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Richard Saint George of Woodsgift, County Kilkenny (d. 1755), (Brigadier General ), 1744 After Francis Bindon, Irish, 1690-1765 engraver John Brooks, Irish.
Hugh Douglas Hamilton portrait of Emilia Olivia née St. George, 2nd Duchess of Leinster courtesy of Bonhams Old Master Paintings 2018.
Emilia Olivia Ussher-St. George, the Duchess of Leinster by Hugh Douglas Hamilton courtesy of Old Master Paintings Part II by Christie’s 2012.
Emilia Olivia née Usher St. George (1759-1798), Duchess of Leinster, wife of 2nd Duke, 1780 engraver William Dickinson after Joshua Reynolds, courtesy of National Gallery of Ireland.
Anne St. George née Stepney of Durrow Abbey County Offaly, and Child, 1971, by George Romney courtesy of August Heckscher Collection 1959.147
Harriet St. Lawrence (d. 1830), daughter of William 2nd Earl of Howth. She married Arthur French St. George (1780-1844). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Aldworth née St. Leger (1693-1773), the first female Freemason. https://commons.wikimedia.org/wiki/File:MrsAldworth.jpg#/media/File:MrsAldworth.jpg
John Hayes St. Leger (1756-1799) courtesy of National Trust Waddesdon Manor.
Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Patrick Sarsfield 1st Earl of Lucan (1620-1693) attributed to Hyacinthe Rigaud, French, 1659-1743.
John Scott (1739-1798) 1st Earl of Clonmel, engraver Pierre Conde French after Richard Cosway, courtesy of National Gallery of Ireland.
Dorothy Scott (1765-1837) second wife of John Keane, 1st Baronet, by George Romney courtesy of Philadelphia Museum of Art.
Mary Seymour, who according to Mealy’s sales catalogue married John Dawson 1st Earl of Portarlington of Emo Court, by Thomas Heaphey, courtesy of Fonsie Mealy auction; I think she married George Lionel Dawson-Damer, son of 1st Earl. She was the daughter of Hugh Seymour Conway 1st Marquess of Hertford.
Sarah Eliza Conolly née Shaw (1845-1921), wife of Thomas of Castletown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Shaw, 1774-1849, first baronet of Bushy Park Co. Dublin attributed to Hugh Douglas Hamilton courtesy of Mealys Autumn Sale 2015.
Maria Shaw (1838-1875), Daughter of Sir Frederick Shaw 3rd Bt of Bushy Park, Dublin, by William Brocas, courtesy of Adam’s auction 23 March 2016.
Helena Selina Blackwood née Sheridan (1807-1867), Writer, Wife of 4th Baron Dufferin and Clandeboye, later Countess of Gifford Date 1849, Engraver John Henry Robinson, English, 1796 – 1871 After Frank Stone, English, 1800-1859.
Sir Henry Sidney (1529-1586), Lord Deputy of Ireland, after painter Arnold Van Brounkhorst, courtesy of National Gallery of Ireland.
Philip Sidney in a painted oval Provenance Estate of The Late Basil Collins courtesy Adam’s 8 March 2006.
John Smith-Barry (1725-1784) of Fota, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Barry (1725-1784), who added the name Smith to his surname after his marriage to a wealthy heiress, was the son of James Barry, 4th Earl of Barrymore, of Castlelyons, County Cork, and Barry’s third wife, Anne Chichester, daughter of Arthur Chichester, 3rd Earl of Donegall (it was spelled with two ‘l’s in the title, unlike the county). He married Dorothy Smith, daughter of Hugh Smith of Weald Hall, Essex, and John added Smith to his surname.

Hugh Smith (1673-1745) of Weald Hall, father of Dorothy Smith who married John Barry (1725-1784), of Fota House, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dorothy Smith née Barrett, wife of Hugh Smith (1673-1745) of Weald Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dorothy Smith-Barry née Smith (1727-1756) wife of John Hugh Smith Barry (1725-1784). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John and Dorothy’s oldest son and heir was James Hugh Smith-Barry (1746-1801). He never married, but had several children.

James Hugh Smith-Barry (1746-1801). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait Of A Lady traditionally identified as Caroline Courtenay Née Smith-Barry, courtesy of Whyte’s Sept 2007, daughter of James Smith-Barry (1746-1801) of Fota House, County Cork, she married George Courtenay of Ballyedmond House, County Cork (no longer exists).

John Smith-Barry (1783-1837), son of James Hugh Smith-Barry (1746-1801) settled in Fota, County Cork, after his marriage to Eliza Courtenay of Ballyedmond, Midleton, County Cork.

John Smith-Barry (1783-1837), who hired the Morrisons to enlarge Fota house, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Smith-Barry (1783-1837), who hired the Morrisons to enlarge Fota house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this is probably Eliza Mary née Courtenay (1797-1828) who married John Smith-Barry, Fota House, County Cork, August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eliza Mary née Courtenay (1797-1828) who married John Smith-Barry. She was the daughter of Robert Courteney of Ballyedmond in County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Hugh Smith-Barry (1816-1856) inherited Fota and also Marbury Hall in Cheshire. He served as Deputy Lieutenant, Justice of the Peace and High Sheriff of County Cork. He married Elizabeth Jacson of Cheshire. After her husband died, she married George Fleming Warren, 2nd Baron de Tabley of Tabley House, County Chester.

James Hugh Smith-Barry by William Orpen 1904, courtesy of Fonsie Mealy auction 2022.

Arthur Hugh Smith-Barry (1843-1925), the oldest son of James and Elizabeth, inherited Fota and also Marbury Hall. He too served as Deputy Lieutenant, Justice of the Peace and High Sheriff of County Cork as well as Member of Parliament (M.P.) (Conservative) for County Cork between 1867 and 1874. He held the office of Member of Parliament (M.P.) (Conservative) for South Huntingdonshire in England between 1886 and 1900. In 1902 he was created 1st (and last) Baron Barrymore of County Cork.

Arthur Hugh Smith-Barry (1843-1925) of Fota House, 1st Viscount Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Captain Richard Hugh Smith-Barry (1823-1894) of Fota House, County Cork.
Charlotte Mary Smyth with a Landscape View of Ballynatray by James Butler Brenan courtesy of Adam’s 6 Oct 2009, provenance Ballynatray House. She married Charles William Moore 5th Earl of Mountcashell.
Richard Smyth of Ballynatray (1796-1858) who married in 1821 Harriet St. Leger of Doneraile, Irish school, courtesy of Adam’s auction 6 Oct 2009.
Percy Ellen Frederick William Smythe (1825-1869) 8th Viscount Strangford and Philippa Eliza Sydney Smythe (d. 1854) daughter of 6th Viscount Strangford, wife of Henry J. Baillie (d. 1885) of Scotland by William Fisher, 1817 – 1895.
Mary Somerset (1665-1733), Duchess of Ormond, wife of James Butler 2nd Duke of Ormond (1665-1745), painted by Michael Dahl. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lady Mary Somerset, Duchess of Ormonde (1665-1733) by Michael Dahl (Stockholm 1656/9 ? London 1743), 1690s. Three-quarter-length portrait, of a young woman, seated, full front, her head three-quarters left. She is wearing a deep brown-gold dress, blue lined and is holding a rose in her right hand. A bottle green curtain is to the right and an arcade in the left background.
Mary Butler née Somerset (1665-1733) Duchess of Ormonde, Engraver John Smith, After Godfrey Kneller.
Henry Somerset (1629-1700) 1st Duke of Beaufort by Robert White, after Sir Godfrey Kneller, Bt, NPG D28194.
Mary Isabella Manners née Somerset, Duchess of Rutland, daughter of Charles Somerset 4th Duke of Beaufort and Elizabeth Berkeley, wife of Charles Manners, 4th Duke of Beaufort, Vice Regent of Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Sackville (1637-1678) Countess of Orrery later Viscountess Shannon (d.1714) by Godfrey Kneller courtesy of National Trust Knole. She was the wife of Roger Boyle, 2nd Earl of Orrery.
Charlotte née Seymour (1835-1903) Countess Spencer, wife of John Poyntz Spencer 5th Earl Spencer, by John Leslie, 1860. She was the daughter of Frederick Charles William Seymour. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Spring-Rice (1760-1866), Chancellor of the Exchequer and later 1st Baron Monteagle, photograph courtesy of National Gallery of Ireland.
Thomas Spring-Rice (1849-1926) 2nd Baron Monteagle by Charles Wellington Furse, photograph courtesy of National Gallery of Ireland.
Mary Spring Rice (1880-1924) and Molly Childers aboard the Asgard during the Howth gun-running.
Elizabeth Stanhope née Butler (1640-1665), daughter of the 1st Duke of Ormonde and 2nd wife of Philip Stanhope 2nd Earl of Chesterfield Date: 1681/1688 Engraver: Isaac Beckett, English, c.1653-c.1715/19 After Peter Lely, Dutch, 1618-1680, courtesy of National Gallery of Ireland.
John Staples (1736-1820), of Lissan, County Tyrone, courtesy of National Trust. Springhill, County Derry.
Portrait called The Honourable Harriet Molesworth (1745-1812), wife of John Staples (1736-1820) (probably Harriet Conolly, d. 1771), by Francis Cotes, courtesy of National Trust. Springhill, County Derry.
Grace Louisa Staples (1779-1860) Marchioness of Ormonde by John Saunders. She was the wife of James Wandesford Butler, 1st Marquess of Ormonde, and daughter of John Staples (1736-1820) of Lissan, County Tyrone.
Chalotte Melosina Staples (1786-1847), wife of William Lenox-Conyngham (1792-1858), daughter of John Staples (1736-1820) of Lissan, County Tyrone, courtesy of National Trust. Springhill, County Derry.
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Staples (1772-1832) 8th Baronet, of Springhill, County Derry and Lissan, County Tyrone, courtesy of National Trust. Springhill, County Derry.
Charles Stewart Parnell’s mother Delia. She was an American, daughter of the famous “Old Ironsides,” Admiral Charles Stewart.
William Stewart of Killymoon (1710-1797), British (Irish) School, mid 18th century, inscribed. Oil painting on canvas, A half-length portrait, wearing a gold trimmed blue coat.
James Stewart (1741-1821) of Killymoon, County Tyrone, by Pompeo Batoni, courtesy of Ulster Museum. He was a son of William Stewart of Killymoon (1710-1797).
Alexander Stewart (1699/1700-1781) of Ballylawn, by Andrea Soldi, courtesy of National Trust, Mount Stewart.

Alexander Stewart (1699/1700-1781) and his wife, Mary Cowan, bought a large area of land in County Down in 1744, part of which became Mount Stewart demesne.

