; courtesy of Fonsie Mealy’s Fortgranite auction. Many generations of Swift after him had the forename “Godwin.”
Late 16th / early 17th Century English School, “Right Reverend Thomas Godwin, courtesy Fonsie Mealy Fortgranite auction.

Thomas and Mary’s son Reverend Thomas (1595-1658) of Goodrich, Herefordshire, England, and Bristow, was ancestor of the Irish Swift family of Swiftsheath and Lionsden. He was devoted to King Charles I and the son of Charles I who was to become King Charles II.

Thomas married Elizabeth Dryden (c. 1605-1658). They had many children, many of whom lived in Ireland. His son Jonathan (d. 1667) was a solicitor in Dublin, who married Abigail Erick of County Leicester, and they had a son, born after his death in Hoey’s Court, Dublin, right next to Dublin Castle, in 1667, also named Jonathan, the famed writer, Dean of St Patrick’s Cathedral in Dublin. He wrote many anecdotes about his grandfather in his manuscript The Family of Swift which is preserved in the library at Trinity College, Dublin (I must go to see it!). He died in 1745.

Jonathan Swift (1667-1745) by Charles Jervas circa 1718, National Portrait Gallery in London, 278.
Portrait of Dean Swift attributed to Rupert Barber (1719-1772), courtesy of Adam’s auction 12 May 2013. This must be Jonathan Swift who died in 1745, Dean of St. Patrick’s Cathedral.
Portrait of Stella courtesy of Adam’s auction 12 May 2013, attributed to Rupert Barber (1719-1772).
“Portrait of Esther Johnson (Stella),” Late 18th / Early 19th Century after James Latham (1696 – 1747) courtesy of Fonsie Mealy Fortgranite sale.

Reverend Thomas Swift (1595-1658) had another son, Godwin Swift (d. 1695), who was Attorney-General to the Duke of Ormonde, and married four times. Geoffrey Marescaux tells us that Godwin Swift paid the famous Jonathan Swift’s school fees. His heir was child of his second wife, Katherine Webster, Godwin Swift (1672-1739), later of Dunbrow, County Dublin and Swiftsheath, County Kilkenny. For information on Swiftsheath, see https://kilkennyarchaeologicalsociety.ie/wp-content/uploads/2021/03/OKR1978-356-Geoffrey-Marescaux-Swiftes-Heath.pdf

Godwin Swift (1672-1739) married his cousin, Elizabeth, who was daughter of another son of Reverend Thomas Swift Vicar at Goodrich and Elizabeth née Dryden, William, who had land in Carlow, Kilkenny, Leitrim and Roscommon.

Godwin Swift (1672-1739) and Elizabeth had a son Godwin who inherited Swiftsheath and also owned Tidenton, County Kilkenny. He married a cousin, Elizabeth Swift, who was daughter of Deane Swift (c. 1674-1714) of Castle Rickard, County Westmeath. Deane Swift (c. 1674-1714) was another son of Godwin Swift Attorney-General to the Duke of Ormonde, by his 3rd wife, Hannah Deane.

Their son Godwin Swift (c. 1734-1815) lived in Swiftsheath and Lionsden, County Meath. He also married a cousin, Maria Swift, daughter of Deane Swift (c. 1707-1783) and Mary née Harrison, daughter of Theophilus Harrison. To add confusion to the family tree, Theophilus Harrison, Reverend of Clonmacnois, married twice, and one of his wives, Eleanor Meade, daughter of William Meade Lt Col of Ballintober, County Cork, had been previously married to Godwin Swift Attorney-General to the Duke of Ormonde as his fourth wife! Mary Harrison’s mother was Theophilus Harrison’s second wife, Martha Swift – yes, another Swift! She was the daughter of Adam Swift of Greencastle, County Down, who was another son of Thomas Swift Vicar at Goodrich and Elizabeth née Dryden.

Reverend Deane Swifte, 17th Century Irish School, cousin and biographer of Dean Jonathan Swift. This is be Deane Swift (1703-1783), son of Deane Swift of Castle Rickard, County Westmeath. His great grandfather was a Regicide, ie. signed the death warrant of King Charles I, but fortunately died before Charles II was restored to the throne, according to Jonathan Swift!
Admiral Richard Deane (Regicide) 17th Century English School courtesy Fonsie Mealy Fortgranite auction. The Fonsie Mealy site adds: “Note: Major Joseph Deane (Inistiogue, 1661-66), of Crumlin, County Dublin, and Ballicocksoust, County Kilkenny (formerly the estate of Richard Strange), was the youngest son of Edward Deane, of Pinnock, Gloucestershire, by his 2nd wife, Anne Wase, and was born at Pinnock, 2nd February, 1624. His elder brother, Colonel Richard Deane, a leading member of the Republican party, was one of the Judges who sat on the trial of Charles I, and signed the death warrant of the King. Colonel Richard Deane was entrusted with the settlement of Scotland, which he speedily effected by his temperance and sagacity. He was next appointed one of the “Generals at Sea”, having for his colleague the famous Robert Blake, but was killed in action against the Dutch on 2nd June, 1653. He was honoured with a public funeral and buried in Henry VII’s Chapel at Westminster, but in 1661 his body (being that of a Regicide) was exhumed and cast out of the Abbey. Joseph Deane was educated at Winchester School, and entered the Parliamentary Army as Cornet in Rainsborough’s Horse. He volunteered for service in Ireland under Oliver Cromwell, in whose army he held the rank of Major. Under the Act of Settlement he had two grants of land (16th January, 1666, and 22nd June, 1669), comprising 9,324 statute acres, situated in the counties of Meath, Down, and Kilkenny, 3,859 acres being in Kilkenny. He purchased from Richard Talbot (afterwards Earl and Duke of Tyrconnell) the Manor of Terenure, in county Dublin, for œ4,000. He was named on some important committees of the House of Commons, but was fined œ10 for absence on 31st January 1665. In 1664 he paid 4s. hearth money for “Ballicagbsust”. In 1677 he served as High Sheriff of county Dublin. He died 21st December, 1699, having been twice married. By his 1st wife Anne —-, he had one son and two daughters – Joseph, of Crumlin, whose son, Joseph, became Lord Chief Baron of the Exchequer, and died without male issue. (1) Anne, married in May, 1673 (as his 3rd wife), Godwin Swift, Attorney-General to the Duke of Ormonde. (2) Elizabeth, married 1st in May, 1672, Captain Henry Grey; 2nd in July, 1677, Donogh O’Brien, of Lemenagh, County Clare. Major Deane married, 2ndly, in 1659, Elizabeth, daughter of Maurice Cuffe, and sister of Captain Joseph Cuffe, of Castle Inch, elected M.P. for Knocktopher in 1665, and by her, who died 3rd April, 1698, had a son and a daughter – Edward whom hereafter M.P. for Inistiogue; and Dorothy, married Maurice Berkeley, of Glasnevin county Dublin.THE MEMBERS OF PARLIAMENT FOR THE COUNTY, CITY AND BOROUGHS OF KILKENNYBY G.D. BURTCHAELL, M.A., LL.B [Written for the KILKENNY MODERATOR]
Mrs Godwin Swifte of Swifte’s Heath, courtesy of Fonsie Mealy’s Fortgranite sale.

