Places to visit and stay in County Tipperary, Munster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Tipperary:

1. Beechwood House, Ballbrunoge, Cullen, Co. Tipperary – section 482

2. Cahir Castle, County Tipperary – OPW

3. Carey’s Castle, Clonmel, County Tipperary

4. Clashleigh House, Clogheen, Co. Tipperary – section 482

5. Damer House and Roscrea Castle, Roscrea, County Tipperary

6. Fancroft Mill, Fancroft, Roscrea, Co. Tipperary – section 482

7. Farney Castle, Holycross, County Tipperary

8. Grenane House, Tipperary, Co. Tipperary – section 482

9. Killenure Castle, Dundrum, Co Tipperary – section 482

10. Nenagh Castle, County Tipperary

11. Ormond Castle, Carrick-on-Suir, County Tipperary – OPW

12. Redwood Castle, Redwood, Lorrha, Nenagh, North Tipperary – section 482

13. Roscrea Castle and Damer House (see “Damer”) County Tipperary

14. Silversprings House, Clonmel, Co. Tipperary – section 482

14. Swiss Cottage, County Tipperary – OPW

Places to stay, County Tipperary

1. Ashley Park, Nenagh, Co Tipperary – accommodation

2. Cahir House Hotel, Cahir, County Tipperary €

3. Cashel Palace Hotel, County Tipperary €€€

4. Clonacody House, County Tipperary €€

5. Croc an Oir, Mullinahone, County Tipperary € for 4-15

6. Hotel Minella, Clonmel, County Tipperary

7. Raheen House Hotel, Clonmel, County Tipperary €€

8. The Rectory, Cashel Road, Cahir, Co. Tipperary – section 482

Whole house rental/wedding venue County Tipperary

1. Aherlow Castle, County Tipperary – on airbnb

2. Bansha Castle, County Tipperary – whole house rental €€€ for 2; € for 7-16

3. Clonacody House, County Tipperary – whole house

4. Cloughjordan House, Cloughjordan, Co. Tipperary

5. Inch House, Thurles, County Tipperary, Ireland – whole house rental €€€ for 2; €€ for 7-10

6. Killaghy Castle, Mullinahone, Tipperary – whole house rental €€€ for 2; € for 11-14

7. Kilshane, Tipperary, Co Tipperary – whole house rental

8. Kilteelagh House, Dromineer, Lough Derg, County Tipperary – whole house €€€ for 2; €€ for 10-12

9. Lisheen Castle, Thurles, County Tipperary €€€ for two, € for 11-14

10. Lismacue, County Tipperary, ihh member, whole house rental

11. Lissanisky House, County Tipperary

Tipperary:

1. Beechwood House, Ballbrunoge, Cullen, Co. Tipperary E34 HK00 – section 482

Open dates in 2025: Feb 25-27, Mar 4-6, 11-13, April 1-11, May 8-11, 15-18, 22-25, June 7-8, 14-15, Aug 16-24, Sept 2-4, 9-11, 16-18, 23-28, 9.15am-1.15pm

Fee: adult €5, OAP/student €2, child free, fees donated to charity

We visited during Heritage Week 2022 – https://irishhistorichouses.com/2023/07/13/beechwood-house-ballbrunoge-cullen-co-tipperary-e34-hk00/

2. Cahir Castle, County Tipperary – OPW

See my entry https://irishhistorichouses.com/2024/03/29/cahir-castle-county-tipperary-an-office-of-public-works-property/

Cahir Castle, County Tipperary. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Carey’s Castle, Clonmel, County Tipperary – a ruin, owned by Coillte:

https://www.coillte.ie/site/careys-castle/

This is a beautiful mixed woodland that lies close to the Glenary River, a tributary of the Suir. The main feature of this site is the ruins of the castle that gives the forest its name. It is just 500m from the car park down a mixed woodland trail that leads to the river. It is believed to have been built at some stage during the 1800’s by the Carey family, who were local schoolmasters in the Clonmel area. A number of architectural styles are still evident in the ruined remains, including; Gothic windows, a Celtic round tower, a Norman Keep, and both Romanesque and Gothic arches. The remnants of a walled garden can be found to the southern side of the castle. An ice-house is located just off the trail beyond the castle. This is a stone-lined pit which used to serve as a ‘fridge’ when the castle was inhabited. Carey’s Castle was occupied by monks and up to recent years the ruins of the alms house was still in evidence. A real gem of a site for local historians.”

4. Clashleigh House, Clogheen, Co. Tipperary – section 482

Clashleigh House, County Tipperary, August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open dates in 2025: Mar 4, 6, 11, 13, 18, 20, 25, 27, Apr 1, 3, 8, 10, 15, 17, 22, 24, 30, May 6, 8, 10-11, 13, 15, 17-18, 20, 22, 24-25, 27, 29, June 3, 5, 10, 12, 17, 19, 24, 26, Aug 16-24, Sept 2, 4, 9, 11, 16, 18, 23, 25, 30, Oct 2, 7, 9, 9am-1pm

Fee: adult €8, OAP/student/child €4

See my entry https://irishhistorichouses.com/2024/02/16/clashleigh-house-clogheen-co-tipperary/

5. Damer House and Roscrea Castle, Roscrea, County Tipperary – See my write-up: https://irishhistorichouses.com/2024/10/03/damer-house-and-roscrea-castle-county-tipperary-office-of-public-works-properties/

Damer House, Roscrea, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Fancroft Mill, Fancroft, Roscrea, Co. Tipperary – section 482

Fancroft Mill, County Tipperary, photograph from National Inventory of Architectural Heritage.

www.fancroft.ie

Open dates in 2025: Feb 3-15, Mar 24-30, May 13-28, June 10-20, Aug 15-27, 10am-2pm

Fee: adult €8, OAP/student €6, child free under 5 years, one to one adult supervision essential, group rates available

Fancroft  Fancroft Gardens are not open to visitors for the seasons 2021/22.

The website tells us:

An extensive conservation project, commenced in 2006 by Marcus & Irene Sweeney, has resulted in the rescue from dereliction of this mill complex which is of noted industrial heritage importance. A set of new mill stones were installed in 2010. Milling capability is now restored for domestic   purposes. A recently installed generator contributes to the household heating system. All of the buildings at Fancroft are included on  the  Offaly County Council list of  Protected Structures.

The rescue from dereliction of the mill complex at Fancroft received public recognition in 2017 when the Irish Georgian Society awarded the owners one of their Conservation Awards. The inaugural Norman Campion award for Best Restored Industrial Site or Museum was conferred on Fancroft Mill & Gardens by the Industrial Heritage Association of Ireland in 2019.

Approached by the winding  road  one has no idea of what lies behind the hedge  and across the stream which drives the water wheel  in the corn mill. Consequently the extensive gardens, created mostly in the 1990’s by previous owner Angela Jupe, unfold as a series of delightful surprises as one proceeds beyond the pebbled courtyard leaving the busy world behind.

In recent years Fancroft  Mill & Gardens has proven to be a wonderful venue for successful  heritage seminars, classical and traditional music events, sponsored walks and visits by interested individuals and groups from Ireland and overseas.

Eircode: E53 ET72.
e.mail: millgardens@gmail.com

7. Farney Castle, Holycross, County Tipperary

Farney Castle, photograph from National Inventory of Architectural Heritage.

https://cyrilcullen.wordpress.com/farney-castle/

The website tells us:

Farney Castle Visitor centre

As well as being the Cullen family home, Cyril Cullen Knitwear and porcelain is designed and produced in the converted ‘old stables’ in the castle courtyard. The unique parian/porcelain designs are sold in what was the old dairy at Farney castle, the knitwear boutique is situated in the original kitchen of the castle and a coffee shop is situated in the 15th century round tower.It is the only Round Tower in Ireland occupied as a family home. Tours of the castle are available daily and harp recitals take place in the drawing room by arrangement.

The History of Farney Castle

The first castle was built at Farney in 1185 and this would have been a timbered structure. The present round tower was built in 1495 by Thomas Butler, 7th Earl of Ormond, and it was part of a defensive system created by the Butlers to protect their land in Tipperary. The Butlers were in Farney Castle for 500 years but in 1536 the castle was confiscated by King Henry VIII of England. He returned the lands again to the Butlers in 1538 when he married Anne Boleyn who was the daughter of James, 3rd Earl of Ormond. Subsequently the castle was occupied for short periods by two other English monarchs namely King James 1st from 1617 – 1625, and King George 1st from 1716 -1721.

In 1649 Cromwell landed in Ireland and shortly after 1650 a Cromwellian soldier named Hulett took over the castle. Then in 1660 Capt. William Armstrong, a Cavalier who supported the Stuarts and who fought against Cromwell, acquired the castle and lands, and there were Armstrongs in the castle for the next 200 years. William Armstrong came from a Scottish Border country family which was famed in the sixteenth century for its ferocity, and in 1677 he purchased large estates in the area including Holy Cross Abbey and Holy Cross lands.

The round tower is 58 ft. high and has five stories. It is unusual in being circular whereas the majority of this sort of tower were square or oblong. It possesses a mural staircase (built within the thickness of the walls) off which it appears that secret rooms still exist undiscovered. The main door was opened up by Cyril Cullen having been closed for 200 years. There is a “murdering hole” over the main door and this enabled the castle defenders to shoot from above at any intruders. The tower castles were built to safeguard the Butler lands during the long periods when the family was away in England.”

8. Grenane House, Tipperary, Co. Tipperary E34 EP22 – section 482

Grenane House, County Tipperary, August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

www.hfhtours.ie

Open dates in 2025: May 1-31 closed Sundays, Aug 16-24, Sept 1-30, closed Sundays, 2pm-6pm,

Tours: booking essential for National Heritage Week, 2am and 4pm

Fee: adult €20, OAP €10, child €10 over 12 years and under 18 years

See my entry https://irishhistorichouses.com/2024/04/04/grenane-house-tipperary-co-tipperary-e34-ep22/

9. Killenure Castle, Dundrum, Co Tipperary – section 482

Killenure Castle, County Tipperary, photograph from National Inventory of Architectural Heritage.

www.killenure.com
Open in 2025: Feb 1-20, May 1-31, Aug 16-24, 10.30am-2.30pm

Fee: adult €10, child /OAP €8

Mark Bence-Jones tells us (1988): p. 170. “(Cooper/IFR) A large tower-house of the O’Dwyer family, burnt by the Cromwellians but still very well preserved, with a plain and unassuming C18 house of two storeys over basement alongside it. Sold in recent years, now a private school.” 

The National Inventory adds: “Detached two-storey country house, comprising T-plan five-bay block, c. 1770, with central pedimented breakfront and rear return, with four-bay block built to south-west, c. 1800, to give overall L-plan. Two-storey pitched addition to north gable, with single-storey lean-to extension to rear and having catslide addition to rear of later block. Early seventeenth-century fortified house located to west….Fortified house has round-plan corner towers and three-bay four-storey gable-fronted façade, triple-gabled rear elevation, rubble limestone walls, dressed limestone string courses, loops to towers and ground floor of main facades, upper floors of latter having square-headed one-and mullioned two-light and three-light windows, some blocked, to main facades with chamfered limestone surrounds and label-mouldings. Pointed-arch doorways to front and rear walls, and flight of external steps up to north-west tower. Conical slate roof to north-eastern tower, rubble limestone chimneystacks and dripstones. Some later square-headed window openings to south-east tower, with red brick surrounds, one having carved timber traceried casement windows. Lofted stable and coach house to rear of house with half-hipped slate roofs and rendered rubble limestone walls and having square- and segmental-headed openings. Three-bay single-storey gate-lodge with hipped slate roof and rendered walls and entrance gates with dressed limestone piers to vehicluar and pedestrian entrances with wrought-iron gates and flanking rubble limestone walls. 

This multi-period country house was formerly the home of the antiquary Austin Cooper. Its setting, next to a substantial fortified house, indicates considerable continuity of living at this location, and reflects the transition in attitudes to living patterns with a concentration on defence shifting to one of comfortable living. The later wing is typical of an early nineteenth-century country house with centrally-placed chimneystacks and tall sash windows. The fortified house retains mainly notable feature features including defensive elements such as the gun loops. The fortified house, country house and associated outbuildings make an impressive complex in the landscape.”

The Killenure website tells us:

Nestled in the spectacular scenery of South Tipperary, Killenure Castle the home of Killenure Dexter beef is a truly stunning gift from times gone by. It has held a central place in the local community for over five centuries, as a stronghold; a school; an artistic retreat; a visitor attraction; and vitally, a family home. 

“Since its purchase in 2007, the house has been lovingly restored and updated. The renovations reflect the family’s role as both inhabitants and custodians of the castle, and have successfully balanced the needs – and responsibilities – that come with both. This continues the organic pattern of development that Killenure Castle has enjoyed for the over 450 years. From the original castle whose ruinous remains now dominates the space, to a charming ‘Hansel and Gretel’ style tree-house that is built around a 300-year-old living Irish Beech tree, the eclectic range of buildings reflects the fascinating range of almost five centuries of lucky inhabitants. 

As well as providing shelter for generations of owners and their families, Killenure Castle represents the centre of a community. Its survival through 500 years is testament to the strength of the community it represents, and Eavaun and her family are delighted to share the castle with visitors. As custodians of Killenure Castle, we have built a sustainable, community-orientated business, ensuring the survival of the castle and Killenure Dexter beef for future generations. 

Whilst the spectacular medieval castle and grounds have previously been open to visitors during the summer, they will remain closed in 2017 due to ongoing restoration works. If you would like to learn more, a guidebook is available for those wishing to learn more about this extra-ordinary castle, and the community that surrounds it. 

You can purchase a short history of Killenure which documents the history of Killenure from the O’Dwyer Clan up to the contemporary Killenure of today. The cost of the book is €5.00 plus postage. To order a copy please contact info@killenure.com  

10. Nenagh Castle, County Tipperary

See my OPW write-up: https://irishhistorichouses.com/2022/11/17/office-of-public-works-properties-in-county-tipperary/

11. Ormond Castle, Carrick-on-Suir, County Tipperary – OPW

See my entry https://irishhistorichouses.com/2024/09/05/ormond-castle-carrick-on-suir-county-tipperary-an-opw-property/

Carrick-On-Suir, Co Tipperary Courtesy Tipperary Tourism photo by Kerry Kissane All Around Ireland 2021

12. Redwood Castle, Redwood, Lorrha, Nenagh, North Tipperary E45 HT38 – section 482

Redwood Castle by irishfireside on flickr constant commons.

Redwood is off the Birr/Portumna Rd

www.redwoodcastleireland.com

Open dates in 2025: May 10-11, 17-18, 24-25, June 9-12, 14-19, 21-26, 28-29, July 7-10, 12-17, 19-24, 26-27, Aug 11-31, Sept 1-4, 2.30pm-6.30pm,

Fee: adult €15, OAP/student €10, child €5, 4 adults €50, 2 adults and 2 children €35

Redwood Castle from flickr constant commons Discover Lough Derg.

The website tells us:

Welcome to Redwood Castle in Co. Tipperary, ancient home of the MacEgan’s and O’Kennedy’s.

“Today the Castle is one of the main historical attractions in the midlands of Ireland. Come and take a guided tour around Redwood Castle and learn about the history of the Castle and surrounding area.

The website tells us more about the castle:

Redwood is a complex structure made up of two main sections. Firstly, there are a series of main chambers stacked one above the other that form the core of the tower house. These are accompanied by a series of smaller ancillary rooms at the front of the building, which were used as bed chambers.

This layout may seem fairly straightforward but it is complicated by each room being on different levels. While we normally think of castle walls as thick and strong for defensive purposes, they were in reality riddled with passageways and staircases that served the larger rooms inside. Irish castle builders generally made very economical use of walls for domestic purposes rather than military strength, meaning that castles were far less impenetrable than they appeared.

A series of defensive features on the exterior such as battlements and machicolation were instead used to convey a certain military bravado to those who approached the castle. The occupants of these castles were aristocratic warriors who participated in an ancient martial culture, and castles played an important part in dramatising and expressing their identity.

The earliest recorded occupants of Redwood are the O’Kennedy sept who are referred to in possession of the castle in the 1540s. However, it was likely to have previously been in possession of the O’Maddens whose east Galway lordship once extended into the north of Ormond and the parish of Lusmagh beyond. They seem to have lost this territory in the 1440s and it would appear that the sept of O’Kennedy Roe came into possession of the castle around that time.

The Mac Egans were a prominent bardic family in their day, and they were one of only seven Irish families to practice the ancient Brehon Law. Of these seven, five served just one ruling family, one served five senior lords, and members of the Mac Egan clan served as the chief advisors to all of the remaining thirteen lords and chieftains. The position of the “Brehon” was one of great importance. They served as a kind of first minister for their master, functioning as his chief advisors on legal matters as well as those of a more general nature. In addition, they served as ambassadors and negotiators, brokering deals and treaties between the feudal lords of medieval Ireland. As such, they were widely respected and were treated as neutrals in any conflicts. There is only one medieval record of a Brehon being killed by an Irish chief, and even that was a case of mistaken identity. Finally, the Brehons sat in judgement on the Brehon courts, which ran in conflict with the English Common Law system which was theoretically the one and only legal system.

The website gives us more information about Brehon Law.

Redwood Castle was originally constructed around 1210 by an Anglo-Norman family by the name of De Cougan. Redwood’s strategic position was of the utmost importance owing to its close proximity to the River Shannon. The Anglo-Normans made several attempts to cross the Shannon and administer the west of Ireland, but none were successful enough to allow the invaders to settle on a permanent basis. As a result, the Anglo-Normans faced the constant danger of being attacked themselves from across the Shannon, leading to a long line of castles and towerhouses being constructed along its eastern bank. The original structure here at Redwood was only two storeys tall, and there were no entrances or exits here on the ground floor for security reasons. The original doorway would have been on the second floor, accessible by a retractable ladder. The main entrance you see today dates from the mid-1300s. For many years ivy covered all of the castle except this doorway, and so a lot of tourist material still mistakenly dates the entire castle from this period.

The De Cougans eventually vacated Redwood, and the castle was granted to the O’Kennedy family in 1350. It was then that the other floors were added to the castle. The local branch of the O’Kennedy family were based in Lackeen Castle, approximately 3 miles south of here, and so they turned this castle over to their chief bardic family, the Mac Egans. The bardic families played a crucial role in medieval Ireland, serving Gaelic chieftains and English lords alike. They fulfilled many functions, including those of advisors, administrators, lawyers, musicians, poets, physicians and ambassadors. However, each individual family tended to specialise in just one or two specific areas of study. The Mac Egans of Redwood were experts in historical study and the practice of the ancient Irish Brehon law. Only seven families in medieval Ireland practised and studied this ancient legal system. Most of these served only one master, whilst the Mac Egans served at least thirteen lords and chieftains, giving them a virtual monopoly over medieval Irish law. They founded a school of history and law here at Redwood, and some of Ireland’s foremost medieval thinkers had close links to this centre. Michael O’Cleary led a team of historians which compiled the famous Annals of the Four Masters, an enormous and comprehensive text which gave an account of all recorded Irish history up until the early seventeenth century. Upon its completion, Michael O’Cleary brought the text to some of the most influential men in the country, including the Archbishop of Dublin and the Bishop of Tuam. However, the first approval he sought was from a Flann Mac Aoghain, one of his former teachers and the lord of Redwood Castle.

However, by this time, Redwood Castle had reached its apex, and its decline began with a tide of political and religious unrest which culminated with Oliver Cromwell’s invasion of Ireland in 1649. The development of artillery effectively ended the reign of castles and towerhouses in Ireland, which had previously only had to deal with the occasional uprising by poorly armed peasants. Nearby Lackeen Castle was forfeited to Cromwell’s troops in 1653, whilst records of 1654 state that by that date, the castle at Redwood was nothing more than a ruin. It therefore seems likely that Redwood was besieged sometime in 1653. There are no obvious signs of damage from heavy artillery on the outside of the castle, and therefore it seems likely that the castle was forfeited without a fight once the Mac Egans saw what they were facing. Whatever the circumstances of the castle’s seizure, we do know that once it was in the possession of Cromwell’s troops, it was fired and practically burnt to the ground. The roof and most of the floors were wooden, and so only the walls and the spiral stone stairway were left standing.

The castle remained in ruins for over 300 years. At the turn of the twentieth century, a local farmer cut a second opening into the ground floor, just wide enough to let through a horse and cart which could be sheltered from the elements under the stone-barred vaulted arch. It is believed that it took three men a fortnight to cut through the 11 foot thick western wall. In 1972, a lawyer from Castlebar, County Mayo by the name of Michael Egan bought Redwood Castle and undertook its restoration. He was a descendant of the Mac Egans of Redwood, and so was determined to restore his family seat to its former glory. The government refused to support the project with any grants, believing the ruins to be beyond redemption. Michael Egan therefore funded the entire restoration project out of his own pocket. His ultimate goal was to have the castle as a second family home, which could also be used for important family occasions. To avoid tax burdens, the castle was opened to the public for sixty days a year as a site of historical interest, beginning in the early 1980s.

“To this day, Redwood Castle continues to host the Clan Egan Rallies, and to educate the public.

13. Roscrea Castle and Damer House, County Tipperary

Damer House, Roscrea, Co Tipperary, Photographer/Creator: Kerry Kissane – All Around Ireland, 2021, Courtesy Tipperary Tourism.

See my write-up: https://irishhistorichouses.com/2024/10/03/damer-house-and-roscrea-castle-county-tipperary-office-of-public-works-properties/

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

14. Silversprings House, Clonmel, Co. Tipperary E91 NT32 – section 482

Silversprings House, County Tipperary, photograph from National Inventory of Architectural Heritage.

Open dates in 2025: May 1-31, June 1-30, Aug 16-24, 12 noon-4pm

Fee: adult €5, OAP €4, student €3, child free

The National Inventory tells us: “Detached nine-bay two-storey former charter school with projecting pairs of end bays, built 1747, with projecting barrel-roofed porch addition…Patronised by Sir Charles Moore and John Dawson, this former charter school retains much of its original form and is a notable feature in the urban landscape. In the nineteenth century it was occupied by Charles Bianconi, who ran a coach transport enterprise throughout Ireland from his headquarters in Clonmel. It displays evidence of fine stonework in the window surrounds and eaves course which contrast with the limestone of the walls to enliven and offer textural variety to the façade.

15. Swiss Cottage, County Tipperary – OPW

See my write-up https://irishhistorichouses.com/2025/03/20/swiss-cottage-ardfinnan-road-cahir-county-tipperary-office-of-public-works/

Swiss Cottage, County Tipperary.

Places to stay, County Tipperary

1. Ashley Park, Nenagh, Co Tipperary – accommodation €€

 https://hiddenireland.com/stay/bed-breakfast-guesthouses/

Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Hidden Ireland website tells us:

“Ashley Park House has a magical quality that is particularly appealing. The avenue winds along the shore, through deep woods of oak and beech, until–suddenly–you reach the Georgian house, surrounded by tall trees, with beautiful views over a private lake. Inside, the rooms are large, comfortable and well equipped so offering a truly relaxing break away from the busyness of modern life.

Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The owners, Margaret & David McKenzie  run their home in a relaxed and informal way in the style of the traditional Irish country house, ideal for family and friends taking a break to celebrate a special occasion. Guests like nothing more than losing themselves in the woods and gardens, or rowing around the lake and exploring the ruins of the ancient fort on the island.

Ashley Park House sits peacefully in the middle of 76 acres of beech woodland and formal gardens in the heart of County Tipperary, in the centre of Ireland six miles north of the busy market town of Nenagh with its famous circular keep, on the road to Borrisokane and Birr. This beautiful 18th century country house, with its sweeping Edwardian verandas overlooking the lake, is approached through a rusticated stone arch, down a long tree-lined avenue with lovely views across Lough Ourna (‘the lake of the barley’), framed by ancient ring-forts on the shore, towards Keeper Hill in the distance.”

Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Ashley Park House retains many of its original Georgian fittings and has been faithfully restored to its original appearance, with fine period furniture and all modern comforts, giving visitors the opportunity to appreciate truly authentic Irish country house accommodation. The main rooms are spacious and relaxing, while the large bedrooms either overlook the lake in front, or have views over a series of walled courtyards at the rear where there are hens, ducks and peafowl. Recent renovations have created stylish new rooms in the Coach Houses next to the main house where modern comforts link with traditional styling.

Ashley Park House has a fantastic in house culinary team who prepare delicious suppers using fresh local ingredients to the highest standard. Enjoy a romantic break away with four course dinner in the Main House dining room overlooking the lake and then move into the luxurious drawing room to enjoy a digestif from the residents bar. Wake up refreshed to enjoy a delicious breakfast, which is Highly Recommended by the Georgina Campbell Irish Breakfast Awards.

Our wonderful bedroom suite at Ashley Park, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our wonderful bedroom suite at Ashley Park, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our wonderful bedroom suite at Ashley Park, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our wonderful bedroom suite at Ashley Park, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashley Park, County Tipperary, December 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Cahir House Hotel, Cahir, County Tipperary

https://www.cahirhousehotel.ie/en/

The website tells us:

Cahir House Hotel is a Historical Town House and the leading hotel in Cahir, County Tipperary. This former manor house offers luxury  hotel accommodation in Cahir and is the ideal base for your hotel break in the South East of Ireland.

Situated centrally in Cahir, Co. Tipperary, with views of Cahir Castle, Cahir Main Square. Cork, Waterford & Shannon Airport and Cities such as Kilkenny, Cork, Waterford, Limerick, a mere 1 hour drive away.

Cahir House Hotel is the perfect location at the crossroads to the south.

The National Inventory tells us that it was built c. 1770: “This impressive townhouse, designed by William Tinsley on a prominent corner site, which became the residence of the Earls of Glengall when the family ceased to live in Cahir Castle [The first Earl of Glengall was the 10th Baron Cahir, Richard Butler (1775-1819). He married Emilia Jefferyes, daughter of James St. John Jefferyes of Blarney Castle]. Although it has undergone many alterations and a change of use, it retains much character and interesting fabric, such as the stone to the window and door dressings.

3. Cashel Palace Hotel, Cashel, County Tipperary – €€€

https://www.cashelpalacehotel.ie

The website tells us it is: “A Palladian manor, in the heart of Ireland, Cashel Palace is a luxury hideaway, meticulously restored and exquisitely reimagined. Spectacularly located by the Rock of Cashel in picturesque Co. Tipperary, the hotel is enveloped in nature and overlooked by ancient history.

Cashel Palace hotel, County Tipperary, photograph by Brian Morrison 2014 for Tourism Ireland, Ireland’s Content Pool. [2]

The website tells us of the history:

Built in 1732, as the home of Church of Ireland Archbishop Theophilus Bolton, Cashel Palace was designed by the eminent architect Sir Edward Lovett Pearce. Lovett Pearce was one of the most celebrated architects of the time, and would go on to design Dublin’s impressive Parliament House – now the Bank of Ireland in College Green.

Palladian in style, Cashel Palace’s handsome red brick facade contrasts with its limestone rear. While the rear façade mirrors the front, the use of different materials makes it exceptionally rare for this period. Carved limestone dressings enhance the house’s symmetry, with the triple-opening Venetian – or Serlian – windows a typical feature of the Palladian style.

“If you look closely at the front elevation, you will spot a crowned harp over the entrance. A fire mark issued by the Hibernian Insurance Company of Dublin, they were in business from 1771 to 1839 and were the first company in Ireland to offer fire insurance.

No expense was spared in the Palace’s construction, with dozens of skilled craftsmen hired to complete the ornate and capacious interiors. Thanks to generations of mindful custodians, many of the house’s original features were well preserved. Described as ‘a place of notable hospitality’ in Loveday’s Tour of 1732, it is clear the residents enjoyed the finest comforts of the day.

The large entrance hall retains its original wood panelling, and two imposing fluted Corinthian columns. Off the hall, stands the remarkable staircase, an early Georgian style carved from red pine and featuring hundreds of intricately hand-turned ‘barley sugar’ banisters.

Photograph from Mark Bence-Jones, A Guide to Irish Country Houses (1988).