Oil painting on canvas, Alexander Stewart of Mount Stewart (1700-1781), school of Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A half-length portrait of Alexander Stewart, father of the 1st Marquess of Londonderry, facing the viewer, with his head turned slightly to the right, wearing a red coat and a cravat over a gold-embroidered jacket. By Unknown author – https://www.artuk.org/discover/artworks/alexander-stewart-of-ballylawn-17001781-132900, Public Domain, https://commons.wikimedia.org/w/index.php?curid=72556779
Mary Cowan (1713-1788) who married Alexander Stewart, by Andrea Soldi, courtesy of National Trust, Mount Stewart.
Robert Stewart (1739-1821) later 1st Marquess Londonderry, by Anton Raphael Mengs, courtesy of National Trust, Mount Stewart. He was the son of Alexander Stewart (1700-1781) of Ballylawn and Mary née Cowan.
Oil painting on paper laid down on canvas, A Conversation Piece with Robert, 1st Marquess of Londonderry (1739-1821), his Second Wife, Frances (1750-1833), their Son Charles William (1778-1854), and their Four Younger Daughters, Selina, Matilda, Emily Jane and Octavia by Thomas Robinson (Windermere before 1770 – Dublin 1810), 1803-08. The daughters shown are Lady Selina Stewart, later Lady Selina Kerr (d.1871), Lady Emily Jane Stewart, Viscountess Hardinge (1789-1865), Lady Octavia Catherine Stewart, later Baroness Ellenborough (d.1819) and Lady Matilda Stewart, later Lady Matilda Ward (d.1842). Their elder three daughters Georgiana (d. 1804), Caroline (1865) and France Anne (1777 – 1810) are not present.
Alexander Stewart of Ards, brother of 1st Marquess Londonderry, by Pompeo Batoni, courtesy of National Trust, Mount Stewart. He was the son of Alexander Stewart (1700-1781) of Ballylawn and Mary née Cowan.
Robert Stewart (1769-1822) Viscount Castlereagh, later 2nd Marquess of Londonderry, by Hugh Douglas Hamilton, courtesy of National Trust, Mount Stewart.
Amelia Anne Hobart (1772-1829) wife of Robert Stewart, 1st Viscount Castlereagh, by Thomas Lawrence, courtesy of National Trust Mount Stewart.
Charles William Stewart (later Vane) (1778-1854), later 3rd Marquess of Londonderry, in Garter Robes, by James Godsell Middleton, courtesy of National Trust, Mount Stewart. He was the half-brother of Robert Stewart (1769-1822) Viscount Castlereagh.
Painting by Thomas Lawrence of Catherine Bligh, daughter of 3rd Lord Darnley, with her son Frederick Wililam Robert, who became 4th Marquess of Londonderry. Mount Stewart, County Down, June 2023. She married Charles William Stewart (later Vane) (1778-1854), later 3rd Marquess of Londonderry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Frances Anne (1800-1865) Marchioness of Londonderry, and her son George Henry (1827-1828) Viscount Seaham, by Thomas Lawrence, courtesy of National Trust, Mount Stewart. She married Charles Stewart later Vane, 3rd Marquess of Londonderry.
Elizabeth Jocelyn (1813-1884), Marchioness of Londonderry, formerly Viscountess Powerscourt, by James Rannie Swinton, courtesy of Mount Stewart National Trust. She was married to the 6th Viscount Powerscourt. She was the daughter of Robert Jocelyn 3rd Earl of Roden. After her husband’s death she married Frederick William Robert Stewart, 4th Marquess of Londonderry, of Mount Stewart, County Down.
Anna Stewart (née Garner), of Lisburn Co. Down, Second Wife of William Stewart of Wilmont, by Nathaniel Hone, courtesy of Shepphards auctions.
William Stewart (c. 1650-1692) 3rd Bt and 1st Viscount Mountjoy courtesy of National Trust Mount Stewart.
William Stewart (c. 1650-1692) 3rd Bt and 1st Viscount Mountjoy.
Anne Boyle (1700-1742) 2nd Lady Mountjoy, wife of William Stewart 2nd Viscount Mountjoy by Garrett Morphy Adams auction 19 Oct 2021. She was the daughter of Murrough Boyle, 1st Viscount of Blessington.
William Stewart (1709-1769) 1st Earl of Blesington by Stephen Slaughter courtesy of Museum of Freemasonry. He was the son of William Stewart 2nd Earl of Mountjoy and Anne née Boyle.
James Stopford (1794-1858) 4th Earl of Courtown, attributed to Joseph Slater, courtesy of Fonsie Mealy auction. He married Charlotte Albina Montagu Scott.
Col. E. Stratford” attributed to Charles Jervas, courtesy Fonsie Mealy Fortgranite auction. It could be Edward Stratford (1663-1740) father of John Stratford (d. 1777) 1st Earl of Aldborough. He lived at Belan, County Kildare.
John Stratford (d. 1777) 1st Earl of Aldborough courtesy of Fonsie Mealy Fortgranite auction. He lived at Belan in County Kildare. He married Martha O’Neale, daughter of Benjamin, Archdeacon of Leighlin and Ferns.
Martha O’Neale, daughter of Benjamin, Archdeacon of Leighlin and Ferns, 1st Countess Aldborough, courtesy of Fonsie Mealy Fortgranite auction.
Martha, Countess of Aldborough courtesy of Fonsie Mealy Fortgranite auction.
Edward Stratford (1736-1801) 2nd Earl of Aldborough in ceremonial robes, and with painted coat of arms, by Philip Hussey courtesy of Fonsie Mealy Fortgranite. He lived in Belan House, County Kildare.
Elizabeth Countess of Aldborough (1759-1811) by Hugh Douglas Hamilton, as Hebe. Elizabeth Hamilton was wife of John Stratford 3rd Earl of Aldborough. She was the daughter of Frederick Hamilton, Dean of Raphoe, County Donegal.
Maria Stratford, daughter of 1st Earl of Aldborough, standing by a tree, landscape in background, wearing full length white silk dress, Attributed to James Latham (1696 – 1747) courtesy Fonsie Mealy Fortgranite.
Archbishop George Stone (1708-1754), Primate of Ireland by Alan Ramsay.
James Stuart (1612-1655) 1st Duke of Richmond and 4th Duke of Lennox, son of King Charles II.
Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. Elizabeth was the daughter of Philip Yorke 3rd Earl of Hardwicke; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford; Charlotte married Charles John Canning 1st Viceroy of India , 2nd Viscount Canning, 1st Earl Canning.
Louisa Anne Beresford née Stuart (1818-1891) by Sir Francis Grant 1859-1860, NPG 3176. The National Portrait Gallery tells us: “Louisa Stuart was brought up mostly in Paris, where her father was British Ambassador to the French court. She was taught to draw from an early age and art, along with religion and philanthropy, was one of her main interests throughout her life. A gifted amateur watercolourist, she did not exhibit at professional galleries until the 1870s. With a strong interest in the welfare of the tenants on her Northumberland estate, she rebuilt the village of Ford. She provided a school and started a temperance society in the village. Her greatest artistic achievement was the decoration of the new school with life sized scenes from the Old and New testaments that used children and adults from the village as models.”
John Stuart (1744-1814), Lord Mountstuart, later 4th Earl and 1st Marquess of Bute by Jean Etienne Liotard, 1763.
Lady Mary Wortley Montagu (1718-1794), Wife of John Patrick Crichton Stuart 3rd Earl of Bute, print after Christian Friedrich Zincke, 1830s, courtesy of National Portrait Gallery of London, NPG D34619.
Caroline née Sutherland Leveson Gower (1827-1887), wife of 4th Duke of Leinster, courtesy of National Gallery of Ireland.
Late 16th / Early 17th Century English School “Mrs. William Swifte” courtesy Fonsie Mealy Fortgranite auction.

Burke’s Landed Gentry of Ireland tells us that Francis Swifte, son of Henry of Sheffield, County York, was knighted in 1616 and died in 1642. Henry of Sheffield’s other son was Thomas, who was buried in Canterbury Cathedral, who married Margaret, daughter and heir of the Right Rev. Thomas Godwin, Bishop of Bath & Wells. Many generations of Swift after him had the forename “Godwin.” Thomas and Margaret had a son William, born in 1566, who was Rector of Herbaldown and who married Mary Philpott.

17th Century English School “Portrait of a Gentleman in Armour, Sir Francis Swifte,” courtesy Fonsie Mealy Fortgranite auction. Probably Francis Swifte, son of Henry of Sheffield, County York, was knighted in 1616 and died in 1642.
Reverend Thomas Swifte, 17th Century Irish School. He was born in Canterbury in 1561, and married Margaret, daughter and heir of the Right Rev. Thomas Godwin, Bishop of Bath & Wells. He was the son of Henry Swifte; courtesy of Fonsie Mealy’s Fortgranite auction. Many generations of Swift after him had the forename “Godwin.”
Late 16th / early 17th Century English School, “Right Reverend Thomas Godwin, courtesy Fonsie Mealy Fortgranite auction.

Thomas and Mary’s son Reverend Thomas (1595-1658) of Goodrich, Herefordshire, England, and Bristow, was ancestor of the Irish Swift family of Swiftsheath and Lionsden. He was devoted to King Charles I and the son of Charles I who was to become King Charles II.

Thomas married Elizabeth Dryden (c. 1605-1658). They had many children, many of whom lived in Ireland. His son Jonathan (d. 1667) was a solicitor in Dublin, who married Abigail Erick of County Leicester, and they had a son, born after his death in Hoey’s Court, Dublin, right next to Dublin Castle, in 1667, also named Jonathan, the famed writer, Dean of St Patrick’s Cathedral in Dublin. He wrote many anecdotes about his grandfather in his manuscript The Family of Swift which is preserved in the library at Trinity College, Dublin (I must go to see it!). He died in 1745.

Jonathan Swift (1667-1745) by Charles Jervas circa 1718, National Portrait Gallery in London, 278.
Portrait of Dean Swift attributed to Rupert Barber (1719-1772), courtesy of Adam’s auction 12 May 2013. This must be Jonathan Swift who died in 1745, Dean of St. Patrick’s Cathedral.
Portrait of Stella courtesy of Adam’s auction 12 May 2013, attributed to Rupert Barber (1719-1772).
“Portrait of Esther Johnson (Stella),” Late 18th / Early 19th Century after James Latham (1696 – 1747) courtesy of Fonsie Mealy Fortgranite sale.

Reverend Thomas Swift (1595-1658) had another son, Godwin Swift (d. 1695), who was Attorney-General to the Duke of Ormonde, and married four times. Geoffrey Marescaux tells us that Godwin Swift paid the famous Jonathan Swift’s school fees. His heir was child of his second wife, Katherine Webster, Godwin Swift (1672-1739), later of Dunbrow, County Dublin and Swiftsheath, County Kilkenny. For information on Swiftsheath, see https://kilkennyarchaeologicalsociety.ie/wp-content/uploads/2021/03/OKR1978-356-Geoffrey-Marescaux-Swiftes-Heath.pdf

Godwin Swift (1672-1739) married his cousin, Elizabeth, who was daughter of another son of Reverend Thomas Swift Vicar at Goodrich and Elizabeth née Dryden, William, who had land in Carlow, Kilkenny, Leitrim and Roscommon.

Godwin Swift (1672-1739) and Elizabeth had a son Godwin who inherited Swiftsheath and also owned Tidenton, County Kilkenny. He married a cousin, Elizabeth Swift, who was daughter of Deane Swift (c. 1674-1714) of Castle Rickard, County Westmeath. Deane Swift (c. 1674-1714) was another son of Godwin Swift Attorney-General to the Duke of Ormonde, by his 3rd wife, Hannah Deane.

Their son Godwin Swift (c. 1734-1815) lived in Swiftsheath and Lionsden, County Meath. He also married a cousin, Maria Swift, daughter of Deane Swift (c. 1707-1783) and Mary née Harrison, daughter of Theophilus Harrison. To add confusion to the family tree, Theophilus Harrison, Reverend of Clonmacnois, married twice, and one of his wives, Eleanor Meade, daughter of William Meade Lt Col of Ballintober, County Cork, had been previously married to Godwin Swift Attorney-General to the Duke of Ormonde as his fourth wife! Mary Harrison’s mother was Theophilus Harrison’s second wife, Martha Swift – yes, another Swift! She was the daughter of Adam Swift of Greencastle, County Down, who was another son of Thomas Swift Vicar at Goodrich and Elizabeth née Dryden.

Reverend Deane Swifte, 17th Century Irish School, cousin and biographer of Dean Jonathan Swift. This is be Deane Swift (1703-1783), son of Deane Swift of Castle Rickard, County Westmeath. His great grandfather was a Regicide, ie. signed the death warrant of King Charles I, but fortunately died before Charles II was restored to the throne, according to Jonathan Swift!
Admiral Richard Deane (Regicide) 17th Century English School courtesy Fonsie Mealy Fortgranite auction. The Fonsie Mealy site adds: “Note: Major Joseph Deane (Inistiogue, 1661-66), of Crumlin, County Dublin, and Ballicocksoust, County Kilkenny (formerly the estate of Richard Strange), was the youngest son of Edward Deane, of Pinnock, Gloucestershire, by his 2nd wife, Anne Wase, and was born at Pinnock, 2nd February, 1624. His elder brother, Colonel Richard Deane, a leading member of the Republican party, was one of the Judges who sat on the trial of Charles I, and signed the death warrant of the King. Colonel Richard Deane was entrusted with the settlement of Scotland, which he speedily effected by his temperance and sagacity. He was next appointed one of the “Generals at Sea”, having for his colleague the famous Robert Blake, but was killed in action against the Dutch on 2nd June, 1653. He was honoured with a public funeral and buried in Henry VII’s Chapel at Westminster, but in 1661 his body (being that of a Regicide) was exhumed and cast out of the Abbey. Joseph Deane was educated at Winchester School, and entered the Parliamentary Army as Cornet in Rainsborough’s Horse. He volunteered for service in Ireland under Oliver Cromwell, in whose army he held the rank of Major. Under the Act of Settlement he had two grants of land (16th January, 1666, and 22nd June, 1669), comprising 9,324 statute acres, situated in the counties of Meath, Down, and Kilkenny, 3,859 acres being in Kilkenny. He purchased from Richard Talbot (afterwards Earl and Duke of Tyrconnell) the Manor of Terenure, in county Dublin, for œ4,000. He was named on some important committees of the House of Commons, but was fined œ10 for absence on 31st January 1665. In 1664 he paid 4s. hearth money for “Ballicagbsust”. In 1677 he served as High Sheriff of county Dublin. He died 21st December, 1699, having been twice married. By his 1st wife Anne —-, he had one son and two daughters – Joseph, of Crumlin, whose son, Joseph, became Lord Chief Baron of the Exchequer, and died without male issue. (1) Anne, married in May, 1673 (as his 3rd wife), Godwin Swift, Attorney-General to the Duke of Ormonde. (2) Elizabeth, married 1st in May, 1672, Captain Henry Grey; 2nd in July, 1677, Donogh O’Brien, of Lemenagh, County Clare. Major Deane married, 2ndly, in 1659, Elizabeth, daughter of Maurice Cuffe, and sister of Captain Joseph Cuffe, of Castle Inch, elected M.P. for Knocktopher in 1665, and by her, who died 3rd April, 1698, had a son and a daughter – Edward whom hereafter M.P. for Inistiogue; and Dorothy, married Maurice Berkeley, of Glasnevin county Dublin.THE MEMBERS OF PARLIAMENT FOR THE COUNTY, CITY AND BOROUGHS OF KILKENNYBY G.D. BURTCHAELL, M.A., LL.B [Written for the KILKENNY MODERATOR]
Mrs Godwin Swifte of Swifte’s Heath, courtesy of Fonsie Mealy’s Fortgranite sale.

Godwin Swift (c. 1734-1815) of Swiftsheath and Lionsden and his cousin, Maria Swift had another son called Godwin Swift (c. 1779-1814), of Lionsden. This Godwin Swift married yet another cousin, Jane Sophia Swift (1785-1851), in 1803. She was the daughter of Richard Swift (1750-1796) who was the son of John L’Estrange Swift (1709-1793) of Lynn, County Westmeath, who was the son of Meade Swift (1682-1739) of Lynn, County Westmeath, who was the son of Godwin Swift Attorney-General to the Duke of Ormonde and Eleanor née Meade!