Godwin Swift (c. 1734-1815) of Swiftsheath and Lionsden and his cousin, Maria Swift had another son called Godwin Swift (c. 1779-1814), of Lionsden. This Godwin Swift married yet another cousin, Jane Sophia Swift (1785-1851), in 1803. She was the daughter of Richard Swift (1750-1796) who was the son of John L’Estrange Swift (1709-1793) of Lynn, County Westmeath, who was the son of Meade Swift (1682-1739) of Lynn, County Westmeath, who was the son of Godwin Swift Attorney-General to the Duke of Ormonde and Eleanor née Meade!

Jane Sophia Swift (1785-1851) married secondly, in 1818, Louis Auguste Alexander, Comte Lepelletier de Molende.

Countess Molende née Swift and her granddaughter Luigina de Sadre, Gifted by the artist to W.R. Swifte as a token, as his predecessor Jonathan Swifte served as Rector at Agher Church from 1699 – 1745, courtesy Fonsie Mealy Fortgranite auction.

Godwin Swift (c. 1779-1814), of Lionsden and Jane Sophia Swift (1785-1851) had a son Godwin Meade Pratt Swift (1805-1864) of Swiftsheath and Lionsden.

Identified as “Godwin Pratt Meade Swifte Lord Carlingford (m. MJ Clarke), Leahy, Dixon & Mulvanney, 19th Century Irish School, standing in a landscape by a grey horse with Foulksrath Castle, Co. Kilkenny in the distance”, courtesy of Fonsie Mealy Fortgranite. Godwin Meade Pratt Swift (1805-1864) of Swiftsheath and Lionsden married Mary Jane Clarke of Bansha Castle, County Tipperary. He took the title Viscount Carlingford.
Jane Christina Swifte (1810-1854), the wife of “Chevalier Sergio Demacdo, Minister Plenipotentiary of HM Emperor of Brazil,” Early 19th Century Irish School, courtesy Fonsie Mealy Fortgranite. She was the daughter of Godwin Swift of Lionsden and Jane Sophia.

Godwin called himself Viscount Carlingford, reviving a title created in 1627 for another branch of the Swift family. Godwin also added the “e” back to the end of the name Swift. He married first, Maria Theresa Plankenstern, Baroness de Wetzlar of Austria at Paris in 1830 after the birth of their son Ferdinando. [see https://www.youwho.ie/swifte.html ].

Godwin secondly married Jane Anne Hopkins on 18 Mar 1845 at Liverpool after an non legal
ceremony some years earlier. Godwin returned with his family from the continent in 1845 to take
up residence at Swiftesheath. Jane died at Lionsden, Castle Rickard in 1848 and was buried in the
family vault. Godwin thirdly married Mary Jane Clarke on 4 Feb 1863 at Kilkenny and declared himself a widower. Mary was the daughter of Robert Hare Clarke. Godwin died 4 Jul 1864.

He created a flying machine which he hoisted to the top of Foulkesrathe Castle, which stood on the property of Swiftesheath, but it failed to fly and a butler who was piloting the plane broke a leg in his fall.

Identified as Pratt Swifte, Early 19th Century Irish School, courtesy of Fonsie Mealy Fortgranite sale.
Mrs. Swifte, grandmother of Thomas Dennis courtesy Fonsie Mealy Fortgranite Auction.
19th Century Irish School, Portrait of Mrs. Godwin Swifte courtesy Fonsie Mealy Fortgranite auction. There were so many Godwin Swifts it is hard to identify the sitter.
Godwin Butler Meade Swifte (1864-1923) son of “Viscount Carlingford,” wearing uniform of the High Sheriff of Kilkenny, seated holding a sword, D.L. was the High Sheriff of Kilkenny and later Carlow, and resided at Swifte’s Heath, Co. Kilkenny, courtesy of Fonsie Mealy Fortgranite.
Ernest Godwin Swifte K.C., with a companion painting of Lady Francis Swifte courtesy of Fonsie Mealy Fortgranite sale. He was the son of William Richard Swift (1807-1890), son of Godwin Swift of Lionsden and Jane Sophia.
Lady Francis Swifte,” with a companion painting of Ernest Godwin Swifte K.C., courtesy of Fonsie Mealy Fortgranite sale. Perhaps it is Ernest Godwin’s sister Julia Frances Swift, who did not marry.

Office of Public Works properties in County Tipperary

I had initially published the County Tipperary OPW sites along with Munster counties of Clare and Limerick but the entry is too long so I am dividing it.

OPW sites in County Tipperary:

1. Cahir Castle, County Tipperary

2. Damer House and Roscrea Castle, County Tipperary

3. Famine Warhouse 1848, County Tipperary

4. Holycross Abbey, County Tipperary – must prebook for tour

5. The Main Guard, County Tipperary – closed at present

6. Nenagh Castle, County Tipperary

7. Ormond Castle, Carrick-on-Suir, County Tipperary

8. Rock of Cashel, County Tipperary

see 2. Roscrea Castle and Damer House, County Tipperary

9. Swiss Cottage, County Tipperary

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

1. Cahir Castle, County Tipperary:

Cahir Castle, photograph from Ireland’s Content pool, by Brian Morrison 2014 for Failte Ireland. [see 1]
Cahir Castle, June 2022. The geese are particularly picturesque! The outer walls are called the Barbican. When breached, the attacking force gains entry to this area and are vulnerable to missiles fired by defenders and it would be difficult to retreat, due to the enclosed nature of the barbican. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 052 744 1011, cahircastle@opw.ie

Stephen and I visited Cahir Castle in June 2022, and I was very impressed. I had no idea that we have such an old castle in Ireland with so much intact. See my entry https://irishhistorichouses.com/2024/03/29/cahir-castle-county-tipperary-an-office-of-public-works-property/

From the OPW website https://heritageireland.ie/visit/places-to-visit/cahir-castle/:

Cahir Castle is one of Ireland’s largest and best-preserved castles. It stands proudly on a rocky island on the River Suir.

The castle was was built in the thirteenth century and served as the stronghold of the powerful Butler family. [The Archiseek website tells us it was built in 1142 by Conor O’Brien, Prince of Thomond] So effective was its design that it was believed to be impregnable, but it finally fell to the earl of Essex in 1599 when heavy artillery was used against it for the first time. During the Irish Confederate Wars it was besieged twice more.

At the time of building, Cahir Castle was at the cutting edge of defensive castle design and much of the original structure remains.

Our tour guide took us through the outside of the castle, showing us its defenses. Our tour ended inside the Great Hall, or dining hall.