Occupying 25 acres, with an impressive driveway and gardens, a private walkway, ‘The Bishops Walk’ was constructed, to give residents private access to the Rock of Cashel, ancient seat of the Kings of Munster and home to a 13th century Cathedral. Cashel Palace was not impervious to political upheaval, and suffered damage during the turbulent Wolfe Tone Rebellion of 1798. The 1st Earl of Normanton, then Archbishop of Cashel, oversaw the room repairs, with the modifications reflecting the fashionable Regency style of the time.

“To the rear of the Palace beautiful gardens were planted, including two ancient mulberry trees. Predating the house, these striking trees stand tall today, planted in 1702 to commemorate the Coronation of Queen Anne.

During the construction and excavation the builders stumbled upon the opening of an ancient well. Perfectly formed and completely intact, the 15-foot well was historically used to provide water to the Main House of the Cashel Palace during the period when the Archbishops occupied the house from the 1730’s to the 1900’s.

Every period house in this time had a land agent who would brew beer for the owners, and it was Richard Guinness, who was the land agent for Archbishop Arthur Price, who used hops from the Palace Garden and water from this well to brew ale for Cashel Palace. His son Arthur Guinness, who was the Archbishop’s godson, was left £100 in his godfather’s will – the same £100 he used to secure the lease on the site of St. James’s Gate brewery in Dublin. This same well can be seen in The Glass Well at our sister property, Mikey Ryan’s Bar & Kitchen adjacent to the hotel.

101 years after it was built, the last Archbishop left Cashel Palace. In 1833, under the Church Temporalities Act, the dioceses of Cashel and Emly were merged with Waterford and Lismore. This act saw the then present resident, Archbishop Richard Lawrence, relocate to Waterford, where he and future successors would make their home. Without an Archbishop in residence, Cashel Palace was divided for use by the Dean of Cashel and a Canon of the Church of Ireland.

For more than 200 years, the Palace had found itself at the heart of religious life, hosting many powerful families and their guests. That all changed in 1959, when the Church of Ireland sold Cashel Palace to Lord Brockett, a man of some means. Opened as a luxury hotel in May 1962, Lord Brockett also owned the Wicklow Hotel in Dublin and Benner’s Hotel in Tralee at the time.

Over the years, Cashel Palace hosted many glamorous guests, including Jacqueline Kennedy, Richard Burton and Elizabeth Taylor, Ronald Reagan, Diana Spencer and Prince Joachim of Denmark.

The hotel has enjoyed a long association with the horse-racing community and was once owned by the legendary horse trainer Vincent O’Brien before being sold to local entrepreneurs Pat and Susan Murphy who took stewardship and operated the hotel until its closure in 2014.

Then, in 2016, the iconic house was purchased by the Magnier Family, also owners of Coolmore, the world’s largest and most successful thoroughbred breeding operation. Since then, the house as undergone an incredible transformation which will see it transformed a magnificent five-star Relais & Châteaux property.

The doors of Cashel Palace opened more on 1st March 2022 after a long slumber, ready to welcome guests from across the globe, thus ushering in a new era in the legacy of a building already steeped in such incredible history.“”The doors of Cashel Palace opened more on 1st March 2022 after a long slumber, ready to welcome guests from across the globe, thus ushering in a new era in the legacy of a building already steeped in such incredible history.

4. Clonacody House, County Tipperary €€

https://www.clonacodyhouse.com/home

5. Croc an Oir, Mullinahone, County Tipperary € for 4-15

https://www.airbnb.ie/rooms/6651715?adults=1&children=0&infants=0&check_in=2023-04-18&check_out=2023-04-25&federated_search_id=06207691-0de5-49ec-8323-71f088df9e7c&source_impression_id=p3_1654355901_X6OQQUqoSRlCkOnM

Crocanoir is a home away from home tucked away down a leafy boreen. This beautifully restored house offers a truly relaxing holiday where hospitality and a traditional Irish experience is offered in abundance. It enjoys stunning views of Slievenamon mountain and there are lovely countryside walks only a stroll from the doorstep. Guests are welcome to wander the woodland paths and leave the world behind. The Old House has oodles of character and is ideal for large families or groups of friends.

6. Hotel Minella, Clonmel, County Tipperary

Hotel Minella, Clonmel Co Tipperary, photograph Courtesy Tipperary County Council 2022.

https://www.hotelminella.com

The National Inventory tells us it is a five-bay two-storey over basement country house with three-bay entrance breakfront, three-bay side elevations and having bowed end bays to rear, built 1863. Now in use as hotel, with later three-bay flat-roofed porch. Built for the Malcolmson family by J.S Mulvany, this neo-classical house is located on a fine site on the banks of the River Suir. Its form is enhanced by well-crafted decoration such as the window surrounds, balustrade and channelling and by the retention of features such as the timber sash windows and timber panelled door. It forms a group with the similarly executed gate lodge and well-crafted boundary walls and piers.

7. Raheen House Hotel, Clonmel, County Tipperary €€

https://www.raheenhouse.ie/

Raheen House Hotel is one of the leading hotels in the vibrant town of Clonmel, County Tipperary. This captivating hotel, with a history dating back to the 17th century, offers visitors the opportunity to relax and luxuriate in exquisite surroundings.

The Hotel offers 15 elegant bedrooms within the tranquillity of its own 3.5 acre gardens. The refinement extends throughout the whole house; have a drink in front of the open fire in the bar, take afternoon tea in the sumptuous Drawing Room or enjoy a delicious formal dinner in our restaurant.”

The tranquil atmosphere at present day Raheen House Hotel belies a turbulent and violent history that spans over nine centuries.The annals of the area stretches from the early thirteenth century to modern day times whilst the house can be chronicled to the middle of the 17th century.

The earliest grantee of the land was William Fitz Adelm, Lord Lieutenant under King Henry the Second, who was granted the “Golden Vale from Cashel to Limerick and the alluvial districts from Clonmel to Carrick in 1220. His property then passed to his son Baron de Burgh [Richard, died abt. 1243], who is largely responsible for founding the town of Clonmel and whose descendants retained commercial interests in the town for generations.

Political upheaval over the intervening years meant that by 1650 ownership of the land was with the Earl of Ormond. It is in connection with the Earl that we find one of the earliest mentions of the name Raheen, though it was spelled “Rahines” during this time. The name is thought to mean ” Little Fort” a combination of “Rath” being fort and the diminutive “een”.

As Ireland was a subject of Great Britain, any political changes there were reflected here, thus, when the monarchy was overthrown, with the execution of King Charles the First, and Cromwell came to power this had a dramatic affect on the history of Raheen. It is thought that it was during the rule of Cromwell that the original Raheen House was built. It is believed that Col Solomon Richards [1636-1691] was the builder of the first house, which still stands today and shows many architectural features of that era. It is estimated that the house was built between 1652 -1654.

Col Richards was a prominent member in Cromwell’s army and sat on his War Council. He was appointed Commissioner of Revenue at Clonmel on December 25th 1652. By April 1655 he was appointed Governor of Clonmel. He operated out of Raheen House in his role of Revenue Commissioner. A daughter of Colonel Richards, Elizabeth, went on to marry Capt. Samuel Foley who had a registered interest in the property of the Revenue Commissioners. Indeed, one of his own grandchildren, Charles Blount held the office of Revenue Commissioner under the reign of King Charles the Second. The descendants of Colonel Solomon Richards produced branches of the Foley, Oliver and Dominick families. In fact his great, great, granddaughter, Elizabeth Dominick became Lady St. George, a peer of the Realm when her husband, St.George Ussher was named Baron St.George in 1773 by King George the Third. It is this king who purchased present day Buckingham Palace.

The Georgian addition to Raheen House was constructed in the early 1840’s and as was common practise at the time it was built adjoining the original Cromwellian structure. The 19th century owners of the house, the Greer family put the house for sale in 1878 for £55 when the legal owner, William Greer, was declared insane.

Another military element was again associated with Raheen House when Col E George Cobden took ownership of the house. As nobility, the Colonel was part of the ruling class in post-famine Clonmel and he was an Ex-Officio Guardian on the Board of Guardians for the Union (workhouse) as well as a Magistrate.

Trouble came to Raheen House in July 1914 due to Cobden’s connection with the house. His son George E Cobden, Jnr, was one of the officers at the Bachelors Walk massacre in Dublin where three people were killed and 38 injured. It is thought he was the officer who gave the order that resulted in these deaths. Nationwide outrage at the slaughter was mirrored locally and an angry mob descended on Raheen House, still home to Cobden Snr, where a violent riot erupted. Fortunately, there were no deaths as a result of the incident.

In more recent times Raheen House was the home of Clonmel senator, Denis E Burke, a Fine Gael politician who held two terms in the 1960’s. The public park opposite Raheen House was named after the late politician.

“The current owners, Elizabeth and John Day, purchased the house in 1988 from the Burke family. After raising their three daughters, Catherine, Lois and Orla, in the house they decided, in 1996, to establish Raheen House as a hotel. The house, including the gate lodge at the entrance, opened its doors as a hotel to the delight of the public. The hotel underwent an extensive re-vamp of both the interior décor and the grounds in 2014, and rightly holds the position of one of the finest manor hotels in Ireland.”

8. The Rectory, Cashel Road, Cahir, Co. Tipperary – section 482 accomodation

The Rectory, Cahir, photograph from National Inventory of Architectural Heritage.

contact: Richard Fahey
Tel: 087-2601994
(Tourist Accommodation Facility

Open for accommodation: April 1-Sept 30 2025

https://www.discoverireland.ie/accommodation/the-rectory

The National Inventory describes the house: “A substantial former rectory with an attractive bowed bay which dominates the principal elevation and creates interest in an otherwise austere design. The placement of the entrance doorway in an end elevation is unusual. Of significance also is the range of outbuildings to the north, with an attractive arched entrance and retaining much interesting fabric.” [20]

Whole house rental County Tipperary

1. Aherlow Castle, County Tipperary – on airbnb

At one stage, Aherlow Castle was a ruin, when it was listed on the Landed Estates database, but it has been renovated! It is on airbnb, https://www.airbnb.ie/rooms/27327721?source_impression_id=p3_1719420952_P3AT57r9rlZLUMvE

Mark Bence-Jones wrote in his  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978), Revised edition, 1988, Constable and Company Ltd, London:

p. 3. “(Moore/IFR) A small late C19 “pasteboard” castle in the Glen of Aherlow, built by the Moore family, of Mooresfort. Polygonal tower, with dummy loops; square tower. Recently demolished.” 

It was built in 1805, a former website for the house tells us: The house was bought as a ruin in 2003 by  Freda and Declan Roche. Freda’s family lived in Aherlow Castle from 1949 to 1955 so it was a life long dream of hers to restore the house and make it a family home again.

2. Bansha Castle, County Tipperarywhole house rental €€€ for 2; € for 7-16

Bansha Castle, County Tipperary by Kerry Kissane 2021 for Tourism Ireland (see [2]).

https://www.banshacastle.com

Mark Bence-Jones writes (1988):

p. 30. “(Butler/IFR) A two storey Victorian house with a round tower at one end, a square tower at the other and a gabled porch. Odd-shaped windows and a few blind loops; but no castellations or other pseudo-medieval features.” 

The website tells us: “If you’ve ever dreamed of staying in an Irish castle, then 300-year old Bansha Castle is exactly what you’ve been looking for. This gracious castle with elegant period features is beautifully positioned amid mature private parkland by the Glen of Aherlow, framed by the famous Galtee mountains. Built in 1760 and recently lovingly restored to full former glory, Bansha Castle is the perfect location for a private family gathering, birthday celebration or friendly get-together.

It tells us of the history also:

Bansha Castle was built circa 1760 on the site of the original 11th century castle. Extensively remodelled around 1830 and also in the early 1900s, it originally consisted of a late Georgian wing attached to a medieval tower house. The castle was the home of the O’Ryan family until late 1800s, when it was acquired by the British Government as a grace and favour house for General Sir William Butler on his retirement following the Boer war.

General Butler was born in Ballycarron, about three miles from Bansha village. After joining the British Army he saw service initially in Burma and India and was subsequently posted to Canada where he was responsible for submitting the report which led to the setting up of the North Western Police- the Mounties. Although a brilliant soldier, Butler hated war. As Commander-in-Chief of the British forces in South Africa in the 1890s, he tried to dissuade the British Government from taking on the Boers, knowing it would be a long and costly war, whereas the Government thought they were only up against inexperienced farmers. In 1899 he was forced to resign having been accused of having pro-Boer sympathies. He was made the scapegoat for the bloody war which followed and suffered intense humiliation.

Butler retired to Bansha Castle and happily was able to clear his name before he died in 1910. He carried out a number of alterations to the house – removing the castellations around the roof, demolishing the early tower, and replacing it and re-roofing the house. He was buried in Kilaldriff cemetery, not far from Bansha.

If General Sir William Butler was famous then his wife, Elizabeth Thompson was equally distinguished. She became Lady Butler, The Battle Artist. Never having witnessed war at first hand, her battle scenes won her the popularity and critical success that no other female British painter has ever approached. Among her most famous paintings are The Roll Call, Scotland Forever, and The Charge. Many of her paintings were completed in Bansha Castle. She used the top room of the North tower as her studio.

She continued to live on in Bansha Castle after her husband’s death. During the troubles in 1922, the house was occupied by the IRA. In great indignation Lady Butler walked out of the house, leaving everything behind. She was never to return. It was left to her son, a colonel in the British Army, to retrieve her paintings. One of her paintings, The Camel Corp, is rumoured to have a bullet hole in it,
received in Bansha Castle. She went to live with her daughter, Lady Gormanstown, at Gormanstown Castle where she died in 1932. An account of this episode can be read in her book A Little Kept.

Bansha Castle then became the property of Mr.Tom Givens, retired Chief of Police in Shanghai, before it was acquired in the early fifties by Dr.James Russell He ran it as a stud farm and bred the famous 1970s racehorse Rheingold on the lands. In 1975 there was a major fire and the house was closed for a number of years.

In 1982 John and Teresa Russell decided to renovate the house to provide luxury accommodation in Ireland. As can be observed, this renovation has become an ongoing labour of love.

3. Clonacody House, County Tipperary – whole house

https://www.clonacodyhouse.com/home

Clonacody has six spacious bedrooms, all boasting genuine antique interiors. Expect the good-old fashioned hospitality of the bygone days, curious family history, artwork and photographs to pour over. Curl up on our squishy sofas with a good book while enjoying an open fire on our ground floor, or have a bath beside an open window taking in the glorious surrounding views of Co. Tipperary’s mountains for endless relaxation. All include quality bedlinen, towels and toiletries.

4. Cloughjordan House, Cloughjordan, Co. Tipperary – wedding venue

Cloughjordan House, County Tipperary, photograph from National Inventory of Architectural Heritage.

https://www.cloughjordanhouse.com/accommodation

The website tells us: “Cloughjordan House has a variety of colourful accommodation options for guests. There is on-site accommodation for up to 86 guests. The attention to detail leaves each finished room with a sense of its own personality and flair, meaning every lodger has a unique experience of the venue. The bathrooms are stocked with The Handmade Soap Company toiletries and the property is littered with Nespresso machines so that guests can take a break during their stay to sit back and smell the coffee.

There are four double bedrooms with ensuites in the beautifully elegant main house. The bedrooms have all the glamour of period features but with modern adjustments for a more comfortable stay. Guests staying here are steeped in luxury with; super king sized beds, crisp Egyptian Cotton sheets, soft cashmere blankets from Hanly Woollen Mills and under floor heating in the bathrooms. They also have use of the sitting room in the main house for relaxing and tea/coffee facilities with homemade cookies. Sleeps 8.

There are two double bedrooms with ensuites above the cookery school in the Coach House. These rooms are an extension of the accommodation available in the main house. Guests have access to the living rooms there for relaxation. This building was originally a store for horse-drawn carriages, hence its name The Coach House. Sleeps 4.

There are four double bedrooms with ensuites located in the Dairy. The structure was the original milking parlour for 150 dairy cows which is why each room; Daisy, Bluebell, Buttercup and Primrose are named after the animals. The décor here is rustic with unique features making use of Cloughjordan farm wood and other farmyard materials like galvanised sheeting. The beds are traditional farm structures with super comfortable mattresses. The handcrafted nature of these rooms means you are guaranteed to have never stayed anywhere like this. Sleeps 8.

There are 18 bedrooms with ensuites located in the Cowshed. The bedrooms are farmyard inspired with wood used from the Cloughjordan House forest and wooden sinks and rugs from South Africa, where both Sarah and Peter love spending time. The beds are large and luxurious and the showers are powerful. The common room is like something out of a novel, spacious and bright with an Argentinian feel. The veranda opens out onto the property with big, comfortable couches complete with blankets for the ultimate in chilling-out and when the sun is shining this is the best spot in the house (or shed)! Sleeps 45.

The glamping area in the walled garden has 11 newly arrived wooden “pod” cabins offering Scandinavian comfort and style. Mattresses and bedding are the same as any of the other rooms in the house. In order to keep our guest’s stay as premium as possible, we have built a Pamper Room so that ladies can get ready in comfort for the day ahead. This Girlie Room is bright and spacious and comes complete with mirrors and plugs for appliances. Glamping guests have access to The Cowshed lounge for relaxing and chilling-out. Sleeps 22.

The website tells us: “An 800 year old French style manor house set in the lush countryside of North Tipperary. Cloughjordan House is at heart a place of wholesome home-grown food, warm, welcoming rooms, gardens to explore and wide lawns to play on.

The website tells us a little about the history of the house: “You can’t walk around the grounds of Cloughjordan House without feeling steeped in Irish history. The house itself has been there for over 800 years, dating back to as early as 1214. It’s covered in a colourful Virginia creeper residual from the historic Hodgins’ Arboretum and nursery gardens that the grounds were once famous for. The property has been in the hands of The Baker family since 1914 when they purchased it from the Hodgins family. In 1922, free state soldiers occupied the house and evidence of their target practise can see be seen on an ancient tree outside.

Peter Baker, his wife Sarah and their children; Julie, Holly and Sam are the proud residents of Cloughjordan House today. Over the past decade or more, they have transformed Cloughjordan House from a dairy farm into a magical destination with the best in food, atmosphere and accommodation. The family live in their own wing of the main house and welcome guests as though they are friends and family, even the family dogs Louis and Monty are available for a belly rub during your stay.”

The National Inventory tells us it is a “Detached multi-period country house, comprising five-bay two-storey central block, built c.1675, having rear stairs return, flanked by two blocks that advance forwards, eastern being medieval tower house and western being ballroom block built c.1850. Flanking blocks are gable-fronted and two-storey with attic, and middle block has pitched slate roofs with massive rendered chimneystacks. Rendered walls, with battered base and dressed quoins to tower house...Round-headed doorway with petal fanlight and replacement timber and glazed door to ballroom block. Part of original staircase with barley-twist balusters survives. Various gabled and lean-to additions to rear. Detached L-plan stable block, built c.1860. Wrought-iron gates set on limestone plinth to entrance. Remains of moat to north and east. 

Cloughjordan House is a substantial farmhouse that contains significant fabric from the medieval period to the nineteenth century. Its form, detailing and original fabric provide important information about rural architectural development in Ireland. The house also contains fine joinery and plaster work and the barley-twist staircase is a rare survival. It has one of the few surviving nursery gardens for which there is substantial documentation that is now preserved in the National Botanic Gardens.

5. Inch House, Thurles, County Tipperary, Ireland – whole house rental €€€ for 2; €€ for 7-10

http://www.inchhouse.ie

Inch House County Tipperary, photograph from National Inventory of Architectural Heritage.

The website tells us:

The Egan Family are proud owners of Inch House since 1985. The family bought the house & farm that surrounds it with no idea as to the real treasure that lay inside this Georgian mansion. John, a farmer, and Nora, a nurse, along with their eight children have worked tirelessly to bring their dreams for Inch House to fruition and opened their home to guests in 1989 following a major restoration project.

Having run an  award winning restaurant for some 25 years since then, John and Nora now embark on a new journey and for the first time this year are offering their magnificent house to holiday makers for their exclusive hire. this is an exciting new venture for the Egans’ and given their extensive experience in the hospitality and food sector they aim to bring their experience into this new venture and bring their plans to fruition.

Inch House was built in 1720 by John Ryan [1692-1723] on the site of a previous structure. John, who had inherited extensive lands from his father, Daniel, married Frances Mary Mathew of Thurles in 1723. Frances was daughter of George Mathew, and granddaughter of Lady Thurles (1587-1673), formerly Elizabeth Poyntz.

Lady Thurles was married twice, firstly to Thomas Butler, Viscount Thurles (who, had he lived would have succeeded to the Earldom of Ormonde), and secondly to George Mathew. Her eldest son by the Butler marriage was the remarkable James, 1st Duke of Ormonde and Lord Lieutenant of Ireland. Her daughter was an ancestor of the late Princess of Wales. The descendants of her Mathew alliance were equally notable for they included the saintly Nano Nagle, Foundress of the Presentation Sisters in the 18th Century.

Nano Nagle was a daughter of Garnet Nagle and Anne Mathew granddaughter of Thomas Mathew of Anfield, a mere stone’s throw from the Ryan seat at Inch. The Capuchin priest, Rev. Theobald Mathew, the renowned “Apostle of Temperance” also descended from this Stock.

Ryans of Inch were one of the few landed Catholic families in Tipperary and in the late 18th Century and owned up to 5,000 acres of land. Inch remained the property of the Ryan family until 1985 when it was sold to the present owners, John and Nora Egan.

6. Killaghy Castle, Mullinahone, Tipperary – whole house rental €€€ for 2; € for 11-14

https://www.airbnb.ie/rooms/41229269?source_impression_id=p3_1646849021_iHJka1F69OaEkVKZ

Mark Bence-Jones tells us (1988):

p. 169. “An old tower-house of the Tobin family, with a two storey five bay C19 castellated wing attached. Doorway with segmental pointed arch, mullioned windows with hood mouldings, bartizan. Forfeited by the Tobins 1653, passed to the Greene family, from whom it passed through marriage to the Despards; it was garrisoned by Lieut Despard 1798. It then passed by inheritance to the Wright family, by whom it was sold. Since then, it has been owned successively by the families of Watson, Fox, Naughton and Bradshaw.” 

The National Inventory describes it: “Detached T-plan five-bay two-storey country house, built c.1760, façade remodelled and octagonal turret added to southwest corner c.1825, and having four-storey tower house, built c.1550, adjoining to east. Lower two-storey extension to north gable of return. Adjoining outbuildings to rear….The turret, crenellations and label-mouldings applied to this building are a witty reference to the original defensive nature of the tower house to which it has been added. This combination of structures of various eras is familiar in large rural houses in Ireland. The later parts form an interesting horizontal counterpoint to the very tall tower house. The house forms an interesting group with the outbuildings and walled garden. “

7. Kilshane, Tipperary, Co Tipperary – whole house rental for weddings.

Kilshane, County Tipperary, photograph from the National Inventory of Architectural Heritage.

https://www.kilshanehouse.ie

Mark Bence-Jones tells us (1988):

p. 299. “(Low/LGI1912) A Classical house of ca 1830; two storey, 6 bay front with single storey Ionic portico; solid roof parapet with central die. A very large and handsome conservatory with curvilinear roofs, in the style of th Dublin ironmasters Richard and William Turner, was added to one end of the house ca 1880; it has an interior of cast-iron columns supporting delicate fan-like arches with. Central fountain. The seat of the Low family; afterwards owned by a religious order, which made some institutional additions to the house. Now owned by Mr and Mrs Ian Horst.

The National Inventory tells us this impressive country house was built by the architect C.F. Anderson for John Lowe. 

Kilshane, County Tipperary: the impressive conservatory – see the website for a better picture, photograph from the National Inventory of Architectural Heritage.

8. Kilteelagh House, Dromineer, Lough Derg, County Tipperary – whole house €€€ for 2; €€ for 10-12

https://www.airbnb.ie/rooms/16299584?source_impression_id=p3_1646849122_v85eLlk0Y7hZDOYc

Kilteelagh House, County Tipperary, photograph from National Inventory of Architectural Heritage.

Mark Bence-Jones writes (1988):

p. 176. “(Gason/IFR) A house rebuilt in High Victorian style 1863 by Lt-Col W.C. Gason. Two storey; steep gables with bargeboards; rectangular plate glass windows and large two storey Perpendicular window in centre. High-pitched polychrome roof. Fine demesne along the shore of Lough Derg. Sold 1962 by Col A.W. Gason to Lt-Col J.A. Dene.” 

Kilteelagh House, County Tipperary, photograph from National Inventory of Architectural Heritage.
Kilteelagh House, County Tipperary, photograph from National Inventory of Architectural Heritage.

9. Lisheen Castle, Thurles, County Tipperary €€€ for two, € for 11-14

airbnb https://www.airbnb.ie/rooms/337170?adults=2&category_tag=Tag%3A8047&children=0&infants=0&search_mode=flex_destinations_search&check_in=2022-05-16&check_out=2022-05-21&federated_search_id=e5acaa55-1906-41d1-92c4-e1dcc2012c70&source_impression_id=p3_1652454843_bH11BQ6b7Xq9YDK0

Lisheen Castle, photograph from National Inventory of Architectural Heritage.

The entry tells us: “In 1996, Michael and Joan undertook the complete restoration and renovation of the Castle, their son Zane now runs and manages the castle since 2009. This has been a real labour of love for them, as they have a wonderful appreciation of history and things beautiful. It was specially pleasing to Michael and Joan that all the craftsmen needed to carry our this momentous task were available locally. They have left no stone unturned to ensure that Lisheen Castle would be restored to its former glory, a residence fit for a Lord.

During your Irish castle vacation you will enter the beautiful hallway, through the Great Oak Door,you will be immediately impressed by the opulance of the diningroom, reception rooms and library. At the end of the long corridor visitors will see a beautiful Ash Carved Stairs. Upstairs, there are currently 9 luxury bedrooms, 8 of which are en-suite. While the emphasis in Lisheen Castle is historical, the facilities are up to today’s standard with wi-fi and pc/printer available for use by the guests.

One of the two kitchens is fully fitted to the highest catering standard. Of interest to the guests will be the “old-style kitchen”, which is furnished with pine furniture and terracotta floor.

Even though the Castle is centrally heated throughout, you can still experience the special ambience of the “open turf fires” which are in all the reception rooms.

Lisheen Castle is available for your Irish castle vacation on a weekly or monthly basis. So, go on, if you would like to experience the wonderful opulance of past times, while still having all the modern conveniences.

10. Lismacue House, Bansha, Co. Tipperary – section 482, whole house rental, up to 10 people

Lismacue House, County Tipperary, photograph from National Inventory of Architectural Heritage.

www.lismacue.com
(Tourist Accommodation Facility) Open for accommodation: Mar 1-Oct 31 2025

See my entry https://irishhistorichouses.com/2025/02/10/lismacue-house-bansha-co-tipperary-section-482-accommodation/

Lismacue House, photograph courtesy of website.
Lismacue House, photograph courtesy of website.

The accommodation consists of a classically proportioned drawing room, dining room, breakfast room and library. The house is centrally heated throughout, with traditional warm and welcoming log fires in the reception rooms. All windows have the original pine shutters that are closed each evening.

Lismacue House, photograph courtesy of website.

All bedrooms contain a King or Queen size bed and are especially designed for perfect rest. Each spacious room features antique furniture, direct dial telephones, fresh cut flowers all year round. There’s a sumptuous deep soaking bath and shower in all bathrooms. Each room enjoys panoramic views over the surrounding landscaped gardens and estate.

11. Lissanisky House, County Tipperary

https://www.lissaniskyhouse.com/

Lissanisky House, photograph from National Inventory of Architectural Heritage.

The website tells us:

Lissanisky House is a listed Irish Georgian country house just outside Nenagh in Tipperary, Ireland. Built in approx. 1770 on the site of the 12th century O’Meara castle, it boasts a pedimented breakfront, five bays and three storeys over the basement. It is also renowned for its glorious cobweb fanlight above the front door. It was once a huge estate, but this was carved up by the land commission and now retains 10 acres of the original grounds, including the Victorian walled garden. ​The trees planted in the walled garden are still producing the tastiest apples, pears, quinces, plums and hazelnuts. If you’re around at the right time, you’ll get to enjoy one of our scrumptious homemade apple and toffee puddings with fresh cream. Delicious!