Jane Sophia Swift (1785-1851) married secondly, in 1818, Louis Auguste Alexander, Comte Lepelletier de Molende.

Countess Molende née Swift and her granddaughter Luigina de Sadre, Gifted by the artist to W.R. Swifte as a token, as his predecessor Jonathan Swifte served as Rector at Agher Church from 1699 – 1745, courtesy Fonsie Mealy Fortgranite auction.

Godwin Swift (c. 1779-1814), of Lionsden and Jane Sophia Swift (1785-1851) had a son Godwin Meade Pratt Swift (1805-1864) of Swiftsheath and Lionsden.

Identified as “Godwin Pratt Meade Swifte Lord Carlingford (m. MJ Clarke), Leahy, Dixon & Mulvanney, 19th Century Irish School, standing in a landscape by a grey horse with Foulksrath Castle, Co. Kilkenny in the distance”, courtesy of Fonsie Mealy Fortgranite. Godwin Meade Pratt Swift (1805-1864) of Swiftsheath and Lionsden married Mary Jane Clarke of Bansha Castle, County Tipperary. He took the title Viscount Carlingford.
Jane Christina Swifte (1810-1854), the wife of “Chevalier Sergio Demacdo, Minister Plenipotentiary of HM Emperor of Brazil,” Early 19th Century Irish School, courtesy Fonsie Mealy Fortgranite. She was the daughter of Godwin Swift of Lionsden and Jane Sophia.

Godwin called himself Viscount Carlingford, reviving a title created in 1627 for another branch of the Swift family. Godwin also added the “e” back to the end of the name Swift. He married first, Maria Theresa Plankenstern, Baroness de Wetzlar of Austria at Paris in 1830 after the birth of their son Ferdinando. [see https://www.youwho.ie/swifte.html ].

Godwin secondly married Jane Anne Hopkins on 18 Mar 1845 at Liverpool after an non legal
ceremony some years earlier. Godwin returned with his family from the continent in 1845 to take
up residence at Swiftesheath. Jane died at Lionsden, Castle Rickard in 1848 and was buried in the
family vault. Godwin thirdly married Mary Jane Clarke on 4 Feb 1863 at Kilkenny and declared himself a widower. Mary was the daughter of Robert Hare Clarke. Godwin died 4 Jul 1864.

He created a flying machine which he hoisted to the top of Foulkesrathe Castle, which stood on the property of Swiftesheath, but it failed to fly and a butler who was piloting the plane broke a leg in his fall.

Identified as Pratt Swifte, Early 19th Century Irish School, courtesy of Fonsie Mealy Fortgranite sale.
Mrs. Swifte, grandmother of Thomas Dennis courtesy Fonsie Mealy Fortgranite Auction.
19th Century Irish School, Portrait of Mrs. Godwin Swifte courtesy Fonsie Mealy Fortgranite auction. There were so many Godwin Swifts it is hard to identify the sitter.
Godwin Butler Meade Swifte (1864-1923) son of “Viscount Carlingford,” wearing uniform of the High Sheriff of Kilkenny, seated holding a sword, D.L. was the High Sheriff of Kilkenny and later Carlow, and resided at Swifte’s Heath, Co. Kilkenny, courtesy of Fonsie Mealy Fortgranite.
Ernest Godwin Swifte K.C., with a companion painting of Lady Francis Swifte courtesy of Fonsie Mealy Fortgranite sale. He was the son of William Richard Swift (1807-1890), son of Godwin Swift of Lionsden and Jane Sophia.
Lady Francis Swifte,” with a companion painting of Ernest Godwin Swifte K.C., courtesy of Fonsie Mealy Fortgranite sale. Perhaps it is Ernest Godwin’s sister Julia Frances Swift, who did not marry.

Portraits Q-R

Q

Windham Quin (1717-1789) of Adare, County Limerick by Stephen Slaughter, courtesy of Yale Center for British Art.
Elizabeth Christina Foster née Hervey (1759-1824) later Duchess of Devonshire by Angelica Kauffmann courtesy of National Trust Ickworth. She was the daughter of Frederick Augustus Hervey 4th Earl of Bristol, Bishop of Derry who built Downhill, Co Derry. She married John Thomas Foster MP (1747-1796) and later, William Boyle Cavendish 5th Duke of Devonshire. Last, she married Valentine Richard Quin 1st Earl of Dunraven and Mount Earl.

R

Walter Raleigh (1552-1618) by Unknown English artist 1588, National Portrait Gallery of London ref. 7.
JOHN RAWDON, 1ST EARL OF MOIRA (1719-1793),by a follower of Thomas Hudson, courtesy Christies Property from two ducal collections Wodburn Abbey Bedford.
Francis Rawdon-Hastings (1754-1826) 2nd Earl of Moira by John Hoppner courtesy of Lady Lever Art Gallery.
John Redmond (1856-1918) by Harry Jones Thaddeus, 1901, National Gallery of Ireland NGI889.
William Robinson, from “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Richard Harcourt Robinson, died in 1910. Rokeby, County Louth
Archbishop Richard Robinson (1708-1794) by Angelica Kauffmann or Joshua Reynolds, courtesy of Armagh Robinson Library.
Richard Robinson (1787-1847), Baronet, English School (c.1847) with a depiction of his armorials and campaign medals issued to survivors of the Napoleonic Wars courtesy Adam’s auction 6 Oct 2009. This must be Richard Robinson 2nd Baronet of Rokeby Hall in County Louth. He was the son of John Freind, who married a sister of Richard Robinson Baron of Rokeby, and who took the name of Robinson when he inherted Rokeby.
John Loftus Robinson, architect of Dun Laoghaire County Hall. Dun Laoghaire County Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
William Robinson (1644-1712) Royal Hospital Kilmainham, 15th October 2023.
James Rochfort (executed in 1652 after killing someone in a duel) usually known by his nickname “Prime Iron,” by Garret Morphy. He married Thomasine Pigott of Dysart.

James Rochfort (“Prime Iron”) and Thomasine Pigott had several children including Charles who married Marbella, daughter of Theophilus Jones and Alice Ussher, and Robert (1652-1727), who became Speaker of the Irish House of Commons and Chief Baron of the Irish Exchequer. He married Hannah Hancock (d. 1733) of Twyford, County Westmeath.

Robert Rochfort (1652-1727) as Speaker of the Irish House of Commons by an unknown artist, Photograph of a painting owned by Michael O’Reilly.

Robert Rochfort (1652-1727) and Hannah née Hancock had sons George Rochfort (1682-1730), later of Gaulstown, Co. Westmeath and John (1690-1771). George married Elizabeth, daughter of Henry Hamilton-Moore, 3rd Earl of Drogheda. John married, first, Deborah Staunton (d. 1737) then Emilia (d. 1770), daughter of John Eyre (1659-1709) of Eyre Court.

George Rochfort (1682-1730), of Gaulstown, Co. Westmeath, M.P. for Co. Westmeath by Charles Jervas courtesy of Christies Auction 2002

George and Elizabeth née Moore had lots of children. The heir was Robert (1708-1774) who was later created 1st Earl of Belvedere.

Robert Rochfort, 1st Earl of Belvedere (1708-1774), three-quarter-length, in van Dyck costume, by Robert Hunter It is possible that the present portrait was executed posthumously.

Other children included Mary (1705-1729) who married Henry Tuite, 6th Baronet. Alice (1710-1738) married Thomas Loftus (1701-1768). Thomasine, born 1716, married Gustavus Lambart of Beauparc, County Meath (a section 482 property, see my entry). Anne married Henry Lyons, High Sheriff for King’s County. William (1719-1772) married Henrietta Ramsay. Arthur married Sarah Singleton and became MP for County Westmeath. George (1713-1794) married Alice, daughter of Gustavus Hume, 3rd Baronet.

Jane Butler née Rochfort Countess of Lanesborough (1737-1828) Attributed to Thomas Pope Stevens courtesy Christies Irish Sale 2002. She was the daughter of Robert Rochfort, 1st Earl of Belvedere and married Brinsley Butler, 2nd Earl of Lanesborough.
Sarah Rochfort (nee Singleton) was the daughter of The Rev. Rowland Singleton (1696-1741) of Drogheda, later Vicar of Termonfeckin, County Louth, wife of Arthur Rochfort (1711-1774) of Bellfield House Co Westmeath, sold at Shepphards.

The first Earl of Belvedere is infamous for locking up his wife, Mary Molesworth, daughter of the 3rd Viscount of Swords (see my entry about Belvedere, County Westmeath). Their daughter Jane (d. 1828) married Brinsley Butler, 2nd Earl of Lanesborough. Robert 1st Earl’s son George (1738-1813) succeeded as 2nd Earl of Belvedere.

George Rochfort (1738-1815), later 2nd Earl of Belvedere by ROBERT HUNTER (C. 1715/20-1801), Adams auction 18 Oct 2022.
George Rochfort (12 October 1738 – 13 May 1814), 2nd Earl of Belvedere, and his second wife Jane née Mackay, by Robert Hunter, 1804 courtesy of Christies.
Richard Rochfort (1740-1776) by Robert Hunter courtesy Christies Old Master Paintings and Sculpture. He was another son of Robert Rochfort 1st Earl of Belvedere and Mary Molesworth.
John Rogerson (1676-1741), 1741 by Stephen Slaughter, courtesy of National Gallery of Ireland. Slaughter was an Englishman who paid many visits to Ireland.
Sophia Maria Knox Grogan Morgan (1805-1867) née Rowe, with her second husband Thomas Esmonde 9th Baronet (1786-1868); Jane Colclough Grogan Morgan (1834-1872), she married George Arthur Forbes (1833-1889), 7th Earl of Granard, who is in the third portrait. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Hamilton Knox Grogan-Morgan (1807-1854) and his family of Johnstown Castle, County Wexford. His wife is Sophia Maria née Rowe (1805-1867). Her father was Ebenezer Radford Rowe of Ballyharty, County Wexford, whose mother was Elizabeth Grogan from Johnstown Castle! Her mother was Elizabeth Emily Irvine from Castle Irvine in County Fermanagh. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Russell (1710-1771) 4th Duke of Bedford was Chancellor of the University 1765-1771. The portrait is by Thomas Gainsborough. Russell was Lord Lieutenant of Ireland in 1756 and resigned in 1761. Provost’s House, Trinity College Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Louisa Hamilton née Russell Duchess of Abercorn, by Edwin Landseer (Vicereine 1866-68 and 1874-76), wife of James Hamilton (1811-1885) 1st Duke of Abercorn. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Office of Public Works Properties Dublin

I have noticed that an inordinate amount of OPW sites are closed ever since Covid restrictions, if not even before that (as in Emo, which seems to be perpetually closed) [these sites are marked in orange here]. I must write to our Minister for Culture and Heritage to complain.

I have written to Minister for Tourism Catherine Martin and received a response in June 2022:

I wish to acknowledge receipt of your recent correspondence to Catherine Martin, TD. Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media in connection with OPW Sites.

OPW Sites would fall under the remit of Minister of State Patrick O’Donovan and the Department of Office of Public Works. Minister of State O’Donovan’s office can be reached at  ministersoffice@opw.ie and should be able to assist you with your query.

Well, I have another email to write! I’ll keep you posted…

Dublin:

1. Aras an Uachtarain, Phoenix Park, Dublin

2. Arbour Hill Cemetery, Dublin

3. Ashtown Castle, Phoenix Park, Dublin

4. The Casino at Marino, Dublin

5. Customs House, Dublin

6. Dublin Castle

7. Farmleigh House, Dublin

8. Garden of Remembrance, Dublin

9. Government Buildings Dublin

10. Grangegorman Military Cemetery, Dublin

11. Irish National War Memorial Gardens, Dublin

12. Iveagh Gardens, Dublin

13. Kilmainham Gaol, Dublin

14. National Botanic Gardens, Dublin

15. Phoenix Park, Dublin

16. Rathfarnham Castle, Dublin

17. Royal Hospital Kilmainham in Dublin – historic rooms closed

18. St. Audoen’s, Dublin

19. St. Enda’s Park and Pearse Museum, Dublin

20. St. Stephen’s Green, Dublin

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

1. Aras an Uachtarain, Phoenix Park, Dublin 8:

July 2012, The Garden Front of the Aras. The portico with giant Ionic columns was added in 1815 by Francis Johnston. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

general enquiries: (01) 677 0095

phoenixparkvisitorcentre@opw.ie

From the OPW website:

Áras an Uachtaráin started life as a modest brick house, built in 1751 for the Phoenix Park chief ranger. It was later an occasional residence for the lords lieutenant. During that period it evolved into a sizeable and elegant mansion.

It has been claimed that Irish architect James Hoban used the garden front portico as the model for the façade of the White House.

After independence, the governors general occupied the building. The first president of the Republic of Ireland, Douglas Hyde, took up residence here in 1938. It has been home to every president since then.” [1]

See my entry https://irishhistorichouses.com/2023/10/17/office-of-public-works-dublin-aras-an-uachtarain-phoenix-park/

The Vice-Regal Lodge (Lord Lieutenant’s Residence), Phoenix Park, Dublin After John James Barralet, Irish, 1747-1815, photograph courtesy of National Gallery of Ireland.
A covered ceiling with original mid-C18 plasterwork of Aesop’s fable theme. This beautiful plasterwork is by Bartholomew Cramillion. Another ceiling by him was taken from a house which was demolished, Mespil House in Dublin, and is now in what is called the President’s Study, and depicts Jupiter presiding over the elements and the four season and dates from the late 1750s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Myself and Stephen with the President Michael D. Higgins and his wife Sabina in 2012, in the State Drawing Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Peach House glasshouse was designed by Richard Turner, constructed between 1836-37. Turner also designed the large palm houses in the Botanic Gardens in Dubln, Belfast and London. The one at the Aras underwent restoration between 2007-2009. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This lovely building is to one side of the main house at the Aras, I’m not sure what it is but it’s very picturesque. Photograph courtesy of Declan Murray.