The Great Hall, with giant Irish elk antlers. The fireplace is not genuine – it is made of papier mache and was installed for the filming of a movie. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Damer House and Roscrea Castle, County Tipperary

https://heritageireland.ie/places-to-visit/roscrea-castle-gardens-damer-house-black-mills/

In the heart of Roscrea in County Tipperary, one of the oldest towns in Ireland, you will find a magnificent stone motte castle dating from the 1280s. It was used as a barracks from 1798, housing 350 soldiers, and later served as a school, a library and even a sanatorium.

Sharing the castle grounds is Damer House, named for local merchant John Damer, who came into possession of the castle in the eighteenth century. The house is a handsome example of pre-Palladian architecture. It has nine beautiful bay windows. One of the rooms has been furnished in period style.

The grounds also include an impressive garden with a fountain, which makes Roscrea Castle a very pleasant destination for a day out. There is also a restored mill displaying St Crónán’s high cross and pillar stone.” See my entry https://irishhistorichouses.com/2024/10/03/damer-house-and-roscrea-castle-county-tipperary-office-of-public-works-properties/

3. Famine Warhouse 1848, Ballingarry, County Tipperary:

General information: 087 908 9972, info@heritageireland.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/famine-warhouse-1848/:

How did an ordinary farmhouse near Ballingarry, County Tipperary, become the site of a bloody siege and a monument of the Young Irelander Rebellion of 1848?

It was here that rebels, under the leadership of Protestant aristocrat William Smith O’Brien, besieged 47 police officers who had barricaded themselves into the McCormack homestead, taking 5 children hostage. After two of their number were killed, the rebels finally gave in. They were later transported to penal colonies abroad.

The Warhouse, as it became known, is now a museum. Its contents illuminate the history of the Young Irelander Rebellion, the trials of its leaders, their exile in Australia and escape to the USA. The exhibition places the rebellion in the context of the Great Famine and the upheaval that rocked Europe during that turbulent year.

Traditionally it was known as Ballingarry Warhouse or The Widow McCormack’s House.

4. Holycross Abbey, County Tipperary:

Holycross Abbey, photograph from Ireland’s Content pool, by Liam Murphy 2016 for Failte Ireland [see 1]

From the OPW website https://heritageireland.ie/visit/places-to-visit/holycross-abbey/:

As destination for pilgrims, Holy Cross Abbey, near Thurles, County Tipperary, has a rich history. Pilgrims travelled here for eight centuries to venerate the relic after which the abbey and surrounding villages are named – a piece of the True Cross of Christ’s crucifixion.

Today this working parish church is a peaceful landmark and a place for quiet contemplation and historical discovery. As well as inspecting the relic of the cross, you can marvel at the building’s ornate stonework. The chancel is possibly the finest piece of fifteenth-century architecture in the country. The abbey also houses one of the only surviving medieval wall paintings in Ireland.

5. The Main Guard, Sarsfield Street, Clonmel, County Tipperary:

The Main Guard, or Clonmel Courthouse, County Tipperary. Photograph from National Inventory of Architectural Heritage: five-bay two-storey courthouse and market house, built 1673, with arcaded ground floor to front and north gable, and pediment and cupola to roof. Until restored c.2000, building had been five-bay three-storey with triple public house front to ground floor, and timber sliding sash windows. Now in use as museum. The columns of the arcaded facades were recycled from the ruins of the Cistercian abbey of Inislounaght, to the west of the town and retain some decorative elements that testify to this fact. 

General Information: 052 612 7484, mainguard@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/the-main-guard/:

In the seventeenth century County Tipperary was a palatinate, ruled by James Butler, duke of Ormond. When the duke decided he needed a new courthouse, he built one in the heart of Clonmel [built in 1673]. Later, when it was used as a barracks, it became known as the Main Guard.

A fine two-storey symmetrical building, some elements of its design were based on works by the famous Sir Christopher Wren.

In the eighteenth century it was the venue for the Clonmel Assizes. The most notable trial it witnessed was that of Father Nicholas Sheehy, the anti-Penal Laws agitator. Sheehy was hanged, drawn and quartered.

In about 1810, the ground floor was converted into shops, but the building has recently undergone an award-winning restoration. The open arcade of sandstone columns is once again an attractive feature of the streetscape, while inside you will find a fantastic exhibition and event space.

Main Guard, 1948, photograph from Dublin City Library and Archives. [2]

6. Nenagh Castle, County Tipperary

Nenagh Castle, photograph by Brian Morrison, 2017, for Tourism Ireland, Ireland’s Content Pool. [see 1]

General information: 067 33850, castlenenagh@gmail.com

The OPW doesn’t seem to have a site for this currently, but there is information at a site about Nenagh:

Nenagh Castle was built by Theobald Walter (the first of the Butlers of Ormond) around 1200. To this day the cylindrical keep adorns the town and like most keeps it formed part of the perimeter of the fortress. The walls have now almost disappeared, but fragments remain. 

Built from limestone Nenagh Castle measures fifty-five feet in external diameter at the base and rises to a height of one hundred feet. The Castle features four storeys and thanks to a recent renovation this wonderful landmark now represents the town’s premier tourist attraction.

The building and has stone spiral stairs to the top. There are 101 steps in all to the top.  Access to the tower is through a passageway within the base of the wall.  This has low head room and visitors will need to stoop to avoid hitting the stone above. All children under the age of 18 must be accompanied by an adult. [3]

Nenagh Castle, photograph by Brian Morrison, 2017, for Tourism Ireland, Ireland’s Content Pool. [see 1]

7. Ormond Castle, Carrick-on-Suir, County Tipperary:

Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018. Maurice Craig tells us in The Architecture of Ireland from the earliest times to 1880 that in style Carrick-on-Suir is like hundreds of buildings in Northamptonshire or the Cotswolds, but like no other in Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2024/09/05/ormond-castle-carrick-on-suir-county-tipperary-an-opw-property/

General Information: 051 640787, ormondcastle@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/ormond-castle/:

Joined on to an earlier medieval riverside castle, Ormond Castle Carrick-on-Suir is the finest example of an Elizabethan manor house in Ireland. Thomas, 10th Earl of Ormond [“Black Tom” (1531-1614)], built it in 1565 in honour of his distant cousin Queen Elizabeth. 

The magnificent great hall, which stretches almost the whole length of the building is decorated with some of the finest stucco plasterwork in the country. The plasterwork features portraits of Queen Elizabeth and her brother Edward VI and many motifs and emblems associated with the Tudor monarchy.

Ormond Castle, Carrick-on-Suir 1949, photograph from Dublin City Library and Archive. [see 2]

James Butler the 12th Earl of Ormond and 1st Duke of Ormond (1610-1688) spent much of his time here and was the last of the family to reside at the castle. On his death in 1688 the family abandoned the property and it was only handed over to the government in 1947, who then became responsible for its restoration. 

7. Rock of Cashel, County Tipperary:

Rock of Cashel, Co Tipperary photograph from Ireland’s Content pool, by Brian Morrison 2018 for Failte Ireland. [see 1]

General Information: 062 61437, rockofcashel@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/rock-of-cashel/:

Set on a dramatic outcrop of limestone in the Golden Vale, the Rock of Cashel, iconic in its historic significance, possesses the most impressive cluster of medieval buildings in Ireland. Among the monuments to be found there is a round tower, a high cross, a Romanesque chapel, a Gothic cathedral, an abbey, the Hall of the Vicars Choral and a fifteenth-century Tower House.