The house itself is full of history, with some interesting previous owners, like Dr Barry O’Meara, Napoleon’s doctor in St Helena and author of the definitive book on Napoleon, ‘Napoleon in Exile’; The Hon Otway Fortescue Graham-Toler, son of the second Earl of Norbury and relation of John Toler, the infamous ‘hanging judge’ and R Smithwick who is believed to be of the Kilkenny brewing family. We also recently discovered that former owners, the Cleeve family, were related to a member of the Guinness brewing family via the matriarch Heath Otway Waller of Priory Park.

THE FUTURE

We fell in love with Lissanisky House and made it our joint life goal to ensure that it would be restored to its full potential and secure it for future generations. By staying with us in our bed and breakfast or celebrating your wedding here, you are helping to fund all future restoration work to the house and outbuildings, making a huge contribution to the preservation of such an important building.

[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] https://www.irelandscontentpool.com/en

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to visit and stay in County Kerry, Munster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Kerry:

1. Derrynane House, Caherdaniel, County KerryOPW

2. Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerry – section 482, garden only

3. Dhu Varren garden, Knockreigh, Milltown, Kerry, V93 VX27

4. Kells Bay House & Garden, Kells, Caherciveen, County Kerry section 482, garden only

5. Killarney House, County Kerry

6. Knockreer House and Gardens, County Kerry

7. Listowel Castle, County KerryOPW

8. Muckross House,  Killarney, County Kerryopen to visitors 

9. Ross’s Castle, Killarney, County Kerry

10. Staigue Fort, County Kerry

11. Tarbert House, Tarbert, Co. Kerry – section 482

Places to Stay, County Kerry:

1. Ard na Sidhe Country House, Killarney, County Kerry

2. Ballyseede Castle/ Ballyseedy (Tralee Castle), Tralee, County Kerry hotel, €€

4. Cahernane (or Cahirnane) House, Killarney, County Kerry – hotel 

5. Carrig Country House, County Kerry €€€

6. Castlemorris House, Tralee, County Kerry

7. Dromquinna Estate, County Kerry€€

8. Fahagh Court, Beaufort, County Kerry – now Killarney Country Club and accommodation €

9. Glanleam, Valentia Island, County Kerry – accommodation

11. Kells Bay House & Garden, Kells, Caherciveen, County Kerry € 

12. Muxnaw Lodge, Kenmare, County Kerry € 

13. Parknasilla Resort and Spa, Kenmare, County Kerry 

Whole House Rental County Kerry:

1. Ballywilliam House, Kinsale, County Kerry – whole house rental, up to 16

3. Churchtown House, Killarney, County Kerry – whole house rental (sleeps 12)

4.  Coolclogher House, Killarney, County Kerry – whole house rental (up to 16 people)

Places to visit in County Kerry:

1. Derrynane House, Caherdaniel, KerryOPW

Derrynane House, County Kerry, photograph by George Munday, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

Daniel O’Connell, who lived at Derrynane. Portrait in Mansion House, Dublin, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerrysection 482, garden only

https://www.derreengarden.com/
Open dates in 2025: all year, 10am-6pm

Fee: adult/OAP/student €10, child €5, family ticket €30 (2 adults & all accompanying children under18) 20% discount for groups over 10 people

See my entry https://irishhistorichouses.com/2023/09/07/derreen-gardens-lauragh-tuosist-kenmare-co-kerry/

The website tells us: “A beautiful 19th century woodland garden with paths winding through rare tropical plants and opening onto sea views.

Derreen, County Kerry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Set on a peninsula at the head of Kilmackillogue Harbour and surrounded by the Caha Mountains, the garden at Derreen covers 60 acres.

A network of winding paths passes through a mature woodland garden laid out 150 years ago with subtropical plants from around the world and incomparable views of the sea and mountains.

3. Dhu Varren garden, Knockreigh, Milltown, Kerry, V93 VX27

www.dhuvarrengarden.com 

The website tells us:

Dhu Varren Garden, owned by Mark and Laura Collins, began its development in 2001. Since then it has grown to contain one of the largest and most diverse plant collections of any private garden in Ireland. This continues to grow as new and exciting plants are sourced from around the world. It has been described by visitors as ‘Kerry’s Botanical Garden’.

4. Kells Bay House & Garden, Kells, Caherciveen, Co Kerry, V23 EP48 – section 482, garden only

www.kellsbay.ie 

Kells Bay House and Gardens, Co Kerry. Photo: Valerie O’Sullivan, 2015 for Tourism Ireland, Ireland’s Content Pool (see [1])

Open in 2025: Jan 1-4, Feb 1-Dec 21, 27-31, Jan-Apr, Oct-Dec 9am-5pm, May-Sept 9am-6pm

Fee: adult €9.50, child €7.50, family €30 (2 adults and up to 3 children 17 years or under) concessions 10% on groups up to 20 persons

See my entry https://irishhistorichouses.com/2023/09/13/kells-bay-house-garden-kells-caherciveen-county-kerry/

The website tells us: “Kells Bay Gardens is one of Europe’s premier horticultural experiences, containing a renowned collection of Tree-ferns and other exotic plants growing in its unique microclimate created by the Gulf Stream. It is the home of ‘The SkyWalk’ Ireland’s longest rope-bridge.

The rope bridge crosses the river. Kells Bay, March 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. Killarney House, County Kerry

https://killarney.ie/listing/killarney-house-gardens/

Originally called Kenmare House. The stable block of Kenmare House was converted in 1830 into this house. The original Kenmare House was built in 1726 and was demolished in 1872 by Valentine Augustus Browne, 4th Earl of Kenmare. The succeeding house, called Killarney House, and was accidentally destroyed by fire in 1913 and never rebuilt; instead, in 1915 the stable block of the original Kenmare House was converted into the present Killarney House, although the Brownes called it Kenmare House.

Kenmare House Kerry Photograph taken between 1880 and 1914 Lawrence Collection, National Library of Ireland NLI Ref L_CAB_01020
Killarney House and Gardens, photograph ©Fáilte Ireland by Finola White, 2020, Ireland’s Content Pool.

John McShain, renowned architect and building contractor, acquired Killarney House, the former home of the Earls of Kenmare, in 1956. After the death of McShain’s wife, Mary, in 1998, the stately house, and its lavish gardens were sold to the State with the proviso that the property would be incorporated into the neighbouring Killarney National Park. The McShains were allowed to live in the house for the remainder of their lives, and they remodelled extensively. When Mrs. McShain died in 1998 the house reverted to the state. It sat empty and became derelict, but in 2011 restoration was begun. The gardens are open to the public and at some stage, the house also will be opened up.

6. Knockreer House and Gardens, County Kerry

https://www.discoverireland.ie/kerry/knockreer-house-and-gardens

The website tells us:

Found in County Kerry’s Killarney National Park, Knockreer House and Gardens are within walking distance of Killarney Town. The area includes a circular walk with excellent views of the Lower Lake.

The Knockreer section of Killarney National Park is within walking distance of Killarney Town, County Kerry. This area was formerly part of the Kenmare Estate, which was laid out by Valentine Brown, the third Viscount of Kenmare. Deenagh Lodge Tearoom dates back to 1834 and was the gate lodge of the Kenmare Estate. The tearoom is a popular haunt with locals and visitors after a stroll in the park. It is located just inside Kings Bridge across from St Mary’s Cathedral.

Knockreer House, a short walk up the hill, is the Killarney National Park Education Centre and is built on the site of the original Killarney House, which was destroyed by fire in 1913. The circular walk is signposted and offers excellent views of the Lower Lake. On the circular walk there is a pathway off to the right that leads up to the viewing point on top of the hill, which provides a wonderful panorama of the surrounding countryside.

7. Listowel Castle, County Kerry – OPW

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

8. Muckross House (or Muckruss),  Killarney, County Kerry

Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])

www.muckross-house.ie 

This nineteenth century Victorian mansion is set against the stunning beauty of Killarney National Park. The house stands close to the shores of Muckross Lake, one of Killarney’s three lakes, famed world wide for their splendour and beauty. As a focal point within Killarney National Park, Muckross House is the ideal base from which to explore this landscape. 

Muckross House was built for Henry Arthur Herbert and his wife, the water-colourist Mary Balfour Herbert. This was actually the fourth house that successive generations of the Herbert family had occupied at Muckross over a period of almost two hundred years. William Burn, the well-known Scottish architect, was responsible for its design. Building commenced in 1839 and was completed in 1843. 

Originally it was intended that Muckross House should be a larger, more ornate, structure. The plans for a bigger servants’ wing, stable block, orangery and summer-house, are believed to have been altered at Mary’s request. Today the principal rooms are furnished in period style and portray the elegant lifestyle of the nineteenth century landowning class. In the basement, one can imagine the busy bustle of the servants as they went about their daily chores. 

Muckross House and Gardens, Killarney National Park, Co Kerry ©Trustees of Muckross House 2019.
Muckross House and Gardens, Killarney National Park, Co Kerry Muckross House and Gardens, Killarney National Park, Co Kerry ©Trustees of Muckross House 2017.

During the 1850s, the Herberts undertook extensive garden works in preparation for Queen Victoria’s visit in 1861. Later, the Bourn Vincent family continued this gardening tradition. They purchased the estate from Lord and Lady Ardilaun early in the twentieth century. It was at this time that the Sunken Garden, Rock Garden and the Stream Garden were developed.

Muckross House, County Kerry, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The children of Charles John Herbert (d. 1823) of Muckross, County Kerry, and his wife Louisa Middleton, by Richard Rothwell, courtesy of National Trust Powis Castle.
Muckross House 1970, photograph from Dublin City Library and Archive. [2]
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])

9. Ross’s Castle, Killarney, County Kerry

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

Ross Castle, Killarney, County Kerry, August 2007.

10. Staigue Fort, County Kerry

Staigue Fort, County Kerry, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The following website gives us information about this ancient impressive fort: https://voicesfromthedawn.com/staigue-fort/

It tells us:

Constructed entirely without mortar, Staigue cashel encloses an area of 27.4 m (90 ft) in diameter, with walls as tall as 5.5 m (18 ft) and a sturdy 4 m (13 ft) in thickness. It has one double-linteled entrance, a passageway 1.8 m (6 ft) long. In the virtual-reality environment (above) click the hotspots to proceed to the fort’s interior. It is similar in construction to the Grianan of Aileach in Co. Donegal, and was possibly constructed in the same period of the Early Medieval period (approximately fifth to eleventh century CE). The fort is surrounded by a large bank and ditch, most evident on its northern side. This may have been a part of Staigue’s defenses, or it may be a prehistoric feature that pre-dates the construction of the stone fort.

Staigue Fort, October 2012 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “In 1897 T.J. Westropp reported that the local peasantry called the building Staig an air, which he translated as “Windy House, or “Temple of the Father,” or “The Staired Place of Slaughter.” These different translations may inspire distinctly different conjectures about the builders of Staigue. It has been described as both a temple or an observatory, and has been attributed to many different cultures in the past, such as Druids, Phoenicians, Cyclopeans, and Danes. But it was, of course, built by the “Kerrymen of old.”

Staigue Fort, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sign at the site explains that Staigue “was the home of the chieftain’s family, guards and servants, and would have been full of houses, out-buildings, and possibly tents or other temporary structures.” The illustration from this sign is in the gallery below. Cashels, of which Staigue is an impressive and probably high-status example, were enclosed and defendable farmsteads of the Irish Early Medieval period. They housed an extended family and, in high-status examples, their retinue. However archaeologist Peter Harbison was unable to explain why the ancient architects would have created so many (10) sets of X-shaped stairs climbing up the inner face of the wall to its ramparts.

11. Tarbert House, Tarbert, Co. Kerry – section 482

Open dates in 2025: Jan 1-4, 6-11, 13-18, 20-25, 27-31, May 1-3, 5-10, 12-17, 19-24, 26-31, July 1-5, 7-12, 14-19, 21-26, 28-30, Aug 1-2, 4-9, 11-31, 10am-12 noon, 2pm-4pm

Fee: adult/OAP/student €5, child free

Tarbert House, County Kerry, photograph from National Inventory of Architectural Heritage.

Tarbert House, near the town of that name in County Kerry, stands in wooded parkland beside the River Shannon, a few miles downstream from Glin and just across the county bounds. The plain, square, seven-bay seat of James Leslie, erstwhile Bishop of Limerick, was built precisely in the middle of his diocese for convenience, and dates from the 1750s. The house, which is still owned by the bishop’s descendants, was given an additional storey in the mid-19th century but retains its mid-Georgian character and plan, with robust joinery and chimneypieces, and a fine collection of family portraits, furniture, papers and objects.” [3]

Places to Stay, County Kerry: 

1. Ard Na Sidhe, Killarney, County Kerry

https://www.ardnasidhe.com

2. Ballyseede Castle, Tralee, Co. Kerry – section 482, also a hotel for accommodation €€

www.ballyseedecastle.com
Open dates in 2025: Mar 14-Dec 31, 8am-12 midnight
Fee: Free to visit.

We treated ourselves to a stay in 2023. See my entry: https://irishhistorichouses.com/2023/09/02/ballyseede-castle-ballyseede-tralee-co-kerry/

Ballyseede Castle, County Kerry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website https://www.barrowhouse.ie/ tells us the House and Gardens are available for bed & breakfast guests or as an exclusive venue for corporate functions, private group rentals and intimate, small scale weddings. They are members of the Historic Houses of Ireland association, which tells us of the history of the house:

Nestling on the shore of stunning Barrow Harbour with views of the glorious Slieve Mish Mountains, Barrow House in Co. Kerry has a rich history of ownership from knights to noblemen and smugglers.

Built in around 1715, it possibly incorporates the fabric of an earlier house from during or after the Cromwellian period (1649-57). The sublime Georgian front elevation of Barrow House was added as part of the structural rebuild and enlargement work carried out at some point before 1760, while a second sympathetic addition was made at the rear towards the end of the 1800s. The house has changed little over the years. In fact, its still-visible four-feet thick internal walls, two gable end chimney stacks, original interior features, handcrafted ceiling mouldings and sash windows with antique glass exude the restrained, rational elegance typical of a noble dwelling. 

Alongside is a detached seven-bay single- and two-storey former boathouse, c. 1800, on a U-shaped plan. Barrow’s lands were originally part of the 6,000 acres granted by Elizabeth 1 in 1587 to Sir Edward Denny for his loyalty following the Desmond Rebellion. Nearby are the ruins of an ancient church referred to in Papal documents 1302-07 as “Ecclesia of Barun” or the Church of Barun (Barrow). 

Over the centuries, the house and the estate were passed on through marriage or by sale to different owners, including the notorious smuggler, John Collis. The smuggling of wines and tobacco was prevalent in Kerry during the 17th and 18th centuries in particular and Barrow Harbour was a natural rendezvous with its caves and narrow inlets. In the first half of the 20th century, the Knights of Kerry, the Fitzgerald family, affectionately referred to Barrow House as their summerhouse.  In more recent years, it was purchased by an American, Maureen Erde, who published a popular account of running it as a golfers’ guesthouse entitled “Help me, I’m an Irish Inn Keeper”. After she sold it in 1999, the house was restored as a resort estate, flourishing for some years before enduring a period of neglect and abandonment. Barrow House’s current owner, Daragh McDonagh, purchased it in 2016 and has lovingly restored it to welcome guests.

4. Cahernane (or Cahirnane) House, Killarney, Co Kerry – hotel

 https://www.cahernane.com

Cahernane House, County Kerry, photograph from National Inventory of Architectural Heritage, which tells us it is a seven-bay two-storey over part-raised basement Ruskinesque Gothic Revival style country house with dormer attic, dated 1877, possibly incorporating fabric of earlier house. Designed by James Franklin Fuller.

The website tells us:

Beautifully situated on a private estate on the edge of Killarney National Park, our luxury four-star hotel is located just twenty minutes’ walk from Killarney town centre. The entrance to the hotel is framed by a tunnel of greenery which unfurls to reveal the beauty of this imposing manor house, constructed in 1877 and formerly home to the Herbert Family.

Cahernane House Hotel exudes a sense of relaxation and peacefulness where you can retreat from the hectic pace of life into a cocoon of calmness and serenity. The only sounds you may hear are the lambs bleating or the birds singing.

Cahernane House was built as the family residence of Henry Herbert in 1877 at a cost of £5,992. The work was carried out by Collen Brothers Contractors. The original plans by architect James Franklin Fuller, whose portfolio included Ballyseedy Castle, Dromquinna Manor and the Parknasilla Hotel, was for a mansion three times the present size.

5. Carrig Country House, County Kerry €€€

https://carrighouse.com

The website tells us: “If you are looking for the perfect hideaway which offers peace, tranquility, plus a wonderful restaurant on the lake, Carrig House on the Ring of Kerry and Wild Atlantic Way is the place for you. The beautifully appointed bedrooms, drawing rooms and The Lakeside Restaurant, overlooking Caragh Lake and surrounded by Kerry’s Reeks District mountains, rivers and lakes create the perfect getaway.

Carrig House was built originally circa 1850 as a hunting lodge, it was part of the Blennerhassett Estate. It has been mainly owned and used by British Aristocracy who came here to hunt and fish during the different seasons.

The house was purchased by Senator Arthur Rose Vincent in the early 20th. Century. Vincent moved here after he and his wealthy Californian father in law Mr. Bowers Bourne gave Muckross House & Estate in Killarney to the Irish Government for a wonderful National Park.

Bourne had originally purchased Muckross House from the Guinness family and gave it to his daughter Maud as a present on her marriage to Arthur Rose Vincent. However, Maud died at a young age prompting Bourne and Vincent to donate the estate to the Irish State.

Vincent remarried a French lady and lived at Carrig for about 6 years, they then moved to the France. The country house history doesn’t end there, Carrig has had many other illustrious owners, such as Lady Cuffe , Sir Aubrey Metcalfe, who retired as the British Viceroy in India and Lord Brocket Snr, whose main residence was Brocket Hall in England.

Frank & Mary Slattery, the current owners purchased the house in 1996. They are the first Irish owners of Carrig since it was originally built and have renovated and meticulously restored the Victorian residence to its former glory.

For over two decades Frank & Mary have operated a very successful Country House & Restaurant and have won many rewards for their hospitality and their Lakeside Restaurant. They are members of Ireland’s prestigious Blue Book.

Carrig House has 17 bedrooms, each individually decorated in period style with antique furniture. Each room enjoys spectacular views of Caragh Lake and the surrounding mountains. All rooms are en suite with bath and shower. Those who like to indulge can enjoy the sumptuous comfort of the Presidential Suite with its own separate panoramic sitting room, male and female dressing rooms and bathroom with Jacuzzi bath.

The restaurant is wonderfully situated overlooking the lake. The atmosphere is friendly, warm and one of total relaxation. The menu covers a wide range of the freshest Irish cuisine.

Irish trout and salmon from the lake and succulent Kerry lamb feature alongside organic vegetables. Interesting selections of old and new world wines are offered to compliment dinner whilst aperitifs and after-dinner drinks are served in the airy drawing room beside open peat fires.

Within the house, chess, cards and board games are available in the games room.

6. Castlemorris House, Tralee, County Kerry

Castlemorris House, Tralee, County Kerry, photograph from National Inventory of Architectural Heritage.

https://www.bandbireland.com/accommodation/28161/castlemorris-house

Castlemorris is now a bed and breakfast. The National Inventory tells us it is a detached five-bay three-storey over basement house, built c. 1830, with single- and two-storey extensions to rear. Formerly residence of army officer in neighbouring barracks.

7. Dromquinna Estate, Co Kerry €€

 https://www.dromquinnamanor.com

Drumquinna Manor, photograph from the National Inventory of Architectural Heritage, which tells us that the house is an eleven-bay two-storey Jacobean Revival style country house with dormer attic, built c. 1890, designed by James Franklin Fuller.

It was constructed for Sir John Columb around 1889-90. The website tells us:

There are many elements to Dromquinna Manor. Firstly it is a stunning waterside estate unlike anything else. Set on 40 acres of parkland planted in the 1800s, the Estate offers an abundance of activities and facilities.

The Manor, dating from the 1890s, is dedicated to catering for Weddings and events. The Oak Room is the heart of the Manor and is classical in every sense. Stylish beyond words with views of Kenmare Bay celebrations here are truly memorable. The Drawing Rooms and Terrace all make for a very special and memorable occassion for all. It is a real family and friends party as opposed to a hotel ballroom function.”

8. Killarney Country Club cottage (formerly Fahagh Court) Beaufort, Co Kerry € 

Mark Bence-Jones tells us about the main house (1988): p. 122. (Morrogh-Bernard/IFR) An irregular two storey house with a shallow battlemented bow and a rusticated doorcase of sandstone on its front, and a gable at the back. Now an hotel.” [4]

On airbnb https://www.airbnb.ie/rooms/18733691?source_impression_id=p3_1652716587_lWafOPgeB9uWaPDl

The website tells us:

A fantastic mid-terrace property in the grounds of Killarney Country Club just outside Faha near Beaufort in County Kerry, eight miles from Killarney.

Stone built but with a modern feel and fantastic mountain views, this is an excellent base for a family or friends to come to County Kerry and do some sightseeing.

There are two bedrooms upstairs, a double and a twin, along with a shower room, while on the ground floor there is an open plan living area with kitchen, dining area and living area, keeping everyone together while breakfast is being rustled up ahead of a day of exploring.

French doors in the living area take you out to the rear garden, with spectacular views of Macgillycuddy’s Reeks mountain range, home to Carrauntoohil, the highest peak in Ireland.

With a bar on site there will be no arguments about who the designated driver will be.

With great scenery in the surrounding area, be sure to do a bit of sightseeing while out for a walk or a cycle in the fresh Irish air.

Only a short drive down the road, Beaufort will tend to your basic needs while Killarney is only eight miles away, where you can sample a range of shops, restaurants and pubs with some good local Irish music being played.

9. Glanleam, Valentia Island, Co Kerry

 https://hiddenireland.com/house-pages/glanleam-house/

Glanleam, County Kerry, photograph from National Inventory.

The website tells us:

Glanleam was built as a linen mill in 1775 and later converted into a house by the Knight of Kerry, who planted the magnificent sub-tropical gardens. In 1975 Meta Kreissig bought the estate which had declined for 50 years. She rescued the house, restored and enlarged the garden and, with her daughter Jessica, made it a delightful place to stay, with a mixture of antique and contemporary furniture and an extensive library. The setting looking out over the harbour is magical. There are green fields, a beach and a lighthouse, and Valentia Island is connected to the Kerry mainland by a car ferry and a bridge.

Glanleam was converted into a country house by the 19th Knight of Kerry (1808-1889). His father had developed the famous Valentia slate quarry (the slates were especially in demand for billiard tables, then very much in vogue). The Knight, an enthusiastic botanist, recognised the unique potential of the island’s microclimate for sub-tropical plants and laid out a fifty acre garden, using species just introduced from South America. His efforts won him great acclaim at the time and today his gardens have matured into dense woodlands.

Together Meta Kreissig and her daughter Jessica have refurbished the house, furnishing it with an amalgam of antique and modern pieces, and opened it to guests. There is an extensive library, several of the rooms have their original Valentia slate chimneypieces, and the bedrooms have luxurious Bonasck designer bathrooms. The gardens have also benefited from their attention. One recent visitor described the ‘radial planting of vegetables’ in the centre of the walled kitchen garden as ‘a jewel’.

10. Keel House, Keel, Castlemaine, Co. Kerry V93 A6 Y3

(Tourist Accommodation Facility)

Open for accommodation in 2025: April 1- Sept 30 

https://www.airbnb.ie/rooms/763099850152850482?source_impression_id=p3_1741194866_P3bysbQjjoOVpVMf

11. Kells Bay House & Garden, Kells, Caherciveen, Co Kerry € see above

https://www.kellsbay.ie/accommodation/

12. Muxnaw Lodge, Kenmare, Co Kerry €

https://www.muxnawlodgekenmare.com/

The website tells us that Muxnaw Lodge in Kenmare is an attractive Victorian house, with spectacular views of the Kenmare River and Suspension Bridge.

Muxnaw Lodge features in Jane O’Hea O’Keeffe’s Voices from the Great Houses: Cork and Kerry. Mercier Press, Cork, 2013:

p. 242. “John Desmond Calverley Oulton (konwn as Desmond), who was born at Clontarf Castle in 1921, is the son of John George Oulton and Sybil Mona Calverley. He has long and loving memories of his childhood home at Clontarf Castle, where he played with his siblings in truly magical surroundings…”

p. 245. “During his childhood days, Desmond and his family would travel to Kerry each summer to stay at Muxnaw Lodge at Kenmare, which had been owned for generations by his mother’s people, the Calverleys. A lovely gabled building, the Lodge was built in 1801 as a hunting and fishing lodge by the Calverley family. It is situated on a spectacular site overlooking the Kenmare River and is now run as an up-market guesthouse. 

The name Muxnaw comes from the Irish Mucsnamh (the swimming place of the pigs). Joyce’s Irish Place Names gives this explanation: 

The natural explanation seems to be that wild pigs were formerly in the habit of crossing… at this narrow point. The Kenmare River narrowed at this point by a spit of land projecting from the northern shore, and here in past ages, wild pigs used to swim across so frequently, and in such numbers, that the place was called Muscnamh or Mucksna.” 

p. 245. “Desmond explains the complexities of his family history: “Colonel Vernon, owner of Clontarf Castle, had several daughters and a son. One daughter, Edith Vernon, married Walter Calverley who owned Muxnaw Lodge. They had two children, my mother, Sybil Mona Calverley, and Walter Calverley. Walter was killed during the first world war, and following the death of Walter Calverley Sr, Muxnaw Lodge went to his brother, Charles, who left it to his niece, my mother.” “

13. Parknasilla Resort and Spa, Kenmare, Co Kerry 

Parknasilla, photograph from National Inventory.

https://parknasillaresort.com

The website tells us:

Parknasilla Hotel, nestled in the shadows of the Kerry mountains amidst islands, inlets and hidden beaches.

Come stay with us and feel the restorative power of nature and marvel in the splendour of the seascape and landscape that surrounds you here.

The word  Parknasilla ,(means the field of Sallys) [perhaps “salix” meaning Willow], for so many is evocative of so many things, tucked away in the corner of a subtropical paradise on the Kenmare river , it’s a place of beauty, of rare plants, islands linked by timber bridges and coral inlets.

Where the sea, the light and clouds  put on a continual show to delight the senses. A place where people come as guests and leave as friends, with its tradition of hospitality stretching back over 125 years. It has hosted royalty, dignitaries, family gatherings and romantic get aways.

It has provided people with that peaceful haven for them to recalibrate and recharge their batteries but it has also been that place of quite inspiration for writers and artist from George Bernard Shaw to Ceclia Ahern .

With its winding walks, this 200 acre estate walled gardens, golf course, island dotted bay and spa coupled with a world class resort with a 4 star hotel houses and apartments  it provides one with that perfect retreat to suit all tastes.

It is a place of many layers constantly evolving, seen through the prism of history it’s a place where people create their own be it in the friends formed or memories laid down to last a life time, a place to return to again.”

The website tells us about the history of Parknasilla:

The origins of the rise of the Great Southern Hotels and Parknasilla arised from the middle of the 19th century. Despite the ravages of the famine, Ireland was seen as an exotic tourism destination and this was particularly true after Queen Victoria’s trip to Ireland and Kerry in 1861, that saw an explosion of tourism from overseas. Railway lines were developed in the mid 1850’s from Dubin to remote towns of Killarney, Dingle, Galway and Sligo and later new lines were developed from Killarney for instance to Kenmare.

In the South of Ireland, the most import railway was the Great Southern and Western Dublin-Cork Link that opened in 1849. Excursions were promoted and resort hotels that were built were to supplied with customers by new railway line. New doors opened for Parknasilla around the start of the 1890’s, when in 1893 Kenmare became the terminuis of the branch line. Subsequently two years earlier, the Derryquin Estate was in 1891 by the Bland family in various lots. Bishop Graves of Limerick who had leased the part of the property for a long period off the Blands, purchased in one lot, and only a short time after sold the property to the Great Southern Hotel Group.