2. Arbour Hill Cemetery, Dublin 7:

General enquiries: (01) 821 3021, superintendent.park@opw.ie

From the OPW website:

The military cemetery at Arbour Hill is the last resting place of 14 of the executed leaders of the 1916 Rising. It is therefore a place of pilgrimage for students and aficionados of this tempestuous moment in Irish history.

There is an adjoining church, the chapel for Arbour Hill Prison. At the rear of the church lies the old cemetery, containing fascinating memorials to British military personnel.

The clear focus of Arbour Hill, however, is the legend of the rising. Among those buried here are Patrick Pearse, James Connolly and Major John MacBride. Their bodies were put into an unmarked pit and covered with quicklime, but their grave has now been saved from obscurity with an impressive memorial inscribed in English and Irish.

Arbour Hill Cemetery is at the rear of the National Museum of Ireland, Collins Barracks, where you can currently find a large display of 1916-related material.

3. Ashtown Castle, Phoenix Park, Dublin:

Ashtown Castle is in the Phoenix Park. The OPW are currently running one tour per day. From the OPW website:

Ashtown Castle is a tower house that probably dates from the seventeenth century, but may be as early as the fifteenth.

For years it was completely hidden within the walls of a Georgian mansion once occupied by the under-secretary for Ireland. When that house was demolished in the late 1980s, the castle was rediscovered. It has since been fully restored and now welcomes visitors.”

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2025/05/17/ashtown-castle-phoenix-park-dublin-an-opw-property/

4. The Casino at Marino, Cherrymount Crescent, Malahide Road, Marino, Dublin 3

The Casino at Marino, Dublin, August 2009. It looks like it houses one large room, but it actually has sixteen rooms, arranged over three floors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries (01) 833 1618, casinomarino@opw.ie

From the website:

“The Casino is a remarkable building, both in terms of structure and history. Sir William Chambers designed it as a pleasure-house for James Caulfeild, first earl of Charlemont, beside his residence in what was then the countryside. It is a gem of eighteenth-century neo-classical architecture. In fact, it is one of the finest buildings of that style in Europe.

The term ‘casino’ in this case means ‘little house’, and from the outside it gives an impression of compactness. However, it contains 16 rooms, each of which is finely decorated and endlessly rich in subtle and rare design. The Zodiac Room, for example, has a domed ceiling which represents the sky with astrological symbols modelled around its base.

See my entry: https://irishhistorichouses.com/2023/11/09/office-of-public-works-dublin-the-casino-at-marino/

5. Custom House, Dublin:

Custom House, Dublin, by James Gandon, 1781-91. Photograph by Chris Hill, 2014, for Tourism Ireland. Ireland’s Content Pool. [2]

General enquiries: 086 606 2729, customhousevc@opw.ie

From the website:

“This architectural icon stands on the Liffey quays, which were once Ireland’s major trade route to the wider world. The architect James Gandon completed the building, a masterpiece of European neoclassicism, in 1791. Admire the decorative detail of Edward Smyth’s beautifully executed stonework carvings on the exterior and the famous carved keystones depicting the terrible heads of the river gods. There are 14 of these – one for every major river of Ireland.

The Custom House witnessed not only the development of a great city, but also some of the most turbulent milestones in its history. The building was destroyed by burning in 1921 and later restored to its former splendour.

The stories of the building, burning and restoration of Dublin’s Custom House are now brought to life in a new and fascinating exhibition, revealing a rich, many-layered story that spans over 200 years.

Custom House, from James Malton, English, 1761-1803, photograph courtesy of National Gallery of Ireland.
Customs House, Dublin, February 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Custom House detail, 21st November 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Custom House, 21st November 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A previous Custom House was located further up the river at Essex Quay, built in 1707. By 1780 it was judged to be unsafe for ships to come all the way up the river to that point, where the Clarence Hotel is now located, and a new building was required. John Beresford (1738-1805) determined position for the new Custom House against much objection as its position affected property prices – raising prices in the area and lowering the value of properties nearer the previous Custom House. Beresford sought to move the city centre eastwards from the Capel Street-Parliament Street axis towards College Green. The new Custom House was built on land reclaimed from the estuary of the Liffey. He wanted to shift the city near to his developer brother-in-law’s estate, the Gardiner estate, where Luke Gardiner Ist Viscount Mountjoy had developed an exclusive area for the gentry to inhabit. Both Luke Gardiner and John Beresford married sisters, daughters of William Montgomery of Magbiehill, 1st Baronet of England, who served as an MP in Ireland.

John Beresford, (1738-1805), First Commissioner of Revenue in Ireland G. Cowen, Dublin and at T. Macklin’s, London, 1st November 1790, Engraver Charles Howard Hodges, English, 1764-1837 After Gilbert Stuart, American, 1755-1828. Photograph courtesy of National Gallery of Ireland.
John Beresford was related to Luke Gardiner who developed the Gardiner estate.

John Beresford was the son of Marcus Beresford 1st Earl of Tyrone and Catherine De la Poer of Curraghmore in County Waterford.

On the main pediment, Hibernia is seen embracing Britannia while Neptune drives away famine and despair. Above the pediment stand four figures symbolising Neptune, Mercury, Industry and Plenty. At the top of the dome stands a figure of Commerce. [3] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
At the roof line is the coat of arms of the Kingdom of Ireland, with a lion and a unicorn either side of an Irish harp. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Gandon was an English-born architect who settled in Dublin in 1781 and was responsible for three major public buildings there – the Custom House, the Four Courts, and the King’s Inns – as well as for Carlisle Bridge and for extensions to the Parliament House. He also designed Emo in County Laois for John Dawson, 1st Earl of Portarlington (formerly 2nd Viscount Carlow). He was apprenticed to William Chambers, who designed on the Casino at Marino.

James Gandon, (1743-1823), Architect, against the Custom House, Dublin, photograph courtesy of National Gallery of Ireland.

The Custom House has four different but consistent facades, linked by corner pavilions. The south facade is of Portland stone, the others of mountain granite. The exterior is adorned with sculptures by Thomas Banks, Agnostino Carlini and Edward Smyth. Smyth carved the series of sculpted keystones symbolising the rivers of Ireland: the Bann, Barrow, Blackwater, Boyne, Erne, Foyle, Lagan, Lee, Liffey, Nore, Shannon, Slaney and Suir. On the north face are personifications of the four continents of world trade: Africa, America, Asia and Europe. [4]

Custom House, photograph taken 1943, Dublin City Library archives. [5]
Custom House 1982 photograph from Dublin City Library archives. [see 5] Smyth carved the series of sculpted keystones symbolising the rivers of Ireland: the Bann, Barrow, Blackwater, Boyne, Erne, Foyle, Lagan, Lee, Liffey, Nore, Shannon, Slaney and Suir.
Custom House detail, 21st November 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Custom House 1982 photograph from Dublin City Library archives. [see 5]
Custom House detail, 21st November 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Allegorical statues and motifs on the north façade of Custom House, photograph courtesy of Swire Chin, Toronto.

During the Irish Civil War, the buildings was engulfed in flames and the interior destroyed. The dome was rebuilt with Ardbraccan limestone instead of Portland stone.

Custom House photograph taken 1971, Dublin City Library archives. [see 5]

6. Dublin Castle, Dame Street, Dublin:

Dublin castle, photograph taken 1951, from Dublin City Library archives. [see 5] This is the Bedford Hall and the design has been attributed to Arthur Jones Nevill (d. 1771), who was Surveyor General at the time. He also designed the entrance front of the Battleaxe Hall building with its colonnade of Doric columns. The Bedford Hall was completed by his successor Thomas Eyre (d. 1772). [6]
Dublin Castle, 2020.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General Enquiries: 01 645 8813, dublincastle@opw.ie

From the website:

Just a short walk from Trinity College, on the way to Christchurch, Dublin Castle is well situated for visiting on foot. The history of this city-centre site stretches back to the Viking Age and the castle itself was built in the thirteenth century.

The building served as a military fortress, a prison, a treasury and courts of law. For 700 years, from 1204 until independence, it was the seat of English (and then British) rule in Ireland.

Rebuilt as the castle we now know in the seventeenth, eighteenth, nineteenth and twentieth centuries, Dublin Castle is now a government complex and an arena of state ceremony.

The state apartments, undercroft, chapel royal, heritage centre and restaurant are now open to visitors.

See my entry https://irishhistorichouses.com/2024/07/25/dublin-castle-an-office-of-public-works-property/

Dublin Castle, 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

What is called “Dublin Castle” is a jumble of buildings from different periods and of different styles. The castle was founded in 1204 by order of King John who wanted a fortress constructed for the administration of the city. By the beginning of the seventeenth century, the castle contained law courts, meeting of Parliament, the residence of the Viceroy and a council chamber, as well as a chapel.

The oldest parts remaining are the medieval Record Tower from the thirteenth century and the tenth century stone bank visible in the Castle’s underground excavation.

Dublin Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dublin Castle July 2011. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Chapel Royal, renamed the Church of the Most Holy Trinity in 1943, was designed by Francis Johnston in 1807. It is built on the site of an earlier church which was built around 1700.

Chapel Royal and the Record Tower, Dublin Castle, March 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The State Apartments consist of a series of ornate decorated rooms, stretching along the first floor of the southern range of the upper yard.

The Battleaxe Staircase, Dublin Castle, September 2021. This staircase dates from 1749 and is the gateway to the State Apartments. The Viceroy’s Guards were called the Battleaxe Guards. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The State Corridor on the first floor of the State Apartments is by Edward Lovett Pearce in 1758.

The State Corridor, Dublin Castle, September 2021. It was designed in 1758 and provided access to a series of public reception rooms on the left and the Viceregal’s quarters on the right. At the far end it led to the Privy Council Chamber. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ceiling of the Apollo Room. Apollo, god of the sun and music, identified by a sunburst and a lyre. Emerging from the clouds are some of the signs of the zodiac, including Sagittarius, Scorpio and Libra. The ceiling was taken in eleven pieces from a nearby townhouse, Tracton House, St Stephen’s Green, which was demolished in 1910. [10] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Drawing room was largely destroyed in a fire in 1941, and was reconstructed in 1968 in 18th century style. It is heavily mirrored with five large Waterford crystal chandeliers.

The State Drawing Room, designed in 1838, with its five Waterford crystal chandeliers, installed in the 1960s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Throne Room, originally known as Battleaxe Hall, has a throne created for the visit of King George IV in 1821. The walls are decorated with roundels painted by Gaetano Gandolfi, depicting Jupiter, Juno, Mars and Venus. The Throne Room was created by George Nugent-Temple-Grenville, 1st Marquess of Buckingham, the viceroy of the day.

The Throne Room, originally known as Battleaxe Hall. The walls are decorated with roundels painted by Gaetano Gandolfi depicting Jupiter, Juno, Mars and Venus. The chandelier was created in 1788. (see [6]) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Patrick’s Hall, Dublin Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

7. Farmleigh House, Phoenix Park, Dublin, July 2015:

Farmleigh House, Phoenix Park, Dublin, July 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2025/08/03/farmleigh-house-and-iveagh-house-phoenix-park-dublin/

8. Garden of Remembrance, Parnell Square, Dublin 1:

Garden of Remembrance, Parnell Square, Dublin, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: (01) 821 3021, superintendent.park@opw.ie

From the OPW website:

This beautiful garden in the centre of the city was designed by architect Dáithí Hanly and dedicated to the memory of ‘all those who gave their lives in the cause of Irish freedom’. 

The garden was officially opened on the fiftieth anniversary of the 1916 Rising.

The focus point is a magnificent sculpture by Oisín Kelly, based on the legend of the Children of Lir, in which four children are transformed into swans and remain so for 900 years before becoming human again. A poem by Liam Mac Uistin is inscribed on the wall behind the sculpture. It concludes: ‘O generations of freedom remember us, the generations of the vision.’

Garden of Remembrance, Parnell Square, Dublin, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Remembrance, Dublin, photo by Anthony Woods, 2021 for Failte Ireland, Ireland’s Content Pool. (see [2])

The garden is intended as a place of quiet remembrance. It is a perfect place to enjoy some respite from the clamour of the city.

Garden of Remembrance, Dublin, photo by Anthony Woods, 2021 for Failte Ireland, Ireland’s Content Pool.

and

In the eighteenth century, it was the location of pleasure gardens which were intended to raise funds for the maternity hospital to the front of Rutland (now Parnell) Square. In the late nineteenth century, these gardens contained a large temporary building which was used as a hall, and called Rotunda Rink.