Originally the seat of the kings of Munster, according to legend St. Patrick himself came here to convert King Aenghus to Christianity. Brian Boru was crowned High King at Cashel in 978 and made it his capital.

In 1101 the site was granted to the church and Cashel swiftly rose to prominence as one of the most significant centres of ecclesiastical power in the country.

The surviving buildings are remarkable. Cormac’s Chapel, for example, contains the only surviving Romanesque frescoes in Ireland.

Rock of Cashel, 1955, from Dublin City Library and Archives [see 2].
Rock of Cashel ca. 1901, photograph from National Library of Ireland Flickr constant commons.

8. Roscrea Castle and Damer House, County Tipperary:

Roscrea Castle, photograph from Ireland’s Content pool, by Chris Hill 2014 for Failte Ireland. [see 1]

General information: 0505 21850, roscreaheritage@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/roscrea-heritage-centre-roscrea-castle-and-damer-house/:

In the heart of Roscrea in County Tipperary, one of the oldest towns in Ireland, you will find a magnificent stone motte castle dating from the 1280s. It was used as a barracks from 1798, housing 350 soldiers, and later served as a school, a library and even a sanatorium. 

Sharing the castle grounds is Damer House, named for local merchant John Damer, who came into possession of the castle in the eighteenth century. The house is a handsome example of pre-Palladian architecture. It has nine beautiful bay windows. One of the rooms has been furnished in period style.

The grounds also include an impressive garden with a fountain, which makes Roscrea Castle a very pleasant destination for a day out. There is also a restored mill displaying St Crónán’s high cross and pillar stone.

See my entry https://irishhistorichouses.com/2024/10/03/damer-house-and-roscrea-castle-county-tipperary-office-of-public-works-properties/

This was originally the site of a motte and bailey fortification known as King John’s Castle. The original wooden castle was destroyed in the late 13th century and was replaced with a stone structure built in 1274-1295 by John de Lydyard. The castle was originally surrounded by a river to the east and a moat on the other sides. [4] It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332.

The castle was used as a barracks from 1798, housing 350 soldiers. It was used later as a school, a library, and a tuberculosis sanatorium. Roscrea Castle fell into disrepair in the 19th century, and when the roof collapsed extensive repairs were needed in the 1850s. It was named a national monument in 1892, and is now under the care of the OPW. 

Damer House is of three storeys and nine bays and has a scroll pediment doorway and inside, a magnificent carved staircase. The Irish Georgian Society was involved in saving it from demolition in the 1960s.

9. Swiss Cottage, Ardfinnan Road, Cahir, County Tipperary:

General Information: 052 744 1144, swisscottage@opw.ie

Swiss Cottage, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the OPW website https://heritageireland.ie/visit/places-to-visit/swiss-cottage/:

The Swiss Cottage, just outside the heritage town of Cahir, is a cottage orné – a fanciful realisation of an idealised countryside cottage used for picnics, small soirees and fishing and hunting parties and was also a peaceful retreat for those who lived in the nearby big house.

Built in the early 1800s [around 1810] by Richard Butler, 1st Earl of Glengall, who, we believe, managed to persuade world-famous Regency architect John Nash to design it [he also designed Buckingham Palace for the Crown]. Originally, simply known as “The Cottage” it appears to have acquired its present name because it was thought to resemble an Alpine cottage.”

See my write-up https://irishhistorichouses.com/2025/03/20/swiss-cottage-ardfinnan-road-cahir-county-tipperary-office-of-public-works/

Timber rustic oak posts with triangular arch detailing between posts to verandahs and to bowed bay, having latticework rail to balcony. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] https://repository.dri.ie/

[3] https://www.nenagh.ie/places-of-interest/details/nenagh-castle

[4] See the blog of Patrick Comerford, http://www.patrickcomerford.com/search/label/castles?updated-max=2019-03-03T14:30:00Z&max-results=20&start=27&by-date=false

[5] https://www.buildingsofireland.ie/buildings-search/building/22208107/swiss-cottage-kilcommon-more-north-tipperary-south

Office of Public Works properties: Leinster: Laois, Longford, Louth, Meath, and Offaly

Carlow, Dublin, Kildare, Kilkenny, Laois, Longford, Louth, Meath, Offaly, Westmeath, Wexford and Wicklow are the counties that make up the Leinster region.

I have noticed that an inordinate amount of OPW sites are closed ever since Covid restrictions, if not even before that (as in Emo, which seems to be perpetually closed) [these sites are marked in orange here]. I must write to our Minister for Culture and Heritage to complain.

Laois:

1. Emo Court, County Laois – house closed at present

2. Heywood Gardens, County Laois

Longford:

3. Corlea Trackway Visitor Centre, County Longford

Louth:

4. Carlingford Castle, County Louth

5. Old Mellifont Abbey, County Louth – closed at present

Meath:

6. Battle of the Boyne site, Oldbridge House, County Meath

7. Hill of Tara, County Meath

8. Loughcrew Cairns, County Meath – guides on site from June 16th 2022

9. Newgrange, County Meath

10. Trim Castle, County Meath

Offaly:

11. Clonmacnoise, County Offaly

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Laois:

1. Emo Court, County Laois:

Emo, County Laois, June 2021. Unfortunately the stone lions which flank the front steps, carved by Richard Carter of Cork in 1854, were in boxes on the day we visited. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: 057 862 6573, emocourt@opw.ie

See my entry https://irishhistorichouses.com/2024/10/22/emo-court-county-laois-office-of-public-works/

From the OPW website https://heritageireland.ie/visit/places-to-visit/emo-court/:

Emo Court is a quintessential neo-classical mansion, set in the midst of the ancient Slieve Bloom Mountains. The famous architect James Gandon, fresh from his work on the Custom House and the Four Courts in Dublin, set to work on Emo Court in 1790. However, the building that stands now was not completed until some 70 years later [with work by Lewis Vulliamy, a fashionable London architect, who had worked on the Dorchester Hotel in London and Arthur & John Williamson, from Dublin, and later, William Caldbeck].

The estate was home to the earls of Portarlington until the War of Independence forced them to abandon Ireland for good. The Jesuits moved in some years later [1920] and, as the Novitiate of the Irish Province, the mansion played host to some 500 of the order’s trainees.

Major Cholmeley-Harrison took over Emo Court in the 1960s and fully restored it [to designs by Sir Albert Richardson]. He opened the beautiful gardens and parkland to the public before finally presenting the entire estate to the people of Ireland in 1994.