On the 1st of May 1895, The Southern Hotel Parknasilla opened, the name Parknasilla which means “The field of the willows” began to appear on the maps. It was also refered to as the “Bishops House Hotel, Parknasilla”. The story of the construction of architecture is also an interesting one. Eminent architect James Franklin Fuller was chosen by the Great South and Western Railway, prior 1895. Fuller himself left an incredible legacy behind, he was responsible for the designs of some of Ireland’s most iconic buildings such as Kylemore Abbey, Ashford Castle, Kenmare Park (formely the Great Southern Kenmare) and Farmleigh House.

Born in 1835 in Kerry, he was the only son of Thomas Harnett Fuller of Glashnacree by his first wife, Frances Diana, a daugther of the Francis Christopher Bland of Parknasilla dn Derryquin Castle. The Blands were indeed synomous with Parknasilla for over two centuries, and new chapter for Parknasilla future now had an incredible link with its past.

The hotel originally started out in what was known as “The Bishops House”, however a better position was chosen in 1897 for a new purpose buillt hotel. The new Parknasilla Hotel faced down the Kenmare Bay an offered its guests uparelled views of the Atantic Ocean. The facilties of the new hotel included Turkish Hot and Cold Seawater Baths, reading and games rooms and bathrooms on every floor. This decision came after unprecedented demand that well exceed supply.

The website also tells us about the early owners of the property:

The Blands of Derryquin Castle Demense were a Yorkshire family, the first of whom Rev. James Bland came to Ireland in 1692 and from 1693 was vicar of Killarney. His son Nathaniel, a judge and vicar general of Ardfert and Aghadoe obtained a grant of land in 1732 which would later become the Derryquin Estate. Derryquin Castle was the third house of the Blands on this land but it is not known when it was first constructed, its earliest written mention being in 1837, however it was indicated some decades earlier by Nimmo in his 1812 map.

Nathaniel Bland (1695-1760), Vicar General of Diocese of Ardfert and Aghadoe, Picture from The Story of Dorothy Jordan by Clare Jerrold, 1914, courtesy of Teresa Stokes, flickr

The estate is said to have reached its zenith under the guidance of James Franklin Bland (1799-1863). His nephew the well known architect James Franklin Fuller described the castle estate in his
autobiography as a largely self-supporting community busy with sawmill, carpenter’s shop, forge as well as farming and gardening. A fish pond existed on the water’s edge just below the castle, alternatively described as being self-replenishing with the tide or restocked from a trawler.

The castle itself consisted of a three-storey main block with a four-storey octagonal tower rising through the centre and a two storey partly curved wing branching off in a western direction. Major renovations were carried out and a significant additional wing running southwest, overlooking the coastline was added sometime between 1895 and 1904.

James Franklin Bland’s death in 1863 the estate passed to his son Francis Christopher, the estate slipped into decline during the time that he was absent while travelling and preaching on Christian ministry, this being during the years of land agitation in Ireland. Part of the estate was sold in the landed estates court in 1873 but ultimately the decline continued with the remainder being sold in 1891.

It was bought in 1891 for £30,000 by Colonel Charles Wallace Warden. He had retired in 1895 as Colonel of the Middlesex Regiment (previously known as the 57th) He had seen action in the Zulu War of 1879 and on his death on 9th March 1953 in his 98th year was its oldest survivor. He also fought with the Imperial Yeomanry in the Boer War. As landlord of Derryquin he was highly unpopular with tenants and neighbours alike, his behaviour regularly mentioned in Parliament. After the burning of Derryquin Castle he retired to Buckland-tout-Saints in Devon and acquired an estate there with his payment from the burning of Derryquin.

However in 2014 Derryquin castle rose again out of the ashes to feature in a novel by Christopher Bland chairman of the BBC who having discovered a photo of his ancestors decided to write the novel Ashes in the Wind. it interweaves the destinies of two families: the Anglo-Irish Burkes and the Catholic Irish Sullivans, beginning in 1919 with a shocking murder and the burning of the Burkes’ ancestral castle in Kerry. Childhood friends John Burke and Tomas Sullivan will find themselves on opposite sides of an armed struggle that engulfs Ireland. Only 60 years later will the triumphant and redemptive finale of this enthralling story be played out.

Whole House Rental County Kerry:

1. Ballywilliam House, Kinsale, County Kerry – whole house rental, up to 16

https://www.airbnb.ie/rooms/45838390?guests=1&adults=1&s=67&unique_share_id=db6b1a4c-0b7e-47c0-8005-a126984fd520&source_impression_id=p3_1662206216_56bfjuaKrGTdi%2Buf

8 bedrooms. Minimum 14 nights stay.

2. Barrow House, Barrow West, Ardfert, Tralee, Kerry, V92 Y270

See above, https://www.barrowhouse.ie/ and “We invite you to celebrate, reconnect and escape with your friends and family to the idyllic West Coast of Ireland. Enjoy the benefits of exclusivity, privacy and tranquillity and make Barrow House your home. Unwind and relax as you enjoy a smouldering fire, or explore the lakes and mountains of our great outdoors. Our aim is to provide a beautiful backdrop steeped in rich history for you and your  companions to create lingering memories. Your stay will be uniquely tailored to your preferences, choose your own pace of life, making it as restful or as active as you please.

3. Churchtown House, Killarney, County Kerry (sleeps 12)

www.churchtownhousekerry.com

Mark Bence-Jones tells us (1988):

p. 83. “(Magill/IFR) A three storey 5 bay C18 house. Doorcase with entablature on console brackets flanked by narrow windows. Fine gate piers with pineapples.” [4]

The Hidden Ireland website tells us:

“Churchtown Estate incorporates both Churchtown House and Beaufort Golf Club. The centre piece is the Georgian Churchtown House built in 1740 by Sir Rowland Blennerhassett. In 1860 James MacGillycuddy Magill bought the estate and turned it into one of the largest dairy farms of its time in the south west region.

James’s grandson and great grandson’s closed the farm in the early nineties and with the help of golf architect Arthur Spring, developed Beaufort Golf Course which was officially opened in 1995. The golf course went through further development in 2007 when it was re-designed by Tom Mackenzie of Mackenzie Ebert – Leading International Golf Architects.

Churchtown House mixes traditional elegance with country house charm and modern facilities. 2 large elegant reception rooms, roaring fires and quiet reading rooms add to the atmosphere. There is also a home entertainment room and games room in the basement of the house for guests to enjoy.

The House comfortably sleeps 12 in 6 spacious bedrooms, with a selection of King or twin rooms, with 2 additional ‘pull out’ beds if needed to accommodate 14 guests. All bedrooms have private bathrooms with modern facilities. The kitchen is fully equipped with an Aga and halogen hob, modern appliances and beautiful breakfast table looking out onto the courtyard and Ireland’s highest mountain Carrauntoohil.

The ruins of 15th century Castle Corr standing on the 15th green was designed as a square tower house. Castle Corr (Castle of the round hill) was built circa 1480 by the MacGillycuddy’s, a branch of the O’Sullivan Mór Clan. Fearing that it would have been taken by the English forces Donagh MacGillycuddy burnt the castle in 1641 but restored it in 1660. Donagh went on to become High Sheriff of Kerry in 1687.

The castle was abandoned by Donagh’s son Denis in 1696 when he married into the Blennerhassett family in nearby Killorglin Castle. The stone of Castle Corr was taken to build the Georgian manor Churchtown House.

4. Coolclogher House, Killarney, County Kerry – whole house rental accommodation, up to 16 people

https://coolclogherhouse.com/

Coolclogher House, County Kerry, photograph from National Inventory of Architectural Heritage.

Coolclogher House built in 1746 is a historic manor house set on a 68 acre walled estate near Killarney on the Ring of Kerry. The house has been restored to an exceptional standard by Mary and Maurice Harnett and has spacious reception rooms, a large conservatory containing a 170 year-old specimen camellia and seven large luxurious bedrooms, each with their own bathroom and with magnificent views over the gardens and pasture to the dramatic mountains of the Killarney National Park.

This is an excellent base for exploring this ruggedly beautiful county and Coolclogher House specialises in vacation rental for groups of up to 16 people. It is right on the Ring of Kerry and Ross Castle and Killarney town are within walking distance while the Gap of Dunloe and Muckross House are in easy reach. It is the ideal special holiday destination for extended family groups, golfing groups or celebrating that special occasion.

The famous Lakes of Killarney, the Killarney National Park, Muckross House and Abbey and Ross Castle are all within easy reach. Killarney is an ideal starting point on the famous Ring of Kerry, going by way of Kenmare, Parknasilla and Waterville, and returning via Cahirciveen, Glenbeigh and Killorglin, but there are also wonderful drives through Beaufort and the Gap of Dunloe, along Caragh Lake to Glencar or, for the more ambitious, a day trip to the Dingle Peninsula or the wonderful Ring of Beara. There are world famous golf courses at Waterville, Tralee and Ballybunion while boat trips on the famous Lakes of Killarney, fishing and horse riding can all be arranged.

Situated 5 minutes from the historic town of Killarney, which boasts a number of excellent dining options and a wide variety of entertainment, this mansion house is the perfect base for a longer stay and a wonderful location for a family reunion or for celebrating a special occasion.

[1] https://www.irelandscontentpool.com/en

[2] https://repository.dri.ie/catalog?f%5Broot_collection_id_ssi%5D%5B%5D=pk02rr951&mode=objects&search_field=all_fields&view=grid

[3] https://www.ihh.ie/index.cfm/houses/house/name/Tarbet%20House

[4] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Ardgillan Castle, Balbriggan, County Dublin

https://ardgillancastle.ie

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

You approach Ardgillan Castle from the back, coming from the car park, facing down to the amazing vista of Dublin bay.

The approach to Ardgillan Castle with the view of Dublin Bay, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view of Dublin Bay from the front of Ardgillan Castle, March 2020. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us:

In 1658, the “Down Survey” records that Ardgillan was owned by a wine merchant, Robert Usher of Tallaght, Dublin and by 1737, the property had been acquired by the Reverend Robert Taylor, one of the Headfort Taylors [of Headfort House, County Meath – of which later part became a school and part kept as a residence, and the east wing was advertised for sale in November 2019. The Dining Hall has particularly fine stucco work by Scottish born architect Robert Adam (1728-1792), one of the family from which the term “Adamesque” takes its name], whose grand-father had collaborated with Sir William Petty on the mid 17th century “Down Survey of Ireland”. 

Robert was the son of Thomas (1662-1736), the 1st Baronet of Kells, County Meath. Robert (1689-1744), a younger son, joined the clergy and according to the Ardgillan website, was a recluse and spent his time writing sermons. He became Dean of Clonfert, County Galway. He died unmarried and the estate passed to his brother Thomas Taylour, the 2nd Baronet of Kells, County Meath. His sister Salisbury married a Bishop of Clonfert and secondly, Brigadier General James Crofts, son of James Scott the Duke of Monmouth, an illegitimate son of King Charles II!

Ardgillan remained the family home of the Taylors (later changed to Taylour) for more than two hundred years up until 1962 when the estate was sold to Heinrich Potts of Westphalia, Germany. In 1982, Dublin County Council purchased Ardgillan Demesne and it is now managed by Ardgillan Castle Ltd. under the auspices of Fingal County Council.

Originally named “Prospect House”, built on Mount Prospect (you can see why it was so called, with such a view!), the central section was built in 1738 by Robert Taylor, with the west and east wings added in the late 1800s. 

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones writes in his  A Guide to Irish Country Houses (1988):

p. 9. [Taylour, sub. Headfort, M/PB]. A C18 house consisting of a 2 storey bow-fronted centre with single-storey overlapping wings, mildly castellated either towards the end of C18 or early C19. The central bow has been made into a round tower by raising it a storey and giving it a skyline of Irish battlements; the main roof parapet has been crenellated and the windows given hood mouldings. Over each of the windows was thrown, literally speaking, a Gothic cloak of battlements and pointed arches; below which the original facade, with its quoins and rectangular sash windows, shows in all its Classical nakedness. Battlemented ranges and an octagon tower were added on the other side of the house.” [1]

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
IMG_2005
Ardgillan Castle, June 2020. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website informs us:

Initially the site was heavily wooded, the name Ardgillan being derived from the Irish “Ard Choill” meaning High Wood. It was cleared out by service soldiers and itinerant workers in return for one penny a day, sleeping accommodation and one meal. 

The house consists of two storeys over a basement which extends out under the lawns on the southern side of the building. When occupied, the ground and first floors were the living accommodations while the west and east wings were servants’ quarters and estate offices. The basement comprised of the service floor, the kitchen and stores.

IMG_2002
The back of Ardgillan Castle, Dublin, June 2020. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas Taylour 2nd Baronet of Kells married Sarah Graham of Platten, County Meath. Their son Thomas was MP for Kells, County Meath, and was created 1st Earl of Bective, of Bective Castle, Co. Meath.

Thomas Taylour (1724-1795) 1st Earl of Bective wearing the star and sash of the Order of St. Patrick by Gilbert Stuart and studio courtesy of Sotheby’s, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27947645.jpg

He wedded, in 1754, Jane, eldest daughter of the Rt Hon Hercules Langford Rowley, from Summerhill, County Kilkenny. Their younger son, Henry Edward Taylour (1768-1852) joined the clergy and he and his wife, Marianne St. Leger from Doneraile in County Cork, settled at Ardgillan.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
By the front door, a bell pull, I think. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We returned to Ardgillan in February 2022 and were able to see inside the castle.

Entrance Hall of Ardgillan, with shop and visitor’s desk. There are lovely plasterwork scrolls of foliage along the inside of the arches and a gothic arches pattern around the ceiling which matches the glass door and window arch. The ceiling and wall arch contain flanking rounded pillars. The fine ceiling rose is of acanthus leaves. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room of Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’m amused by the fact that the family could stop any train on the line for their personal use! © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, County Dublin with the Dublin and Drogheda Railway 1844, photograph courtesy of National Gallery of Ireland.

The dining room is the piece de resistance, with intricately carved oak panelling by Italian brothers Guardocici dated 1889 featuring Taylor Family crest. It also features a real stuffed bear!

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door to the dining room is carved with the family crest and detailed pattern. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door frame features a head, and lion heads, which are continued in the wall panelling and the large cabinet. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The carved wall panelling in the dining room at Ardgillan Castle, by Italian brothers Guardocici dated 1889 featuring Taylor Family crest. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The matching cabinet in the dining room at Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The fireplace in the dining room is also intricately carved.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house passed to Thomas Edward Taylor (d. 1883).

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was his son, Edward Richard Taylor (1863-1938), who employed the Italian woodcarvers. He also had the library shelves installed by the Dublin firm Pim Brothers Ltd.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Edward Richard had no children so was succeeded by his brother Captain Basil Taylour’s son, Basil Richard Henry Osgood Taylour. He sold Ardgillan.

The next room is the lovely library.

The library of Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
We entered the library through a jib door of pretend books. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
I couldn’t resist putting on the armour. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen in The Butler’s Pantry at Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stairs to the upper storey are modest for such a house. Upstairs there are artists’ studios – how lucky they are, to have such a wonderful setting for their work!

The staircase of Ardgillan Castle – modest for such a house. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us:

Ardgillan park is unique among Dublin’s regional parks for the magnificent views it enjoys of the coastline. A panorama, taking in Rockabill Lighthouse, Colt Church, Shenick and Lambay Islands may be seen, including Sliabh Foy, the highest of the Cooley Mountains, and of course the Mourne Mountains can be seen sweeping down to the sea.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The park area is the property of Fingal County Council and was opened to the public as a regional park in June 1985. Preliminary works were carried out prior to the opening in order to transform what had been an arable farm, into a public park. Five miles of footpaths were provided throughout the demesne, some by opening old avenues, while others were newly constructed. They now provide a system of varied and interesting woodland, walks and vantage points from which to enjoy breath-taking views of the sea, the coastline and surrounding countryside. A signposted cycle route through the park since June 2009 means that cyclists can share the miles of walking paths with pedestrians.

The Walled Garden was originally a Victorian-styled kitchen garden that used to supply the fruit, vegetables and cut ower requirements to the house. It is 1 hectare (2.27 acres) in size, and is subdivided by free standing walls into five separate compartments. The walled garden was replanted in 1992 and through the 1990’s, with each section given a different theme.

The walled garden at Ardgillan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The website tells us: “The Vegetable Potager demonstrates the variety of vegetables that can be grown in shaped beds to create an attractive display. The Fruit Garden The Fruit Garden includes raspberries, red, white and black currants, gooseberries and fan-trained stone fruit on the walls. A collection of 30 old Irish varieties of apples, espalier-trained on wires, were planted in the year 2000. Varieties include: Scarlet Crofton (1500), Ballyfatten (1802) and Allen’s Everlasting (1864).” © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Victorian Conservatory was originally built in 1880 at Seamount, Malahide, the home of the Jameson family, who became famous for their whiskey all over the world. It was built by a Scottish glasshouse builder McKenzie & Moncur Engineering, and is reputed to be a replica of a glasshouse built at Balmoral in Scotland, the Scottish home of the British Royal Family. The conservatory was donated to Fingal County Council by the present owner of Seamount, the Treacy family and was re-located to the Ardgillan Rose Garden in the mid-1990s by park staff.

§’The Department of Arts, Heritage and the Gaeltacht (DAHG) approached Fingal County Council in early 2014 to participate in a pilot project to develop and enhance skill sets in built heritage conservation, under the Traditional Building Skills Training Scheme 2014. The glass house/ conservatory at Ardgillan was selected as part of this project. The glass house has been completely dismantled because it had decayed to such an extent that it was structurally unstable. All parts removed as part of this process are in safe storage. This work is the first stage of a major restoration project being undertaken by the Councils own Direct Labour Crew in the Operations Department supervised by David Curley along with Fingal County Council Architects so that the glasshouse can be re-erected in the garden and can again act as a wonderful backdrop to the rose garden. This is a complex and difficult piece of work which is currently on going and we are hopeful to have the glasshouse back to its former glory as a centrepiece of the visitor offering in Ardgillan Demesne in the near future.

[1] Mark Bence-Jones  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Office of Public Works properties: County Kilkenny, Leinster

Kilkenny:

1. Dunmore Cave, County Kilkenny

2. Jerpoint Abbey, County Kilkenny

3. Kells Priory, County Kilkenny

4. Kilkenny Castle, County Kilkenny

5. St. Mary’s Church, Gowran, County Kilkenny

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€10.00

1. Dunmore Cave, Mothel, Ballyfoyle, Castlecomer Road, County Kilkenny:

General information: 056 776 7726, dunmorecaves@opw.ie

https://heritageireland.ie/visit/places-to-visit/dunmore-cave/

From the OPW website:

Dunmore Cave, not far from Kilkenny town, is a series of limestone chambers formed over millions of years. It contains some of the most impressive calcite formations found in any Irish underground structure.

The cave has been known for many centuries and is first mentioned in the ninth-century Triads of Ireland, where it is referred to as one of the ‘darkest places in Ireland’. The most gruesome reference, however, comes from the Annals of the Four Masters, which tells how the Viking leader Guthfrith of Ivar massacred a thousand people there in AD 928. Archaeological investigation has not reliably confirmed that such a massacre took place, but finds within the cave – including human remains – do indicate Viking activity.

Dunmore is now a show cave, with guided tours that will take you deep into the earth – and even deeper into the past.

2. Jerpoint Abbey, Thomastown, County Kilkenny.

Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 056 772 4623, jerpointabbey@opw.ie

https://heritageireland.ie/visit/places-to-visit/jerpoint-abbey/

From the OPW website:

Founded in the 12th century, Jerpoint Abbey is one of the best examples of a medieval Cistercian Abbey in Ireland. The architectural styles within the church, constructed in the late twelfth century, reflect the transition from Romanesque to Gothic architecture. The tower and cloister date to the fifteenth century.

Jerpoint is renowned for its detailed stone sculptures found throughout the monastery. Dating from the thirteenth to the sixteenth centuries these include mensa [table] tombs from the O’Tunney school, an exquisite incised depiction of two 13th century knights, the decorated cloister arcades along with other effigies and memorials. 

Children can explore the abbey with a treasure hunt available in the nearby visitor centre. Search the abbey to discover saints, patrons, knights, exotic animals and mythological creatures.

A small but informative visitor centre houses an excellent exhibition.

Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Kells Priory, Kells, County Kilkenny:

General information: 056 772 4623, jerpointabbey@opw.ie

From the OPW website:

Kells Priory owes its foundation to the Anglo-Norman consolidation of Leinster. Founded by Geoffrey FitzRobert, a household knight and trusted companion of William Marshal the priory was one element of Geoffrey’s establishment of the medieval town of Kells. 

Although founded in c. 1193 extensive remains exist today which include a nave, chancel, lady chapel, cloister and associated builds plus the remains of the priory’s infirmary, workshop, kitchen, bread oven and mill. The existence of the medieval defences, surrounding the entire precinct, underline the military aspect of the site and inspired the priory’s local name, the ‘Seven Castles of Kells’.

4. Kilkenny Castle, County Kilkenny:

Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

General information: 056 770 4100, kilkennycastleinfo@opw.ie

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

See my entry https://irishhistorichouses.com/2024/04/08/kilkenny-castle-county-kilkenny-an-office-of-public-works-property/

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke, as a symbol of Norman control, Kilkenny Castle came to symbolise the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National Inventory describes: Random rubble stone walls with sections of limestone ashlar construction (including to breakfront having full-height Corinthian pilasters flanking round-headed recessed niches with sills, moulded surrounds having keystones, decorative frieze having swags, moulded course, modillion cornice, and blocking course with moulded surround to pediment having modillions), and limestone ashlar dressings including battlemented parapets (some having inscribed details) on corbel tables. The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. 

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle.This stunning space dates from the 19th century and was built primarily to house the Butler Family’s fine collection of paintings.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. St. Mary’s Church, Gowran, County Kilkenny:

General information: 056 772 6894, breda.lynch@opw.ie

St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the OPW website:

This church was built in the late thirteenth century as a collegiate church and was served by a college – clerics who lived in a community but did not submit to the rule of a monastery. 

The church was patronised by the Butler family and many early family members are commemorated here with elaborate medieval tombs. The impressive ruins were decorated by the Gowran Master whose stone carvings are immortalised in the poetry of Nobel Laureate Séamus Heaney. 

The once medieval church was later partly reconstructed in the early 19th century and functioned as a Church of Ireland church until the 1970s when it was gifted to the State as a National Monument. Today the restored part of the church preserves a collection of monuments dating from the 5th to the 20th centuries.

St. Mary’s church, Gowran, June 2023.

We visited it on the way home from Shankill Castle in County Kilkenny in June 2023. Our tour guide was an enthusiastic font of information and we shared what we knew also and we would have happily spent longer but had to head off as we were visiting a friend in Thomastown.

Entrance to the church. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This large monument greets one as one enters the church, a monument to James Agar (d. 1733), son of Charles from York and Ellis Blancheville. By his first wife Susannah daughter of James Alexander he had three children who died young. By his second wife Mary daughter of Henry Wemyss of Danesfort, Kilkenny, he had several children. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was excited to see the tombs of the early Butlers of Ormond. The website tells us that the pair of effigial tombs belong (1467-1539) (d. 1487) to Butler knights. The more elaborate of them is believed to belong to Sir James Butler of Polestown, father of the eighth earl of Ormond, Piers Rua.

One of the effigial tombs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the effigial tombs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The end of the effigial tomb. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sides of this tomb are skilfully decorated with carvings of the Apostles, St Brigid, the crucifixion of Jesus Christ and possibly St Thomas à Becket. This tomb is believed to be the work of the renowned O’Tunneys of Callan. James became the Lord Deputy of Ireland in 1464. He married Sabh Kavanagh, daughter of Donal Reagh MacMurrough-Kavanagh, the King of Leinster.

This is probably the 1st Earl of Ormond, James Butler (c. 1305-1337). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Probably the wife of the 1st Earl of Ormond, Eleanor de Bohun (c. 1304-1363). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’m not sure who this one is. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this one is the effigy of Ralph (Radoulfus) in his priestly vestments, the portrieve (priest) of Gowran in 1218. It is believed to be the oldest burial monument in Ireland with a date on it. The inscription is carved in Latin around the edge of the monument in Lombardic lettering. The monument is dated 19 March 1253. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another sculpted monument. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An ogham stone with a cross. This is from the third or fourth century, was found on the site during the rebuilding of the chancel in 1826. Fr. Edmund Barry’s reading of the ogham writing here is “DALO MAQA MUCOI MAQUI-ERACIAS MAQI LI”, that is, “Dalach, grandson, of Mac-Eirche, who was son of Lia.” The cross was probably carved around the sixth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Blarney House & Gardens, Blarney, Co. Cork – section 482

www.blarneycastle.ie

Open dates in 2025: June 2-Aug 30, Mon-Sat, National Heritage Week, Aug 16-24, 10am-2pm

Fee: adult €10, OAP/student €8, child €6

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Blarney House, County Cork, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We timed our visit to County Cork to be able to have a tour of the impressive Scottish Baronial Blarney House, replete with turrets, finials, stepped gables and dormer windows.

built of the light blue hammer-dressed limestone of the demesne, with Glasgow stone dressings to doors, and window opes, gables, etc.; the slates are green Cumberland.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was designed by John Lanyon of the Belfast architectural firm Lanyon, Lynn and Lanyon. It was built in 1874 for Sir George Conway Colthurst (abt. 1824-1878), 5th Baronet and his wife, Louisa, whose family owned Blarney Castle, so that his family could live on their Blarney estate, but away from the castle, which was a tourist destination, much as it is today. He married Louisa Jane Jefferyes in 1846. The Historic Houses of Ireland website tells us that Sir George Colthurst was a neighbour, from Ardrum near Inniscarra in County Cork. He was also her second cousin.

Nicholas Conway Colthurst (1789-1829) 4th Baronet of Ardrum, County Cork, by Martin Arthur Shee, courtesy of Eton College. He was Member of Parliament (M.P.) for the City of Cork between 1812 and 1829. His son the 5th Earl married Louisa Jane Jefferyes, through whom he acquired Blarney Castle.

The Jeffereyes (or Jefferyes) family previously occupied a house which was attached to Blarney Castle. In 1820, the same year in which Louisa was born, this house was destroyed by fire (see my entry about Blarney Castle). Instead of rebuilding, George Jeffereyes and his family moved to Inishera House in West Cork. [1]

The view of Blarney House from the top of Blarney Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George Colthurst was a man of considerable property with another large estate at Ballyvourney near the border with County Kerry, along with Lucan House in County Dublin (now the home of the Italian ambassador to Ireland). He inherited Blarney on his father-in-law’s death in 1862. [2] He and Louisa lived in Ardrum House, which has since been demolished, before moving to the new house in Blarney, nearly thirty years after they married. [3] Randall MacDonnell tells us in his The Lost Houses of Ireland: A chronicle of great houses and the families who lived in them that the mirrors and fireplaces, as well as the neoclassical porch, came from Ardrum House. [4]

The pillared porch was taken from George Colthurst’s former house, Ardrum House, which no longer exists. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are some interesting carvings on the facade of the house – a horse, and a few crests. A black colt is on the Colthurst crest. Inside the portico is lovely carved drapery above the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen liked the sculpture inside this window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The family motto Justem ac Tenacem (Just and Persevering) and the quartered Colthurst and Jefferyes Arms are set in the entrance façade of the house.

The limestone walls are “snecked” which means that it has a mixture of roughly squared stones of different sizes (and lumpishness) and some of the walls have carved sandstone stringcourses. The windows are also surrounded by carved sandstone.

The Archiseek website quotes The Architect, August 21, 1875:

This new mansion has just been completed for Sir George C. J. Colthurst, Bart., it is built of the light blue hammer-dressed limestone of the demesne, with Glasgow stone dressings to doors, and window opes, gables, &c.; the slates are green Cumberland (a combination that produces a very pleasing effect). The new building is situated within about three hundred yards of the historical old “Blarney Castle,” and from the oriel window in our illustration the celebrated ” Kissing Stone ” can be seen. The principal entrance is as shown on the north-east, and leads, by a wide flight of Portland stone steps, through the vestibule to the staircase hall (which is central and lit from the top); off this hall are grouped dining-room, drawing-room, morning-room, library, billiard-room, own room, etc. The next floor contains the principal bed-rooms and dressing-rooms, boudoirs, etc., which are entered off a handsome arcaded gallery, with timber roof supported on walnut pilasters; on the top floor are bedrooms for the family, female servants, etc. The kitchen and household offices and men-servants’ bed-rooms are on the basement floor, which is all above ground. The Castle is in the Scottish Baronial style, and designed with a view to defense if necessary.