It was at Rotunda Rink in 1913 that the Irish Volunteers were formed, at a meeting reportedly attended by around 7,000 people. In 1916, the Rotunda gardens were also where many of the leaders of the Easter Rising were held, before being taken to Kilmainham Gaol for execution. The site for the Garden of Remembrance was bought from the hospital in 1939, and a competition for its design was announced the year after.” [15]

Architect Daithí Hanly (1917-2003) was responsible for the design of the Garden. The centre of the plan contains a large cross-shaped pool, with a tiled mosaic pattern as its base. The tiles show a picture of swords, shields, and spears thrown beneath waves; this is a nod to the Celtic custom of casting weapons into water once a battle had ended. Important objects from the history of prehistoric and medieval Ireland were woven into the structure of the Garden elsewhere; in the railings can be seen the shapes of the Trinity College (Brian Boru) harp, the Loughnashade trumpet, and the Ballinderry sword.” [15]

Commemorated by the Garden of Remembrance are:

  • the 1798 rebellion of the Society of United Irishmen
  • the 1803 rebellion of Robert Emmet
  • the 1848 rebellion of Young Ireland
  • the 1867 rising of the Fenian Brotherhood
  • the 1916 Easter Rising
  • the 1919-21 Irish War of Independence
Garden of Remembrance, Parnell Square, Dublin, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

9. Government Buildings Dublin:

Irish Government Buildings, Dublin, housing the office of the Prime Minister or Taoiseach, as well as the Department of Finance. Photograph by Dave Walsh, 2009, for Tourism Ireland, Ireland’s Content Pool. (see [2])
Government buildings, Photograph by Jeremy Hylton, June 2022.

General Inquiries: 01 645 8813

From the OPW website:

The imposing complex of Government Buildings on Upper Merrion Street, next door to Leinster House, was the last major public building the British constructed in Ireland. It was intended as accommodation for the Royal College of Science and various departments of the administration.

Fortuitously, it was complete by 1922. When independence dawned, the new Free State government moved in.

In more recent times, Taoiseach Charles Haughey converted and entirely refurbished the building to form state-of-the-art accommodation for a number of departments, including the Department of the Taoiseach, the Department of Finance and the Office of the Attorney General. Despite criticism of the expenditure involved, the renovated building won awards for its architectural design when it opened in the 1990s.

There are free guided tours every Saturday, although they are subject to occasional cancellation for urgent government business.

The building was constructed between 1904 and 1922 as a combination of Government offices and Royal College of Science, which occupied the centre block. My father went to college there! The function is represented by statues of William Rowan Hamilton, a mathematician, and Richard Boyle, the scientist, in niches flanking the entrance. The architects were Sir Aston Webb of London (who also designed Admiralty Arch in London’s Trafalgar Square) and Sir Thomas Manley Dean, from Cork. 1,000 people were at the opening ceremony. George V knighted the Architects on the day.

Internally the building was one of the most modern of its day. The floors were made of concrete and all the corridors were paved with marble tiles. Many rooms were fitted with fireplaces but it was mainly central heating that was used. Electricity was installed throughout and there was also a lift. Fans ventilated the rooms. It was one of the first colleges to admit women to its privileges.

The College was taken over by University College Dublin in 1926. In 1989 U.C.D. vacated the premises and moved to Belfield. Between January December 1990 and December 1991 the building was renovated by architects of the Office of Public Works to house the Department of the Taoiseach which had previously occupied as side wing. It was occupied by the Department in January 1991.

Stephen and I took the tour of the buildings in 2020 but one is not allowed to take photographs. We were excited to stand in the Office of the Taoiseach – who was Leo Varadkar at the time.

1947, photograph from Digital Repository, Dublin City Archives and Library, for Failte Ireland. [see 5]

10. Grangegorman Military Cemetery, Blackhorse Avenue, Dublin 7:

General enquiries: (01) 821 3021, superintendent.park@opw.ie

From the OPW website:

The largest military cemetery in Ireland, Grangegorman is a stone’s throw from the landmark Phoenix Park.

The graveyard was opened in 1876 as a resting place for service personnel of the British Empire and their families. It contains war graves from both world wars, as well as the graves of some of the British soldiers who lost their lives during the 1916 Rising.

A simply designed screen-wall memorial, built of Irish limestone and standing nearly 2 metres high, commemorates those war casualties whose graves lie elsewhere in Ireland and can no longer be maintained.

Mature trees and well-maintained lawns cast a sombre and reflective atmosphere over this restful place.” [16]

The cemetery adopts the “garden cemetery” styple promoted by J.C. Louden, the Victorian botanist and garden designer.

11. Irish National War Memorial Gardens, Islandbridge, Dublin:

National War Memorial Gardens, Dublin, 2021. At the centre of the garden is the War Stone, or Stone of Remembrance, on which is written “Their name liveth forevermore.” There is a similar stone is almost all cemeteries of the Commonwealth War Graves Commission. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: (01) 475 7816, parkmanager@opw.ie

From the OPW website:

These gardens in Islandbridge, a Dublin suburb, are one of the most famous memorial gardens in Europe. They are dedicated to the memory of the 49,400 Irish soldiers who died in the First World War. The name of every single soldier is contained in the sumptuously illustrated Harry Clarke manuscripts in the granite bookrooms.” They were created in the 1930s, with the stipulation that labour would be divided with fifty percent coming from ex-soldiers of the British army and fifty percent from ex-soldiers of the Irish army.

These gardens are not only a place of remembrance; they are also of great architectural interest and beauty. The great Sir Edwin Lutyens (1869-1944) designed them. Lutyens was a prolific garden designer, especially of war memorials, but nonetheless lent his expertise to only four gardens in Ireland.

Sunken rose gardens, herbaceous borders and extensive tree-planting make for an enjoyable visit in any season. The solemn, serene atmosphere of this elegant garden makes it a perfect place in which to relax and reflect.

War Memorial Gardens October 2014: the sunken rose garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
War Memorial Gardens November 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
War Memorial Gardens October 2014, my Dad and Stephen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
War Memorial Gardens October 2014, Stephen, and two of the four “bookrooms” which represent the four provinces of Ireland and house a collection of items relating to both world wars, as well as record books which list the names, regiments and places of birth of the Irish soldiers known to have died in the First World War. These books are illustrated by Harry Clarke and are kept in cases designed by Lutyens. I have never seen these pavilions open to the public, however. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
War Memorial Gardens November 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
War Memorial Gardens November 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The site chosen for the Gardens lies on the banks of the River Liffey, and was known as Longmeadows. It is around fifty acres in size. Its location next to this section of the Liffey meant that it was an important ancient and medieval fording point. The earliest Viking burials were discovered in the vicinity in the early nineteenth century. The most recent excavations in 2008 uncovered a grave which contained a sword, spearhead, and ringed pin. In an era when the Liffey was unconstrained by its modern quays, and spread far wider than it does today, Islandbridge was the first navigable point. The Irish National War Memorial Gardens therefore occupy a space that was important at many different points in Irish history.

Today, the location of the Gardens mean that they are a popular recreational destination for both the local community and international visitors alike. The pathways between the rose gardens, tree avenues, and herbaceous borders allow for pleasant walking. The presence of many boatclubs, mainly along the north side of the Liffey, mean that the park is a significant hub for rowing, and other water sports, in Dublin. The 250m-long weir, dating to the 13th century, attracts a steady stream of anglers who fish its salmon and trout.” [17]

12. Iveagh Gardens, Clonmel Street, Dublin 2:

Iveagh Gardens, Dublin, October 2021.

General Enquiries: 01 475 7816, parkmanager@opw.ie

From the OPW website:

Tucked away behind the National Concert Hall, the Iveagh Gardens are among the finest, but least known, of Dublin’s parks and gardens.

They were designed by Ninian Niven in 1865 as the grounds for the Dublin Exhibition Palace – a space ‘where the citizens might meet for the purposes of rational amusement blended with instruction’.

The gardens contain a unique collection of features, which include rustic grottos, sunken formal panels of lawn with fountain centrepieces, woodlands, a maze, a rosarium, the American garden, rockeries and archery grounds.

This oasis of tranquillity and beauty, just a stone’s throw from the city centre, can justly claim to be the capital’s best-kept secret.

This figure used to be in the fountain. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Gardens rose garden, 2009. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about Ninian Niven, from the exhibition at the Irish Georgian Society in July 2022 curated by Robert O’Byrne, “In Harmony with Nature, The Irish Country House Garden 1600-1900.

The website gives us a wonderfully informative history of the garden:

In 1777, Harcourt Street was built southwards from the south-west corner of St Stephen’s Green. The following year, its first residence was completed – Clonmel House – now number 17 Harcourt street. The proprietor was John Scott (1739 – 1798), 1st Earl of Clonmell, whose country estate was Temple Hill House in Blackrock, Co Dublin. A lawyer by profession, Scott was a friend, collaborator, and fellow-scoundrel of the infamous ‘Buck’ Whaley (whose house at number 85 St Stephen’s Green backed onto Leeson’s Fields).” John Scott, or “Jack,” was the original “Copper Faced Jack,” so called because of his face red from alcohol.

John Scott, 1st Earl of Clonmel, (1739-1798), Chief Justice of the King’s Bench in Ireland Date after 1798 by Engraver Pierre Condé, French, fl.1806-after 1840 After Richard Cosway, English, 1742-1821, photograph courtesy of National Gallery of Ireland.

Scott bought eleven acres of Leeson’s Fields as a garden for Clonmel House. Because Harcourt Street separated the two, a subterranean passage was built (believed to be extant), from one of the now-demolished wings of Clonmel House, with two entrances in the garden.  In a map of 1789 this site is named ‘Lord Earlsfort’s Lawn’ after Scott’s first title Baron Earlsfort.  In the 1790s he became Earl of Clonmell, to which he added an ‘L’ (Clonmell).  

In 1817 this private land was leased, made public, and renamed the ‘Cobourg Gardens’, a name probably suggested by recent events on the Continent. For a brief period the Cobourg Gardens, barely altered from their time as the lawn of Clonmell House, enjoyed a very fashionable position among Dublin’s upper-class society…

Iveagh Gardens 2014, photograph by James Fennell for Tourism Ireland, Ireland’s Content Pool. (see [2])

By the 1830s the popularity of the Cobourg Gardens had declined sharply. In 1836, the ground reverted to Thomas, Earl of Clonmell, who seems to have encouraged plans to build a new street across the Garden, parallel to St Stephen’s Green to be called Clonmel Street.

The gardens … were badly neglected until bought by Benjamin Lee Guinness from John Henry, [3rd] Earl of Clonmell, in 1862.

Benjamin Lee Guinness acquired the land to act as a garden for his town house mansion Iveagh House (numbers 80 and 81 St Stephen’s Green), which he acquired in 1856. Being characteristic of his conscientious and philanthropic family, he became a trustee of the Dublin Exhibition Palace and Winter Garden Company, established in 1862.

He sold the land bordered by Harcourt Street, St Stephens Green south, Earlsfort Terrace and Hatch Street, to the Company for the price he had paid for it. This was to be the location of the Company’s planned recreational and cultural centre for Dublin’s citizens…

Meanwhile, considerable labour was required in the pleasure grounds of the Exhibition Palace. Ninian Niven, famed landscape gardener and former Director of the Botanic Gardens Glasnevin (1834 – 1838), designed the layout…” [you can see a picture of the Exhibition building on the OPW website]. The gardens combined the “French formal” style with “English landscape.” Niven also designed the gardens at a Section 482 property, Hilton Park in County Monaghan, as well as the National Botanic Gardens at Glasnevin at gardens at Aras an Uachtarain.

Iveagh Gardens 2014, photograph by James Fennell for Tourism Ireland, Ireland’s Content Pool. (see [2])

The heir to the throne, Albert Edward, Prince of Wales, to rapturous enthusiasm, performed the grand opening, on 9 May 1865. In all a huge 930,000 visitors attended the Exhibition between 9 May and 9 November.  The Company arranged special railway and other concessions and the Palace was equipped with a telegraph centre, post office branch, railway office, and facilities for a large number of international newspapers.

The gardens remained open to the public until the exhibition building was sold and then, the land made private again in 1883. They opened again to the public in 1941, first as part of University College Dublin.

The Gardens feature a unique collection of landscape features, which include a Rustic Grotto and Cascade, sunken formal panels of lawn with Fountain Centre Pieces, Wilderness Woodlands, a Maze, Rosariurn, American Garden, Archery grounds, Rockeries and Rookeries. Happily, many of these features were still visible when the gardens transferred into State care in 1991.

Accordingly, a plan was put in place immediately to undertake restoration and conservation works to the gardens. Looking around the gardens the fruits of this work are visible, in features such as the Yew maze and the Rosarium with its period collection of roses pre-dating 1865. The two fountains, restored in 1994, form a magnificent centerpiece in the gardens.” [18]

Legend tell us that an elephant is buried near the sunken lawn. It may have been used for dissection in the medical school or by a veterinarian, or else could have died in Dublin zoo. However, no remains have ever been found so its presence may be an urban myth.

13. Kilmainham Gaol, Dublin:

The main entrance was the formidable doorway, above which five monstrous shapes writhe. These have variously been called dragons, demons, serpents, and a hydra. It is said that they represented the five worst crimes: murder, rape, theft, treason, and piracy. Just outside this entrance was where public hangings took place until the late nineteenth century, and remains of the fixtures for the gallows can still be seen. [19] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilmainham Gaol, January 2014.

General Enquiries: 01 453 5984, kilmainhamgaol@opw.ie

from OPW website:

Kilmainham Gaol is one of the largest unoccupied gaols in Europe. It opened in 1796 as the new county gaol for Dublin and finally shut its doors as such in 1924. During that period it witnessed some of the most heroic and tragic events in Ireland’s emergence as a modern nation.