You can now enjoy a tour of the house before relaxing in its charming tearoom. The gardens are a model of neo-classical landscape design, with formal lawns, a lake and woodland walks just waiting to be explored.” [2]

[1] p. 336. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[2] https://heritageireland.ie/visit/places-to-visit/emo-court/

2. Heywood Gardens, Ballinakill, County Laois:

Heywood Gardens by Edwin Lutyens, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. [see 6]

General enquiries: 086 810 7916, emocourt@opw.ie

See my entry https://irishhistorichouses.com/2025/05/02/heywood-gardens-ballinakill-county-laois-office-of-public-works/

From the OPW website https://heritageireland.ie/visit/places-to-visit/heywood-gardens/:

The entrancing eighteenth-century landscape at Heywood Gardens, near Ballinakill, County Laois, consists of gardens, lakes, woodland and some exciting architectural features. The park is set into a sweeping hillside. The vista to the south-east takes in seven counties.

The architect Sir Edwin Lutyens designed the formal gardens [around 1906], which are the centrepiece of the property. It is likely that renowned designer Gertrude Jekyll landscaped them.

The gardens are composed of elements linked by a terrace that originally ran along the front of the house. (Sadly, the house is no more.) One of the site’s most unusual features is a sunken garden containing an elongated pool, at whose centre stands a grand fountain.

The Heywood experience starts beside the Gate Lodge. Information panels and signage will guide you around the magical Lutyens gardens and the surrounding romantic landscape.

Longford:

3. Corlea Trackway Visitor Centre, Kenagh, County Longford:

Corlea Trackway Visitor Centre, Co. Longford, photograph by Chris Hill 2018 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Corlea Trackway Visitor Centre, Co. Longford, photograph by Chris Hill 2018 for Tourism Ireland, Ireland’s Content Pool. [see 6]

General enquiries: 043 332 2386, corlea@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/corlea-trackway-visitor-centre/:

Hidden away in the boglands of Longford, not far from Kenagh village, is an inspiring relic of prehistory: a togher – an Iron Age road – built in 148 BC. Known locally as the Danes’ Road, it is the largest of its kind to have been uncovered in Europe. 

Historians agree that it was part of a routeway of great importance. It may have been a section of a ceremonial highway connecting the Hill of Uisneach, the ritual centre of Ireland, and the royal site of Rathcroghan.

The trackway was built from heavy planks of oak, which sank into the peat after a short time. This made it unusable, of course, but also ensured it remained perfectly preserved in the bog for the next two millennia.

Inside the interpretive centre, an 18-metre stretch of the ancient wooden structure is on permanent display in a hall specially designed to preserve it. Don’t miss this amazing remnant of our ancient past.

Corlea Trackway Visitor Centre, Co. Longford, photograph by Christ Hill 2018 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Wooden block wheel excavated in Doogarymore, County Roscommon, now in the National Museum of Ireland, Kildare Street, Dublin. From around 400BC. It may be the type of wheel that was used on the ancient roads! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board from the National of Ireland Kildare Street.

Louth:

4. Carlingford Castle, County Louth:

Carlingford Castle, also known as King John’s Castle (not to be confused with the one in Limerick), County Louth, photograph by Brenda Harris 2021 for Fáilte Ireland, Ireland’s Content Pool. [see 6]

From the OPW website https://heritageireland.ie/visit/places-to-visit/carlingford-castle/:

Carlingford lies in the shade of Slieve Foye, a mountain that in legend takes its form from the body of the sleeping giant Finn MacCumhaill. The castle dominates the town and overlooks the lough harbour. It was a vital point of defence for the area for centuries.

Carlingford Castle was built around 1190, most likely by the Norman baron Hugh de Lacy. By this time Hugh’s family had grown powerful enough to make King John of England uneasy. John forced them into rebellion and seized their property in 1210. He reputedly stayed in his new castle himself. It is still known as King John’s Castle.

Carlingford Castle, County Louth

The Jacobites fired on the castle in 1689; William of Orange is said to have accommodated his wounded soldiers there following the Battle of the Boyne.

Carlingford Lough Heritage Trust provides excellent guided tours of this historic Castle from March to October.

By 1778 the building was ruinous. The task of repair and preservation was begun by the Henry Paget the 1st Marquess of Anglesey in the later nineteenth century (he served as Lord Lieutenant of Ireland from 1848, and as Master General of the Ordinance), and has been continued by the OPW. [13]

Carlingford Castle Co Louth National Library of Ireland by Robert French, Lawrence Photograph Collection.
Henry Paget, 1st Marquess of Anglesey (1768-1854), Viceroy in 1828 and 1830.

5. Old Mellifont Abbey, Tullyallen, Drogheda, County Louth:

Old Mellifont Abbey, photograph by Eilish Tierney, 2020 for Fáilte Ireland, Ireland’s Content Pool. [see 6]
Mellifont Abbey from National Library of Ireland Lawrence photograph collection, flickr constant commons.

General enquiries: 041 982 6459, mellifontabbey@opw.ie. Mellifont means “fountain of honey.”

From the OPW website https://heritageireland.ie/visit/places-to-visit/old-mellifont-abbey/:

Mellifont Abbey was the first Cistercian monastery in Ireland. St Malachy of Armagh created it in 1142 with the help of a small number of monks sent by St Bernard from Clairvaux [and with the aid of Donough O’Carroll, King of Oriel – see 14]. The monks did not take well to Ireland and soon returned to France, but the abbey was completed anyway and duly consecrated with great pomp.

It has several extraordinary architectural features, the foremost of which is the two-storey octagonal lavabo [the monk’s washroom]

The monks at Mellifont hosted a critical synod in 1152. The abbey was central to the history of later centuries, too, even though it was in private hands by then. The Treaty of Mellifont, which ended the Nine Years War, was signed here in 1603, and William of Orange used the abbey as his headquarters during the momentous Battle of the Boyne.

Mellifont Abbey ruins, the octagonal lavabo, built in around 1200, photograph by Brian Harte, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]

The ruins contain the medieval gatehouse, parish church, chapter house and lavabo. The octagonal lavabo was designed as a freestanding structure of two storeys, with an octagonal cistern to supply the water located at the upper level over the wash room. Wash basins were arranged around a central pier, now gone, which supported the weight of the water above. [14] The entire monastery was surrounded by a defensive wall. After the dissolution of the monasteries, Mellifont was acquired in 1540 by William Brabazon (died 1552), Vice Treasurer of Ireland, and passed later to Edward Moore (Brabazon’s wife Elizabeth Clifford remarried three times after Brabazon’s death, and one of her husbands was Edward Moore), who established a fortified house within the ruins around 1560. His descendents (Viscounts of Drogheda) lived there until 1727 (until the time of Edward Moore, 5th Earl of Drogheda), after which the house, like the abbey, fell into disrepair.

Garret Moore, 1st Viscount of Drogheda, hosted the negotiations which led to the Treaty of Mellifont in 1603.

Mellifont Abbey ruins, photograph by Chris Hill, 2014 for Tourism Ireland, Ireland’s Content Pool. [see 6]

Meath:

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Battle of the Boyne site and visitor centre, Oldbridge House, County Meath.