The works have been carried out by the Messrs. Dixon, of Belfast, builders, under the superintendence of, and from the designs by, Mr. John Lanyon, F.R.I.B.A., Dublin and Belfast.” [5]

I wonder why George and Jane decided to hire John Lanyon to design their new house, since the company in which he worked, Lanyon, Lynn and Lanyon, was based in Belfast, and most of the houses the company designed are in the north of Ireland, including Castle Leslie in County Monaghan (another section 482 property which we visited, see my entry)? John joined his father Charles Lanyon (1813-1889) and William Henry Lynn (1829-1915) in the architectural firm. Blarney House looks very similar in style to Belfast Castle, also designed by Lanyon, Lynn and Lanyon.

Belfast Castle, photograph by Aidan Monaghan 2015 for Tourism Ireland, Ireland’s Content Pool [6]
Blarney House, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney House, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney House, County Cork, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The National Inventory continues: “single-storey wing to side (west) terminating in corner turret and full-height corner turret to north-east.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
West facade of Blarney House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charles Lanyon (1813-1889) courtesy of Queen’s University Belfast.

The Lanyons were Freemasons, so perhaps the Colthurst family were also part of that Society. Another possibility is that George Colthurst met John Lanyon due to a common interest in railways. After his father retired, John Lanyon, who also worked as an engineer, worked on railways in the north. [7] The railway was important for bringing tourists to Blarney, as we can see from the old tourism posters on display in the cafe in the stable courtyard, advertising the London Midland and Scottish Railway, British Railways and Great Southern Rhys railway. George Colthurst probably made sure that the railway travelled to Blarney so that it could bring tourists to the destination his wife’s family had created. The Dublin to Cork Great Southern and Western Railway reached Cork in 1856, and Blarney was a stop along the way. The Muskerry railway line, built in 1880, which he financially supported, ran through the George Colthurst’s Ardrum estate and travelled to Blarney. [8] John Lanyon was not involved in the southern railways, but perhaps Colthurst met with him when he was interested in the railways.

Blarney House, County Cork, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[note: Another house built in the south by the company of Lynn, Lanyon and Lynn was Killarney House in County Kerry, in 1872 designed by W.H. Lynn]

Unfortunately we were not allowed to take pictures inside Blarney House. We paused in the front hall, with its timbered ceiling of polished pine beams, on a flight of stone steps, next to a Colthurst and Jefferyes family tree, to learn more about the family and the house. A chair in the hall also features a white colt, the symbol of the Colthurst family, and was made for the wedding of George Colthurst and Jane Jefferyes.

George and Jane had a son, and they gave him the second name of St. John, following the tradition of the Jefferyes family. George St. John Colthurst the 6th Baronet married Edith Jane Thomasine Morris from Dunkathel house, County Cork. He was in the military and served as Aide-de-Camp to the Lord-Lieutenant of Ireland. His son George Oliver the 7th Baronet succeeded to the estates. He fought in the First World War and was awarded the Croix de Guerre. He died at the age of 68, unmarried. His brother then inherited the estate and title. Richard St. John Jefferyes Colthurst (1887-1955), 8th Bt, also fought in the First World War. He married twice and his heir was son of his second wife.

The house and castle still belong to the Colthurst family. It was empty for some years until Richard Colthurst 9th Baronet and his wife, Janet Georgina Wilson-Wright from Coolcarrigan, County Kildare (also a section 482 property, see my entry) moved in, replumbed, rewired and redecorated it, and in the process, saved the building. Their son the 10th Baronet now lives in the house with his family. We did not meet the Colthursts unfortunately, and a guide led the tour.

The National Inventory describes the entrance: “Square-headed door opening with double-leaf timber panelled door opening to flight of sandstone steps and set within sandstone diastyle portico comprising Composite columns, architrave, frieze and dentilated cornice.” [9] A fine arched sandstone window with Corinthian pilasters and keystone and corbelled architrave with a crest on top, sits above the portico. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The chandelier in the front hall is of Waterford crystal and it was made for the house, as were the carpets, which mirror the keyhole motif in the doors. In the staircase hall, with its Jacobean style oak staircase, our guide pointed to a console table at the foot of the stairs, which has a mirror underneath for ladies to be able to check their hems before entering the reception rooms, to make sure their ankles weren’t accidentally revealed!

The stairs lead up through two storeys to a barrel-vaulted coffered ceiling, framing a large skylight. The heavy wooden staircase was made in Scotland, and features the baronetcy symbol of a hand, and also the Colthurst symbol of a horse and a crest.

A silk embroidery of the castle with its attached Gothic mansion which burnt down was stitched by the Jeffereyes women.

The rainwater hopper sits below a stone dog-style gargoyle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The library to the left of the stair hall was originally the dining room, as we can see by the Carrera marble fireplace which features Ceres, Goddess of Agriculture and grain. One side of the room has a servants’ entrance and the other end has a dumb waiter, a mini elevator to bring dishes up from the kitchen. The guide pointed out a rent table, a round table with drawers into which tenants could put their rent, and the table could be rotated on its base. I learned that a safe was built in underneath the table top! The land agent would have collected rent twice a year. The Gothic bookcases came from the house in Ardrum. A library chair opens up into steps for climbing the shelves!

The double doors to the drawing room are fireproof and soundproof. The drawing room is painted Regency style duckegg blue. The mirror in the room is from Ardrum. A writing bureau from 1710 is the oldest piece in the house. There are many portraits of members of the family including miniatures, which would have been a gift before a wedding to a future spouse, to show all the members of the new family being acquired! These miniatures feature the La Touche family.

The father of George Colthurst the 5th Baronet of Ardrum, Nicholas, was just seven years old when his father, also named Nicholas, died in 1795. Nicholas the 3rd Baronet Colthurst married Emily La Touche, daughter of David La Touche and Elizabeth Marlay. As I mentioned in my entry about Blarney Castle, Louisa Jeffereyes was also a descendant of a daughter of David La Touche and Elizabeth Marlay, Anne La Touche, who married Louisa’s grandfather, George Charles Jeffereyes (1761-1841).

Nicholas Conway Colthurst (1789-1829) the 4th Baronet married Elizabeth Vesey, daughter of Colonel George Vesey of Lucan House in County Dublin, which is how Lucan House came into the ownership of the Colthurst family. The portrait of Nicholas the 4th Baronet would have come from Ardrum House.

I love the corner turret and its round wrought-iron finial, and the tantalising exterior staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
On top of the full height corner turret is a very fancy weather vane. The carved stringcourse to the turret has a floral motif alternating with armorial shield shapes and engraved date reading 1874. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney House, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

What is now the dining room was the billiard room. It has a plain wooden floor and a slimmer door which was designed, our guide told us, to keep women, with their large crinoline skirts, out! The fireplace, like the one in the entrance hall, is of Portland stone, not marble, indicating that it was originally a less formal room than the drawing room or original dining room. Suitable to a male environment, it has nautical imagery in the fireplace, and acorns, which are a military symbol also, indicating the oak from which ships were made. A portrait of William of Orange shows that the Colthursts took William’s side in the war between the future King William and James II.

The east facade of the house has a full height canted bay and above the window is very decorative tiara-like carving. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Upstairs the upper landings open on three sides through rounded arcades with Corinthian pilasters, and the bedrooms are off the arcaded gallery. [10] The Adam Revival friezes and late eighteenth century Neoclassical chimneypieces reputedly came from Ardrum. [11] We did not get to see the back of the house from the outside as the gardens behind are private, but there is a lake behind the house.

Blarney House, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was disappointed also to discover that the walled garden is private, after a television show was made called “Blarney: a year on the estate.” I felt sure that the gardens featured in the television show would be open to the public!

Blarney House, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] see the timeline in James Lyttelton’s Blarney Castle, An Irish Towerhouse.

[2] http://www.ihh.ie/index.cfm/houses/house/name/Blarney%20House

[3] https://landedestates.ie/property/3182

[4] p. 30. MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

[5] Archiseek: https://www.archiseek.com/2009/1875-blarney-castle-cork/

[6] https://www.irelandscontentpool.com/en

[7] https://www.dia.ie/architects/view/3086/LANYON,+JOHN

[8] http://www.inniscarra.org/history/page/ardrum.html

[9] https://www.buildingsofireland.ie/buildings-search/building/20845020/blarney-house-blarney-blarney-co-cork

[10] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[11] p. 269, Keohane, Frank. The Buildings of Ireland: Cork City and County. Yale University Press, New Haven and London, 2020.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open House, Culture Night and Heritage Week Dublin Visits

For the day that’s in it (it’s Culture Night 2022 today): this entry is not perfect but I want to publish it, and will improve it over time…

1. 9/9A Aungier Street, Dublin (Open House 2014)

2. Belvedere House, Dublin (Open House 2015)

3. Blackhall Place (formerly Blue Coat School) Dublin (Open House 2019)

4. City Assembly Hall, Dublin (Culture Night 2012)

5. Department of Trade and Commerce (2019)

6. Freemason’s Hall (Culture Night 2010)

7. Georgian Townhouse, 25 Eustace Street (2011)

8. 10 Henrietta Street, Dublin (2011)

9. 12 Henrietta Street, Dublin (2019)

10. 14 Henrietta Street, Dublin (July 2013 Heritage Week)

11. Iveagh House, Dublin (Department of Foreign Affairs) (Open House 2014)

12. Iveagh Trust flat, Iveagh Trust, Patrick Street, Dublin (Open House 2014)

13. Mansion House, Dublin (2015)

14. Marsh’s Library, Dublin (Heritage Week 2013)

15. 10 Mill Street, Dublin (2017)

16. 13 North Great Georges Street, Dublin (Open House 2012)

17. Pigeonhouse (2021)

18. Rates Office, Dublin (Open House 2013)

19. Royal Academy Dublin (2013)

20. Royal College of Physicians, Dublin (Heritage Week 2013)

21. Royal College of Surgeons, Dublin (2011)

22. St. Mary’s Abbey, Dublin (Culture Night 2012)

23. Tailor’s Guild Hall, Dublin (Heritage Week 2013)

24. Trinity Innovation Centre, former Bank, Foster Place, Dublin (Open House 2013)

1. 9/9A Aungier Street, Dublin (Open House 2014)

No. 9/9a Aungier Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When remedial works were undertaken the age of this building was discovered. It was first realised it was older than thought when planners appraising development changes noticed the way the fireplace sticks so far out into the room.

No. 9/9a Aungier Street, Dublin, 350 years old, what it probably looked like on outside, see lower second picture. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old, exposing flooring method, with original pine floor support. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old, not original woodwork, probably later, decorative. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old, original walls and beams inside niche. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old – layers of wallpaper. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old. It was first realised it was older than thought when planners appraising development changes noticed the way the fireplace sticks so far out into the room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old, marks made by builders to let them know which beam fits into which joint, of the Baltic pine flooring, see the “v” carved into beam and joint. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old, original fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
No. 9/9a Aungier Street, Dublin, 350 years old. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Belvedere House, 6 Great Denmark Street, Dublin (Open House 2015):

https://www.oreillytheatre.com/belvedere-house.html

Open House 2015, Belvedere House, Belvedere College, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We went into three rooms upstairs, up the beautiful staircase. We weren’t allowed photograph on the tour, unfortunately, in the Apollo Room, Venus Room and Jupiter Room.

Belvedere House is a detached symmetrical five-bay four-storey Georgian townhouse over exposed basement, completed 1786, designed by Robert West who, in addition to being a stuccodore was also an architect and property developer, for George Augustus Rochfort, 2nd Earl of Belvedere. The house was built for £24,000 on what would have been rural green fields with a view of the Custom House, the bay and distant mountains. It is alleged that the house is haunted by Mary Molesworth, the first lady of Belvedere, mother to George Rochfort – we came across her at Belvedere in County Westmeath.

Rochfort was the son of the cruel Robert Rochfort, 1st Earl of Belvedere, who kept his wife under lock and key in the countryside after he believed she had an affair with his brother. Some believe that she was the inspiration for Charlotte Bronte’s “madwoman in the attic.” Robert Rochfort had the summer lodge, Belvedere, built in County Westmeath, now open to the public, which also has fine plasterwork. Robert O’Byrne writes that it was the 1st Earl who bought the property on Great Denmark Street. At first his son attempted to sell the property, but then he finished having the house built. Robert O’Byrne also tells us that it is similar to 86 St Stephen’s Green (Newman House, now housing the Museum of Literature of Ireland (MOLI), which was begun in 1765, and which is also attributed to Robert West.

North Great Georges Street itself was originally laid out in 1774 as a driveway leading to Belvedere House.

In 1841 the house was bought by the Society of Jesus (Jesuits) to accommodate their growing boys school which had started life ten years previously around the corner on Hardwicke Street, now known as Belvedere College.

One of the more outstanding features of the house is the stucco-work of Adamesque style popularised by Robert and James Adam. This can be seen in the ornamental surrounds, wherein pictures are framed in plaster rather than oil.

Dublin stuccodore and designer Michael Stapleton (1740-1801) was responsible for this work and further examples of his craftsmanship include the ceiling in the exam hall in Trinity College as well as some of the plasterwork in Powerscourt House in South William Street in Dublin and the Aras an Uachtarain in Phoenix Park.

Open House, Belvedere House, Belvedere College, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It seems odd that a house designed by Robert West, however, would have plasterwork by Michael Stapleton. Robert O’Byrne elucidates this for us:

“In 1967 C.P. Curran’s  Dublin Decorative Plasterwork of the 17th and 18th centuries noted in the collection of drawings left by stuccodore Michael Stapleton several items directly relating to the design of ceilings in Belvedere House. Accordingly, this work was assigned to Stapleton. However, the fact that West was responsible for designing the house complicates matters, and the consensus now appears to be that both he and Stapleton had a hand in the plasterwork. Conor Lucey (in The Stapleton Collection, 2007) suggests that Stapleton may have been apprenticed to, or trained with, West and the fact that he was named the sole executor of the latter’s will in 1790 indicates the two men were close. The source material for the stucco work is diverse, that in the stair hall deriving in part from a plate in Robert Adam’s Works in Architecture, but the first-floor rooms feature a wider range of inspiration, much of it from France and Italy.”

Open House 2015, Belvedere House, Belvedere College, Dublin – excuse the shakey camera – I need to visit again! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were given a leaflet, which tells us:

The ground floor rooms were intended for everyday and business use and therefore are minimally ornamented. However when one ascends they will encounter Stapleton’s stucco-work that depicts scenes from Greek and Roman mythology. On the half-landing the Bacchanalia is celebrated. The left panel depicts Bacchus with his thyrsis and staff, the right panel is Ceres with her cornucopia. The central oval shows Cupid being demoted by the three Graces. The arched window is ornamented with symbols of the authority of ancient Rome. The tall pilasters on each side have the Green anthemion (honeysuckle) motifs.

At the top of the stairs the panel between the two doors on the right show Juno seated on a cloud with her peacock. The panel on the centre wall is Aurora in her chariot pulled by winged horses. Under this plaque “The New Bride” from an ancient marble popular in 18th century Rome. All the five doors have the same over-door: Silenus, the tutor of Bacchus. On the ceiling, Eros is depicted gazing at Psyche as she sleeps. Next is an Apollo head with winged lions and lastly, Cupid with a flower.

The door immediately to the right of the stairs leads to the Apollo Room, named after the featured frieze of Apollo the music-maker holding court with attendent putti playing a variety of instruments. The adjoining Diana Room depicts Diana, patron of the chase, in a chariot drawn by stags. The design is taken directly from Pergolesi, however, Stapleton added the outer circle of flowers.

Finally the Venus Room’s flanking panels have lunettes representing astronomy, architecture and sculpture. Notice the beautiful over-doors in all three rooms, each with the head of the principle subject.”

Notice that Venus was taken down by the Jesuits as she was nude, and it is supposedly in the National Gallery.

3. Blackhall Place (formerly Blue Coat School) Dublin, 2019.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. A taller tower was initially planned. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Archiseek tells us that the first Blue Coat School or King’s Hospital was erected in Oxmantown Green between 1669-1673. It was officially named the Hospital and Free School of King Charles II. Orphans were nominated to attend the school by the Alderman or the parish, with funding coming from voluntary donations and from ground rent of St. Stephen’s Green. This building was demolished to make way for the new building, pictured above. The current building was started in 1773. Ivory resigned in disgust before it was finished, due to lack of funds, and only a stub was built instead of his tower, and the stub was removed in 1894 and a dome constructed.

The description of the tour tells us:

The last of Dublin’s Palladian public buildings, the granite and Portland stone Blue Coat School replaced earlier premises, which had been established by King Charles I in 1671 to care for the sons of impoverished citizens. Construction began in 1773 to designs by Thomas Ivory, however funding issues led to a reduced building programme and Ivory’s departure. In 1894, a copper-clad cupola designed by Robert Stirling was added. Today, the building is home to the Law Society of Ireland, which has taken great care to retain many fine interior features.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The building now houses the Law Society. It was built as a traditional country house composition with a central block, two wings and connecting passages. The wings have decorations intended to mirror the central tower.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen Trotter, Judge of the Prerogative Court, by Peter Scheemakers (1691-1781), brought from Duleek, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The interior contains plasterwork by Charles Thorpe and carvings by Simon Vierpyl.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Collins Barracks, behind Blue Coat School/Blackhall Place, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Collins Barracks behind Blackhall Place, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

4. City Assembly Hall, Dublin (2012 Culture Night)

The Octagon Room of the City Assembly Hall, Dublin, in September 2012, after renovation by the Irish Georgian Society. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012: City Assembly Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012: City Assembly Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012: City Assembly Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012: City Assembly Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
City Assembly Rooms lantern light and balcony September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012: inside the octagon room in the City Assembly Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012: City Assembly Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Upper room in City Assembly Hall, Dublin, September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. Department of Industry and Commerce, Kildare Street (Open House 2019)

Department of Industry and Commerce, Open House 2019: The tall round-headed window passes up through the floors to a keystone of representing Eire, with “jazzy” interstitial panels. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The carved lintel of the doorway represents the celtic god Lugh releasing aeroplanes into the air! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The architect was J. R. Boyd Barrett, who won a competition to built it in 1936. It has a stripped Classical design with an Art Deco entrance bay addition. The external relief sculptures are by Gabriel Hayes. The tall round-headed window passes up through the floors to a keystone of representing Eire, with “jazzy” interstitial panels [Archiseek]. On the Schoolhouse Lane side the keystone represents Brendan the Navigator. The main entrance has a heavy cast bronze gates, and the carved lintel of the doorway represents the celtic god Lugh releasing aeroplanes into the air!

On the Schoolhouse Lane side the keystone represents Brendan the Navigator. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Industry and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. The relief carvings here represent stylised images of industry and commerce. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The interiors were also designed by Boyd Barrett and everything from the ashtrays, fireplaces and door handles were specially designed. The interiors feature polished woods and metals and patterned linoleum floors, and the ceilings are deeply coffered.

Department of Trade and Commerce, Open House 2019. The interiors were also designed by Boyd Barrett and everything from the ashtrays, fireplaces and door handles were specially designed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Freemason’s Hall, Molesworth Street (Dublin 2010)

Freemason’s Hall, Molesworth Street, Dublin, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://freemason.ie/museum-library-archive/

The Freemason’s Hall was built on the site of the townhouse of their first Grand Master, the Earl of Rosse. The building was completed in 1866, designed by Edward Holmes of Birmingham. The architect used three orders on the facade: Doric (lower), Ionic (centre) and Corinthian (upper). The pediment contains the Masonic square and compass.

Freemason’s Hall, Molesworth Street, Dublin, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemason’s Hall, Molesworth Street, Dublin, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The inside is an exuberant smorgasbord of themes. The Royal Arch Chapter Room has an Egyptian theme.

Royal Arch Chapter Room, Culture Night 2010, Freemason’s Grand Lodge, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Prince Mason’s Chapter Room is Gothic Tudor. The Knights Templar Room is designed as a medieval chapel.

Freemason’s Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemason’s Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemason’s Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemason’s Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemason’s Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Irish Builder 1877 described the interior: The main hall “is larger than St. Patrick’s Hall in Dublin Castle…Along each side are six pillars with Corinthian capitals, and there are two of the same style at each end. These are painted to represent white enamel. The capitals are gilt, the pedestals and lower part of the wall are painted a rich chocolate colour; between the pillars the wall spaces are painted a light dun colour, each space being formed into a large panel by a matted gilt moulding with a deep margin of grey. The pillars support a richly designed and gilt entablature. From this spring five semi-circular arches on each side. These arches contain a series of ten cartoons, illustrative of the building of Solomon’s Temple. The ceiling is intersected by beams, which divide it into five panels, and is painted blue, and studded with gold stars. The intersecting beams, together with the architrave and cornice, are cream colour and white, relieved with gold. The predominating colour in the painting of the hall is blue, in order to meet Masonic requirements, that colour being associated with the lower ranks of the order, and the hall being used for general meetings; but other tints are introduced in sufficient abundance. The cartoons have been painted in sepia by Mr. Edward Gibson, Great Russell Street, London, son of Mr. James Gibson of Mary Street, Dublin, by whom the entire of the rest of the hall was designed and finished...”

Freemasons Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemasons Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Freemasons Hall, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

7. Georgian Townhouse, 25 Eustace Street (2011)

Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2011, 25 Eustace Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

8. 10 Henrietta Street, (Blessington House), Dublin (2011)

Henrietta Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
10 Henrietta Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website tells us:

It was built circa 1730 by Luke Gardiner [1690-1755] as his own residence. The design of the original building has been attributed to Sir Edward Lovett Pearce. The building is a three storey, eight bay over basement house with a Venetian window between the second and third bays at first floor level. Two major interiors of the 1730’s survive, the upper part of the original main stair hall and a rear room on the ground floor. The first floor reception rooms were embellished with Rococo plasterwork circa 1760. Luke Gardiner was succeeded on his death in 1755 by his son, the Right Honourable Charles Gardiner PC, MP, Surveyor General of Customs and Ranger of the Phoenix Park [The original house was extended to the west c.1755 by Charles Gardiner]. Following his death in 1769, his son, the right honourable Luke Gardiner MP succeeded. He was created Baron Mountjoy in 1779, Viscount in 1795 and killed in the Battle of New Ross, County Wexford in 1798. He was succeeded by his son Charles John Gardiner, Second Viscount Mountjoy, created Earl of Blessington in 1816. 

Luke Gardiner, M.P., (d. 1755), Vice-Treasurer of Ireland and building developer in Dublin Engraver John Brooks, Irish, fl.1730-1756 After Charles Jervas, Irish, c.1675-1739, photograph courtesy of National Gallery of Ireland.

The Earl died in 1829 without male heirs and the house was leased to a succession of lawyers becoming the Queen’s Inn Chambers in the late 19th century. It was acquired in the early 20th century by the French Order of Daughters of Charity of St Vincent de Paul to provide relief to distressed females. The work of the order continues today and the building is actively used for a variety of community and social services projects. 

The 2001 Europa Nostra Restoration Fund Grant generously contributed to the restoration of the decayed decorative Rococo ceiling on the first floor. The restoration works were also co-funded by a grant from Dublin City Council.” 

Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This image has an empty alt attribute; its file name is img_5677-1.jpeg
Henrietta Crofts, Duchess of Bolton (1682-1730) as shepherdess, by James Maubert. Henrietta Street was named in her honour. Vicereine 1717-1720. She was the daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton.

The Archiseek website quotes The Irish Builder, July 15 1893:

This magnificent mansion was erected about the year 1725, by the Rt. Hon. Luke Gardiner, grandfather of the 1st Viscount Mountjoy, ancestor of the Earl of Blesinton, and may be described as the Manor House of Henrietta-street. The reception-rooms are seven in number, and the cornices and ceilings are finished in a rich and antique style. 

The ball-room is a noble apartment; the architraves of the doors and windows are adorned with fluted Corinthian columns sur mounted by pediments. The drawing-room, to the left of the ante-room on the first floor, possesses a beautifully carved oak cornice, the effect of which is peculiarly striking. The front staircase is spacious and lofty; the walls are panelled, and the ceiling is handsomely ornamented. The principal dining room, looking into the garden, is square, with fine stuccoed ceiling, and walls in square panels stuccoed, the squares broken off at the angles by curves. The architraves of the parlour doors are as rich as carving could make them. There is a mock key-stone or block of wood that for elegant and elaborate carving in relief cannot be surpassed. The stuccoed ceilings are in panels with enriched fillets, quite palatial, and only in the ball room are seen arabesques in the centre. The window of the ball-room, which is over the porte-cochère, has three opes, the centre ope being arched, and this is the only architectural adornment externally. Mountjoy House had originally a fine porte-cochère, or covered carriage entry, arched with cut stone, on the park side, next to the present King’s Inns buildings.” [1]

Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
10 Henrietta Street, photograph from UCD Archive [ https://digital.ucd.ie/view/ivrla:31546 ]

See also the wonderfully informative book, The Best Address in Town: Henrietta Street, Dublin and its First Residents 1720-80 by Melanie Hayes, published by Four Courts Press, Dublin 8, 2020.

Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, 10 Henrietta Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, 10 Henrietta Street. What looks like stucco work in this room is actually papier mache. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert O’Byrne tells us about the use of papier-mache instead of plaster for some decorative work. He tells us:

When the house was first built, it featured a double-height entrance containing stairs leading to the first-floor. However, some years after the death of Luke Gardiner in 1755 his son Charles reordered this space to create a single-storey entrance hall, behind which a new staircase hall was instated. Probably around the same time a number of rooms were given new ceilings in the rococo manner. These decorations are important because in the majority of cases they are made not of plaster but papier-mâché. The use of this medium is unusual but not unique – a number of other examples survive elsewhere in the city and in Carton, County Kildare – but it seems strange to find it here. One of the attractions of papier-mâché was its relative cheapness (relative to stuccowork, that is) but the Gardiners were certainly affluent to afford anything they wished. On the other hand, its great merit is easier (and cleaner) installation than plaster, so perhaps this is why papier-mâché was preferred for the redecoration of existing rooms. 

It was not used, on the other hand, for the saloon, or ballroom (now used as a chapel), which in its present form looks to have been either added or extended at the time when Charles Gardiner was re-fashioning other spaces in the house.” [2]

Open House, 2011, Henrietta St, window by Harry Clarke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

9. 12 Henrietta Street, Dublin – private, sometimes open during Open House Dublin

12 Henrietta Street, October 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

12 Henrietta Street was first occupied by Sir Gustavus Hume (1677-1731), MP, privy councillor and courtier to King George I. He was the third son of the prominent Ulster-Scot Sir John Hume of Castle Hume (2nd Baronet), County Fermanagh and of Sidney, daughter and co-heiress of James Hamilton of Manor Hamilton, County Leitrim and became 3rd Baronet of Castle Hume (now demolished) when his father died as his two elder brothers predeceased their father. Castle Hume was architect Richard Castle’s first known commission in Ireland. It was pulled down in the 1830s and the materials reused to build Ely Lodge nearby.

view from window of 12 Henrietta Street, Dublin, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory of Architectural Heritage tells us it is:

Terraced three-bay three-storey house over exposed basement, built c.1730, by Luke Gardiner as pair with No. 11, heavily remodelled c.1780…This house was built as a pair with No. 11, possibly to the designs of Edward Lovett Pearce. It was initially leased to Henry Boyle, Speaker of the House of Commons. Later, the house was leased to the 2nd Earl of Shannon in 1780, and subsequently gutted with the removal of a floor to provide a truly grand piano nobile. The building retains most of the interior detailing from that remodelling including stucco decoration by Charles Thorp, with remnants from the earlier scheme. The house has been undergoing a painstaking programme of conservation works and forms an important part of what has been described as ‘Dublin’s Street of Palaces’ while the ongoing conservation work will contribute to the improving fortunes of this remarkable streetscape. Laid out by Luke Gardiner in the 1720s, Henrietta Street is a short cul-de-sac containing the finest early Georgian houses in the city. It was named after Henrietta Crofts, the third wife of Charles Paulet, 2nd Duke of Bolton and Lord Lieutenant in 1717-21, the street developed in a piecemeal fashion and set the trends of scale and design in domestic architecture.”