Among those detained – and in some cases executed – here were leaders of the rebellions of 1798, 1803, 1848, 1867 and 1916, as well as members of the Irish republican movement during the War of Independence and Civil War.

Names like Henry Joy McCracken [founder of the United Irishmen. He entered the Gaol on the 11th of October 1796 and was hanged two years later], Robert Emmet [United Irishman, hung in 1803], Anne Devlin [friend of Robert Emmet, spent two years in Kilmainham Gaol] and Charles Stewart Parnell [leader of the Irish Parliamentary Party at Westminster, and many of his fellow MPs were detained in Kilmainham after their open rejection of the Land Act introduced by the British government in 1881. Parnell was imprisoned in Kilmainham from October 1881 to May 1882] will always be associated with the building. Not to be forgotten, however, are the thousands of men, women and children that Kilmainham held in its capacity as county gaol. 

Kilmainham Gaol is now a major museum. The tour of the prison includes an audio-visual presentation.

The Gaol was closed as a convict prison in 1910 and handed over to the British Army. It was closed for good as a prison in 1924.

Kilmainham Gaol, January 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilmainham Gaol, January 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilmainham Gaol, January 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In the late 1850s, the east wing was replaced completely. The architect who won the open competition was John McCurdy, freemason and official college architect of Trinity College Dublin. This new wing was envisaged as a different system as early as its competition advertisement in 1857. It opened four years later, and reflected the very different ideas of the Victorian age. Based on the Panopticon, it is possible to see all ninety-six cells from a central viewing area. The use of light was deliberate and philosophical. It was thought that the huge skylight would spiritually inspire the inmates, while the out-of-reach cell windows would encourage them to turn heavenward. Under the ground of this new wing were four cellar-level isolation cells intended for dark and solitary confinement. [23] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eamon De Valera’s cell, who later became President of Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eamon de Valera, as President of Ireland, portrait in the Áras an Uachterain. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Easter Rising of 1916 was devised to take place at a time when the British were distracted by fighting the Great War on the continent. Led by members of the Military Council of the Irish Republican Brotherhood, with support from the Irish Citizen Army, the Irish Volunteers, and Cumann na mBan, the rebels seized key sites in Dublin on the 24th of April 1916. It began with a reading of the Proclamation of the Republic by Patrick Pearse. Fighting lasted for six days, until the British Army suppressed the rebellion and Pearse surrendered.

James Connolly was badly wounded and brought to Dublin Castle. Patrick Pearse was brought to Arbour Hill, before transferring to where the rest of the leaders were located, in Richmond Barracks. There they were court-martialled and sentenced to death. They were transferred to Kilmainham Gaol. Here, they were visited by loved ones, and wrote their final goodbyes. It was also here that another leader, Joseph Plunkett, married Grace Gifford in the Gaol chapel the night before he was shot. Between the 3rd and 12th of May 1916, fourteen men were executed by firing squad in the Stonebreakers’ Yard of Kilmainham Gaol. Seven of them had been the signatories of the Proclamation. These were Thomas Clarke, Seán Mac Diarmada, Thomas MacDonagh, Patrick Pearse, Éamonn Ceannt, James Connolly, and Joseph Plunkett.” [23]

The cell of Grace Gifford, Mrs Joseph Plunkett in 1923 (her husband was killed in 1916). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The place where the executions took place in 1916. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilmainham Gaol, January 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

14. National Botanic Gardens, Glasnevin, Dublin 9:

National Botanic Gardens Glasnevin, 2009: the Richard Turner Palm House. The glass houses were built between 1843-1869. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: (01) 804 0300, botanicgardens@opw.ie

From the OPW website:

The National Botanic Gardens in Glasnevin, just 3 kilometres from Dublin city centre, are renowned for the exquisite plant collections held there. They are home to over 15,000 plant species and cultivars from a variety of habitats from all around the world.

The jewel in the gardens’ crown is a set of exquisitely restored and planted historic glasshouses. Most notable among these are Richard Turner’s Curvilinear Range and the Great Palm House, both winners of an award for excellence in conservation architecture.

Conservation plays an important role in the life of the gardens and Glasnevin is home to over 300 endangered plant species, 6 of which are already extinct in the wild.

The gardens have been closely associated with their counterpart in Kilmacurragh, County Wicklow, since 1854. Unlike the Wicklow branch, though, they provide a calm and beautiful green space in the midst of the nation’s capital.

National Botanic Gardens Glasnevin, 2009. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

“In 1790, the Irish Parliament, with the active support of the Speaker of the House, John Foster, granted funds to the Dublin Society (now the Royal Dublin Society), to establish a public botanic garden.

In 1795, the Gardens were founded on lands at Glasnevin…The original purpose of the Gardens was to promote a scientific approach to the study of agriculture. In its early years the Gardens demonstrated plants that were useful for animal and human food and medicine and for dyeing but it also grew plants that promoted an understanding of systematic botany or were simply beautiful or interesting in themselves.

By the 1830s, the agricultural purpose of the Gardens had been overtaken by the pursuit of botanical knowledge.

This was facilitated by the arrival of plants from around the world and by closer contact with the great gardens in Britain, notably Kew and Edinburgh and plant importers such as Messrs. Veitch. By 1838, the basic shape of the Gardens had been established. Ninian Niven as Curator had, in four years, laid out the system of roads and paths, and located many of the garden features that are present today. [Niven had formerly been head gardener at the Chief Secretary’s Lodge in the Phoenix Park, now the residence of the American Ambassador to Ireland).

The ever increasing plant collection, and especially plants from tropical areas, demanded more and more protected growing conditions and it was left to Niven’s successor, David Moore, to develop the glasshouse accommodation. Richard Turner the great Dublin iron-master, had already supplied an iron house to Belfast Gardens, and he persuaded the Royal Dublin Society that such a house would be a better investment than a wooden house. So indeed it has proved.

“…Moore used the great interest in plants that existed among the estate owners and owners of large gardens in Ireland to expand trial grounds for rare plants not expected to thrive at Glasnevin. The collections at Kilmacurragh, Headford, and Fota, for example, attest to this.

It was David Moore who first noted potato blight in Ireland at Glasnevin on 20th August 1845, and predicted that the impact on the potato crop would lead to famine in Ireland….

A development plan for the Gardens, published in 1992, led to a dramatic programme of restoration and renewal.

Primary amongst these was the magnificent restoration of the Turner Curvilinear Range of glasshouses completed for the bicentenary of the Garden in 1995. A new purpose-built herbarium/library was opened in 1997. The 18th century Director’s House and the Curator’s House have been refurbished. New service glasshouses and compost storage bays have been built. Additional lecture rooms for the Teagasc Course in Amenity Horticulture were opened in 1999. Improved visitor and education facilities have been provided in a new Visitor Centre. In tandem with the restoration and expansion of the buildings, upgrading of the collections and displays has also been in progress. The work of plant identification and classification, of documenting, labelling and publishing continues, as does that of education and service to the visiting public.

The Botanic Gardens came into state care in 1878 and since then have been administered variously by the Department of Art and Industry, the Department of Agriculture, Dúchas the Heritage Service of the Department of Arts, Heritage the Gaeltacht and the Islands, and the Office of Public Works (OPW), which currently has responsibility for the Gardens.” [20]

The gardens include an extensive arboretum as well as rockery, herbaceous border, alpine house, rose garden and woodland garden.

National Botanic Gardens Glasnevin, 2009. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
National Botanic Gardens Glasnevin, 2009. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
National Botanic Gardens, Dublin, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

15. Phoenix Park, Dublin:

Phoenix Park in snow, 1969, photograph from Dublin City Library archive. [see 5]

General Enquiries: 01 821 3021, superintendent.park@opw.ie

One would think it was named for the bird that rose from the flames, but in fact its name comes from the Irish phrase “Fionn Uisce” meaning “clear water.”

A neolithic burial chamber was discovered in the park in 1838, and the grave of a Viking woman.

Information boards in the visitors centre, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information boards in the visitors centre, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the OPW website:

It was originally formed as a royal hunting Park in the 1660s [by James Butler, 1st Duke of Ormond, for King Charles II] and opened to the public in 1747. A large herd of fallow deer still remain to this day. The Park is also home to the Zoological Gardens, Áras an Uachtaráin, and Victorian flower gardens. The Phoenix Park is only a mile and a half from O’Connell Street. Both passive and active recreational pursuits may be viewed or pursued such as walking, running, polo, cricket, hurling, and many more. The Glen Pond is set in very scenic surrounds in the Furry Glen. There are many walks and cycle trails available to the public.

The Phoenix Park is open 24 hrs a day, 7 days a week, all year round.”

Information boards in the visitors centre, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information boards in the visitors centre, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 4th Earl of Chesterfield [Philip Stanhope] was appointed Lord Lieutenant of Ireland in January 1745, and is credited with initiating a series of landscape works, many of which were probably not completed until after his short tenure, having been recalled to London more than a year later. These included considerable replanting of the Park as well as planting of trees on either side of the main avenue and the erection of the Phoenix Column in 1747. He is also credited with opening the Park to the public.

The dominant eighteenth-century managerial and infrastructural characteristics of the Phoenix Park were reflected in the extensive use of the Park by the military and the number of lodges used by government officers and other lesser officials involved in Park management. Apart from the use of the Park for military manoeuvres and practices, there were also a number of military institutions which included the Royal Hibernian Military School (1766) for children who were orphaned, or whose father was on active military service abroad. The Magazine Fort, constructed in 1736 with additions in 1756, was a major military institution from which small arms, munitions and gunpowder were distributed to other military barracks in the Dublin area. Mountjoy Cavalry Barracks (formerly the home of Luke Gardiner, one of the Keepers of the Park) and the Royal Military Infirmary were two further buildings constructed during the eighteenth century, in 1725 and 1786 respectively. The role of the Salute Battery (for firing cannon on Royal and other special occasions), situated in the environs of the Wellington Testimonial, was discontinued, and the lands it occupied within the Park subsequently became known as the Wellington Fields, and on which the Wellington Testimonial was erected.

All the important lodges and accompanying demesnes, which were originally occupied by Park Rangers or Keepers, were purchased for Government use as private dwellings for the chief officers of state. These included the Viceregal Lodge for the Lord Lieutenant (now Áras an Uachtaráin), the Chief Secretary’s Residence (now the residence of the U.S. Ambassador to Ireland [called Deerfield]) and the Under-Secretary’s Residence (subsequently the Papal Nunciature and now the Phoenix Park Visitor Centre [Ashtown Castle, next to a Victorian walled kitchen garden]).

The beginning of the nineteenth century saw the Park in a much-neglected state with poor drainage, the roads in bad order, and most of the trees very old and/or in a state of decay. However with the Commissioners of Woods and Forests taking over the management of the public areas of the Park and the employment of the renowned architect/landscape architect, Decimus Burton, all this was about to change. Burton produced a master plan for the Park which included the building of new gate lodges, the removal and levelling of old hedgerows and shooting butts, tree planting in strategic locations, drainage, the restoration of the boundary wall, creation and realignment of the Park roads, which included Chesterfield Avenue. This latter project involved the relocation of the Phoenix Column on the main avenue. Burton’s involvement for nearly two decades represents the greatest period of landscape change since the Park’s creation by the Duke of Ormond.

“…From the 1830s and particularly after the 1860s, sporting and recreational activities became prominent. The Royal Dublin Zoological Society opened Dublin Zoo in 1830. The Promenade Grounds opened in 1840 (later to be known as the People’s Garden) and were considerably improved in the 1860s with the addition of a Head Gardener’s House, rock garden, and horticultural facilities to allow for flower production for planting in the Gardens. Between the People’s Garden and Dublin Zoo, a bandstand and tearooms were built in the final decade of the nineteenth century.” [21]

Phoenix Park People’s Garden, 1971, photograph from Dublin City Library archive. [see 5]

Next to the visitor’s centre is a Victorian Walled Garden.

Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Walled garden, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Walled garden, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An area in the park is designated as People’s Flower Garden:

A 9-hectare section of the massive Phoenix Park is given over to this enclosed and immaculately manicured Victorian flower garden. 

The garden was laid out and opened in the mid-nineteenth century as the Promenade Grounds. It provides an opportunity to enjoy the horticulture of that era at its best. A large ornamental lake with various fowl, a children’s playground, picnic areas and Victorian bedding schemes are just some of the attractions you will come across here.

Whether you’re looking to relax in the sun, have a picnic or simply take a pleasant walk, don’t miss this enchanting portion of the capital’s largest green space.

Phoenix Park People’s Garden, 1959, photograph from Dublin City Library archive. [see 5]

16. Rathfarnham Castle, Dublin:

Rathfarnham Castle, Dublin, September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General Enquiries: 01 493 9462, rathfarnhamcastle@opw.ie

From the OPW website:

The castle at Rathfarnham dates back to the Elizabethan period. It was built [around 1583] for Adam Loftus, a Yorkshire clergyman and politician [1533-1605]. Loftus was ambitious and eventually rose to become Archbishop of Dublin and Lord Chancellor of Ireland.

Loftus’s castle, with its four flanker towers, is an excellent example of the Elizabethan fortified house in Ireland. In the late eighteenth century, the house was remodelled on a splendid scale employing some of the finest architects of the day including Sir William Chambers and James ‘Athenian’ Stuart. The collection includes family portraits by Angelica Kauffman, Sir Peter Lely, and Hugh Douglas Hamilton.