Oldbridge House, County Meath, October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General Enquiries: 041 980 9950, battleoftheboyne@opw.ie

The Battle of the Boyne museum is housed in Oldbridge Hall, which is built on the site where the Battle of the Boyne took place. See my entry https://irishhistorichouses.com/2025/12/12/oldbridge-hall-county-meath-site-of-the-battle-of-the-boyne-visitor-centre/

7. Loughcrew Cairns, Corstown, Oldcastle, County Meath:

Loughcrew cairns, photograph by Macmillan media, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]

general enquiries: 087 052 4975, info@heritageireland.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/loughcrew-cairns/:

The Loughcrew cairns, also known as the Hills of the Witch, are a group of Neolithic passage tombs near Oldcastle in County Meath. Spread over four undulating peaks, the tombs are of great antiquity, dating to 3000 BC. 

Cairn T is one of the largest tombs in the complex. Inside it lies a cruciform chamber, a corbelled roof and some of the most beautiful examples of Neolithic art in Ireland. The cairn is aligned to sunrise at the spring and autumn equinoxes and at these times people gather there to greet the first rays of the sun.

Loughcrew cairns, photograph by Macmillan media, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Carved stone from Loughcrew, in the National Museum of Ireland, Kildare Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

8. Brú na Bóinne Visitor Centre, Newgrange and Knowth, County Meath.

Newgrange, seen from the top of another nearby tumulus, Dowth. Newgrange is a UNESCO World Heritage Site, and dates to some 5,000 years ago…Photograph by Dave Walsh, 2004 for Tourism Ireland. [see 6]

General Information: 041 988 0300, brunaboinne@opw.ie

From the website https://heritageireland.ie/visit/places-to-visit/bru-na-boinne-visitor-centre-newgrange-and-knowth/:

The World Heritage Site of Brú na Bóinne is Ireland’s richest archaeological landscape and is situated within a bend in the River Boyne. Brú na Bóinne is famous for the spectacular prehistoric passage tombs of Knowth, Newgrange and Dowth which were built circa 3200BC. These ceremonial structures are among the most important Neolithic sites in the world and contain the largest collection of megalithic art in Western Europe.

Newgrange, County Meath, December 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newgrange, County Meath, December 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newgrange, Co Meath, Ireland, photograph by Brian Morrison, 2018 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Newgrange, Co Meath , Ireland, photograph by Brian Morrison, 2018 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Winter Solstice, Newgrange, Co Meath , Ireland, photograph by Brian Morrison, 2018 for Tourism Ireland, Ireland’s Content Pool. [see 6]

9. Hill of Tara, Navan, County Meath:

Hill of Tara, County Meath, photograph by macmillan media 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Diorama of Tara in the National Museum of Ireland, Kildare Street, Dublin, 2022. Key: 2. Rath/Fort of the Kings, a hilltop enclosure; 3: Royal Seat, a barrow; 4. Cormac’s House, a ringfort; 5. Stone of Destiny, Liah Fail, a standing stone; 6. Mound of the Hostages, a passage tomb; 7. Rath of the Synods, an enclosure; 8. Banqueting Hall, a linear earthwork.

General information: 046 902 5903, hilloftara@opw.ie

From the OPW website:

The Hill of Tara has been important since the late Stone Age, when a passage tomb was built there. However, the site became truly significant in the Iron Age (600 BC to 400 AD) and into the Early Christian Period when it rose to supreme prominence – as the seat of the high kings of Ireland. All old Irish roads lead to this critical site.

St Patrick himself went there in the fifth century. As Christianity achieved dominance over the following centuries, Tara’s importance became symbolic. Its halls and palaces have now disappeared and only earthworks remain. 

There are still remarkable sights to be seen, however. Just one example is the Lia Fáil – the great coronation stone and one of the four legendary treasures of the Tuatha Dé Danann – which stands proudly on the monument known as An Forradh.

Guided tours of the site will help you understand the regal history of this exceptional place and imagine its former splendour.

Article about the 1956 excavation of the portal tomb passage grave on the Mound of the Hostages, in the National Museum of Ireland, Kildare Street.
Information boards from the exhibition in the National Gallery of Ireland Kildare Street, January 2022.
Information boards from the exhibition in the National Gallery of Ireland Kildare Street, January 2022.
Items excavated at Tara, in the National Museum of Ireland Kildare Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information boards from the exhibition in the National Gallery of Ireland Kildare Street, January 2022.
Information boards from the exhibition in the National Gallery of Ireland Kildare Street, January 2022.
Information boards from the exhibition in the National Gallery of Ireland Kildare Street, January 2022.

10. Trim Castle, County Meath:

Trim Castle and the River Boyne, photograph by Brian Morrison, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Trim Castle and the River Boyne, photograph by macmillan media, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]

General information: 046 943 8619, trimcastle@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/trim-castle/:

Few places in Ireland contain more medieval buildings than the heritage town of Trim. Trim Castle is foremost among those buildings.

“In fact, the castle is the largest Anglo-Norman fortification in Ireland. Hugh de Lacy and his successors took 30 years to build it.

The central fortification is a monumental three-storey keep. This massive 20-sided tower, which is cruciform in shape, was all but impregnable in its day. It was protected by a ditch, curtain wall and water-filled moat.

Modern walkways now allow you to look down over the interior of the keep – a chance to appreciate the sheer size and thickness of the mighty castle walls.

The castle is often called King John’s Castle although when he visited the town he preferred to stay in his tent on the other side of the river. Richard II visited Trim in 1399 and left Prince Hal later Henry V as a prisoner in the castle.” I never knew we had such a link to King Henry V and Shakespeare’s play, Henry IV!

Trim Castle and the River Boyne, photograph by Brian Morrison, 2006 for Tourism Ireland, Ireland’s Content Pool. [see 6]

Patrick Comerford gives an excellent history of Trim Castle in his blog. [18] The castle stands within a three acre bailey, surrounded by a defensive perimeter wall. The curtain wall of the castle is fortified by a series of semicircular open-back towers. There were two entrances to Trim Castle, one, beside the car park, is flanked by a gatehouse, and the second is a barbican gate and tower. [19]

We visited in May 2022, after visiting St. Mary’s Abbey (also called Talbot’s Castle) – more on that soon. We were late entering so the entry to inside the castle was closed, unfortunately – we shall have to visit again!

Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view of Trim Castle from St. Mary’s Abbey, over the Boyne River, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle and the River Boyne, photograph by Brian Morrison, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 6]
Trim Castle, Co. Meath, 1938, photograph from National Library of Ireland, flickr constant commons.
The entrance to Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The information board tells us that the Trim Gate was built around 1180, on the site of an earlier timber gatehouse. A forward tower or pier would have received a bridge over the moat. The gatehouse was rebuilt early in the 13th century when the passageway was vaulted. The vaulted floor housed the lifting mechanism for the portcullis and above this were the porters’ lodgings. The chambers to the north side of the passage were added to provide guard accommodation with a prison below.
The other side of the gate through which we entered. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Keep, Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the walls of Trim Castle, with a view of St. Mary’s Abbey house and the remaining tower of St. Mary’s Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022.