See also the wonderfully informative book, The Best Address in Town: Henrietta Street, Dublin and its First Residents 1720-80 by Melanie Hayes, published by Four Courts Press, Dublin 8, 2020.

In 1733 William Stewart (1709-1769), 3rd Viscount Mountjoy and later 1st Earl of Blessington, moved to 12 Henrietta Street.

12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Dublin, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Dublin, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Dublin, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Open House October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Dublin, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
12 Henrietta Street, Dublin, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

10. 14 Henrietta Street, Dublin (July 2013 Heritage Week)

https://14henriettastreet.ie

This house is now a museum. See my entry https://irishhistorichouses.com/2020/06/06/covid-19-lockdown-20km-limits-and-places-to-visit-in-dublin/

See also the wonderfully informative book, The Best Address in Town: Henrietta Street, Dublin and its First Residents 1720-80 by Melanie Hayes, published by Four Courts Press, Dublin 8, 2020.

14 Henrietta Street, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
14 Henrietta Street, Dublin, July 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
14 Henrietta Street, Dublin, July 2013.
14 Henrietta Street, Dublin, July 2013.
14 Henrietta Street, Dublin, July 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
14 Henrietta Street, Dublin, July 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
14 Henrietta Street, Dublin, July 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
14 Henrietta Street, Dublin, July 2013.
14 Henrietta Street, Dublin, July 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
14 Henrietta Street, Dublin, July 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

11. Iveagh House (80 and 81 St. Stephen’s Green) – Department of Foreign Affairs (Open House 2014)

Iveagh House, St Stephen’s Green, October 2014. Portland stone facade (1866) by James Franklin Fuller (1835-1924) disguises an early eighteenth century townhouse by Richard Castle (d. 1751) for Robert Clayton (1695-1758), Bishop of Cork and Ross. The original house, three windows wide, is on the left of the portico. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, the original owner, Robert Clayton (1695-1758), Bishop of Cork and Ross. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website tells us:

Iveagh House is now the Department of Foreign Affairs as it was donated to the Irish State by the Guinness family in 1939. Originally two houses, nos 80/81 St Stephen’s Green, no 80 was originally designed by Richard Cassels [also spelled “Castle”] in 1736. After both houses were bought by Benjamin Guinness in 1862, he acted as his own architect and produced the current house. 

“The Dublin Builder, February 1 1866: ‘In this number we give a sketch of the town mansion of Mr. Benjamin Lee Guinness, M.P , now in course of erection in Stephen’s Green, South, the grounds of which run down to those of the Winter Garden. As an illustration so very quiet and unpretending a front is less remarkable as a work of architectural importance than from the interest which the name of that well-known and respected owner gives it, and from whose own designs it is said to have been built. The interior of the mansion promises to be of a very important and costly character, and to this we hope to have the pleasure of returning on a future occasion when it is more fully advanced. The works, we believe, have been carried out by the Messrs. Murphy of St. Patrick’s Cathedral notoriety, under Mr. Guinness’s own immediate directions, without the intervention of any professional architect.’ “

Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The building was donated to the Irish government by Benjamin Guinness’s grandson Rupert, the 2nd Earl of Iveagh, in 1939 and was renamed Iveagh House.

Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, October 2014. Painting by De Chirico. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Gardens, the part kept by the Guinness’s as part of Iveagh House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mahogany doorframe and door, Iveagh House, Stephen’s Green. The architect took advantage of the tax on mahogany not imposed in Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Sleeping Faun, bought by the Guinness’s, for almost the same price as the house! Donated by the Guinnesses along with the house to the state. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, medieval wooden carving, picturing Homer’s Illiad scenes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, “Modesty.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, original fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, originally the study. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, originally the study. Medieval wood carvings of scenes from Homer’s Illiad, and crest of Lord Iveagh who donated the house to the state. Original fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, The Music Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Music room ceiling, in Iveagh House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, probably originally the room of the Lady of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Original curtains and seats in ballroom in Iveagh House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fireplace built for ballroom in Iveagh House to host a Royal visit to the Guinness’s, the room was built specially to have the guests, for £30,000. JFK was hosted at a reception here and had his picture taken in front of the fireplace, and his daughter Caroline Kennedy had her picture taken there years later. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ballroom stucco in Iveagh House, made from moulds but then finished by hand to make look like fully hand-done. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Minstrals’ gallery in Iveagh House ballroom, made of the new at the time material, aluminium. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ceiling of Iveagh house ballroom, in Wedgewood blue. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

12. Iveagh Trust Apartment, Iveagh Buildings (Open House 2014)

Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Iveagh Trust buildings were commissioned by the Earl of Iveagh in 1901. The architects were Joseph and Smithem, London architects. The centrepiece of the buildings, built to house people who lived in the slums about St. Patrick’s cathdral, was the Iveagh Baths.

Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The range, in Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Child of Prague and St. Christopher in the alcove. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Religion was more dominant in peoples’ lives in those days than it is generally in Irish people today! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8, picture of Nelly and her family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

13. Mansion House, Dawson Street, Dublin – private, home of the Mayor of Dublin (Open House 2015)

Mansion House, Dublin 2015. Originally there were statues along the parapet, which was later balustraded. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Buildings of Ireland website featured the Mansion House as one of its Buildings of the Month, and tells us that The Mansion House, Dawson Street, is the oldest freestanding house in the city and the only surviving mayoral residence in Ireland.

The Mansion House owes its origins to Joshua Dawson (1660-1725), a member of the Guild of Merchants and at the time the second-wealthiest man in Ireland, who in 1705 purchased a tract of poor marshy ground east of the medieval core of Dublin and within two years had laid out a new street which he named Dawson Street. Work on a suitable townhouse began in 1710 and it is clear that the house was intended as the centrepiece of the new street.

The house, a rare example of a Queen Anne-style house, was substantially refronted in 1851 when the original brick finish was plastered, the windows were given robust classical frames, and the parapet was remodelled about a central pediment carrying the Coat of Arms of the City. The elaborate cast-iron canopy (1886) was designed by Daniel J. Freeman (1856/7-1902), City Architect (fl. 1879-93).

Mansion House, March 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Mansion House, March 2015. It contains portraits of Earl Whitworth, the Earls of Hardwicke and Westmoreland, John Foster the last Speaker of the House of Commons and Alderman Alexander [3]. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The death of Queen Anne in 1714 abruptly disrupted Dawson’s ambitious plans. Fearing that her successor would not be so favoured towards him, Dawson agreed on the 18th of May, 1715, to sell the house to Dublin Corporation at a cost of £3,500 in addition to a yearly ground rent of forty shillings and a loaf of double-refined sugar weighing six pounds due each Christmas. As a condition of the sale, Dawson agreed to build an additional room which could be used for civic receptions: the now-famous Oak Room. 

The Oak Room was the venue of the annual City Ball throughout the eighteenth century. On such occasions the Lord Mayor dispensed generous hospitality, aided in no small part by a yearly grant of twenty thousand oysters from the civic oyster beds. The Oak Room continues to play a central role in the life of the Mansion House today. [4] It contains portraits of Charles II, George II, Duke of Cumberland and the Duke of Richmond.

The Oak room contains crests for all of the Mayors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mayor John Gormley’s crest – the mayors pick symbols that they feel are suitable to represent them. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I don’t know what this means for Mayor Moyers! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mansion House, March 2015. The “Sheriff’s Room” with portraits of the Duke of Northumberland, Lord Townshend, John Duke of Bedford and Aldermen Sankey, Thorpe and Manders. [3] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mansion House, March 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The extension of the property continued well into the nineteenth century and included the Round Room completed in just six weeks in 1821 for the reception of King George IV. Designed by John Semple (d.1840) in the “exotic” style, an apparent nod to the monarch’s Hindu-Gothic Brighton Pavilion, it was remodelled 1892 by J. G. Ashlin, and was the venue for the first sitting of Dáil Éireann in January 1919.

The improvement of the Mansion House continued into the early twentieth century when, in anticipation of a royal visit by Queen Victoria, new ceilings were installed in the entrance hall and drawing room to designs by Charles James McCarthy (c.1857-1947), City Architect (fl. 1893-1921). The stained glass window over the principal staircase dates from the same period and carries the signature of Joshua Clarke and Sons of North Frederick Street. The Dublin City coat-of-arms again features as the centrepiece in a frame including the shields of the four provinces of Ireland and the names of prominent supporters of Home Rule. Topped and tailed by a Garland of Peace and a Cornucopia of Prosperity, the window is today known as “The Peace Window”. 

14. Marsh’s Library, Dublin (2013)

Marsh’s Library 1975, photograph from National Library and Archives.[5]

Marsh’s Library was built in 1701, designed by William Robinson who was surveyor general from 1670-1700, and who also designed the Royal Hospital Kilmainham. The Library was set up as the first public library in Ireland, by Archbishop Narcissus Marsh (1638-1713).

Narcissus Marsh, Provost of Trinity ca. 1690, then Archbishop of Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to Marsh’s library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The interior of the library remains unchanged from when it was set up. It is no longer a public library, unfortunately, as the books are too delicate for general handling, but one can request to look up books in the catalogue, and it operates as a sort of museum open to the public for a fee. It contains dark oak bookcases topped with lettered gables and a mitre. The library contains the original reading cages – a reader would be locked in so that he or she could not steal the books.

Marsh’s Library, Feb 26, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marsh’s Library librarians. The first Librarian, Elias Bouhereau, was a Huguenot refugee from France. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s library, Heritage Week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s library, Heritage Week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s library, Heritage Week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s Library, Heritage week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

15. 10 Mill Street, Dublin (Open House 2017)

10 Mill Street in October 2010 before renovations. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

10 Mill Street was built in the 1720s by the Brabazon family, Earls of Meath. In the early 19th century it was converted into a school by the Christian Brothers and later used by several charitable groups. It was remodelled in 1894 by architect George P. Beater as a Methodist mission house and school. [Archiseek]

10 Mill Street in October 2010 before renovations. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After renovations:

10 Mill Street after renovations. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
10 Mill Street after renovations. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside 10 Mill Street, Dublin 8. Original panelling, paint only partially stripped. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside 10 Mill Street, Dublin 8. Panelling restored. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside 10 Mill Street, Dublin 8. Fireplace left in situ. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside 10 Mill Street, Dublin 8. Old piece of banisters.
Inside 10 Mill Street, Dublin 8. Panelling made to look like the original. Staircase suspended from ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside 10 Mill Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

14. Pigeonhouse Power Station and hotel (2021)

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The old Pigeonhouse Hotel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The old Pigeonhouse Power Station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

15. Rates Office, formerly Newcomen Bank, Dublin (2013)

Rates Office, formerly Newcomen Bank, photograph by Robert French, Lawrence Collection National Library of Ireland, flickr constant commons.

Built in 1781 by Thomas Ivory. The original building was half the size, and Ivory’s half was built in mirror image with a portico built to link the two halves. [archiseek]

In 1722 Simon (or William?) Gleadowe (d. 21 August 1807) married into the Newcomen family of Carriglass House in County Longford and took their name. He started the Newcomen Bank. He was knighted to become 1st Baronet Newcomen in 1781 and elected to the Irish Parliament. He voted for the Act of Union and his wife Charlotte was rewarded with a Peerage to become Viscountess Newcomen. Their son inherited her title and became Thomas Gleadowe-Newcomen, 2nd Viscount Newcomen (1776-1825), and he also inherited the Newcomen Bank. The bank had a series of failures and closed in 1825, and Thomas shot himself and died in his office. After his death the title became extinct.

Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Open House description tells us:

“An elegant block in Portland stone, the building stands at the corner of Cork Hill and Castle Street, doubled in length on Cork Hill by an 1862 addition. Ivory’s original plan comprised three rooms with a large stair hall, with the site’s irregular boundaries concealed by the use of oval rooms. The interior has been recently renovated and retains fine decoration, with highlights including the larger first-floor oval room and the highly decorated ceiling over the stair hall.”

Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rates Office, formerly Newcomen Bank, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
City Hall, opposite the Rates Office. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Doorway in Rates Office shows the thickness of the wall, and the oval shape of the room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

16. Royal Irish Academy Dublin (2013)

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

17. Royal College of Physicians, Dublin (2013)

Royal College of Physicians, Heritage Week 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Designed by William George Murray who also designed the Hibernian Bank. It was built in 1861 to replace the College of Physicians previous premises which had burned down at this location. The facade eroded and was completely replaced 100 years later in 1960. A description in the 1862 Irish Builder describes it:

Entering from the portico, the outer hall or vestibule leads by a spacious flight of five steps to the inner hall, in which the main staircase is placed. On the right and left of this hall are the entrances to the council and examination rooms, registrar’s apartments, back stairs, reading room etc. The college hall is at the rere of the building, and is entered from the first landing of the main staircase, which here divides into a double flight, returning to the right and left.

This noble apartment, 58 feet by 30 feet and 30 feet high… is divided into five bays in length and three in breadth by Corinthian pilasters elevated on a panelled daedo, and surmounted by the ordinary frieze and cornice from which springs a quadrant coved ceiling with semi-circular arches over each bay groined into it. This hall is lighted by five lofty windows at the rere, and also three circular dome-lights in the ceiling…

The room with the ceremonial mace also contained glass cases with memorabilia and diary of Napoleon from his days on St. Helena, as his physician was an Irishman. He gave his physician his toothbrush and diary as a memorial, telling him the diary would make him rich! He chose this physician on hearing him talk. The physician agreed to be the doctor but said he would not spy for the British. They became friends. He had to bleed Napoleon several times as Napoleon fell ill, and the lancet used is also in the glass case.

Royal College of Physicians, Heritage Week 2013. Casey, p. 482: “The stair hall is an impressive double-height space with a coved and traceried ceiling and central lantern. Fine cast-iron lamp standards and balustrade to the stair. Corinthian pilaster order to the upper walls, beneath which are extraordinary shallow pilaster strips with odd bases which must surely be a C20 intervention. At the head of the stairs on the first-floor landing paired Corinthian columns flank the balustrade and a central [483] door to the library, a plain five-bay room which fills the entire street frontage, originally contrived as a separate library and museum.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ceiling of Royal College of Physicians, Heritage Week 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Patrick Dun’s Library, Royal College of Physicians, Kildare St, Dublin – celebrating its 300th year in 2013! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Patrick Dun’s Library, Royal College of Physicians, Kildare St, Dublin, Heritage Week 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Patrick Dun’s Library, Royal College of Physicians, Kildare St, Dublin, Heritage Week 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

18. Royal College of Surgeons, Dublin (Open House 2011)

William Dease sculpture, one of the founders of the Royal College of Surgeons, Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Royal College of Surgeons was built in two phases, first by architect Edward Parke, who built what is now the last three bays on the south side and five bays deep on York Street. This was subsumed later by architect William Murray, who added four bays to the north and moved the pediment to the new centre of the building, on St. Stephen’s Green. The facade has large round-headed windows separated by freestanding columns. The pediment has the royal arms, and is topped with three statues: Athena (goddess of Wisdom and War), Asclepius (god of Medicine) and Hygiea (Goddess of Health), all by John Smyth [Archiseek]. It has a rusticated basement storey.

The interior, as listed in Lewis’s guide in 1837, contains a large board room, a library, an apartment for general meetings, an examination hall, several committee rooms and offices, lecture theatres and three museums, two of which have galleries.

There is a top-lit gallery with Adamesque plasterwork.

Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
My father looks at the fireplace, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

19. St. Mary’s Abbey, Dublin (Culture Night 2012)

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website tells us that in the early 1880s, seven feet below street level, under a bakery, the chapter house of St. Mary’s Abbey was discovered. St. Mary’s Abbey was a Cistercian Abbey founded by the Benedictine monks in 1139. It was dissolved in 1530 and fell into disrepair and its existence is reflected in the street names surrouding it: Mary Street and Abbey Street. The Chapter House is the only part remaining, and was built in 1190! [6]

The Chapter House of St Mary’s Abbey, which was built in 1190. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was in the Chapter House, which could be rented out, that at a meeting of the Privy Council in 1534, “Silken Thomas” FitzGerald objected to the King, who had imprisoned his father. Thomas thought his father had been executed.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

20. Tailor’s Guild Hall, Dublin (Culture Night 2013)

Tailor’s Guild Hall, 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Tailor’s Hall was built in 1706 and is the only Guild Hall from the medieval guilds still in existence in Dublin. It is two storeys over basement and the hall inside is lit by tall round-headed windows on both sides, and has two floors of smaller rooms. It is now the headquarters for An Taisce. It was originally the meeting hall for the Guild of Merchant Tailors, from 1706-1841.

It was used in 1792 as the meeting place for the Catholic Committee during their campaign against Penal Law, and for this the building earned the nickname of “Back Lane Parliament.” Later still, it was used as a meeting place for the United Irishmen around 1798.

From Christine Casey, The Buildings of Ireland: Dublin, 2005, p. 367:
1703-1707, Richard Mills overseer. The Tailors’ Guild Hall is a tall shallow red brick building with a steep roof and dormer windows, a large gabled chimneystack and stair compartment projecting from the rear or N. wall. The entrance front is the long S elevation, reached by a stone arch and forecourt from Back Lane. In the 18th century the Hall was concealed behind houses on High Street and Back Lane and preceded only by the narrow arched pathway and a basement area. This unusual sequestered position is explained by the fact that the site was formerly occupied by a Jesuit chapel and college, endowed in 1629 by the Countess of Kildare. Seized by the Crown in 1630, it was subsequently repossessed by Lord and Lady Kildare and returned to the Jesuits who remained here for an unknown period prior to 1706…Tailors’ Hall is substantially early 18C. However, curiosities in the design and [p.368] structure suggest that it may incorporate something of the fabric of the 17C chapel.

The most striking feature of the facade is its asymmetry. Four tall narrow round-headed windows lighting the assembly hall fill almost two-thirds of the facade. To their right the facade is of two storeys and three bays with the entrance on the left next to the hall framed by an elegant rusticated limestone door surround of 1770. The basic arrangement reflects a pragmatic medieval-based system of hall and upper chamber, common in London livery halls of the late C17… A granite base-mould divides the brick masonry of the principal floor from the basement walling, which is largely of Calp with a band of brick forming the slightly cambered heads of the basement windows.”

Tailor’s Guild Hall, Heritage Week 2013. Twisted barley bannisters, hand carved, turned on lathe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Casey, p. 368: “the finest feature of the interior is the staircase, which is an elaborate open-well type with a low moulded handrail, barley sugar banisters and later square newels.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tailor’s Guild Hall, Heritage Week 2013: p. 368, Casey: “an elegant double-height brightly lit hall with a fine early C18 Ionic reredos at the W end bearing the name of guild masters, a handsome marble chimneypiece…and at the east end a bowed draught lobby with a curious Gothic pelmet and above it a Late Georgian Neoclassical wrought-iron balcony reached from the room above the entrance hall.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tailor’s Guild Hall, Heritage Week 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

21. Trinity Innovation Centre, former Bank, Foster Place, Dublin (2013)

Innovation Centre of Trinity, Foster Place. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
[Former] Innovation Centre of Trinity, Foster Place, in 2022, unused and becoming dilapidated. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This building is on Foster Place, just next to College Green and the Bank of Ireland. It was the Royal Bank, which was the predecessor of Allied Irish Bank. Before that, Robert O’Byrne tells us, it was Daly’s Clubhouse, a Gentlemans’ Club. [7]

A Neo-Classical porch was added by George Papworth in 1850. The banking hall was added by Charles Geoghegan in 1859 at the rear of the building. It has a coffered barrel vaulted space top-lit and supported by cast iron Corinthian columns. The building has a double-height entrance hall. The bank closed in 2002 and the building is now owned by Trinity College Dublin.

Innovation Centre of Trinity, Foster Place. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The description of the day’s event tells us:

“Behind a neat stucco facade (with a neo-classical porch added by George Papworth circa 1850) and a double-height entrance hall, the interior includes what has been described as Dublin’s finest Victorian banking hall. A curving mahogany counter wraps most of the floor area, previously as a barrier between the bank clerks and customers. The space is in excellent condition, lit from above by a coffered and glazed barrel vault, supported by elegant cast-iron columns. For those who love pattern and ornament, the friezes and the plasterwork on the columns and their capitals will be particularly enjoyable.”

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House 2013, Innovation Centre in Trinity College Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
[Former] Innovation Centre of Trinity, Foster Place, in 2022, unused and becoming dilapidated. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.archiseek.com/2010/1730-no-10-henrietta-street-dublin/

[2] https://theirishaesthete.com/2017/03/20/shedding-light-on-a-subject/ 

[3] https://www.archiseek.com/2010/1715-mansion-house-dawson-street-dublin/

[4] https://www.buildingsofireland.ie/building-of-the-month/the-mansion-house-dawson-street-dublin-2/ 

[5] National Library and Archives digital repository.

[6] https://www.archiseek.com/2010/st-marys-abbey-chapter-house-marys-abbey-dublin/

[7] https://theirishaesthete.com/2024/07/12/b-of-i/

Blarney Castle & Rock Close, Blarney, Co. Cork – section 482

www.blarneycastle.ie

Open dates in 2025: all year, Jan-Mar, Nov, Dec, 9am-5pm, Apr, Oct, 9am-5.30pm, May- Sept 9am-6pm,

Fee: adult €23, OAP/student €18, child €11

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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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Blarney Castle, County Cork, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Blarney Castle on a trip to Cork in June 2022, choosing to visit on a date when we could also visit Blarney House – see my entry https://irishhistorichouses.com/2022/09/30/blarney-house-gardens-blarney-co-cork/.

We have all heard that kissing the Blarney stone gives us the “gift of the gab,” but where did the story come from? Randal MacDonnell, in his book, The Lost Houses of Ireland, tells us that Queen Elizabeth I said of Cormac mac Diarmada MacCarthy (1552-1616), Lord of Muskerry, ‘This is all Blarney; what he says he never means!’ so the term was used as far back as Elizabethan times. The Blarney Stone, set high in the castle under the battlements, was said to have been a gift to the MacCarthy family after sending 5,000 soldiers to help Robert the Bruce (who died in 1329) in battle. It was reputedly the stone that gushed water after Moses struck it, or else it is said to be part of the Stone of Scone, on which the Kings of Scotland were inaugurated. It is also said to be the pillow that Jacob slept upon when he dreamed of angels ascending a ladder to heaven, that was brought from the Holy Land after the Crusades. Frank Keohane tells us bluntly in his description of Blarney Castle in Buildings of Ireland, Cork City and County (published 2020) that it is in fact the lintel to the central machicolation on the south side!

William Orpen (1878-1931) Kissing the Blarney Stone, courtesy of Whyte’s Important Irish Art sale 4 Dec 2023.

An Irish person can be reluctant to visit Blarney castle, thinking it “stage Irish” with its tradition of kissing the Blarney stone but it is really well worth a visit, including queueing to get to the top of the castle (to kiss the stone, which you can of course skip!), because along the way you can see the interior five storeys of the castle with its many rooms and corridors. Each year around 550,000 tourists visit Blarney Castle.

It is also worth visiting just to wander the seventy acres of gardens, which are beautiful. There’s a coffee shop in the stable yard.

Map of the extensive estate and gardens.
The Stables and Coach Yard have a coffee shop. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
This sign board tells us that the castle we see today is the third structure that was erected on the site. In the tenth century there was a wooden hunting lodge. Around 1210 this was replaced by a stone structure, which was demolished for the foundations of the third, current, castle, built by Cormac MacCarthy in 1446.

The castle we see today is the third structure that was erected on the site. In the tenth century there was a wooden hunting lodge. Around 1210 this was replaced by a stone structure, which was demolished for the foundations of the third, current, castle, built by Cormac Laidir (‘the strong’) MacCarthy in 1446. To put it into chronological perspective, this is around the same time that Richard III deposed King Edward V and nearly fifty years before Christopher Columbus “discovered” the “New world” in 1492 (see the terrific chronology outlined in James Lyttelton’s Blarney Castle, An Irish Towerhouse). He built a slender self-contained four storey tower house, which is now called the northwest tower.

The MacCarthy clan had vast estates, and were recognised as Kings of Munster by the lesser Irish chiefs, the sign boards at Blarney tell us. They trace their ancestry back to a chieftain who was converted to Christianity by St. Patrick. Cormac MacCarthy built Cormac’s Chapel on the Rock of Cashel, 1127-1134, before the Anglo-Norman invasion of Ireland in 1169.

The second, larger, five storey tower was built in the early to mid 16th century.

In 1628 King Charles I created Cormac (Charles) MacCarthy (1564-1640/41) Viscount Muskerry. His father was the 16th Lord of Muskerry – the family gained the title from the English crown in 1353 – and his mother was Mary Butler, daughter of the 1st Baron Caher (of second creation), Theobald, of Cahir Castle in County Tipperary. Viscount Muskerry inherited Blarney in 1616 and undertook alterations, perhaps adding the tall machicolated parapets, and enlarging windows, fitting them with hooded twin and triple light mullioned windows. He married Margaret O’Brien, a daughter of the 4th Earl of Thomond, and secondly, Ellen, widow of Donall MacCarthy Reagh, and daughter of David, seventh Viscount Fermoy. [1]

Viscount Muskerry died in 1640/41, passing the title 2nd Viscount to his son Donnchadh (or Donough). Donough MacCarthy based himself in Macroom, County Cork, and Dublin. Donough and his father were Members of Parliament and sat in the House of Lords in Dublin. He was loyal to the crown in 1641 during the rebellion but afterwards supported the Catholics who sought to be able to keep their lands. The Duke of Ormond sought negotiation between the Confederate Catholics and the crown, and 2nd Viscount Muskerry played an active role in these negotiations. [2] Negotiations were complicated because the lines of disagreement were unclear and as time progressed and more negotiators became involved, goals changed. For some, it was about Catholics being able to own land, for others, to be able to practice their religion freely. Factions fought amongst themselves.

Donough MacCarthy (1594-1665), 2nd Viscount Muskerry and 1st Earl Clancarty, Painted portrait (oil on canvas) at the Hunt Museum, Limerick, Accession number HCP 004. The portrait is part of the original collection donated by antiquarian John Durell Hunt and wife Gertrude Hunt. Other sources suggest it is Donough MacCarthy the 4th Earl Clancarty. I will have to check this!

Further complications arose as Parliament in England was unhappy with the reign of Charles I. Viscount Muskerry was firmly Royalist, along with his brother-in-law the Duke of Ormond. It was at this time that Donough MacCarthy the 2nd Viscount married Eleanor Butler, twin sister of the 1st Duke of Ormond. In 1649, Lord Broghill (Roger Boyle, later created 1st Earl of Orrery) persuaded the towns of Cork, Youghal, Bandon, and Kinsale to declare for Parliament. The division was no longer between Catholics and English rule, but between Royalists and Parliament supporters.

Blarney Castle was taken by Cromwell’s army under Lord Broghill in 1646 and again in 1649 by Oliver Cromwell. The inhabitants and defenders fled via the passageways below the castle and escaped.

It is said that the inhabitants of the castle escaped Cromwell’s army by these routes under the castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 2nd Viscount became the 1st Earl of Clancarty in 1658, raised to the title by the exiled son of King Charles I, who in 1660 became King Charles II. MacCarthy’s property was restored to him by the King.

Charles 3rd Viscount died in the same year as his father (1665), having joined first the French army when in exile from Ireland, and later, the regiment of the Duke of York (who later became King James II). It was therefore his son, Charles James MacCarthy, who became 2nd Earl of Clancarty. The 2nd Earl’s mother was Margaret de Burgh, or Bourke, daughter of the 1st Marquess Clanricarde. The 2nd Earl died in the following year, so the 1st Earl’s second son, Callaghan (1635-1676) became 3rd Earl of Clancarty in 1666. Callaghan converted to Protestantism. He married Elizabeth FitzGerald, daughter of the 16th Earl of Kildare. His younger brother, Justin, was given the title of Viscount Mountcashel.