See my entry https://irishhistorichouses.com/2025/07/11/rathfarnham-castle-dublin-an-office-of-public-works-property/

17. Royal Hospital Kilmainham, Military Road, Dublin 8:

Royal Hospital Kilmainham, January 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Royal Hospital, Kilmainham, North Walk James Malton, English, 1761-1803, photograph courtesy of National Gallery of Ireland.
Aerial view before restoration, Royal Hospital Kilmainham.

General Enquiries: 01 643 7700, rhktours@opw.ie

In Irish, ‘Kil Maignenn’ means Maignenn’s church, and the area takes its name from that saint, who established a church and monastery here around AD 606. After Strongbow’s arrival in Ireland, the land was granted to the Knights Hospitaller of St John of Jerusalem, who established a priory here.

From the OPW website:

The building as we know it today was begun in 1680. Leading architects such as William Robinson, Thomas Burgh and Francis Johnson made it the starting point for Dublin’s development into a city of European standing.

Inspired by Les Invalides in Paris, the building was to be a retirement home for old soldiers. Over the next 247 years, thousands of army pensioners lived out their final days within its walls.

In 1991, the Royal Hospital Kilmainham became home to the Irish Museum of Modern Art.” [22]

Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2025/01/22/royal-hospital-kilmainham-dublin-office-of-public-works/

Royal Hospital Kilmainham dining hall by Robert French, Lawrence Photographic Collection NLI, flickr constant commons.
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Richmond Tower by Francis Johnston, named after the Lord Lieutenant, Charles Lennox, 4th Duke of Richmond, Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

18. St. Audoen’s, Dublin

St Audoen’s, Culture Night 2010. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General Enquiries: 01 677 0088, staudoenschurch@opw.ie

From the OPW website:

Nestled in the heart of the walled medieval city of Dublin, St Audoen’s Church is the only remaining medieval parish church in the capital. It is dedicated to the seventh-century bishop of Rouen and patron saint of Normandy.

St Audoen’s Church was crucial to the life of the medieval city. Here papal bulls were pronounced and public penances carried out. The Guild Chapel of St Ann houses an award-winning exhibition on the importance of St Audoen’s to medieval Dublin.

Visitors to St Audoen’s can examine the part of the church still in use by the Church of Ireland. They can also view the stunning fifteenth-century tomb to Baron Portlester and his wife.

St Audoen’s, Culture Night 2010. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The church is dedicated to St Ouen the 7th century bishop of Rouen and patron saint of Normandy, and was built in 1190 to replace an earlier structure. It is said to have the oldest bells in Ireland with three bells dating from 1423 hanging in the tower. In the main porch is stored an early Christian gravestone known as the Lucky Stone which has been kept here since 1309.

The OPW restored and re-roofed St Anne’s Guild Chapel, which had been without a roof since 1826. This chapel dates back to the time of Henry VI of England, who in 1430 authorised the erection of a chantry here, to be dedicated to St. Anne. The story of this Guild is fascinating as it had most of Dublin’s most important businessmen as its members. After Henry VIII made Protestantism the state religion, the Catholic members of St Anne’s Guild had to have meetings and Catholic masses in secret. They held much property, as wealthy patrons gave land to the church and guild as a way to curry favour in heaven, and so Guild members took to hiding the property deeds to the St Anne’s Guild.

An article written for the OPW tells us more about St. Anne’s Guild:

Medieval Christians believed that only the truly saintly would enter heaven after death. Others had to spend time in purgatory to purify their souls. The idea of purgatory became widely accepted after 1290, when a chantry house or lay religious guild was established after the death of Queen Eleanor of Castile to pray for her soul. Masses sung or said for a person after death, especially on the anniversary of their death, would speed the journey through purgatory and into heaven. People regularly left money in their wills to provide for these masses.

Christians came together in sodalities and fraternities to support each other in praying for their dead relatives. St Anne’s Guild, based in St Audoen’s Church, grew out of this movement. There were about six religious guilds in medieval Dublin. St Anne’s is the most well known and probably the most long lived of these.The guild was formally established by charter in 1430, but property deeds relating to the work of the guild go back as far as 1285. The purpose of the guild was to fund chaplains in St Audoen’s church to pray for dead guild members’ souls. Financial support for St Anne’s guild during a person’s lifetime or in their will, was a form of spiritual insurance; your soul would be cared for after your death...

“…All masters and wardens were drawn from the elite of medieval Dublin; Mayors of Dublin, Alderman of Dublin Corporation, Recorders of Dublin (chief magistrates), freemen, citizens, chaplains, knights or merchants. This connection to powerful people was one of the factors that enabled the guild to survive and thrive even through the Reformation.

“…Some of the wealthier members of the guild paid fees to St Audoen’s church so that they could be buried within the walls of the church.

“…Perhaps the most well know endowment at St Audoen’s church was from Sir Roland FitzEustace, Lord of Portlester in 1482. He funded a private chapel to the south east of the church, which was named the Portlester Chapel. FitzEustace was Lord Chancellor of Ireland and it is said he made the donation in thanks for being saved during a perilous sea journey. He also bequeathed a life size cenotaph of himself and his wife Margaret, least anyone forget his generosity. Probably as a gesture of appreciation, St Anne’s guild granted him a messuage; this medieval term referred to a property with buildings, outbuildings, a garden and an orchard. It was located close to St Audoen’s Church and was granted for his and his son’s lifetime.” [23]

The Portlester Chapel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The roof of the Portlester Chapel was removed in the 17th century, and the tomb was removed and can be seen in the main porch. The church still holds a weekly Church of Ireland service.

St. Audoen’s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Audoen’s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Portlester tomb, St Audoens, featuring Roland FitzEustace (d. 1496), Lord Portlester, and his wife Margaret d’Artois. Photograph from ca. 1898, National Library of Ireland flickr constant commons.

The OPW arcticle continues:

In 1534, the guild acquired Blakeney’s Inn, located to the east of St Audoen’s Church. The guild purchased the Inn from James Blakeney of Rykynhore in exchange for cash and lands at Saucereston, near Rykynhore in the parish of Swords. The Inn is described as having a garden and a turret. It had been the home of the Blakeney family whose ancestors John and James Blakeney had been among the founders of the guild over a hundred years before. The building was renamed the College of St Anne and was used as accommodation for the guild chaplains. Parts of the College were also rented out to raise income.

The building is long gone and St Audoen’s Catholic church stands in its place today.

“…From 1541, the new Protestant religion was promoted in Ireland. Henry VIII abolished lay religious guilds across England. Many in Ireland, including St Anne’s Guild, managed to survive. The new Protestant religion, with King Henry VIII at its head, rejected the doctrine of purgatory. This had been a core part of the existence of St Anne’s Guild. Many of the rituals at the core of St Anne’s Guild, such as veneration of shrines, were called into question by the new religion. With the dissolution of the monasteries (1536-41), St Anne’s guild lost some of its properties, such as the lands rented from St Mary’s Abbey. However, they did manage to salvage some lands in Kilmainham that were leased out to the prior of the Hospital of St John.

Wealthy parishioners continued to support St Anne’s guild and leave money and property in their wills. Chaplains continue to be appointed each year and the property portfolio continued to grow. Affiliation to St Anne’s guild was initially able to transcend the differences between Catholics and Protestants; the guild was able to accommodate both. St Audoen’s Church had been appropriated for Anglican services after 1540s and Catholic services were fully transferred to St Anne’s College by 1611. St Anne’s College was later appropriated by the St Audoen’s Protestant parish clergy and renamed St Audoen’s College.

“..Conscious that they were coming under attack from the state and established church, the guild recorded the minutes of their meetings meticulously. From 1591, measures were taken to secure all the property deeds of the guild. They were put in a stout chest locked with three keys. The keys were held by the wardens and a senior guild member; all three needed to be present to open it...

There were many Catholics and recusants, those who refused to adopt the new state Protestant religion, among the membership of the guild. Walter Sedgrave, guild master in 1593, had been arrested for supporting the rebellion of Viscount Baltinglass in the early 1580s and was known to protect priests in his home. Michael Chamberlain, guild master from 1598, and Matthew Handcock, guild warden in 1593, were imprisoned for their recusancy in 1605-6, having refused an order to accompany the governor to Protestant divine service. Catholics Edmund Malone and Nicholas Stephens held guild wardenships from 1605. Stephen’s execution was ordered in 1613 for his leading role in the riot in Dublin after the overturning of the parliamentary election. He was reprieved. Handcock, Malone and Stephens spent the early months of 1606 in prison in Dublin Castle. Guild member, William Talbot, lost his position as Recorder of Dublin because of his refusal to take the Oath of Supremacy. All of these attacks on guild members hindered the administration of the guild. As the guild came under attack, they employed the services of the Lawyer, Henry Burnell. Burnell was also recusant.

…The decision to refurbish the guild altar in St Audoen’s in 1597 and again in 1605, shows that the shrine was still important to guild members. The hall of St Anne’s college was refurbished in the following years and in 1618 it was said that masses were conducted there – despite being outlawed by the state. Masses were also said in the houses of guild members. It is likely that money paid to Catholic priests was not recorded in the guild accounts. Members of the Sedgrave, Browne and Malone families worked as priests in the Dublin area from 1600-1630 and all had kinfolk in the guild.

In 1611, the state brought proceedings against the continued existence of St Anne’s Guild, with a view to acquiring the guild’s extensive property portfolio. John Davis, the Attorney General, filed a case against Mathew Hancock, Master, and Nicholas Stephens and Edmond Malone, wardens of St Anne’s Guild. Davis was challenging the practices of St Anne’s Guild; demanding to know the legal basis on which they were founded and challenging their corporate status. The guild successfully relied on the original 1430 charter to defend its right to exist, arguing these rights had been exercised uninterrupted since 1430. The Attorney General argued that this was insufficient to protect their property being seized by the King. But the case seemed to rest there and no action was taken.

“…The argument that the guild was being used to support Catholic members, Catholic priests and ultimately a restoration of the Catholic religion was revived in 1634 when the Anglican Vicar of Christchurch, Reverend Thomas Lowe presented his case to the Archbishop of Dublin. Lowe claimed that a Papal Bull from Pope Pius V dating to 1568-9 was found in the papers of Richard and Christopher Fagan; directing the assets of St Anne’s guild be applied only to the benefit of Catholics. He revived the argument that the guild assets were being divided between its own members, Jesuit priests and popish friars. He also accused the guild of swallowing up all the church means to the detriment of the parish church that was in need of funds.

Lowe delivered the documents as proof of wrong-doing to The Lord Deputy of Ireland, Thomas Wentworth, in Dublin Castle. Wentworth had already been involved in a wholesale attempt to seize the assets of Irish Catholics. He sought to have these ‘secret misappropriated livings’ returned to the Anglican church. He ordered that the records of the guild be inspected to investigate their expenditure since 1603. The records showed that St Anne’s guild had investments worth over 800 pounds and were only giving a small part of that to the parish church. They attempted to seize some of the guild property for use by the parish church and imposed thirty Protestant luminaries as members of the guild. They also seize the property of St Anne’s College for the use of Anglican priests and renamed it St Audoen’s College. This attempted coup of St Anne’s Guild failed, probably because of the religious upheaval throughout the country at the time. While this attempt to close the guild failed, the membership was now mostly Protestant.

Lord Deputy Wentworth was recalled to London for ‘high misdemeanours’ and the charges against him specifically refer to his treatment of St Anne’s Guild. Within months, he was taken to the Tower of London where he was executed on the 12th May 1641. Despite the fate of Lord Deputy Wentworth, Reverend Lowe continued his persecution of St Anne’s Guild.

Thomas Wentworth, the 1st Earl of Strafford (1593-1641).

“…After 1690, Catholics were excluded from holding the roles of master or warden of the guild. In 1695, the assets of the guild were handed over to four trustees; Archbishop Narcissus Marsh, Rev. John Finglass, William Molyneux and Christopher Usher. The trustees later sold a large part of the property portfolio to the Wide Streets Commission for clearance prior to the layout of new wider streets in Dublin.

The Charitable work continued through this time with funds used for the relief of poverty, the upkeep of the Blue Coat school, the upkeep of the church and the freeing of Christian slaves in Algeria and the Turkish Empire.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019.

Throughout the 18th century, the guild continued its charitable works under the watchful eye of the prebend of St Audoen’s Church. They met every year on the 26th July for their members banquet. Membership remained principally Protestant, although some small number of Catholic families continued to be members. The bonds of friendship between the families still in the guild remained strong and they continued to dispense relief from poverty and distress in a spirit of civic welfare and solidarity.

The Accounts of the Guild of St Anne shows that guild members continued to collect rents and pay out grants up to 1779. The final property transaction in their records dates to 1817, although some small number of their properties were retained by St Audoen’s Church right up to recent years. In 1773, the parish clergy ordered the removal of the roof at the east side of the chapel, including the Portlester Chapel; the cost of maintaining the building was beyond the means of the church. In 1820, they removed the roof from St Anne’s Chapel for the same reason. In 1835, an act of parliament abolished what remained of the medieval guilds but by then St Anne’s had already ceased operation.” [23]

Photograph from the National Library of Ireland.
The arch and old city walls, St. Audoen’s, 1954 photograph from Dublin City Library and Archives. [see 5]

See also https://theirishaesthete.com/2024/05/13/st-audoens/

19. St. Enda’s Park and Pearse Museum:

Pearse Museum, St Enda’s Park, Dublin, photograph 2021 by Aoife O’Neill_Aidona Photography for Fáilte Ireland, Ireland’s Content Pool. (see [2])

General Enquiries: 01 493 4208, pearsemuseum@opw.ie

From the OPW website:

The Pearse Museum in St Enda’s Park is where the leader of the 1916 Rising, Patrick Pearse, lived and operated his pioneering Irish-speaking school from 1910 to 1916.