The information board tells us that in 1182 when Hugh de Lacy was granted the Liberty of Meath, he occupied this site bounded by the River Boyne to the north and marshy ground to the south. By 1175 his original wooden fortification had been replaced by this unusual keep, later surrounded by curtain walls with a simple gate to the north and a bridge across the moat. The south curtain wall with its D shaped buildings was completed by 1200, when new siege tactics forced a change in the design of castles. Later, the forebuildings and plinth were built, protecting the entrance and base of the keep.

Trim Castle, May 2022.

Sometime before 1180, Hugh de Lacy replaced the timber palisade fence enclosing the keep with a stone enclosure. The fore-court enclosed stables and stores and protected the stairway and door to the keep. The new entrance was on the north side of the enclosure and had a drawbridge over the deepened ditch.

With the development of the curtain walls, the inner enclosure became obsolete.

The ditch was filled and three defensive towers – two survive – were built on its site. The drawbridge was replaced by a stone causeway leading to an arched gate and entrance stairway. A reception hall was built to accommodate visitors before they entered the Keep.

As the town and approach roads developed, the barbican gate provided a new entrance from the south. After the siege of 1224, the north curtain walls, towers and Trim gate required major repairs. During a period of prosperity in the second half of the 13th century, the great hall and solar were constructed on the site of the north curtain wall and tower. Trim and its abbeys and the Cathedral and borough of Newtown developed in the security of the castle.

The Boyne was used for transport of goods to the river gate. Stores, workshops and kitchens were built in the castle yard.

Though the castle buildings were often adapted to suit changing military and domestic needs, much of the fabric of Trim Castle has remained unchanged since the height of Anglo-Norman power in Ireland.

The Keep, Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022.
Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The area that was the Great Hall, Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022.

The information board tells us that courts, parliaments, feasts and all issues relating to the management of the Lordship were discussed at meetings in the Great Hall. After 1250, the great public rooms in the Keep were considered unsuitable for such gatherings, so this hall was built, lit by large windows with a view of the harbour and the Abbey of St. Mary’s across the river. The hall had a high seat at the west end, with kitchens and undercroft cellars to the east. Ornate oak columns rising from stone bases supported the great span of the roof.

The hall was heated from a central hearth and vented by a lantern-like louvre in the roof.

Trim Castle, May 2022.
I’m not sure what this is, at Trim Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
See the “scratches” or marks on the ceiling of this vaulted space – we see similar marks in the basement of St. Mary’s Abbey house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this is the River Gate, at Trim Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The information board tells us that the River Gate allowed for the delivery os stores from boats on the river. The gate was made in the curtain wall to the east of the Great Hall. Short stretches of canal allowed boats to bring supplies to teh castle to avoid the many weirs and protruding rocks on the river. A section of the canal was cut below the riverside curtain wall. Inside the River Gate, a passage was cut through the bedrock to the door of the cellar of the Great Hall. Boats could be moored in the wide harbour with its pier and stairway to the apartments in the Solar.
The Barbican Gate, Trim Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the Barbican Gate, Trim Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, May 2022.

Early in the 13th century the weirs were completed on the Boyne, allowing the moat to be flooded, and the Leper River was channelled along the south curtain wall. A new gate was constructed guarding the southern approaches to the castle. This gatehouse, of a rare design, was built as a single cylindrical tower with a “barbican,” defences of a forward tower adn bridge. An elaborate system of lifting bridges, gates and overhead traps gave the garrison great control over those entering the castle. The arrangement of plunging loops demonstrates the builders’ knowledge of the military requirements of defending archers.

By the middle of the 13th century, the design of castle gates was further developed and a twin tower gatehouse with a passage between the two towers became standard.

Trim Castle, May 2022.

Offaly:

11. Clonmacnoise, County Offaly:

Clonmacnoise, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 090 9674195, clonmacnoise@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/clonmacnoise/:

St Ciarán founded his monastery on the banks of the River Shannon in the 6th Century. The monastery flourished and became a great seat of learning, a University of its time with students from all over Europe.

The ruins include a Cathedral, two round Towers, three high crosses, nine Churches and over 700 Early Christian graveslabs.

The original high crosses, including the magnificent 10th century Cross of the Scriptures area on display in a purpose built visitor centre adjacent the monastic enclosure.

An audiovisual presentation will give you an insight into the history of this hallowed space.

Clonmacnoise, May 2018. O’Rourke’s Tower. The Annals of the Four Masters record that it was completed in 1124 under the patronage of Toirrdelbach O Conchobhair, King of Connacht. In 1135 its top was struck off by lightning. The eight square headed windos at the top belong to a late medieval arrangement. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Clonmacnoise, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Clonmacnoise, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Clonmacnoise, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Clonmacnoise, May 2018. Temple Finghin, a twelfth century church with integrated round tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Clonmacnoise, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] p. 336. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[2] https://heritageireland.ie/visit/places-to-visit/emo-court/

[3] p. 119. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.

[4] https://emocourt.ie/history/

For information on Gandon’s house in Lucan, see https://www.buildingsofireland.ie/buildings-search/building/11201034/canonbrook-house-lucan-newlands-road-lucan-and-pettycanon-lucan-dublin

Canonbrook, Lucan: “Detached multiple-bay two-storey over basement house, c.1800, on an L-plan. A handsome, substantial rural Georgian house which, though altered, retains its imposing form and feel, and is situated in mature grounds. Historically important as the former home of James Gandon.” Gandon is also said to have designed Primrose Hill House in Lucan, which is a section 482 property.

[5] https://theirishaesthete.com/2019/02/27/emo-court/

[6] https://www.irelandscontentpool.com/en/media-assets/media/81101

[7] http://www.fatherbrowne.com

[8] https://theirishaesthete.com/2016/03/14/of-changes-in-taste/

and https://theirishaesthete.com/2016/02/01/seen-in-the-round/

For photographs of the stuccowork, see https://theirishaesthete.com/2016/03/21/forgotten-virtuosi/

[9] p. 96. Sadleir, Thomas U. and Page L. Dickinson. Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration. Dublin University Press, 1915. 

[10] p. 356. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[11] p. 61. O’Reilly, Sean. Irish Houses and Gardens. From the Archives of  Country Life. Aurum Press Ltd, London, 1998. 

[12] https://theirishaesthete.com/2018/08/27/heywood/

and https://theirishaesthete.com/2014/05/12/to-smooth-the-lawn-to-decorate-the-dale/

[13] p. 175, Casey, Christine and Alistair Rowan. The Buildings of Ireland: North Leinster: the counties of Longford, Louth, Meath and Westmeath. Penguin Books, London, 1993.

[14] p. 387, Casey, Christine and Alistair Rowan. The Buildings of Ireland: North Leinster: the counties of Longford, Louth, Meath and Westmeath. Penguin Books, London, 1993.

and see also my entry on Killineer, County Louth.

[18] http://www.patrickcomerford.com/2016/10/trim-castle-is-strong-symbol-in-stone.html

[19] p. 511, Casey, Christine and Alistair Rowan. The Buildings of Ireland: North Leinster: the counties of Longford, Louth, Meath and Westmeath. Penguin Books, London, 1993.