Jane Ohlmeyer writes of the MacCarthys of Muskerry in her book Making Ireland English:

p. 108: “[the MacCarthys of Muskerry] The family thus enjoyed a formidable range of kinship ties that included the Butlers, of Ormond and Cahir, and the houses of Thomond, Fermoy, Buttevant, Courcy of Kinsale and Kerry. Like Viscount Roche, Muskerry enjoyed a close friendship with the earl of Cork and stood as godfather to one of his youngest children. …Blarney Castle..was the family’s principal residence…. They also resided at Macroom castle in mid-Cork…Though Muskerry retained the traditional customs associated with Gaelic lordship, he also acted as an anglicizing speculator, loaning money and securing lands through mortgages, and as an improving landlord who encouraged English settlers to his estates and especially his main town of Macroom, in mid-Cork.” [see 1]

We saw many means of defense illustrated on our tour of Cahir Castle recently during Heritage Week 2022, and many of these were utilised at Blarney. [see my entry on Cahir Castle in https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/ ] One can see the heavy machicolation, a series of openings in the floor of projecting parapets in castles and tower-houses through which offensive or injurious substances can be dropped on the enemy below.

See the machicolation at the top of Blarney Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle rises formidably from the bedrock of solid limestone. Its height gives a view all around for defense.

The castle is built on a bedrock of solid limestone. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ground level openings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ground level entrance we see was a gatehouse that defended the tower. Below the castle is a labyrinth of underground passages and chambers. One chamber may have been used as a prison. Another housed a well.
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A bawn surrounded the tower house: a defensive area of about eight acres surrounded by a wall. Maurice Craig tells us in his book The Architecture of Ireland from the Earliest Times to 1880 that the word bawn comes from the Irish name “bádhún” meaning an enclosure for cattle. Animals and people took shelter within the bawn in times of danger. The castle was self-sufficient and the bawn would have been a hive of activity with tanners, blacksmiths, masons, woodcutters, carpenters, livestock keepers, horses, cows, pigs, poultry, butchers, cooks, gardeners and attendants. Part of the bawn wall remains.

View of the bawn wall from the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Defense measures include an Oubliette for unwanted guests, and a murder hole if you gain entry to the tower house.
Blarney Castle, June 2022.
The tower house rising from the limestone bedrock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The impressively intact casement oriel window we can see here was the Earl of Clancarty’s bedchamber, probably added in 1616 when Cormac (Charles) MacCarthy (1564-1640/41) Viscount Muskerry inherited and undertook major alterations. Further up, there is a two-light window, which was not made to be glazed so is therefore very old. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022.

Blarney was a typical tower house with four or five storeys, with one or two main chambers and some smaller rooms on each floor. A vaulted stone ceiling served to keep the thin tower structurally sound by tying the walls together and also acted as a firebreak. Blarney was constructed as two towers, one built later (by about 100 years) than the other. At the bottom the walls are about 18 feet thick. When it was first built it would have been covered in plaster and whitewashed to protect it from rainy weather.

Blarney Castle, June 2022.

The MacCarthys retained Blarney Castle until forced to leave it in the years following the Battle of the Boyne in 1690. They were Jacobites, supporters of King James II, and not supporters of King William III, who was crowned King of England, along with his wife Mary, James II’s daughter, in 1689. Mark Bence-Jones tells us that the castle was fortified by Donogh MacCarthy (c. 1668-1734), 4th Earl of Clancarty, who fought for James II in the Williamite War. [3]

The Dictionary of Irish Biography tells us that Donogh MacCarthy the 4th Earl held the office of Lord of the Bedchamber to King James II in Ireland in 1689. MacCarthy fought in the Siege of Cork in 1690, where he was captured, and he was imprisoned in the Tower of London. He escaped and fled to France in May 1694. In 1698 he secretly returned to England but was betrayed by his brother-in-law, Charles Spencer, 3rd Earl of Sunderland, and was again imprisoned in the Tower. The Dictionary tells us that Lady Russell obtained a pardon for him, on condition he stayed permanently abroad. Lady Rachel Russell, nee Wriothesley, had previously petitioned unsuccessfully for the freedom of her husband, William Lord Russell, who had been arrested as part of the Rye House Plot to kill King Charles II and his brother James.

In exile in France in 1707, Donogh MacCarthy was Lord of the Bedchamber to the titular King James III (so called by the Jacobites who continued to support the Stuarts for the monarchy after William III and Mary had taken the throne). [4] This means he would have known John Baggot of County Cork and Baggotstown, County Limerick, whom I hope was an ancestor of mine (I haven’t been able to trace my family tree back that far). John Baggot married Eleanor Gould, daughter of Ignatius Gould, and fought at the Battle of Aughrim, where he lost an eye. The exiled monarchy recognised his sacrifice and in gratitude, made him groom of the bedchamber to the titular King James III in France also. Those that left Ireland at this time were called the Wild Geese. His son John Baggot subsequently fought in the French army and the other son, Ignatius, in the Spanish army.

There is a terrific summary in plaques in the ground in Limerick city around the Treaty of Limerick stone, on which the Treaty of Limerick was signed in 1691, that tells of the series of battles fought between the troops supporting King James II and the troops supporting King William. One plaque tells us:

Sept 1690 King William returned to England leaving Baron de Ginkel in charge. Cork and Kinsale surrendered to William’s army. Sarsfield rejects Ginkel’s offer of peace. More French help arrives in Limerick as well as a new French leader, the Marquis St. Ruth. Avoiding Limerick, Ginkel attacked Athlone, which guarded the main route into Connaght. 30th June 1691, Athlone surrendered. St. Ruth withdrew to Aughrim. 12th July 1691 The Battle of Aughrim. The bloodiest battle ever fought on Irish soil. The Jacobites were heading for victory when St. Ruth was killed by a cannonball. Without leadership the resistance collapsed and by nightfall, the Williamites had won, with heavy losses on both sides. Most of the Jacobites withdrew to Limerick.

Plaques in the ground of Limerick City around the Treaty of Limerick Stone, about the War of two Kings.
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are many additions to the castle as well as the main keep. This round tower was part of a Gothic mansion built on to the side of the castle by James Jefferyes in 1739. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After the MacCarthys were forced to leave Blarney Castle, it was occupied by the Hollow Sword Blade Company from London. The Historic Houses of Ireland website tells us that this company was a forerunner of the disastrously speculative South Sea Company that was attempting to break the Bank of England’s monopoly over Government loans. [5] The Landed Estates database tells us:

The Hollow Sword Blades Company was set up in England in 1691 to make sword blades. In 1703 the company purchased some of the Irish estates forfeited under the Williamite settlement in counties Mayo, Sligo, Galway, and Roscommon. They also bought the forfeited estates of the Earl of Clancarty in counties Cork and Kerry and of Sir Patrick Trant in counties Kerry, Limerick, Kildare, Dublin, King and Queen’s counties (Offaly and Laois). Further lands in counties Limerick, Tipperary, Cork and other counties, formerly the estate of James II were also purchased, also part of the estate of Lord Cahir in county Tipperary. In June 1703 the company bought a large estate in county Cork, confiscated from a number of attainted persons and other lands in counties Waterford and Clare. However within about 10 years the company had sold most of its Irish estates. Francis Edwards, a London merchant, was one of the main purchasers.” [6]

In 1702 the castle was sold to Sir Richard Pyne, Lord Chief Justice of Ireland, who sold it the following year, in 1703, to the Governor of Cork, Sir James Jeffereyes (alternatively spelled “Jefferyes”). Richard Pyne also purchased land at Ballyvolane in County Cork, another section 482 property which we have yet to visit!

In 1739 James Jeffereyes built a four storey Gothic style mansion on to the side of the castle, which he called “The Court,” demolishing a former house the MacCarthys had added to the castle. Frank Keohane tells us that the architect may have been Christopher Myers, who had previously rebuilt Glenarm Castle in County Antrim. We can see glimpses of its appearance from the round towers and ruins to one side of the castle, which are the remnants of this grand mansion. The Jefferyes family also laid out a landscape garden at Blarney known as Rock Close, with great stones arranged to look as though they had been put there in prehistoric times. There is a stone over the “wishing steps” inscribed “G. Jefferyes 1759” which commemorates the date of birth of James Jefferyes’s heir. It was a popular tourist destination as early as the 1770s.

Blarney Castle, June 2022.
Blarney Castle, County Cork 1796 After Thomas Sautelle Roberts, Irish, 1760-1826, photograph courtesy of National Gallery of Ireland.
Blarney Castle, by Gabriel Berenger ca. 1770-1799, Copy of original drawing by Jonathan Fisher, Royal Irish Academy MS 3 C 30/33.
John Nixon (1750-1818) Blarney Castle, Co. Cork signed with a initials ‘J.N.’ (lower right) and inscribed and dated ‘Blarney Castle C Cork, 5 Octr, 1792’ courtesy Christies Irish Sale 2004.
Pictures of the Gothic house that was built on the side of the castle, on a noticeboard at Blarney.
Ruins of “the Court,” the Gothic house added to the side of the castle by the Jeffereyes. You can see the plaster decoration of a horse over the door. This must have been put up by later owners of the castle as the horse, or colt, is a symbol of the Colthurst family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We joined the queue to go up the tower. The ground floor is a large vaulted space. We saw the same sort of vaulting in Oranmore Castle in County Galway, which we visited later that week during Heritage Week 2022.

Ground floor of the Castle, a vaulted space. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This room would have been the cellar chamber when first built, and would have had a wooden floor above, supported by still-present stone supports in the walls. The room on the upper wooden floor was the Great Hall. Originally, an information board tells us, the lower storey probably housed servants or junior members of the household. By the eighteenth and nineteenth centuries it had become a wine cellar, as evidenced by some brick-lined shelves.

Ground floor of Blarney Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022.

We can see the arched vaulted ceiling from the ground floor, with indentations left from wickerwork mats that were used, on which the bed of mortar for the roof was set. We saw similar indentations at Trim Castle and the nearby house of St. Mary’s Abbey in Trim, in the basement [see https://irishhistorichouses.com/2022/09/17/st-marys-abbey-high-street-trim-co-meath/ ]. The walls would have been covered in tapestries, which were put on the floor at some stage, becoming carpets. The arched ceiling tied the walls of the tower together.

See the remnants of the wickerwork on the vaulted ceiling, and an impressive fireplace remains in what would have been the Great Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Next to the Great Hall was the Earl’s bedroom.

Blarney Castle, June 2022.

From here we have a good view of the remnants of the Gothic house remnants:

Remnants of the Gothic styled house which had been built onto the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We climbed a stone spiral staircase inside the tower to see the upper chambers. As usual in tower houses, the narrow spiral staircase was built partly for defense.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We next reached the “Young Ladies’ Bedroom.” The noticeboard tells us that three daughters of Cormac Teige MacCarthy (d. 1583), 14th Lord, grew up here.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The room above the Great Hall in the tower would have been the family room.

Blarney Castle, June 2022.
Remaining plasterwork on the wall in the family room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One end of the Family Room has a large fireplace, and the Banqueting Hall was on the storey above. The floor of the Banqueting Hall no longer exists, but you can see the fireplace of this room on the right hand side of the photograph. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Continuing our climb up to the top of Blarney Castle, looking down. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The floors of the banqueting hall, above the family room, and the chapel which would have been on the floor above the banqueting hall, are gone, so when you reach the top of the castle, you can look down inside.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Looking down from the battlements at what would have been the chapel (with the arched windows) and the Banqueting Hall below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the Chapel, mass would have been said in Latin, and the chaplain acted as tutor to the children also. The builder of Blarney Castle, Cormac Laidir MacCarthy, was a generous patron of the church and he built five churches, including Kilcrea Abbey where he was buried, which became the traditional burial place for the lords of Blarney.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love how well-preserved the stone door and window frames remain. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The information boards tell us that feasting was part of the way of life at the time and a meal was combined with a night’s entertainment as part of the social life of the Castle. A series of courses would be served, with fish eggs, fowl and roast meat, all highly spiced to keep them fresh. Alcohol served included mead, beer, wine and whiskey. The high ranks sat near the Lord at the top of the table “above the salt” and others sat “below the salt.” As the meal progressed the Chieftain’s Bard would play his harp and sing songs celebrating the prowess of the MacCarthy clan.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bell-tower, midway along the top of the eastern battlements. The north pilaster supporting the arch is built on top of a chimneystack that served the fireplaces in the Great Hall and the Banqueting Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Historic Houses of Ireland website tells us that in former times visitors were lowered over the parapet to kiss ‘The Stone’ while gripped firmly by the ankles. The process has become easier and safer today though one still has to lean very far back to kiss the stone, head dangling downward. It has been a popular tourist destination since the days of Queen Victoria. The keep and Blarney stone remains, “despite the osculatory attrition of the eponymous stone by thousands of tourists every year” as Burke’s Peerage tells us with verve! (107th Edition (2003) page 865)

Photograph dated around 1897, National Library of Ireland Creative Commons on flickr.
photo by Chris Hill, 2015, Tourism Ireland, Ireland’s Content Pool.
Winston Churchill at Blarney Stone, 1912.
Photograph from National Library of Ireland Creative Commons.

One can see from the window embrasures how thick the castle walls are. There are passageways within the walls.

Passageways within the thick walls of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Some passageways lead to ancilliary rooms, sometimes to a garderobe or “bathroom.”

Blarney Castle, June 2022.
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James St. John Jeffereyes (1734-1780) inherited Blarney estate at the age of six. St. John Jeffereyes was an “improving” landlord who sought to aid the welfare of his tenants and maximise profits from his estates. He took an interest in the linen trade developing in County Cork, which processed locally grown flax into linen. St. John Jeffereyes created a village near Blarney Castle in 1765 with a linen mill, bleach mill, weavers’ cottages and a bleach green. The River Martin powered the mills. The rise of cotton, however, proved the downfall of the production of linen. In 1824, Martin Mahon moved his woollen manufacturing business to a former cotton mill in Blarney, to develop Blarney Woollen Mills. James St. John also, with three other landed gentlemen, established the Tonson Warren bank in Cork city (1768). It was a prominent institution in Cork until its failure in 1784, after Jeffereyes’s death.

James St. John Jeffereyes first married Elizabeth Cosby (1721-1788). We came across her when we visited Stradbally in County Laois, which is still owned by the Cosby family. Her father was William Cosby (1690-1736), who was Governor of New York. She had been previously married to Augustus Fitzroy, 2nd Duke of Grafton, who died in 1741. James St. John and Elizabeth’s daughter Lucia served as Maid of Honour to Queen Charlotte, wife of King George III.

James St. John Jeffereyes married secondly Arabella Fitzgibbon, sister of the 1st Earl of Clare, John Fitzgibbon (1748-1802) (who, by the way, married the daughter of Richard Chapell Whaley, who had the house on St. Stephen’s Green built which now houses the Museum of Literature Ireland (MOLI) – see my entry for MOLI on https://irishhistorichouses.com/2020/06/06/covid-19-lockdown-20km-limits-and-places-to-visit-in-dublin/. He was the Lord Chancellor of Ireland who forced the Act of Union through parliament). With Arabella, James had a son and heir, George Jeffereyes (1768-1841).

James’s son George Jeffereyes (1768-1841) married Anne, daughter of the Right Hon. David la Touche of Marlay, the richest man in Ireland and head of the banking dynasty. George’s sisters also married well: Marianne married George Frederick Nugent, 7th Earl of Westmeath; Albinia married Colonel Stephen Francis William Fremantle; and Emilia married Richard Butler, 1st Earl of Glengall.

Mary Ann Cavendish Bradshaw also known as the Countess of Westmeath. Portrait painted by Sir Thomas Lawrence in 1806. She was born Marianne Jeffreys, and married George Frederick Nugent, the 7th Earl of Westmeath and she became the Countess of Westmeath. In 1796 in a sensational court case she divorced Nugent and soon after married Augustus Cavendish Bradshaw.

The Court was destroyed by fire in 1820. Instead of rebuilding, George Jeffereyes and his family moved to Inishera House in West Cork. [7] George and Anne’s son St. John Jeffereyes (1798-1862) inherited Blarney. He had a son, also St. John, who lived in Paris and died in 1898. The estate passed to St. John’s sister Louisa, who married George Colthurst (1824-1878), 5th Baronet Colthurst, of Ardum, Co. Cork. He was a man of property, with another large estate at Ballyvourney near the border with County Kerry, along with Lucan House in County Dublin (currently the Italian ambassador’s residence in Ireland). Blarney remains in the hands of the Colthurst family. Blarney House was built for Louisa and George Colthurst, in 1874.

Blarney House, built for George Colthurst (1824-1878), 5th Baronet Colthurst and his wife Louisa Jeffereyes in 1874, as seen from the top of Blarney Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George Colthurst’s maternal grandmother was Emily La Touche, daughter of David La Touche and Elizabeth Marlay, and paternal grandmother was Emily La Touche’s sister Harriet. Their sister Anne had married George Charles Jeffereyes, Louisa’s grandmother, so Louisa and George were second cousins.

Randall MacDonald tells us in his book The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them:

p. 29 “The Colthursts had arrived in Ireland from Yorkshire towards the end of Elizabeth I’s reign and settled in Cork. Christopher Colthurst was murdered by the rebels in 1641 near Macroom in County Cork. By the 1730s, they were High Sheriffs of County Cork, and in 1744 John Colthurst, who had married the daughter of the 1st Earl of Kerry, Lady Charlotte Fitzmaurice, was created a baronet. It would be uncharitable to suggest that it was his father-in-law’s influence that procured him this advancement. He was Member of Parliament for Doneraile from 1751 (and afterwards for Youghal and Castle Martyr). His son Sir John Colthurst, the 2nd Baronet, was killed in a duel with Dominick Trant in 1787 and the title passed to his brother (MP for Johnstown, Co Longford and then for Castle Martyr until 1795), who married Harriet, daughter of the Right Hon. David la Touche. Sir Nicholas Colthurst, the 4th Baronet, was the MP for the city of Cork from 1812-1829.

It was his son, Sir George Colthurst, the 5th Baronet, who married Louisa Jefferyes of Blarney Castle in 1846.” [8]

The 9th Baronet Colthurst, Richard La Touche Colthurst (1928-2003) married Janet Georgina Wilson Wright, from Coolcarrigan in County Kildare, another section 482 property [ https://irishhistorichouses.com/2020/05/31/coolcarrigan-house-and-gardens-coill-dubh-naas-county-kildare/ ]. Their son is the current owner of Blarney Castle and House.

We headed for the coffee shop after our perusal of the Castle. In the yard they have beautiful barrell vaulted wagons, and in the cafe, lovely old travel advertisements.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Individual stables have been made into “snugs” for snacks. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The seventy acres of gardens offer various landscapes. The bawn contains a Poison Garden, or medicinal garden, where various medicinal plants are grown, including poisons such as wolfsbane, ricin, mandrake, opium and cannabis.

The bawn wall and poison garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Rock Close is the garden that was developed by the Jefferyes in the 1750s and echoes Ireland’s ancient past with giant rock formations and hints of Druidic culture. Water running through adds to the beauty, with a lovely waterfall.

Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We were impressed by the bamboo maze. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle gardens, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

My favourite area is the Fern Garden, which feels prehistoric and is extremely picturesque, with raised wooden walkways. We headed to Blarney House, which will be my next entry!

The Fern Garden, which includes lovely wooden walkways. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney Castle gardens, June 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] p. 108. Ohlmeyer, Jane. Making Ireland English: The Irish Aristocracy in the 17th Century.

[2] See Ó Siochrú, Micheál’s entry in the Dictionary of Irish Biography: https://www.dib.ie/biography/maccarthy-donough-a5129

[3] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] G.E. Cokayne; with Vicary Gibbs, H.A. Doubleday, Geoffrey H. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910-1959; reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume III, page 216. Quoted on the website The Peerage.com. See also https://www.dib.ie/biography/maccarthy-donogh-a5128

[5] https://www.ihh.ie/index.cfm/houses/house/name/Blarney%20House

[6] https://landedestates.ie/family/2877

[7] see the timeline in James Lyttelton’s Blarney Castle, An Irish Towerhouse.

[8] MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

St. Mary’s Abbey, High Street, Trim, Co. Meath – section 482

Open dates in 2025: Feb 8-14, 24-28, Mar 3-7, 26-28, May 10-18, June 23-30, July 21-27, Aug 16-24, Sept 14-20, 2pm-6pm

Fee: adult €5, OAP/student/child €2

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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St. Mary’s Abbey overlooks Trim, impressively tall. The ruin of the Abbey, the “yellow steeple,” looks deceptively like part of the building although it is not. The yellow steeple is the ruin of the abbey bell tower, named for the yellow colour reflected by the stonework in the setting sun. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Trim Castle, built around 1175 by Hugh de Lacy, across the River Boyne from St. Mary’s Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

St. Mary’s Abbey house is one of the oldest properties on the Section 482 list. Now a private home, the building was probably initially part of an Augustinian Abbey, situated across the River Boyne from Trim Castle. We visited Trim Castle after seeing the Abbey, and learned that in 1182 when Hugh de Lacy was granted the Liberty of Meath, he occupied this site at Trim Castle. See my entry about Trim Castle.

Hugh de Lacy (born before 1135, died 1186) was an Anglo-Norman who came to Ireland with King Henry II’s troops. He was created Lord Justice and fought to establish English authority. He was also put in charge of Dublin Castle so was a sort of first Viceroy of Ireland. As well as having Trim Castle built, he built a ring of castles around Dublin to secure the land. Other castles reputedly built by Hugh de Lacy in Meath are Dunsany, which is also a Section 482 property, and Killeen Castle, both of which were held by the Cusack family on behalf of the de Lacys.

St. Mary’s Abbey was established in the twelfth century, and is said to be on the site of a church established by St. Patrick, the fifth century missionary in Ireland. The church was destroyed in 1172 by the local Irishman Conor O’Loughlinn [1], and rebuilt by Hugh de Lacy, so the still standing steeple may have been built around the same time as Trim’s Castle Keep, or as the author of Trim: Its Ecclesiastical Ruins, Its Castle, Etc writes, the steeple was probably built after a fire in 1368.

The gardens of St. Mary’s Abbey go down to the River Boyne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The River Boyne runs through the village of Trim. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Yellow Steeple, 40 metres (130 ft) tall (seven storeys), a remnant of St. Mary’s Abbey, established in the twelfth century. The most elaborate part of the remaining tower of St. Mary’s Abbey is the belfry window, described in Casey and Rowan’s The Buildings of Ireland: North Leinster as “a generous pointed opening with two pointed lights bisecting at the centre by a cross-mullion, with a flowerlet formed in the tracery pattern above.” [2] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
It’s incredible how well-built the steeple is, one wall still in immaculate condition. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Yellow Steeple. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One can even go inside the steeple tower remains, through its doorway with Gothic arches surmounting the lintel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This looks like remnants of a staircase in the steeple tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Remains of the St. Mary’s Abbey tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The tower is unusual, I would think, for an Abbey. It looks more like a tower-house, as it has large windows. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The building listed on Revenue Section 482 is now called St. Mary’s Abbey, after the abbey of which it was probably a part. It is also called Talbot’s Castle as it was said to have been built, Mark Bence-Jones tells us, by Sir John Talbot (c. 1384-1453), 1st Earl of Shrewsbury, for his own occupation when he was Lord-Lieutenant of Ireland, although as I will explain, I do not think that this was the case. [3]

John Talbot (c. 1384-1453), 1st Earl of Shrewsbury, Detail of illuminated miniature from the Talbot Shrewsbury. He is in a habit as a knight of the Garter. Behind him a Talbot hound, his heraldic badge. presenting the book to Margaret of Anjou, Queen of England, 1445. His robe displays several encircled Garters. See Poems and Romances (Shrewsbury book), illuminated by the MASTER OF JOHN TALBOT – http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=47542

The National Inventory dates the building to the incredibly early date of 1415, which would coincide with the idea that it may have been built by John Talbot. The Abbey itself existed before this, so Talbot may have taken part of the abbey to be his home. His crest adorns the wall of a tower part of the house. However, I think it is unlikely that Talbot ever lived here.

St. Mary’s Abbey, a fifteenth century tower house, still has the Talbot crest. Probably due to the presence of the coat of arms, it is said to have been built by Sir John Talbot (c. 1384-1453), 1st Earl of Shrewsbury, when he was Lord-Lieutenant of Ireland, but this may not be the case. As well as the Talbot crest, with accompanying dogs, the tower has a plaque noting that William Rowan Hamilton, noted mathematician, attended the school that had been housed in the St. Mary’s Abbey building. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Mary’s Abbey house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Abbey was burned in 1368. Shortly after the fire, the abbey erected a statue of the Virgin Mary that became famous for its miracles of healing, and so became a place of pilgrimage. It seems unlikely that Talbot lived in the Abbey at this time, therefore. It was still an Abbey at the time of John Talbot, in 1415. Perhaps his coat of arms marks his financial support of the Abbey, thus giving him the blessings and prayers of the Abbey.

St. Mary’s Abbey, a fifteenth century tower house, still has the Talbot crest, and is also called Talbot’s Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The house looks much smaller, when one approaches, than it appears from Trim Castle, dominating the hill above the river bank. It is just one room deep. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The front door is in a Gothic arch, up stone steps, with matching arched window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Abbey was dissolved at the time of King Henry VIII’s dissolution of the monasteries. The author of Trim: Its Ecclesiastical Ruins, Its Castle, Etc tells us that on 15 May 1542 agents of Henry VIII forced Geoffrey Dardis, St. Mary’s last abbot, to sign his own expulsion, and the abbey’s lands were granted to Sir Anthony St. Leger (b. circa 1496, d. 1559), who in 1540 was Lord Deputy of Ireland. (see [1]).

It seems to me that it would have been after the dissolution of the abbey that the abbey building was converted into a secular residence.

The turret with the Talbot arms, which is of two storeys over a basement (although today it looks three storey), is distinct from the rest of the range, Christine Casey and Alistair Rowan point out in their Buildings of Ireland: North Leinster book. (see [2]) They write that: “The punched limestone rubble and big square embrasures still visible in the basement are similar to the Yellow Steeple and support and early to mid-C15 date.”

The entrance vestibule has panelled walls and ceiling and pretty decorative swags draped from bucranium, or rams heads, above the wall panelling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Mary’s Abbey house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stucco work would not have been part of the abbey, as bucrania, ox’s skulls, allude to the ancient Greek and Roman ceremonies of sacrifice, and sacrificial cattle were decorated with garlands of fruit and flowers or decorative ropes with tassels.

Many of the interior doors are arched. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the vestibule one enters the Gothic maroon coloured dining room, which leads into the drawing room, which is thought to have been the refectory of the abbey. Mark Bence-Jones tells us that the building incorporated part of the Abbey cloister, which forms a vaulted recess on one side of the drawing room.

The dining room has a fireplace that looks like Connemara marble, and the swags again adorn the walls over the wood panelling.

The Drawing Room in what may have been the Refectory of the Abbey. A vaulted recess on one side may have been a cloister of the Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The drawing room has what Casey and Rowan call a “remarkable and very rare medieval survival, an oriel window or gallery opening off the room in the southeast corner, roofed over by two bays of quadripartite vaulting, springing from octagonal shafts, all of punched grey limestone.”

St. Mary’s Abbey house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Rowan and Casey continue: “One has only to look at the refectory building at Newtown Trim to recognize that this is the characteristic position of the reader’s desk or gallery from which scripture was read while the monks ate their meals.”

There’s also a wonderful fireplace that looks very old.

In 1617 King James I granted the churches, rectories and chapels of the Blessed Virgin Mary of Trim to Thomas Ashe of Trim. A website about the Ashe family tells us that Sir Thomas Ashe, of St. John‘s and of Drumsill (now Ashfield Hall), in the county of Cavan, was knighted at Dublin Castle by Sir George Carew, Lord Deputy, on St. James’s day, 25 July 1603, on the occasion of the coronation of James I. [4]

Little seems to be known about the building until it became a school. Mark Bence-Jones tells us that the property was given gables in C17, by which time it has become a “Latin school.” Casey and Rowan write that in the opening years of the eighteenth century the Diocesan School of Meath, which was being run by Dean Jonathan Swift’s curate at Laracor, was without fixed accommodation.