Set in nearly 20 hectares of attractive parkland in Rathfarnham, Dublin, the museum tells the story of Patrick Pearse and his brother Willie, both of whom were executed for their part in the 1916 Rising. Here you can peruse a fascinating exhibition on Pearse’s life and wander through the historic rooms where he, his family and his students once lived and worked.

The romantic landscape surrounding the museum contains a wild river valley, forested areas and some enchanting eighteenth- and nineteenth-century follies.” The follies were built by two generations of the Hudson family.

and

Edward Hudson, the State Dentist and a Doctor of Physic, signed a lease on the lands known as the ‘Fields of Odin’ in Rathfarnham which were owned by Thomas Connolly of Castletown House in Co. Kildare on 2 April, 1786. He had a home and business premises on St. Stephen’s Green but he also built the house which now houses the Pearse Museum as a country retreat and appropriately named it ‘The Hermitage’.

We stayed in the country house of Edward Hudson in Cork in 2020, Glenville Park, which later became the home of Mark Bence-Jones.

Glenville Park, County Cork, 2020 – the country residence of Edward Hudson and later, Mark Bence-Jones. [24] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues:

Across the road was The Priory, the home of the famous lawyer John Philpot Curran. His daughter, Sarah, was the sweetheart of the rebel Robert Emmet. Legend has it that Hudson allowed the two young lovers to meet in the grounds of the Hermitage away from the disapproving stares of her father. It was this story which first drew Pearse to this area of Rathfarnham in the summer of 1910.

Edward Hudson was a very learned man with a passionate interest in science and the ancient past. This interest is reflected in the garden monuments and follies which are dotted around the park, many of which were built in imitation of ancient Irish field monuments, including the ogham stone which bears his name. His son William Elliot shared his father’s fascination with Irish history, and in particular the Irish language. He was a founder of the Celtic Society and was a friend of Thomas Davis. He was a lawyer and was involved in the defence of the Young Irelanders, Thomas Francis Meagher and William Smith O’Brien, following their rebellion in 1848. He sold The Hermitage to a legal colleague, Justice Richard Moore, in 1847. Ironically it was Moore who eventually passed sentence on Meagher and Smith O’Brien.

From Justice Moore the property came into the ownership of Major Richard Doyne, a veteran of the Crimean War, who purchased it in 1859. It was then inherited by his son, Lieutenant-Colonel Philip Kavanagh Doyne, who spent much of his life serving with the British Army in India. In 1898, two years before his death, he sold The Hermitage to William Woodbyrne who had made his fortune in the diamond mines of South Africa. Woodbyrne made many improvements to the grounds, including the creation of the ornamental lake. He never lived in the house as his wife contracted tuberculosis and they had to move to a warmer climate. Instead he rented the house to a series of tenants, including Pearse.

One other tenant of particular note was Sir Neville Chamberlain, a former officer in the British army in India and the person credited with the invention of the game of snooker. He moved into The Hermitage in 1900 when he was appointed Chief Inspector of the Royal Irish Constabulary, the police force of Ireland at the time. In an amazing historic coincidence, Sir Neville was head of the RIC in 1916 when Pearse led the Rising against British rule in Ireland!

Surrounded by fifty acres of landscaped parkland, the museum is located in the former home and school of Patrick Pearse, the leader of the 1916 Rising. He founded his school, Scoil Éanna, in 1908 in Cullenswood House, Ranelagh. His initial interest in education stemmed from his involvement in the Gaelic League and the Irish language movement. However he very quickly became passionate about education and its possibilities. His ideas were progressive and radical and he had little time for the exam-focused education system of the time. He felt that schools should nurture the talents of all their pupils, even if those talents lay outside the traditional school subjects.

For Pearse the key to real learning was inspiration, and he felt that to be a success his school needed a suitably inspiring setting. He was anxious to find a home for his school which would allow his pupils direct access to the natural world. He discovered The Hermitage in Rathfarnham in 1910 while on a historical pilgrimage of sites associated with the revolutionary Robert Emmet. Nestled in the foothills of the Dublin Mountains, it was the ideal location for his school.

The house was also Patrick Pearse’s family home. His mother, brother and sisters all assisted in the running of the school. In 1916 he and his brother William left to fight in the 1916 Rising, never to return. Pearse was the leader of the uprising and the author of the Proclamation of the Irish Republic. He also oversaw the surrender once all hope of victory was lost. While revolution was raging in Dublin, his mother and sisters waited for news in Rathfarnham. It was there that they heard that both brothers were to be executed. His mother and eldest sister lived on in the house and ran the school there until 1935. Following the death of Pearse’s last surviving sister in 1968, the house and grounds were handed over to the state with the provision that they be used as a memorial to the lives of Patrick and William Pearse. The Pearse Museum was then opened to the public in 1979.” [25]

20. St. Stephens Green, Dublin:

The park was landscaped between 1877-1880. It was created as a park in 1663 for citizens of the city could take the open air. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen’s Green 1957, photograph from Dublin City Library archives. [see 5]
Stephen’s Green 1949, photograph from Dublin City Library archives. [see 5]

General Enquiries: 01 475 7816, info@heritageireland.ie

from the OPW website:

In the very centre of Dublin’s shopping district lies one of Ireland’s best-known public parks.

Lord Ardilaun [Arthur Edward Guinness, 1st and last Baron Ardilaun of Ashford (1840-1915)] opened it for the citizens of the city in 1880. This 9-hectare green space has been maintained in its original Victorian layout, with extensive tree and shrub planting and spectacular spring and summer bedding. The herbaceous border provides vibrant colour from early spring to late autumn.

It boasts over 3.5 kilometres of accessible pathways. The waterfall and Pulham rockwork on the western side of the green are well worth a visit. So is the ornamental lake, which provides a home for waterfowl. Several sculptures are located throughout the green, including the James Joyce Memorial Sculpture and a fine specimen by Henry Moore.

A children’s playground in the park is always popular and, if you visit at lunchtime during the summer months, you might even catch a free concert.”

Stephen’s Green 1952, photograph from Dublin City Library archives. [see 5]
Stephen’s Green 1955, photograph from Dublin City Library archives. [see 5]
Stephen’s Green 1963, photograph from Dublin City Library archives. [see 5]
St. Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen’s Green 1966, photograph from Dublin City Library archives. [see 5]
Stephen’s Green 1944, photograph from Dublin City Library archives. [see 5]
Statue of Clarence Mangan in St. Stephen’s Green, March 2011. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The name St Stephen’s Green originates from a church called St Stephen’s in that area in the thirteenth century. Attached to the church was a leper hospital. Around this time the area was a marshy piece of common ground, which extended as far as the River Dodder and was used by the citizens of the city for grazing livestock.

In 1663 the City Assembly decided that the plot of ground could be used to generate income for the city and a central area of twenty-seven acres was marked out which would define the park boundary, with the remaining ground being let out into ninety building lots. Rent generated was to be used to build walls and paving around the Green. Each tenant also had to plant six sycamore trees near the wall, in order to establish some privacy within the park. In 1670 the first paid gardeners were employed to tend to the park.

Saint Stephen’s Green Gardens, Dublin James Malton, English, 1761-1803, photograph courtesy of National Gallery of Ireland.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Green became a particularly fashionable place during the eighteenth century, owing mainly to the opening of Grafton Street in 1708 and Dawson Street in 1723, and the construction of desirable properties in and around this area. The Beaux Walk situated along the northern perimeter of the park became a popular location for high society to promenade. Lewis’ Dublin Guide of 1787 describes the Beaux Walk as being a scene of elegance and taste. Other walks found in the park included the French Walk found along the western perimeter of the park, and Monk’s Walk and Leeson’s Walk located along the eastern and southern boundaries of the park respectively.

By the nineteenth century the condition of the park had deteriorated to such an extent that the perimeter wall was broken, and many trees were to be found in bad condition around the park. In 1814 commissioners representing the local householders were handed control of the park. They replaced the broken wall with ornate Victorian railings and set about planting more trees and shrubs in the park. New walks were also constructed to replace the formal paths previously found in the park. However with these improvements, the Green then became a private park accessible only to those who rented keys to the park from the Commission, despite the 1635 law which decreed that the park was available for use by all citizens. This move was widely resented by the public.

The Band Stand in St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Arthur Guinness, later known as Lord Ardilaun, grew up in Iveagh House located on St Stephen’s Green, and came from a family well noted for its generosity to the Dublin public. In 1877 Sir Arthur offered to buy the Green from the commission and return it to the public. He paid off the park’s debts and secured an Act which ensured that the park would be managed by the Commissioners of Public Works, now the OPW.

Sir Arthur’s next objective was to landscape the park, and provide an oasis of peace and tranquility in the city. He took an active part in the design of the redeveloped park, and many of the features in the park are said to have been his suggestions. The main features of the redeveloped park included a three-acre lake with a waterfall, picturesquely-arranged Pulham rockwork, and a bridge, as well as formal flower beds, and fountains. The superintendent’s lodge was designed with Swiss shelters. It is estimated the redevelopment of the park cost £20,000.

After three long years of construction work, and without a formal ceremony the park reopened its gates on 27th of July 1880, to the delight of the public of Dublin.” [26]

St. Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen’s Green 1963, photograph from Dublin City Library archives. [see 5]
Royal Fusiliers Arch, St. Stephen’s Green, 2007, commemorates members of the Royal Dublin Fusiliers who died in the Second Boer War. It was erected in 1907. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fusilier’s Arch, St. Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://heritageireland.ie/visit/places-to-visit/aras-an-uachtarain/

[2] https://www.irelandscontentpool.com

[3] https://www.archiseek.com/2010/1791-custom-house-customhouse-quay-dublin/

[4] https://www.archiseek.com/2010/1791-custom-house-customhouse-quay-dublin/

[5] https://repository.dri.ie/

[6] p. 8, Marnham, Niamh. An Introduction to the Architectural Heritage of Dublin South City. Published by the Department of Culture, Heritage and the Gaeltacht, 2017.

[7] https://www.archiseek.com/2010/1204-dublin-castle/

[8] p. 6, Marnham, Niamh. An Introduction to the Architectural Heritage of Dublin South City. Published by the Department of Culture, Heritage and the Gaeltacht, 2017.

[9] https://www.buildingsofireland.ie/building-of-the-month/chapel-royal-dublin-castle-dame-street-dublin-2/

[10] p. 9, Marnham, Niamh. An Introduction to the Architectural Heritage of Dublin South City. Published by the Department of Culture, Heritage and the Gaeltacht, 2017.

[11] See also https://farmleigh.ie/

* I visited Iveagh House during Open House in October 2014.

[12] https://farmleigh.ie/the-guinness-family/

[13] https://farmleigh.ie/the-parkland/

[14] https://farmleigh.ie/the-parkland/

[15] https://opwdublincommemorative.ie/garden-of-remembrance/learn-more/

[16] https://opwdublincommemorative.ie/grangegorman/learn-more/

[17] https://opwdublincommemorative.ie/war-memorial/

[18] https://iveaghgardens.ie/

[19] https://kilmainhamgaolmuseum.ie/the-building/

[20] https://botanicgardens.ie/glasnevin/history/

[21] https://phoenixpark.ie/

[22] See also https://rhk.ie/about-us/

William Robinson also built Marsh’s Library in Dublin.

Marsh’s Library, photograph from 1975, Dublin City Library and Archive. [see 5]

[23] https://heritageireland.ie/assets/uploads/2022/09/The-Story-of-St-Annes-Guild.pdf

The bibliography for this article is:

Bibliography:
Berry, H. (1904) History of the Religious Guild of St Anne in St Audoen’s Church Dublin 1430-
1740, Taken from its records in the Haliday collection, R.I.A. Proceedings of the Royal Irish
Academy: Archaeology, Culture, History, Literature. Volumn 25 (1904/1905) pp. 21- 106.
Empey, A. (2002) The layperson in the parish: the medieval inheritance, 1169-1536 , in
The Laity and the Church of Ireland 1000-2000 eds. Gillespie,R. and Neely, W.G. Four Court Press,
Dublin
Lennon, C. (2017) Charitable Property: The Manuscripts of St Anne’s Guild, Dublin. RIA lecture
available: https://www.ria.ie/charitable-property-manuscripts-st-annes-guild-dublin
Lennon, C. (2011) ‘The Fraternity of St Anne in St Audoen’s parish, Dublin’, in Salvador Ryan &
Brendan Leahy (eds), Treasures of Irish Christianity: people and places, images and
texts (Dublin: Veritas, 2012), pp 116–18.
Lennon, C. (1990) The Chantries in the Irish Reformation: the case of St Anne’s Guild, Dublin,
1550-1630 in Comerford, R.V., Cullen, M, Hill, J and Lennon, C.
Religious Conflict and Coexistence in Ireland, 1990 published by Gill and Macmillian Ltd. Dublin
McMahon, M (2006) St Audoen’s Church, Cornmarket, Dublin: Archaeology and Architecture.
The Stationary Office, Dublin ‘The Case of St Anne’s Guild’ from National Library of Ireland LO2337

[24] http://www.glenvillepark.com/

[25] https://pearsemuseum.ie/the-museum/

[26] https://ststephensgreenpark.ie/cultural-heritage/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com