Primrose Hill, Primrose Lane, Lucan, County Dublin – section 482

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Very Top of Primrose Lane, Lucan, Co. Dublin
Open dates in 2025: Feb 1-28, June 1-30, July 1-7, Aug 16-24, 2pm-6pm

Fee: adult/OAP/student €6, child free

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Revenue Section 482 list is still not published for 2025! However, Primrose Hill in Dublin, one of the properties that has been on the list in previous years is open to the public this month, February 2025, as I saw it mentioned in the Irish Times. Robin Hall, the owner, opens his gardens in February to share his snowdrop collection. Plants are also available for sale.

Stephen and I planned to visit yesterday, and Stephen took the day off work, but it was too cold and windy! We didn’t feel like braving the elements. But we visited this property during Heritage Week in 2013. I went with my husband Stephen and my late father Desmond.

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were not allowed in to the house, but just the gardens. In recent years, the house should have been open to visitors as it was on the Section 482 list. Perhaps it will be on again this year, so we can visit later in the year.

The house was built some time around 1790. It is a five bay two-storey villa with a full-height three-sided bow front that contains the central three bays. It has two-storey bowed projections on north-east and south-east elevations. [1]

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The windows are timber sash windows with stone sills. The panelled door has a pretty leaded fanlight and side lights, set into a simple round-headed stone archway with prominet keystone.

Primrose Hill, courtesy National Inventory of Architectural Heritage.

To my surprise, the National Inventory tells us that several of the architectural features present have been attributed to James Gandon! The features include the front bay addition to the north-west with an original staircase. It may indeed be the case, as Gandon lived in Lucan after he moved to Dublin to build the new Custom House.

James Gandon (1743-1823), courtesy of National Gallery of Ireland.

James Gandon (1742-1823) was an English architect who had been apprenticed to William Chambers (who designed the Casino in Marino, Dublin). Gandon travelled to Ireland at the request of John Beresford and John Dawson, 2nd Viscount Carlow (afterwards Earl of Portarlington) to design a new Custom House (see my entry https://irishhistorichouses.com/2022/01/21/office-of-public-works-properties-dublin/ ).

Custom House photograph taken 1971, Dublin City Library archives.

Gandon brought his family and he remained in Ireland for the rest of his life apart from a brief absence during the troubled times of 1798-99, when he thought it safer to remove his household to London. The family first lived in a house on Mecklenburgh Street in Dublin, and later, he moved to Canonbrook in Lucan, outside the city of Dublin. [2]

Gandon also designed the Four Courts in Dublin. Like Edward Lovett Pearce, he favoured Palladian and neoclassical design. One of his most prestigious commissions, which came in 1785, was to extend Pearce’s Houses of Parliament. He built the curved screen wall which links his new Corinthian portico for the House of Lords facing College Street to Pearce’s original building.

Curved screen wall of the Bank of Ireland, formerly Parliament buildings, Dublin, September 2006. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Corinthian portico designed by William Gandon, now the Bank of Ireland, previously Parliament, photograph taken September 2006. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Gandon worked for the Wide Street Commissioners and designed the facades for the shops at ground floor of D’Olier Street, Burgh Quay and some surrounding streets.

Gandon designed several private houses in Ireland, including Abbeville in County Dublin (later home to politician Charles Haughey), for John Beresford. In Dublin he designed Emsworth in Malahide in 1794 for James Woodmason, a London stationer who became involved in banking in Dublin, and Roslyn Park for the painter William Ashford.

Emsworth in Malahide, designed by James Gandon in 1794.
Abbeville, Malahide, County Dublin, courtesy of Sherry Fitzgerald and TheJournal.ie

In County Laois, he designed Heywood in 1771 for Michael Frederick Trench (since destroyed by fire although one can visit the Lutyens designed gardens) and Emo Court in 1790–96 for the Earl of Portarlington (see my entry https://irishhistorichouses.com/2024/10/22/emo-court-county-laois-office-of-public-works/ )

Heywood House after 1746, courtesy of Askaboutireland.ie
Emo, County Laois, designed by James Gandon (with later additions). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo Park, County Laois, designed by James Gandon (with later additions). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Primrose Hill was part of the Lucan House demesne. South Dublin City Council recently purchased Lucan House, which was formerly the residence of the Italian ambassador.

Lucan House, photograph courtesy of South Dublin City Council. Primrose Hill is part of its original demesne. Agmondisham Vesey acted as his own architect, while consulting with Sir William Chambers, and also James Wyatt and Michael Stapleton, with regard to the interior. 

In the early part of the last century, the house was known as The Manse, and was home to the local Presbyterian Minister, one notable tenant being Dr. James Irwin – a friend of DeValera’s, who had a considerable input in the Irish Constitution. [3]

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Kenneth and Cicely Hall purchased Primrose Hill in 1958, and it is now owned by their son Robin Hall. The Gardens of Ireland website tells us about Primrose Hill:

The 2.5 ha garden has been created by Robin Hall and the late Cicely Hall, and is more of a botanical garden with a strong sense of design and subtle colour schemes. The plant collection has been created from gardens past and present with an eye to growing plants with a challenge. There is also a spring garden with one of the finest collections of plants in Ireland, excluding trees and shrubs and is particularly recommended to see in the three months we are open which are February, June and July.

The gardens are flanked with fields with a developing arboretum and there is a very pretty driveway with mature trees leading to the house.

There have been four generations of keen gardeners in the family and some of the plants at Primrose Hill have been in the family for over 100 years.” [4]

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We had a lovely afternoon wandering in the gardens. An article in the Irish Times from 1997 by Jane Powers tells us more about the garden:

Robin’s interest in snowdrops was kindled by visits to Beech Park – the garden of the great plantsman, David Shackleton – when he was a boy. “It was during its heyday then and I became very excited when I saw the bulbs.” Later, in his early teens, a bout of middle ear trouble kept him out of school. “We sent him outside to recover,” remembers his mother. “Fresh air was the cure for everything in those days.”

And so in the fresh air, the young Robin began to amass his little flotillas of trembling white bells. The first of these, came, naturally, from David Shackleton. And from Straffan House on the banks of the Liffey in Kildare came the Irish hybrid “Straffan”, a remarkable plant which produces two flower stalks instead of the customary one.” [5]

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jane Powers’s article concludes: “there is no more dramatic place to view [the snowdrops] than along the drive to the house where hundreds of the common snowdrop are naturalised in the grass under a canopy of beech trees.

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/11204018/primrose-hill-house-primrose-lane-lucan-south-dublin-county

[2] https://www.dia.ie/architects/view/2086/GANDON-JAMES#tab_biography

[3] http://www.lucannewsletter.ie/localinterest/primrosehillgarden.html

[4] https://www.gardensofireland.org/directory/18/

[5] Irish Times Feb 22, 1997, Jane Powers: https://www.irishtimes.com/news/amid-the-petticoats-of-spring-1.45774

Primrose Hill, County Dublin, August 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com