In 1716 Jonathan Swift’s friend “Stella” (her read name was Esther Johnson) bought “St Mary’s Abbey” from John Blakely and the following year she either sold it or gave it to Swift, and it then became the Diocesan School. Peter has copies of the deeds framed. Swift sold it after another year.

Portrait of Esther Johnson (Stella), late 18th-early 19th century. after James Latham (1696-1747), courtesy of Fonsie Mealy Fortgranite sale.

In an essay by Eileen MacCarvill, “Johnsons, Lineal Descendants of Uí Néill,” MacCarvill writes that “Stella” and Elizabeth Dingley, who had relatives named Hammond who lived in Trim, moved from their home at Moor Park in England where Ester had lived with the Temple family in 1698-99, to Talbot Castle in Trim, where they lived with William Johnson and his wife Jane née Blakeley. In 1708 William Johnson sold Talbot Castle to his wife’s brother John Blakeley of Rochestown, County Meath, for £45. Esther Johnson then purchased the house in 1718 for £65 and sold it some months later to Swift for £200. He sold it to George Dennis of Summerhill, County Meath, for £223. [ http://www.limerickcity.ie/media/NMAJ%20vol%2017%2009%20Johnsons%20-%20lineal%20descendents%20of%20Ui%20N%82ill,%20by%20Eileen%20MacCarvill.pdf ]

The land Deed signed by Esther Johnson, Jonathan Swift’s friend “Stella.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Casey and Rowan tell us that after the building had become the Diocesan School in the eighteenth century, a report of the Commission for Irish Education of 1827 described it as “a very old building forming part of the quadrangle of St Mary’s Abbey.” Famous past pupils include Arthur Wellesley, the future Duke of Wellington (1769-1852) and William Rowan Hamilton (1805-1865), Irish mathematician, astronomer, and physicist.

Peter showed us some metal bars outside an upstairs window which he suggested may have been supports for William Rowan Hamilton to mount a telescope.

Bence-Jones tells us that the Georgian Gothic windows and the long two-storey wing was added in the early nineteenth century, but I don’t think this is correct since that is the part that houses what seems to have been the Abbey refectory. He may mean that this wing was converted at that time into a drawing room, as described by Rowan and Hamilton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Mary’s Abbey house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The school closed down and the building was bought by the last schoolteacher, Rev James Hamilton. He was the uncle of William Rowan Hamilton. [5] The Dictionary of Irish Biography describes Reverend James Hamilton: “James Hamilton was a classicist with some knowledge of oriental languages; he recognised his nephew’s precocious talent and fed him an extraordinary diet of the classics, Hebrew, and a wide range of oriental and modern languages. He was quite a taskmaster, albeit a kindly and supportive one, and his nephew responded positively.” [6]

William Rowan Hamilton,(1805-1865), Astronomer Royal and President of the Royal Irish Academy,(pl. for ‘Dublin University Magazine’, Vol. XIX, January 1842)Engraver John Kirkwood After Charles Grey, Scottish, c.1808-1892. Photograph courtesy of the National Gallery of Ireland.

It was occupied as a private house by him and his descendants until 1909, when it was bought by Archibald Montgomery, who carried out various improvements and panelled the principal rooms. Montgomery was a Dublin lawyer and Sheriff of Dublin.

Casey and Rowan tell us that Archibald Montgomery added an attic storey with yellow-brick gables to the west end, and retained a mish-mash of pointed eighteenth century sash windows and Gothic-French windows throughout the rest of the building.

The lobby upstairs has lovely trefoil style windows. Casey and Rowan write that there are angel shield bearers in some window spandrels upstairs, and that they were probably found and reused in the 1909 reconstruction.

The attic storey with pointed gables was added in 1909. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hopper on the left has the date 1909, to indicate that it is the addition, while the one on the right has the date 1425 on it. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are angel shield bearers in some window spandrels upstairs, and that they were probably found and reused in the 1909 reconstruction. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the basement Peter pointed out a feature of the ceiling which would indicate its age. There are what look like scratches, which would be the remains of wickerwork ceiling.

Scratches on ceiling show where an ancient wickerwork ceiling used to be. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We saw the same scratches on a ceiling in Trim Castle:

Similar markings on ceiling in part of Trim Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Montgomery died in 1942 and everything in the house was sold. The house was purchased in 1951 by an engineer from Manchester, John O’Leary. He was also a big game hunter, and won the bronze medal in the 1924 Olympics in Paris for shooting. He and his wife had no children, and he died in 1967 and his wife Eileen in 1981. They left all the contents in the house. Peter Higgins moved in as Caretaker, in 1984 and later had the opportunity to buy the property in 1991.

The gardens tier down to the river, and the house has wonderful views of Trim Castle and the River Boyne.

[1] Trim: Its Ecclesiastical Ruins, Its Castle, Etc. : Together with a Collection of Documents Not Hitherto Published, and Notes of Trim and Its Environs for Past Two Centuries. Jan 1886 · Printed at the Office of the Irish Builder. https://play.google.com/store/books/details?id=MvcRAAAAYAAJ&rdid=book-MvcRAAAAYAAJ&rdot=1

[2] Casey, Christine and Alistair Rowan. The Buildings of Ireland, North Leinster. The Counties of Longford, Louth, Meath and Westmeath. Penguin Books, London, 1993.

[3] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] https://ashefamily.info/people/born-in-the-16th-century/sir-thomas-ashe-of-trim-1567-1626/

[5] I found more about Reverend James Hamilton’s family on https://www.annevanweerden.nl/docs/Family_of_Uncle_James.pdf

[6] https://www.ria.ie/ga/node/95871

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Larchill, Kilcock, Co. Kildare W23 Y44P – section 482

www.larchill.ie

Open dates in 2025: May 3-31, June 1-6, 10-13, 17-20, 24-27, Aug 16-29, 10am-2pm

Fee: adult/OAP/student €8, child €4, under 4 years free, groups discount

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Larchill house, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Larchill on a glorious sunny day in May 2022. The house has an excellent website explaining the fact that it is a ‘Ferme Ornée’ or Ornamental Farm and is the only surviving, near complete, garden of its type in Europe. It was created between 1740 and 1780. You may have seen the house recently in the television series “Blood” starring Adrian Dunbar.

The Ferme Ornée gardens of the mid 18th century were an expression in landscape gardening of the Romantic Movement. The National Inventory tells us that the house, ornamental farm yards and follies were built by Robert Watson, but it could have been for the previous owners, the Prentice family, a Quaker merchant family who lived in Dublin and at nearby Phepotstown and who owned the land of Larchill. According to the National Inventory, the farm yard was built around 1820, later than the house, which was built around 1790. [1] [2]

Robert Prentice leased Phepotstown in 1708 to grow flax for the production of linen and it seems that at this time he started to develop the land as a ‘Ferme Ornée.’ [3]

It was the current owners, Michael and Louisa de las Casas, who discovered the significance of the property, which had become overgrown and fallen into disrepair, due to a visit by garden historian Paddy Bowe, who was the first to realise that Larchill was a Ferme Ornée and an important ‘lost’ garden.

The website tells us about the idea of an ornamental farm:

Emulating Arcadia, a pastoral paradise was created to reflect Man’s harmony with the perfection of nature. As is the case at Larchill, a working farm with decorative buildings (often containing specimen breeds of farm animal) was situated in landscaped parkland ornamented with follies, grottos and statuary. Tree lined avenues, flowing water, lakes, areas of light and shade and beautiful framed views combined to create an inspirational experience enabling Man’s spirit to rejoice at the wonder of nature.

As in the example of Woburn Farm, a circuit path leads around the property, leading to temples and statues. It’s a beautiful walk around the lake and fields, with a carefully mown trail. We were lucky with the weather! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The owners continue the tradition of keeping specimen breeds with the long-horn cow, peacocks and quail. They used to be kept busy with tourists and children with an adventure area and collection of rare breeds of farmyard animal, but they no longer gear it toward such an audience.

Larchill, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “At this time in Versailles, Marie Antoinette enjoyed extravagant pastoral pageants, housed specimen cattle in highly decorated barns, while she herself is said to have dressed as a milk maid complete with porcelain milk churns. Freed from the restrictions of the 17th century formal garden, the Ferme Ornée represented the first move towards the fully fledged landscape parkland designs of Capability Browne.

Marie Antoinette’s rural idyll in Versailles, l’Hameau. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I recently visited the exhibition of “In Harmony with Nature: The Irish Country House Garden 1600-1900” at the Irish Georgian Society, curated by Robert O’Byrne. He describes the Romantic movement and landscape design of Capability Brown:

From exhibition of “In Harmony with Nature: The Irish Country House Garden 1600-1900” at the Irish Georgian Society, curated by Robert O’Byrne.

The Larchill website continues: “The Prentice family had trading connections throughout Europe and would have been aware of the new fashion in garden design: in particular the famous gardens of Leasowes and Woburn Farm in England.  In Ireland the Prentice’s townhouse was adjacent to the home of Dean Swift in Dublin where he had developed his orchard and garden, ‘Naboth’s Vineyard.’  Dean Swift and his great friend Mrs Delaney (known today for her exquisite floral collages) were most closely associated in Ireland with knowledge of the new movement in garden design. Larchill was only 10 miles from Dangan Castle [now a ruin], often visited by Mrs Delaney, where from 1730 an extravagant 600 acres of land was embellished with a 26 acre lake, temples, statuary, obelisks and grottos by Richard Wellesley, Earl of Mornington and Grandfather of the Duke of Wellington [I think this was Richard Wesley (c.1690-1758), first Baron of Mornington. He was born Richard Colley but took the name Wesley when he inherited Dangan from his cousin Garret Wesley. [4] Mrs Delaney writes that he had a complete man-of-war ship on his lake!]. This is entirely contemporary with the Prentice’s period of garden development on their estate.

Robert O’Byrne writes of Larchill in his blog and tells us more about the beginnings of the movement for “ornamental farms”:

Despite its French name, the concept of the ferme ornée is of English origin and is usually attributed to the garden designer and writer Stephen Switzer.* [*Incidentally, Stephen Switzer was no relation to the Irish Switzers: whereas his family could long be traced to residency in Hampshire, the Switzers who settled in this country in the early 18th century had come from Germany to escape religious persecution.] His 1715 book The Nobleman, Gentleman, and Gardener’s Recreation criticized the overly elaborate formal gardens derived from French and Dutch examples, and proposed laying out grounds that were attractive but also functional: ‘By mixing the useful and profitable parts of Gard’ning with the Pleasurable in the Interior Parts of my Designs and Paddocks, obscure enclosures, etc. in the outward, My Designs are thereby vastly enlarg’d and both Profit and Pleasure may be agreeably mix’d together.’ In other words, working farms could be transformed into visually delightful places. One of the earliest examples of the ferme ornée was laid out by Philip Southgate who owned the 150-acre Woburn Farm, Surrey on which work began in 1727. ‘All my design at first,’ wrote Southgate, ‘was to have a garden on the middle high ground and a walk all round my farm, for convenience as well as pleasure.’ The fashion for such designs gradually spread across Europe as part of the adoption of natural English gardens: perhaps the most famous example of the ferme ornée is the decorative model farm called the Hameau de la Reine created for Marie Antoinette at Versailles in the mid-1780s. The most complete extant example of this garden type in Europe is believed to be at Larchill, County Kildare.” [5]

A walk through the woods. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Larchill website continues: “Thus there were many sources of reference for the Prentice family as they created their own pastoral paradise before falling on hard times and bankruptcy due to failure in their trading enterprises [around 1760]. The Ferme Ornée gardens were, as a result, leased separately from Phepotstown House and became known as Larchill after a boundary of Larch trees was planted around the farm and garden in the early 1800’s.

The Watsons leased the property in 1790 and the farm manager’s house was upgraded with additions at this time (around 1780). (see [3])

The website Meath History Hub gives us more information about the inhabitants of Larchill:

Richard Prentice, a haberdasher from The Coombe in Dublin occupied Larch Hill in the late eighteenth century. He may have established a Ferme Ornée at Larchhill and constructed the follies although they are generally dated to later. Mr. Prentice was declared bankrupt in 1790, owing ten thousand pounds to a Mr John Smith in Galway.

In 1790 the lease at Phepotstown was taken over by Thomas Watson. The Watson family were a Quaker family from Baltracey, Edenderrry. The house at Larch Hill may have been constructed at this time. Thomas died in 1822. His brother, Samuel Eves Watson [1785-1835], took a lease on Larchill when he married Margo Doyle in 1811. In 1820, Samuel E. Watson inherited half the estate of his uncle, Samuel Russell, in Hodgestown, Timahoe. This brought together four estates with a total area of 1,627 acres. When he died in 1836 his grandson, Samuel Neale [or was Samuel Neale his nephew, son of his sister Anna Watson?], got the estate but he had to take the name Watson in order to inherit. In 1837 Larch Hill, Kilmore, Kilcock was the residence of S.E. Watson. Its grounds were embellished with grottoes and temples. Samuel Neale Watson, as he was now known, married Susanna Davis in 1840 and lived mainly in Dublin. Samuel Neale Watson died in 1883. Seamus Cullen has researched the history of the Watson family.” [6]

The property is mainly notable for its follies, but the house is lovely too, an old Quaker farmhouse.

Larchill, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The yard is connected to the house.

The back of the house overlooks the farmyard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Even some of the farmyard buildings have Gothic arched windows. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The National Inventory describes the farm buildings: “Farmyard complex, c.1820, comprising a southern and a northern courtyard, both to the north of the main house. The southern courtyard comprises three, roughly dressed rubble stone ranges, with pitched slate roofs, pointed openings having some cast-iron diamond paned windows…Northern courtyard comprises three roughly dressed rubble stone ranges, with pitched slate roofs and square-headed openings. Diamond and pointed openings to northern range. Pair of rubble stone round piers to site.” [2] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There is a specially built “owlery.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We heard the distinctive cry of a peacock and one strutted in the yard. Guinea fowl ran around in a large gang, alerting owner Michael to our visit.

Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful flock of guinea fowl, who are great at alerting someone of a visitor! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He greeted us outside the barns, and brought us through the house. The house was built around 1780, and entering the back door, one can see the age – one senses it in the walls in the back hallway, which are not as smooth and straight as in a modern house, and they seem to sit more firmly in the ground. The ceilings are also higher.

Although a farmhouse, it has lovely coving in the drawing room, a ceiling rose and marble fireplace.

Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Coving in drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A fanlight in the entrance hall mirrors the fanlight over the front door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A lovely arched and shuttered window lights the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Larchill website continues, about the early 1800s: “It was after this time that the local Watson family leased Larchill and the famous connection was made, to this day, between Robert Watson, Master of the Carlow and Island Hounds and the Fox’s Earth folly. Although the Fox’s Earth would certainly predate the Watson’s tenure at Larchill [he died in 1908], and the fact that Robert Watson was only a distant relative of the Watsons at Larchill, still it is believed that the Fox’s Earth was constructed in response to Robert Watson’s guilt at having killed one too many foxes and his fear of punishment in reincarnation as a fox.

The Larchill website the National Inventory tell us that according to folklore the Fox’s Earth was created by Mr Robert Watson, a famous Master of Hounds in the 18th Century who feared punishment through re-incarnation as a fox, having killed one too many foxes during his hunting career. References I have found refer to the 19th century Robert Watson who was master of the hunt. [7] I’m not sure if there was an 18th Century Robert Watson to whom the Larchill website refers. Robert Watson (1821-1908) of the Hunt lived at Ballydarton, County Carlow. [8] Maybe he influenced his Watson relatives who lived at Larchill to ensure that the odd structure would act as a “fox’s earth” in case he was reincarnated as a fox! Whatever the case, it makes a great story! Ideas of reincarnation were, the Larchill website tells us, being explored at this time through the Romantic movement as established Christian doctrine came into question. It is feasible that there was every intention to create a Fox’s refuge with the design of this folly.

The “Fox’s Earth” folly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The “Fox’s Earth” folly structure, the website tells us, comprises an artificial grassed mound within which is a vaulted inner chamber with gothic windows and entrance. A circular rustic temple surmounts the mound. Externally it is reminiscent of an ice house.

Leading away, on either side from the vaulted interior, are tunnels disappearing  into the mound. These ‘escape’ tunnels seem to corroborate the story of this being a “Fox’s Earth”, a refuge and escape route for a fox pursued by the hunt.

Larchill, May 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory calls it a Mausoleum: “Mausoleum and folly, built c.1820. Comprising three-bay single-storey dressed limestone façade set into artificial mount, with rustic temple set on the mount. Pointed arch openings to three-bay façade. Rubble stone walls to site, with circular profile piers. Circular profile temple, comprising six columns, capped with dome. Rubble stone bridge to the site.” [9]

Another possibility that Michael told us is that the temple is a Temple of Venus. Inside its tunnels are in the shape of a woman’s reproductive system, with a womb and fallopian tubes. It could have been a sort of temple to fertility.

The Larchill website continues: “Although described in the notes to the 1836 Ordnance Survey as ‘the most fashionable garden in all of Ireland’ over the decades knowledge of the Larchill Ferme Ornée faded. The parkland returned to farmland, the lake was drained and the formal garden was lost and used to graze sheep. Although the follies became semi derelict and obscured by undergrowth and trees, the mystery and beauty of Larchill was still recognised. Folklore stories of hauntings and the ‘strange’ nature of Larchill ensured its continued notoriety.

The Meath History Hub tells us: “The Barry family resided at Larchhill from the 1880s until 1993.  Christopher and Maria Barry donated the Stations of the Cross to Moynalvey church. Christopher died before 1911 leaving Maria a widow.” (see [6])

In 1994 the de Las Casas family acquired Larchill. Four years of restoration followed with the aid of a grant from the Great Gardens of Ireland Restoration Program and a FAS Community Employment Project.

In recognition of the quality and sensitivity of the restoration program Larchill Arcadian Garden has been awarded the 1988 National Henry Ford Conservation Award, the 1999 ESB Community Environment Award and the 2002 European Union Environmental Heritage Award.

We then went outside to explore. Michael gave us a map to follow around the grounds. First he showed us the ingenious mechanism in the ornamental gate:

Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The gate has a pivot with two notches and it swings from one to the other. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A similar gate leads to the front field. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A beautiful horse greeted us at the edge of the field, sharing the field with a lovely horned cow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Before we walked the circumference of the field and lake, Michael showed us to the walled garden behind the house. On the way we passed a statue of Flora:

Statue of “Flora.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This little building seems to be an old fashioned latrine! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Looking back from the walled garden to the house and ornamental dairy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Ornamental Dairy. The National Inventory tells us: “Ornamental dairy to south elevation of walled garden, c.1810, comprising of arcaded elevation, with pair of columns supporting arched openings. Stained glass windows set in pointed arch openings to interior.” [10] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ornamental dairy used to have Dutch tiles but unfortunately a previous owner removed them! Ornamental dairies were common in ornamental farms, and were places where products of the dairy could be sampled if not actually made there.

Stained glass windows in the ornamental dairy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stained glass windows in the ornamental dairy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden, Larchill. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

At the north west corner of the restored Walled Garden the Shell Tower is a three storey, battlemented tower with single arched Gothic windows.

The National Inventory describes the tower: “Three-stage circular-plan castellated tower, built c.1820, set in south-west corner of walled garden. Roughly dressed rubble limestone walls, with flight of stone steps leading to first floor level. Pointed arch openings. Remains of ornamental shell work to interior.” [10] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The tower, called a “Cockle Tower,” is decorated with shells, but unfortunately it needs to be stabilised before one could safely enter. I did manage to see the inside of the shell tower by looking through a window. We saw a shell house in Curraghmore in County Waterford, and Mary Delany is famous for her shell work. There is also one nearby at Carton Estate.

The website tells us that in the case of the Larchill Shell Tower, where lower rooms are decorated with shells laid in geometric patterns, the shells appear to be mostly native varieties, many are cockles with some exotic exceptions such as conches – perhaps sourced via the trading connections of  the 18th century Prentice family who created the Ferme Ornée at Larchill.

Inside the cockle tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Cockle Tower also has some stained glass windows. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
18th century statue of Meleager, which is now preserved from the elements in the Walled Garden. He used to stand in the lake. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Meleager, hero of  the epic Greek mythological tale of the Calydonian boar hunt. Meleager is always represented with his hunting dog and the head of the slain boar as he is here. Michael pointed out an interesting fact about his statue, the original of which is in the Vatican in Rome. In Rome the boar is on the right side of Meleager, but in this copy, the boar is on the left, so it shows that the copy must have been done from an etching, which is in reverse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Larchill, 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
These twisty branches are amazing and beautiful. I wonder what plant it is? Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Distinctive piggery buildings, west of the walled garden, with battlements, steps and arched windows. At one time, these housed rare breeds of pigs, goats and fowl. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The animals had their own castle! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After we explored the walled garden, we set off to see the follies dotted around the lake. On the lake itself are two follies: the Gibraltar and the round temple. A previous owner had drained the lake but the current owners reinstated it, as water is an essential element of an ornamental farm, creating a romantic landscape. We learned a charming new word: marl clay lines the bottom of the lake. To prepare the clay before the lake was filled with water, the land underwent the process of “puddling.” This is letting sheep loose on the clay to walk it into the ground.

The lake, with the house in the background. A previous owner had drained the lake but the current owners reinstated it. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A ha-ha runs between two fields. One can see the island temple and Gibraltar in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Ha-Ha. The ha-ha contains the remnants of an elongated fish pond forming the ditch. (see [3]) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The remnants of an elongated fish pond forming the ditch of the ha-ha. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ditch of the ha-ha contained a fish pond, and this flowed to an eel pond. Fish farming would have been a lucrative practice.

The “Gibraltar” in the lake. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Gibraltar: This is a castellated miniature fort with circular gun-holes and five battlemented towers situated on one of two islands within the lake. It would have been constructed just shortly before, or at the same time as, the  famous defense by the British of their garrison on Gibraltar against the Spanish during the  ‘Great Siege’ of 1779 to 1783. The siege, which lasted nearly three and half years through starvation and repeated onslaughts by the Spanish, was impressive news at the time and must have motivated the naming of the fortress as Gibraltar.

There is a similar “Gibraltar” tower in Heathfield Park Estate in East Sussex. In 1791 Francis Newbery bought Bailey Park, an estate in East Sussex, which he renamed the Heathfield Park Estate. One of his first projects was to create a memorial to the former owner of the estate, George Augustus Eliot, who had been Governor at Gibraltar during the lengthy ‘Great Siege’ by the Spanish and French of 1779-1783. In 1787 Eliot was created Lord Heathfield of Gibraltar in recognition of his service to his country, and his death in 1790 had been marked by long eulogies in the press. The tower was later sketched by Turner as part of his commission to provide illustrations for Cooke’s Views in Sussex. [11]

However the fortress at Larchill was much more a source of pleasure and entertainment, the Larchill website tells us, with stories of mock battles across the lake.

Gibraltar folly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gibraltar folly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are more follies that one comes across as one walks around the estate.

The Feuille; the website tells us: “This is a circular mound planted with a spiral of beech trees to the side of the lake. It would appear to have been a practical and ornamental use for the soil excavated to create the lake itself. Feuillé is an appropriate name as the word ‘folly’ is an archaic English term for a lush and overgrown area of bushes and trees and was likely to have derived from the French ‘la feuillé’ meaning leaf.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boat House, Larchill, built c.1830, comprising of single-arch bridge to water side elevation, and with rubble stone walls and wrought-iron gate to rear. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boat House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boat House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boat House, Larchill. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The National Inventory tells us this is a “Rustic temple, built c.1820, comprising six of rendered columns set on a hexagonal plan, supporting a rubble stone dome. Flanked by rendered walls with circular-profile terminating piers. Stone seats to walls.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rustic temple set in a lake, built c.1820, comprising columns set on a circular-plan, with rendered boundary walls having circular openings. [12] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us about the Lake Temple: it “is a circular island building in the lake to the west of Gibraltar. The outer wall has decorative recesses and the internal circle of columns surrounds a well-like central core.

There is evidence that the  columns may have originally been partially roofed so as to direct rainwater into the well itself. It is possible that the design was intended to emulate the plunge pool baths of Ancient Rome, such as the famous pool at Hadrian’s Villa in Tivoli.”

There used to be a causeway out to the island temple. Another theory is that the well and round temple could have been part of a sham Druidic temple. Tim Gatehouse writes of a Grand Lodge of Irish Druids in the 1790s, whose summer activities included visits to members’ estates. (see [3])

A modern reproduction, this statue of the god Bacchus stands in the lake at the site of an original 18th century statue of Meleager, which is now preserved from the elements in the Walled Garden. The statue of Meleager was well-situated near the Gibraltar folly as the HMS Meleager was a frigate that fought in Admiral Nelson’s fleet. (see[3]) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Chinese prayer statue and lantern. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was lovely to wander around Larchill on such a sunny day. The owners have done us a great service to resurrect the beauty of an ornamental farm.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/14404905/larch-hill-larch-hill-demesne-phepotstown-co-meath

[2] https://www.buildingsofireland.ie/buildings-search/building/14404907/larch-hill-larch-hill-demesne-phepotstown-co-meath

[3] Gatehouse, Tim. “Larchill: a rediscovered Irish garden and its Australian cousin,” Australian Garden History, Vol. 29, No. 1 (July 2017), pp. 15-20. https://www.jstor.org/stable/26391590?read-now=1&seq=3#page_scan_tab_contents

[4] http://www.thepeerage.com

[5] https://theirishaesthete.com/2018/09/17/larchill-gardens/

[6] http://meathhistoryhub.ie

[7] https://carlow-nationalist.ie/2015/01/30/carlow-horsemen-celebrate-200-years-of-fox-hunting/

[8] The Watsons of Kilconnor, County Carlow, 1650 – present by Peter J F Coutts and Alan Watson https://books.google.ie/books?id=-OiJDwAAQBAJ&pg=PA188&lpg=PA188&dq=watson+%2B+larchill&source=bl&ots=f6EB7C366O&sig=ACfU3U3ar4INf4CGknDXjzVASjy1rlq0Ow&hl=en&sa=X&ved=2ahUKEwjvlpXZuqX5AhWCWMAKHTpzA9cQ6AF6BAgwEAM#v=onepage&q=watson%20%2B%20larchill&f=false

[9] https://www.buildingsofireland.ie/buildings-search/building/14404904/the-foxs-earth-larch-hill-demesne-phepotstown-co-meath

[10] https://www.buildingsofireland.ie/buildings-search/building/14404908/cockle-tower-larch-hill-demesne-phepotstown-co-meath

[11] https://thefollyflaneuse.com/gibraltar-tower-heathfield-park-east-sussex/

[12] Lake Temple: https://www.buildingsofireland.ie/buildings-search/building/14404911/larch-hill-larch-hill-demesne-phepotstown-co-meath

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Our holiday in County Cork

I still have to write about our visit to County Cork this year. We stayed in two airbnbs, one closer to Dublin, so that it was not too long a drive, and the second near Bantry, in order to see Bantry House. We stopped overnight in County Tipperary on the way home, in Thurles, to break up the long drive home.

On our first day, we visited Blarney House and Blarney Castle, both Section 482 properties.

Blarney Castle, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blarney House, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The next day we drove down to our Bantry airbnb. Bantry House wasn’t open that day, as they had an event, so instead, Stephen and I went for lunch to Liss Ard estate, in order to see the Sky Garden by James Turrell. Then we went to see Castletownshend, I made an appointment to see the castle. It is wonderful, full of historical items and still in the same family who built it. I wrote about both these properties in my “accommodation page.” https://irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

The next day we visited the wonderful Bantry House. It is like a museum, so full of wonderful decor! I will be writing about all these properties soon.

Bantry House, Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On our last day, we visited Riverstown to see the Lafranchini brothers’ stuccowork.

Riverstown, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We stopped in Tipperary to visit Cahir Castle which is amazing and has a great exhibition about its history. Then we went on to see the Swiss Cottage – I wrote about these in my entry on Office of Public Works sites in County Tipperary. https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/